LATEST ADDITIONS

C.A. Boylan  |  Feb 01, 2010  |  0 comments

The Spyder3Express From Datacolor
Datacolor has introduced the Spyder3Express monitor calibration system. This easy-to-use system is for both Mac and PC users and features unlimited license seats so you can calibrate every monitor in the house, regardless of the operating system. The suggested retail price is $89.

 

Contact: Datacolor, 5 Princess Rd., Lawrenceville...

Roger W. Hicks  |  Feb 01, 2010  |  1 comments

It’s an interesting phrase, “body of work,” most easily understood by looking at a photographer who has clearly created one.

Jon Canfield  |  Feb 01, 2010  |  0 comments

The following is an excerpt from “Camera Raw 101: Better Photos with Photoshop, Elements, and Lightroom” by Jon Canfield. This is a revision of the popular introductory book on using Adobe Camera Raw and is updated to include all of the new Raw image-processing features in Photoshop CS4 and Elements 7. Because the Raw-processing features are identical in Photoshop CS4 and Lightroom 2...

Press Release  |  Feb 01, 2010  |  0 comments

Nik Software announced that it is shipping its Viveza 2, the latest upgrade to its photo editing
software for selective color and light control. Viveza 2 now offers users robust global
adjustments and precise selective controls that utilize Nik Software’s U Point technology. Viveza
2 eliminates the need to create complicated selections or layer masks and provides a powerful
solution for users looking to save time and effort when editing images.

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Jack Neubart  |  Feb 01, 2010  |  0 comments

“Magic hour is a time that I always strive for and work around,” observes Memphis-based architectural photographer Jeffrey Jacobs (www.jeffreyjacobsphoto.com). “I arrive at the location before sunset (or before sunrise, as the situation warrants). After 10am, depending on the time of year, the usable light is pretty...

Staff  |  Feb 01, 2010  |  0 comments

Our Picture This! assignment this month covered one of the metering patterns, spot metering. Spot is a great choice when you want to saturate a distinct color, or when you want to get the bright white highlight right, with compensation. Readers sent in a variety of images, some with color in mind, others when they wanted to open up shadow details that would become too dark using evaluative...

Robert E. Mayer  |  Feb 01, 2010  |  0 comments

Here Is A Quick Tip List On Letters For The HELP! Desk:
Please confine yourself to only one question per letter. Both postal letters and e-mails are fine, although we prefer e-mail as the most efficient form of communication. Send your e-mail queries to editorial@shutterbug.com with Help in the subject header and your return...

George Schaub  |  Feb 01, 2010  |  0 comments
There are profound changes occurring on the exposure side of photography that will cause many of us to rethink how we read, and even approach light. As you know, contrast has always been the problem, one more or less attacked with the Zone System (exposure and development to place tonal values) and even slight overexposure of color negative film, where dye clouds rather than silver could be...
Joe Farace  |  Feb 01, 2010  |  0 comments

“I find television very educating. Every time somebody turns on the set, I go into the other room and read a book.”—Groucho Marx

Other than live motorsports I don’t watch much television, preferring movies on DVD or Blu-ray, but during the winter racing hiatus I found two programs whose photography is nothing short of sensational. The first is, not surprisingly, BBC...

David B. Brooks  |  Feb 01, 2010  |  0 comments

Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All...

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