LATEST ADDITIONS

Roger W. Hicks  |  Aug 01, 2010  |  0 comments

It sometimes seems that there are two kinds of photographers: those who bang their cameras and lenses around mercilessly, and those who baby them. The former see themselves as rough, tough, and macho; the latter are perpetually worried about the slightest risk of damage to their precious cameras.

Neither attitude makes a lot of sense. Yes, you need to be unlucky to damage a...

Shutterbug Staff  |  Aug 01, 2010  |  0 comments

Our Picture This! assignment for this month was “Shadows and Form,” images where the shadow plays an important role in the composition and point of view of the photographer. Shadows can redefine form, create volume and space, and can both echo and abstract form. Readers responded with images of landscapes, architecture, and even portraiture. In all cases the play of light and dark, of...

George Schaub  |  Aug 01, 2010  |  0 comments

When you talk about lenses these days you always have to bring in the multiplication factor, especially when you have a lens that fits comfortably on both so-called full-frame and APS-C sensor cameras. To know what angles of view you will have available you have to know: (a) that the lens is made for full-sized sensors (or not) so will work with the multiplication factor on smaller sized sensors...

Stan Trzoniec  |  Aug 01, 2010  |  1 comments

Nikon’s entry into past universal 80-200mm f/2.8 lenses started back in 1978 with a manual focus, push-pull lens checking in at 4 lbs. Ten years later the autofocus model arrived sporting ED (Extra-low Dispersion) glass; ’92 marked the “D” package. In ’96 the AF-S version came along, followed by the new generation of front motor drive “G” models. Now we...

Robert E. Mayer  |  Aug 01, 2010  |  0 comments

Here Is A Quick Tip List On Letters For The HELP! Desk:
Please confine yourself to only one question per letter. Both postal letters and e-mails are fine, although we prefer e-mail as the most efficient form of communication. Send your e-mail queries to editorial@shutterbug.com with Help in the subject header and your return...

Jim Zuckerman  |  Aug 01, 2010  |  0 comments

Digital technology has revolutionized photography. So much has changed. The terminology is different, the ability to make our images perfect after the fact is a new concept, and the instant gratification of seeing our photos in a microsecond allows us to correct our mistakes on the fly. At the same time, the digital world is fraught with challenges, and photographers have never had to deal with...

Jack Neubart  |  Aug 01, 2010  |  0 comments

Fisheye optics are an unusual beast. The bulbous nature of the front element is one characteristic trademark, but the unique view this lens affords us is what makes it truly appealing—and at the same time challenging to work with.

My fisheye lenses have literally widened my view of the world around me and given me a new perspective on my photography. Admittedly, some...

George Schaub  |  Aug 01, 2010  |  0 comments

Point of view is determined by many factors, and is one of the most important aspects of making photos that define who you are and how you see. It can be where you stand, whether you are photographing from your normal height or elevating above the subject or shooting from kneeling position, the direction of light from your shooting position, and, perhaps most important, how much of the scene...

Joe Farace  |  Aug 01, 2010  |  0 comments

“Cleverness is like a lens with a very sharp focus. Wisdom is more like a wide-angle lens.”—Edward de Bono

Old news now, but when I started writing this month’s column I’d just purchased an Apple iPad, which may turn out to be a flop like the original Newton—don’t laugh, I had one of those, too—or a runaway success like the iPod. So far, the...

David B. Brooks  |  Aug 01, 2010  |  0 comments

Digital Help is designed to aid you in getting the most from your digital photography, printing, scanning, and image creation. Each month, David Brooks provides solutions to problems you might encounter with matters such as color calibration and management, digital printer and scanner settings, and working with digital photographic images with many different kinds of cameras and software. All...

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