LATEST ADDITIONS

Shutterbug Staff  |  Jan 01, 2011  |  0 comments

This proud and calmly self-assured coyote posed for me on his log throne set amid the tall pine trees in Jasper National Park, Alberta, Canada. And what a beautiful animal he is, showing off his gray, white, and reddish coat and silky white-tipped tail as he gazed intently in my direction. I was pleased to observe that tourists in the area—there are many—respect the animals in the...

Shutterbug Staff  |  Jan 01, 2011  |  0 comments

Our Picture This! assignment this month was for images made at flea markets and antique stores, where the sellers act as impromptu art directors and assemble their wares in often interesting ways. The assignment was to go on a kind of treasure hunt for those found still life photo ops, and to make framing and compositional decisions that created a cultural mix through juxtaposition of objects and...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

Countless things appear at photokina that are not cameras, lenses, tripods, bags, materials, or lighting and studio. It’s part of the magic of the place. Calling this category “accessories” won’t do, because for most of us, “accessories” consist mostly of small things in blister packs: cable releases, lens caps, that sort of thing. At photokina, it can...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

There’s a new kid on the block when it comes to tripods, and they’re impressive, both in design and philosophy. Redged was founded in Holland by a nature photographer (Ed Dorrestein) and a sports and reportage photographer (Bart Bel) in order to get the kinds of tripods they personally wanted.

 

We weren’t the only ones who were impressed. This was...

Roger W. Hicks & Frances E. Schultz  |  Jan 01, 2011  |  0 comments

Perhaps the hardest thing to convey about photokina is just how wide-ranging it is. Where else are you going to get an opinion, from a factory representative, about how much longer film coating is going to survive in Iran? The answer, incidentally, was “maybe two to three years.” Did you even know there was a coating line in Iran? Then there are Romanian photo-book machines, Turkish...

Press Release  |  Dec 31, 2010  |  0 comments

From 2nd – 4th September 2011, the Haus der Photographie, Deichtorhallen Hamburg, Germany celebrates the premiere of the PHOTO+ART BOOK HAMBURG. This new fair focuses on the printed publication as an autonomous form of artistic expression. It accommodates not just a variety of exciting stalls but also offers exhibitions, workshops, lectures and booksignings. The PHOTO+ART BOOK HAMBURG addresses professionals, artists, creative individuals, printers, interested amateurs as well as book and art lovers.

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Press Release  |  Dec 29, 2010  |  0 comments

PWD Labs announced that its image processing services are now available to Hasselblad digital photographers. PWD editors have been trained by Hotwire-Digital, a Hasselblad premier partner, to use native Hasselblad digital files in the post-production process. Extending this digital service to the Hasselblad photographic community is a natural outgrowth of the value-added services PWD Labs offers and is available to Hasselblad photographers throughout the world.

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 |  Dec 28, 2010  |  0 comments

Industry Perspective

Helping Those With Special Needs: Rehabilitation Through Photography

by Ron Leach

We've often spoken of photography as a beacon for social change and a powerful vehicle for improving the plight of those less fortunate than ourselves. And these days there is perhaps no better example thanRehabilitation...

 |  Dec 28, 2010  |  0 comments

In-Camera Monochrome Contrast Control

Get Film & Filter Looks With Your Digital Camera

by George Schaub

Although the images you create are in color (RGB) you also have the ability to create black and white images in your digital camera using the Monochrome “creative” or “picture style”setting.

 |  Dec 28, 2010  |  0 comments

The Mysteries Of Long Exposure

Expand Your Image Imagination

by Art Rosch

The human eye sees light in the moment. Film or sensors accumulate light through an entire exposure, as if it were a memory. Photons continue making impressions wherever they land on the sensor or film. Moving objects leave a distended,
time-lapse...

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