LATEST ADDITIONS

Staff  |  Jan 27, 2012  |  First Published: Dec 01, 2011  |  0 comments
As collectors of 19th century American paintings, my wife and I are very familiar with the wonderful twilight paintings of Frederic Church, Albert Bierstadt, Jasper Cropsey, Samuel Colman, and Jervis McEntee. While touring Grand Teton National Park in the fall of 2009 we passed by the overlook to Lava Creek on numerous occasions and stopped to determine the possibility for a good panoramic shot. I took several over the course of a few days but was not satisfied with the lighting conditions.
David B. Brooks  |  Jan 26, 2012  |  First Published: Dec 01, 2011  |  1 comments

I often get questions about how to store digital image files safely and securely. Although there have been a lot of options, all of them have involved compromises. Recently, however, one of our readers told me about Millenniata.com, and I immediately looked into this new American company. I found that Millenniata has a new DVD disc technology that provides “more than” archival life expectancy, as established by the US Department of Defense’s Naval Air Warfare Center Weapons Division at China Lake, California. Their report can be downloaded as a PDF file from the Millenniata website.

Press Release  |  Jan 25, 2012  |  0 comments
Spider Holster announced it has started shipping its Spider Holster Black Widow Kit which offers a comfortable and secure carrying solution for entry-level DSLRs and other small-body cameras such as point-and-shoot, micro four thirds, and compact system camera models. Packaging the heavy-duty resin and stainless steel Black Widow Holster unit with all the basic accessories, such as the Black Widow Belt and just updated Black Widow Pad, ensures the optimal carrying comfort for consumer and prosumer photographers. The new and improved Black Widow Pad now includes an additional stabilizing feature to snug the camera’s lens to the Pad for added stability.
David Tipling  |  Jan 25, 2012  |  First Published: Dec 01, 2011  |  2 comments
More and more birdwatchers are capturing images of their favorite subject using digital techniques. But having the equipment is only half the battle to achieving stunning bird images. A good knowledge of your equipment, an understanding of both photography and field craft, and a firm basis in postproduction techniques are also essential if you want to capture and create high-quality bird photographs. All these topics are covered in this portable guide to bird photography. Although small enough to fit in a jacket pocket or camera bag, The Bird Photography Field Guide introduces and instructs on each stage of the digital photography process, describing all the necessary equipment, discussing specialist field-craft techniques, and showing you how to manipulate and enhance your photos. In this excerpt David Tipling shares his thoughts on perhaps one of the most important aspects of the craft—seeing and using light.—Editor
Lou Jacobs Jr.  |  Jan 24, 2012  |  First Published: Dec 01, 2011  |  1 comments

After almost 40 years of making platinum prints, chemical fumes had harmed Tom Millea’s lungs to a point where he could no longer go into the darkroom. He says, “Closing my studio was traumatic in the extreme.” He didn’t believe that anyone else was capable of printing his work as he envisioned it. He liked computers but had no desire to try to make digital prints look like his platinum prints. “One technique could not replace the other,” he says. He selected prints from his inventory to sell in gallery shows and considered himself retired.

 

But by 2004, when the color palette of digital inks had changed, Millea thought his prints were beautiful, and comparable with his darkroom images. He began making digital color photographs full-time using an Epson 2200 printer. Over the next five years, he says, “By myself, step by step, I learned to use the computer to make images I felt were uniquely my own.” He eventually put together a complete digital studio with Apple computers and two Epson printers, the 4800 and the 9800. He could then make his own prints up to 40x60”.

Jack Neubart  |  Jan 23, 2012  |  First Published: Dec 01, 2011  |  0 comments

It isn’t often that as a camera reviewer you get the chance to test a camera with the technical experts right at hand, but that’s how I got to know the Phase One 645DF and IQ160 back. Actually, I attended one of the company’s Phase One Digital Artists Series workshops in Chicago with other photographers (see PODAS workshops sidebar for further info on this and other workshops the company is offering). Beyond the guided portion of the workshop, we were given time to go off and work with the camera at our own pace. It didn’t take long to find my comfort zone with the new IQ system. By the end of day one, I had a working familiarity with the camera and back and hardly paid attention to the big bundle I was hefting. Although I often felt quite at ease shooting handheld, for night photography and some other occasions I did employ my trusty Benbo tripod, with the camera seated on a Foba Superball M-2 on one day, an Acratech GP-L ball head on another.

Press Release  |  Jan 23, 2012  |  1 comments
“Beyond the Kit Lens" is a series of seminars that will offer attendees a new perspective on photography. Under the instruction of professional photographers, André Costantini & Ken Hubbard, the 2-day seminar is designed to inspire the beginner to enthusiast photographers to make great images by understanding the choices that can be made when shooting. By dissecting a scenario, the instructors will explain how the camera works and how to improve images. Topics that will be discussed include lens choice, focal length, distance to your subject, aperture and shutter speed.
Staff  |  Jan 20, 2012  |  2 comments
RTP, Rehabilitation Through Photography announces the election of Jackie Augustine to the position of President of the Board of Directors. Jackie is a 30 year veteran of the photographic industry. She served as Group Publisher of VNU/Nielsen’s Performance Group of Magazines and prior to that she was VP, Group Publisher of the High Technology Group of magazines at Primedia which included Petersen’s PHOTOgraphic and Shutterbug magazines. Currently she is the President of Jackie Augustine Consulting, a company focused on integrated media and marketing solutions. She is also a Member of the PMDA Board of Directors and Editor of the PMDA website.
Jay Miller  |  Jan 20, 2012  |  First Published: Dec 01, 2011  |  1 comments

Like most of you, I’ve been frustrated by the amount of dust that accumulates not only on my sensors but also on my cameras and lenses in general. It’s an ongoing battle. Take photos, clean cameras; take photos, clean cameras.

David B. Brooks  |  Jan 19, 2012  |  First Published: Dec 01, 2011  |  6 comments

It has been some time since anentirely new hardware andsoftware display color management system was introduced. X-Rite, the world’s largest color management manufacturer, now has a new i1Display colorimeter and next generation i1Profiler software. First of all, the new i1Display Pro is designed to accommodate all kinds of computer displays, including standard home/office models, wide color range displays, LED backlit LCD displays, laptops, and projector displays. The new colorimeter is a very flexible and convenient instrument design capable of measuring displays directly, as well as projected on a screen, plus ambient environmental illumination, all in one instrument. This new i1Display colorimeter is also capable of measuring a display at full screen to evaluate flare, and correct for it. It also features ADC, or Automatic Display Control, to manage a display’s internal controls and eliminate manual adjustments. Added to this comprehensive package is the Pantone management system for spot colors. A set of different methods of validation is available to measure the result of calibration and profiling with user-defined pass/fail tolerances.

 

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