LATEST ADDITIONS

Edited by George Schaub  |  Oct 08, 2013  |  First Published: Sep 01, 2013  |  0 comments

The RX1 is the first time Sony has combined a compact camera system with a fixed lens system that includes a full-frame sensor that’s nearly the size of classic 35mm film material (35.8x23.9mm). The basic camera concept combines elements of digital compact cameras with features of classic viewfinder cameras, but leaves out an optical or electronic viewfinder. In its stead Sony offers an LCD screen on the back, similar to what you’d find in an entry-level compact camera. The screen is very large (3”) and offers a very high resolution (1.28 million RGB dots). The resulting image preview and the representation of the menu structure is crisp and clear. Sony does offer an optional optical viewfinder, which is mounted on the hot shoe. Just like the camera itself, it is quite expensive. Most users will also be surprised by the battery recharger system of the RX1. It’s equipped with a USB recharger and the user is forced to recharge the battery in the camera. An external recharger and additional batteries are offered as an option.

Press Release  |  Oct 08, 2013  |  0 comments
”Korda and the Revolutionary Image,” a new exhibition at the Jordan Schnitzer Museum of Art at the University of Oregon, features photographs of such historical figures as Fidel Castro, Raúl Corrales and Che Guevara, taken by Cuban photographer Alberto Korda. The exhibition is on view in the JSMA’s Focus Gallery through January 26, 2014.
Press Release  |  Oct 07, 2013  |  0 comments
The Surreal Illusionism exhibition at the Finnish Museum of Photography features nearly 500 photographic postcards that offer a surprising wealth of pictorial ideas, high artistic quality and photographic allure.
Staff  |  Oct 04, 2013  |  First Published: Sep 01, 2013  |  0 comments
August, 8:45pm. The sun just set and the mercury is still hovering above 95. Not even a whisper of a breeze. It’s hot. It’s too hot to sleep, too hot to work—too hot to think. My only hope sits out back, parked on a pad covered with pavers. I simply need to turn the key, press the start button, and my ride will roar to life with only a single thought—escape the heat! I head west on State Route 412, a lonely deserted road that goes nowhere but has lovely sweeping curves and hard level straightaways where my baby can cut loose. With my feet on the pegs, the wind blows my hair back and sweat evaporates from my skin. Blessed relief!
Joe Farace  |  Oct 04, 2013  |  First Published: Sep 01, 2013  |  1 comments
As I write this controversy is swirling over Adobe Systems abandoning Creative Suite to focus on Creative Cloud. Even if this is solved by the time you read this, there will come a time when you’ll have to face a decision about whether or not to upgrade your software. There are two different schools of thought on software upgrades: one approach suggests that if a program is working, why spend money to upgrade? The reason behind this philosophy is that sometimes upgrades create more problems than they solve. A second viewpoint is to always upgrade to the latest version—no matter what. The thinking is that since change is inevitable that you should upgrade to the newer version to minimize or eliminate future problems. How Adobe has handled Camera Raw over the past few Photoshop upgrades is a testament to that theory. Over the years I’ve changed from an upgrade-regardless person to a more cautious approach. I may prefer to have the latest version of everything being used on a daily basis but now will wait weeks (months, years?) all the while listening to the drumbeat of grumbles from early adopters. That’s why I’m waiting to see what happens with Adobe’s new policy.
Press Release  |  Oct 04, 2013  |  1 comments
“Our mini accessories were designed for the convenience and creativity of today’s spontaneous point-and-shoot and action video camera users, as well as smartphone users who use their devices to shoot images and enjoy media,” said Michael Jue, director of product design and management. “The new tripod stands support consumers as they use their technical tools to get creative with their photos and videos,” he added.
Press Release  |  Oct 03, 2013  |  0 comments
Tamron USA announced that the company now offers 3-business day repair service turnaround for photographic lenses. This achievement works to alleviate customer concerns that when they send in a product for repair service, they may be left without that product for some time. Now, all lenses received in our system by noon EST are estimated the same day and moved onto the next stage. Lenses under warranty (Tamron USA offers a 6-year limited warranty on its photographic lenses) are repaired and shipped back to the customer within three business days. Out of warranty lenses are repaired and shipped back within three business days of the customer's approval of the repair estimate.
Press Release  |  Oct 02, 2013  |  0 comments
The SB-300 Speedlight is small enough to fit comfortably into a shirt pocket yet it is built for the user looking to take flash photography to the next level. Providing more power and coverage than a built-in flash, the versatile and portable SB-300 is a simple and valuable lighting accessory compatible with both Nikon D-SLR and Advanced Performance COOLPIX cameras. This new Speedlight covers a wide-angle 18mm in DX-format and operates via simple on-camera controls, making it easy for beginner photographers to use light to their advantage.
George Schaub  |  Oct 01, 2013  |  First Published: Sep 01, 2013  |  0 comments

Way back in 2006, Innova Art brought out their FibaPrint White Gloss 300 gsm, and while not what I’d call a big brand name here in the US, digital printmaking aficionados who had come from the fiber-paper darkroom tradition took note. Here was an inkjet paper that emulated, and some say matched, the look and feel of traditional bromide silver printing paper. Other surfaces have since been introduced in this line, including the new FibaPrint Warm Cotton Gloss 335gsm that’s the subject of this report. Of course, this is not the only paper that claims the “fine art” pedigree, but due to its weight, its ability to reproduce a wide range of tones with clarity, and its acid- and lignin-free constitution it has all the required specs.

 |  Oct 01, 2013  |  First Published: Sep 01, 2013  |  1 comments
This month’s Picture This! assignment was Shadow Play, the role played by shadows in a photograph’s composition and, often, meaning. Shadows define form and shape, but they also can add an aura of mystery and intrigue, one where the recognizable subjects are altered by their presence. They can also be the subject of the image, and dominate the frame to create an abstract view of the world. Readers sent in images that accomplish all the above, with photos of people, places, and things that are enhanced by the sense of depth and space created by these light-formed elements.

Pages

X