LATEST ADDITIONS

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Tom Fuller Posted: Aug 01, 2000 0 comments

My first encounter with a Vivitar Series 1 lens goes back more than 15 years to the 600mm "Solid Cat," one of the slickest super-telephotos ever made. In addition to great optics, the lens featured an overall length and diameter of--and I'm not joking--around...

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Peter K. Burian Posted: Aug 01, 2000 1 comments

Although most lens manufacturers offer fast (f/2.8) ultra-wide zoom lenses, these tend to be large, heavy, and quite expensive. Tokina's own AF 20-35mm f/2.8 AT-X PRO is a superb product but most photo enthusiasts do not require such a wide aperture...

Joe Farace Posted: Aug 01, 2000 0 comments

People have been fascinated with panoramic imagery ever since the beginning of photography, but my own fascination can be traced back to Bausch & Lomb's invention of CinemaScope lenses for the movies during the 1950s. The first CinemaScope movie, The...

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Jay Abend Posted: Aug 01, 2000 0 comments

I've always wanted really exotic lenses: super wide fisheyes, perspective control tilt and shift lenses, super fast rare earth element thoroughbreds, and super long telephotos. I've managed to buy, rent, or borrow just about everything out there in...

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Peter K. Burian Posted: Aug 01, 2000 0 comments

Although Tamron makes some exceptional professional lenses, one of its moderately priced products--various models of the 28-200mm zoom--has amassed sales of over one million lenses and won "Best Buy" awards worldwide. This is understandable, considering...

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Jay McCabe Posted: Aug 01, 2000 0 comments

Robin Lasiloo
University Of New Mexico
Gallup Campus

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Peter K. Burian Posted: Aug 01, 2000 0 comments

Although most photographers tend to discus the big, fast, pro lenses, the vast majority actually sold are affordable zooms. Sigma makes both types, including their latest APO models like the AF 800mm f/5.6EX with Hypersonic autofocus and the modestly...

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Mike Matzkin Posted: Aug 01, 2000 0 comments

This is about putting some of the fun, mystery, and control back into image making. Do you ever feel that something is interfering in the process of making a photograph? That somehow you are not in control of it? Some of that feeling has to do with...

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Rick Sammon Posted: Aug 01, 2000 0 comments

Quick question: What's one of the key ingredients for a dramatic picture?
Answer: Dramatic lighting.

One more question: Where and when can you almost always find...

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Jack Hollingsworth Posted: Aug 01, 2000 0 comments

Since this is the magazine's annual issue devoted to lenses, let's talk about the lens most likely to be forgotten or ignored, the one that practically no pro pulls out of his bag, but which is my favorite: the 50mm f/1.4. You know, the paperweight.

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