Photoshop’s Luminosity Masks and Blend-in tools are similar and often used to accomplish the same tasks, and photographers often confuse the two methods and wonder when they should use one over the other. The quick tutorial below answers that question so you can make the right choice when editing your work.
There’s nothing wrong with being a beginner because, let’s face it, all great photographers have been there. But here’s the deal: You needn’t make unavoidable mistakes that prove your novice status to the world.
The Orton Glow effect is popular among landscape photographers for giving images a dreamy, ethereal look that really stands out from the crowd. There are a number of ways to get the job done—some more complicated than others.
You’ve probably seen dramatic waterdrop images like this one and sensibly assumed that it took years of experience and thousands of dollars in equipment to get similar results. Frequent Shutterbug Photo of the Day contributor and long-time photography professional Jeff Van Scoyk introduced us to the Miops Splash, the $150 photo accessory for controllable waterdrop photography.
There’s a vast array of plugins from third-party vendors for augmenting the capabilities of whatever image-editing software you use. In the tutorial below you’ll discover what one expert calls “the best” choice for both Lightroom and Photoshop.
Lightroom Classic includes a selection of interesting built-in presets allowing you to quickly achieve a variety of effects. You can also purchase a wide array of others from outside sources and easily install them within Lightroom’s Develop Module.
Earlier this week we featured an easy five-minute fix for poorly exposed photos using Layer Masks in Lightroom. But that simple task provided just a taste of what these powerful tools can do.
Many of use would love to pursue a career as a professional photographer, but lack the necessary skills, means, experience and gear to make that dream a reality. But that doesn’t mean we can’t aspire to create pro-quality images.
Right about now you’re probably saying to yourself, “No experienced landscape photographer would be out on the field shooting with a smartphone.” And with a few exceptions you’d be right—unless the camera’s battery died and there’s nary a spare in sight.
It’s not uncommon for photographers to adopt a “set-it-and-forget it” mentality when configuring their cameras, thereby ending up with photographs that aren’t as good as possible. Whether you call this habit lazy or uninformed, there are times when the choice of a custom setting results in more creative images.