LATEST ADDITIONS

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Maria Piscopo Posted: Mar 01, 2001 0 comments

Recognize that
making images is a complicated and evolving process, whether it's
via the digital or traditional route. "Going digital" from your perspective
is no longer an issue or even a simple choice of just digitalcap...

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The Editors Posted: Feb 27, 2001 9 comments

Improvements in capabilities and ease of use make the most popular pro image-editing program even better

Adobe Photoshop was introduced 11 years ago this month, and it's been the photo-editing tool of choice for most serious photographers and desktop-publishing professionals ever since. Does that make it the right one for you? Well, if you're serious about digital...

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Monte Zucker Posted: Feb 01, 2001 0 comments

For years, now, I've been asked to shoot portfolios for models, but I always felt as if I didn't have the time or the desire. In truth, I was just never excited about the challenge.

Then JJ, the man...

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Jay McCabe Posted: Feb 01, 2001 0 comments


Brooks Institute Of Photography
Santa Barbara, California

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The Editors Posted: Feb 01, 2001 1 comments

Just as when you put a new lens on your camera, loading black and white rather than color film makes you see differently. The images you make deal in the gray scale world, where tone and texture and an exciting range of light can be found. There are deep blacks, bright...

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Rick Sammon Posted: Feb 01, 2001 0 comments

I'm a still photographer: I shoot only still pictures. Video? It's cool, but I like to capture individual "frozen moments in time." However, I often like to convey action--and the grace of a moving subject--in my still...

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Jack Hollingsworth Posted: Feb 01, 2001 0 comments

It's the seeing that's
the magic, not the technique, the execution, or the equipment. The magic
that makes the difference between an okay photograph and a great one is
seeing the scene or the element in the scene, capturing it and moving...

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Darryl C. Nicholas Posted: Feb 01, 2001 0 comments

In the old days, in a wet darkroom, we frequently sepia toned our black and white prints. The real goal of sepia toning a print was to alter the chemicals in the emulsion to improve the life of the image. But, of course, many folks simply liked the look...

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Steve Bedell Posted: Feb 01, 2001 0 comments

I get a whole new way of seeing things when I put black and white film in the camera. It seems like I have a little Photoshop Desaturate command that goes off in the back of my head and suddenly I see everything in shades of gray. Anyone who's...

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Darryl C. Nicholas Posted: Feb 01, 2001 0 comments

Almost all enlargers will accept lenses of different focal lengths, designed so you can match the focal length of the lens to the size of the negative that you are printing. If you do not, your negative might not print correctly.

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