LATEST STORIES

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Edited by George Schaub Posted: Jun 21, 2016 0 comments

The new Canon EOS Rebel T6 is the follower of the EOS T5, which was introduced two years ago. Just like its predecessor, the new camera is an APS-C system with an 18MP sensor. The new camera has a slightly modified image processor (“Digic 4+” instead of “Digic 4”) and shows some differences in its feature list. It still uses a 3-inch LCD screen on the back, but this screen now offers 920,000 RGB dots instead of 460,000. However, despite the doubling of dots this LCD resolution isn't that impressive anymore, given what is currently on the market. Also, the screen doesn't offer a hinge or swivel point so it is fixed and can't be moved.

Barry Tanenbaum Posted: Jun 21, 2016 0 comments

David X. Tejada’s assignment was a lighting demo for a how-to video and end-use images. The location was a private home where he was asked to create the effect of artificial sunlight. The weather cooperated by providing rain.

Ron Leach Posted: Jun 20, 2016 0 comments

OK, here’s something a bit different: A lens replica mug for coffee lovers that features a self-stirring mechanism and has a stainless steel interior to keep your drinks hot. It’s also great for icy, blended cocktails, but nobody would consume those while out shooting, would they?

Ron Leach Posted: Jun 20, 2016 0 comments

Documentary photographer Walker Evans (1903-1975) was not only one of America’s most influential artists of the 20th century; he was a superb visual storyteller. His approach to photography was simple: “Stare. It is a way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.”

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Ron Leach Posted: Jun 20, 2016 0 comments

The legendary Bourne & Shepherd photo studio, founded in Kolkata (Calcutta), India, has sadly succumbed to the digital age after a storied history of 176 years. Bourne & Shepherd is considered the longest running photo studio of all time.

Ron Leach Posted: Jun 17, 2016 0 comments

One of the first bits of advice offered to less-experienced photographers is to “get closer to your subject.” More advanced shooters know that moving in tight tends to avoid background clutter and emphasize the primary subject. Macro (or close-up) photography takes this tenet to the extreme and makes possible some very unique imagery as long as one owns the required equipment and employs proper techniques.

Jon Sienkiewicz Posted: Jun 16, 2016 0 comments

The folks who brought you PortraitPro, the software that turns average looking men and women into superstars (or as John Oliver might say, “Turns ones into tens faster than a South American counterfeiter”) now brings you LandscapePro, a similar application you should think of as “cosmetic surgery for Mother Nature.” But is this a case of “liking what you get,” or “getting exactly what you like?” That, my friends, is the $59 question

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Ron Leach Posted: Jun 16, 2016 0 comments

Our Weird Lens Guru Mattieu Stern is at it again; this time with a review of a Jupiter 21M 200mm f/4 “tank lens” that he says has “astonishing contrast and bokeh.” Stern adds that the first time he used this lens he was “blown away by the quality.”

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Ron Leach Posted: Jun 16, 2016 0 comments

Here is some spectacular underwater imagery from experienced diver/photographer Rick Sanoian, captured with Canon’s newest flagship DSLR, the EOS-1D X Mark II. Sanoian is with Backscatter Underwater Video & Photo, a large purveyor of underwater imaging gear in Monterey CA, and you’ll see why he is so impressed with the 1D X Mark II.

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Ron Leach Posted: Jun 16, 2016 0 comments

We’ve been giving a lot of love to big glass lately, and you won’t want to miss this video review of the remarkable Sigma 300-800mm f/5.6 EX DG APO IF HSM Autofocus Lens—affectionately known as the “Sigmonster.” It works with both full-frame and APS-C cameras, and on the later it provides a long-end of 1280mm!

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