Three Carl Zeiss T* Lenses From Sony For The Alpha, And Soon-To-Come Sony D-SLRs; Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA Zoom, Planar T* 85mm f/1.4 ZA, And Sonnar T* 135mm f/1.8 ZA Page 2
Carl Zeiss Zoom Lens
Described as a professional-grade model, the Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA zoom was designed exclusively for D-SLRs. This 24-120mm equivalent zoom benefits from a circular aperture, T* coatings, and two glass-molded aspherical elements with several benefits. They correct spherical aberration (curvature of field) for more consistent edge-to-edge sharpness even at wide apertures while reducing comatic flare (blurring near the edges) and linear distortion. This lens is similar to the primes, but smaller and lighter, with a narrower focus ring and the addition of a zoom ring. While focusing is internal, the lens does extend when zoomed, by about 1.75" at the 80mm end.
In spite of the strong family resemblance, this more affordable lens does not feel quite as rugged as the primes. The barrel includes more parts made of high-grade polycarbonate materials in order to keep weight at a tolerable level. That's understandable since this more affordable lens targets a wider range of consumers, including families who would never want an unusually heavy zoom. Even so, overall build quality is definitely above average. Mechanically this is a very fine lens, with tight tolerances; both zooming and manual focus action are stiff but smooth. Autofocus was also fast and accurate during tests with an A100 camera.
This zoom turned in performance that justifies its $659 street price, producing
images with remarkably high resolution in the central area even at the maximum
apertures. At those apertures, there's some slight softening near the
borders as well as a bit of shading. Both aspects improve noticeably by f/5.6.
Thanks to the effective lens hood, multilayered T* coating, and internal anti-reflective
strategies, flare is extremely well controlled.
Peak optical performance (incredibly high) was produced in the 18-80mm range, at f/8, for a level of quality usually expected only from a single focal length lens. Corner sharpness/brightness is very high, and the images exhibit great resolution of the most intricate detail, great clarity, snappy contrast, and a beautiful color rendition. Barrel distortion (bowing outward of lines near the edges) is obvious at 16mm, decreasing very noticeably at slightly longer focal lengths. By 24mm, there's virtually no linear distortion. I made some really stunning 13x19" prints, the largest possible with my Epson desktop printer; even larger outputs should be equally impressive.
As my comments indicated, these ZA-series lenses are certainly worthy of the blue Zeiss logo. The most affordable of the premium-grade trio, the 16-80mm Vario-Sonnar T* zoom is also the most desirable in terms of portability and versatility. It's not built like a high-end Mercedes-Benz but its imaging performance should be a real eye-opener for anyone who has used only a kit lens or other inexpensive zoom. This would be a perfect complement particularly for the 10-megapixel Sony A100 or a future prosumer-level Sony Alpha camera with even higher resolution.
The 85mm f/1.4 and 135mm f/1.8 Carl Zeiss lenses were intended as problem-solving tools for those who need a telephoto with the widest possible maximum aperture. They're professional tools and priced accordingly but this duo should also attract the most discriminating photo enthusiast. Granted, both command a premium price but they do pay dividends in terms of superior mechanical, electronic, and optical features. Try them while visiting a photo retailer and you'll agree that these robust, beautifully finished lenses hold the potential for a lifetime of serious photography. Either model should satisfy those who place a high value on flawless performance, unsurpassed quality, as well as pride of ownership, prestige, and exclusivity.
Technical Specifications: Carl Zeiss ZA Lenses
|Lens||Planar T* 85mm f/1.4 ZA||Sonnar T* 135mm f/1.8 ZA||Vario-Sonnar T* DT 16-80mm f/3.5-4.5 ZA|
|Sony Model #||SAL-85F14Z||SAL-135F18Z||SAL-1680Z|
|Angle Of View (Diagonal)||29Þ (35mm); 19Þ (D-SLR)||18Þ (35mm); 12Þ (D-SLR)||83 to 20Þ (D-SLR)|
|Construction||Eight elements in seven groups||11 elements in eight groups, including two ED||14 elements in 10 groups, including two aspherical|
|Min. Focus||2.8 ft||27"||13.8"|
|Weight||20 oz||37 oz||15.5 oz|
|Sony/Maxxum SLR Compatibility||Multi-platform||Multi-platform||Digital only|
For more information, contact Sony Electronics Inc., 16530 Via Esprillo, Ste.
MZ 7104, San Diego, CA 92127; (877)
A long-time "Shutterbug" contributor, stock photographer Peter K. Burian (www.peterkburian.com) is the author of several books, including "Mastering Digital Photography and Imaging" as well as "Magic Lantern Guides" to the Sony A100 and Pentax K10D. He is also a digital photography course instructor with BetterPhoto.com.
- 10 Simple Tips on How to Turn Amateur-Looking Photos Into Pro-Quality Images (VIDEOS)
- Watch Photographer Ilko Allexandroff Get Beautiful Portraits of a Model During a Rain Storm (VIDEO)
- Brandon Stanton’s Humans of New York: The Power of Storytelling In Documentary Photography
- Underwater Photographer Jean-Marie Ghislain Captures Diver Playing with Great White Sharks
- Nikon AF-S Nikkor 105mm f/1.4E ED Lens Review