Thoughts On Super Wide<br>Working With Sigma's 12-24mm f/4.5-5.6 EX DG Aspherical Lens

Thoughts On Super Wide
Working With Sigma's 12-24mm f/4.5-5.6 EX DG Aspherical Lens

By Omar Attum • Posted: Feb 1, 2005

Wide angle lenses are my favorite types of lenses. They allow me to create striking 3D-like compositions, provide more depth of field, and fit more in the photograph, even in confined spaces. Although I regularly use a digital SLR, I often feel limited in using my Canon EOS 10D for landscape photographs because of the camera's small sensor and resulting cropping factor. I have to use my film SLR when I want to capture "wide" landscape photographs that require the use of focal lengths between
20-24mm. This, of course, is not an issue if you can afford one of the more expensive, full-sensor digital SLRs.

The ability to zoom to 24mm allowed me to isolate this spring from the landscape.

The most used focal range was between 12-17mm.

If you have never used a wide angle before, then you'd probably be surprised what a difference a decrease of 4mm from 24mm to 20mm or a 3mm decrease from 15mm to 12mm, such as is available from the Sigma 12-24mm, makes. The potential to see new angles and create striking compositions, in my opinion, increases as the focal length becomes wider. Being able to use a focal length of 12mm is like wearing glasses for the first time and being able to see the blackboard as a child. This is how significant a few millimeters decrease in focal length will expand your ability to see and create photographs.

For my handheld applications f/4.5 was fast enough.

The 12mm of this lens is so wide on a film SLR that it probably won't be used all the time because of compositional difficulties--it seems that everything is included in the photograph because of the 122Þ angle of view. But the ability to zoom to 24mm allows this lens to be used for the entire range of wide angle applications. To create stunning compositions at 12mm, I used the compositional rule of "foreground/background." I often focus closely on an object in the foreground, such as wildflowers, to create dramatic landscapes that convey depth, since objects in the foreground appear larger than they really are in relation to the background. When using this lens at 12mm, pay attention to objects, such as branches and bright objects in the corners, bottom, and very top of the image that are distracting and are often inadvertently included in the image because of the extreme angle of view.

I used the Sigma 12-24mm f/4.5-5.6 mostly for landscapes.

That said, Sigma's 12-24mm f/4.5-5.6 lens is wider than any lens I have ever owned. I worked with this lens on my Canon EOS-3 film and EOS 10D digital SLRs during a two-month desert excursion to Saudi Arabia. The Sigma 12-24mm was the most used lens for digital landscapes and rarely left my camera on the trip. I mostly used the focal range between 12-17mm, which is equivalent to 19-27mm on a film SLR. This focal range is generally the most useable wide angle focal range, and on my EOS 10D, the lens allowed me to take photographs not previously possible. I found myself using my film camera less than on previous trips because of the enhanced focal length range.

My images from this lens were sharp, with high contrast, and color rendition throughout the entire focal range and most apertures. I did notice slight corner softness on my slides when the lens was used at 12mm and wide-open. This corner softness was negligible on my digital images, which is probably due to the smaller sensor using the center of the lens. Overall, I was impressed with the professional quality of my slide and digital images that this lens produced.