The Beauty Of The Season
Our Picture This! assignment this month was Winterscapes, and the photos
we received made us want to put on our sweaters and scarves, even here
in sunny Florida. Readers braved the cold, and made the right exposures,
in a wide array of scenes, from snowy field and ice-covered trees to frozen
"sculptures" that truly communicated the many moods of the
Winter Shapes: The early snowfall and stream in Vermont created this
wonderful design captured by Paul Lenz with his Nikon SLR and Sigma
28-300mm lens on Fujifilm Superia HQ ISO 200 film.
© 2003, Paul Lenz, All Rights Reserved
Winter Light: Wrote photographer Jane Scanlon, "The sun coming
through the trees after a fresh blanket of snow gave the woods a magical
look and feel." She caught this beautiful scene with her Minolta
XTsi loaded with Kodak ISO 100 print film at f/8 and 1/60 sec.
© 2003, Jane Scanlon, All Rights Reserved
Early January Morning: Photographer Gene K. Mace braved -10Þ temperature
and 30" drifts to capture this gorgeous scene. He worked with
a Pentax ZX-7 and 28-80mm lens on Kodak Supra 100 film.
© 2003, Gene K. Mace, All Rights Reserved
US Capitol Snow: Frank Cruz caught a rare accumulating snowfall in Washington
DC using his Nikon D100 with a 28-105mm Nikkor lens. He worked with
aperture priority at f/13 and shot at a 3-second exposure.
© 2003, Frank Cruz, All Rights Reserved
Doe In Snow: Terry Swanson was traveling on a back road after a night
of snow and found this solitary doe, which he said allowed him to shoot
an entire roll of film before running off into the woods. He worked
with a Canon A2 and 400mm f/5.6L lens and exposed on Fujifilm Superia
400 color print film.
© 2003, Terry Swanson, All Rights Reserved
Winter Seats: When we first looked at Marlene Gerbetz's photo we
were perplexed, but her title tells all. This image was made at Ralph
Wilson Stadium in Orchard Park in Buffalo, New York, a snowy place indeed.
She worked with a Nikon F100 and a 28-135mm Sigma lens and shot on Fujifilm
ISO 400 color print film.
© 2003, Marlene Gerbetz, All Rights Reserved
Winter Festival: James Edmiston photographed Union Pacific Engine #119
at the Golden Spike National Historic Site in Utah during their annual
winter photo festival. He worked with a Canon Elan 7 and 28-105mm lens
and Kodak Portra 400UC film.
RJames Edmiston, All Rights Reserved
Champaign Powder: The name for this photo comes from what locals call
the snow in Yampa Valley in Steamboat Springs, Colorado. Scott Hoffner
made this sparkler with his Mamiya II 6x7 camera and 80mm lens on Fujichrome
Velvia 50 with an exposure of f/11 on Program mode. He scanned it using
his Nikon 8000ED and printed it out on his Epson 1270 printer, telling
us the only thing he manipulated was a bit of sharpening and a minor crop.
© 2003, Scott Hoffner, All Rights Reserved
Winter Fun: Like some ski resorts, Theresa McCloskey felt the need to
make snow for this wonderful photo of kids enjoying the season. She made
the photograph with an Olympus C-5050 camera, then used motion, noise,
and blur effects in Photoshop to give us a snow shower on an otherwise
© 2003, Theresa McCloskey, All Rights Reserved
Winter Tones: AJ (Tony)
Lazarecki caught the cold blue mood of winter in this image he calls "Winter
Maple." He worked with a Sony Mavica CD-1000 and sent us a lovely
print on matte surface paper.
© 2003, AJ (Tony) Lazarecki, All Rights Reserved
© 2003, George Schaub, All Rights Reserved
Picture This! -
Our Next Assignment
Our next Picture This! assignment is Visual Perspective. All photographs
are by nature two-dimensional, but we can use a number of visual tricks
to enhance the sense of "dimensionality," including contrast,
depth of field, and our point of view. This month's assignment deals
with one of those techniques--leading lines. Whether it's a
long and winding road, a strong diagonal, or even the use of a vanishing
point (where all parallel lines seem to converge at infinity) it's
all part of a photographer's bag of tricks. In this photo, a lone
commuter makes his way toward a day working the Stock Exchange in New
York's Wall Street. The point of view and strong shadow all lead
the eye into the picture space. So keep an eye out for those dimension-adding
visual techniques and lead us into and through your own personal image
Please Read This
It is important that you read and follow these guidelines. We need to
follow this procedure because of the large volume of images we receive.
1) Images sent to us cannot be returned. You retain complete
copyright over the images, but do grant us permission to print your image(s)
in the magazine and on our web site, www.shutterbug.com
2) Because images are not returned please send a quality
print or duplicate transparency. We will not accept or view images on
CD, ZIP, or any other electronic media.
3) Images will be selected on the basis of content and
technical quality. Please mark your outer envelope with the topic of the
month (for example, "Wide View").
4) Enclose a short caption with the image stating camera,
lens, film and exposure, plus location. If you are submitting an image
with a recognizable person we must have a model release or signed permission
from that person to reproduce their image in the magazine and on the web
Send your image
and information to:
Picture This! Shutterbug Magazine, 1419 Chaffee Dr., Suite #1, Titusville,
Deadline for submission: May 15, 2004
Images will appear in our August 2004 issue.
Our next topic: Historical Reenactments
Deadline: June 15, 2004
Publication Date: September, 2004