Our Picture This!
assignment for this issue was Unlikely Combos, and we asked readers to
send in pictures that touched on the surreal using both conventional and
of course digital techniques. We got our fair share of great pictures
and it just goes to show you that sometimes you can believe a photograph...and
sometimes you can't. Images ranged from the sublime to the ridiculous,
with some that had visual puns that we all loved.
Cat And Dog:
According to Joseph Brazan, who created this image, these two pets were
the least of friends in real life (with the cat maintaining a "suspicious,
disdainful distance" for the 15 years the two lived together).
The two photos were made using a Minolta Maxxum 700si and Tamron 20-40mm
f/2.8 lens on Fujicolor NPS 160 Professional, and then combined by scanning
with an Epson 1650.
2002, Joseph Brazan, All Rights Reserved
Roger Beck made his images with a Pentax K1000 and a Canon EOS Elan
IIe. The composite was made using Photoshop 5.0 with an added blue background
and a ripple effect applied to the dome of the courthouse. He also added
seaweed from "bits and pieces of plants from a flower garden."
© 2002, Roger Beck, All Rights Reserved
Bill Moy combined this photo of the pier at Point Reyes with images
of animals made at Safari West in Santa Rosa, California, to set up
this unlikely group portrait. He photographed with a Contax RX using
Fujichrome Provia 100F film, and worked with a Carl Zeiss Distagon 35mm
f/2.8 for the pier shot and a Tele Tessar 300mm lens for the animal
photos. He then scanned all with an HP S20 film scanner and brought
it all together using Photoshop 7.
© 2002, Bill Moy, All Rights Reserved
"Hannah In Roswell,
Georgia": Vicki Hunt used mixed media to create this fanciful image.
She photographed on Ilford XP-2 chromogenic film and then handcolored
it, after which she scanned and printed it.
© 2002, Vicki Hunt, All Rights Reserved
Fly Me To The Moon:
Jane Jackson Coates sent us this lyrical shot made with a Nikon Nikkormat
35mm SLR and 105mm lens combined with an image made through a telescope.
© 2002, Jane Jackson Coates, All Rights Reserved
Dummy's Day Off:
Lou Oates created this amazing montage. He photographed with a Minolta
DiMAGE 7 and worked with almost 75 Layers in Photoshop! The "base
image," as he calls it, was fire damage near Globe, Arizona.
© 2002, Lou Oates, All Rights Reserved
© 2002, George Schaub, All Rights Reserved
Picture This! -
Our Next Assignment
The convergence of sky, water,
and land always makes for great photo opportunities. The light and color
are infinitely variable and the reflections and design elements can always
be seen in many different ways. This photograph was made at Half Moon
Bay south of San Francisco right before sunset and as a storm was gathering
on the horizon. So take a walk by the sea (or a bay, estuary, lake, or
pond) and send in the gloroous moments you happen to find there. (Nikon
F3, 24mm Nikkor lens, Ektachrome 100, f/5.6 at 1/60 sec.)
Please Read This
It is important that you read and follow these guidelines. We need to
follow this procedure because of the large volume of images we receive.
1) Images sent to us cannot be returned. You retain complete copyright
images, but do grant us permission to print your image(s) in the magazine
and on our
web site, www.shutterbug.net
2) Because images are not returned please send a quality print or duplicate
transparency. We will not accept or view images on CD, ZIP, or any other
3) Images will be selected on the basis of content and technical quality.
Please mark your outer envelope with the topic of the month (for example,
4) Enclose a short caption with the image stating camera, lens, film and
exposure, plus location. If you are submitting an image
with a recognizable person we must have a model release or signed permission
from that person to reproduce their image in the magazine and on the web
Send your image
and information to:
Picture This! Shutterbug Magazine,
5211 S. Washington Ave.,
Titusville, FL 32780.
Deadline for submission: August 15, 2003.
Images will appear in our November 2003 issue.
Our next topic: Colorful Cars
Deadline: September 15, 2003.
Publication Date: December, 2003