Perspective Control (PC) Lenses For Panoramas; Not Just For Architecture Anymore

It's a well-known tenet that Perspective Control (PC) or tilt/shift lenses are intended for shooting architectural subjects. But who says you have to use them that way?

The tilt/shift lenses from Canon allow tilting on one axis while shifting perpendicular to that axis. On this shot of Point Piños the depth of field provided by the TS-E 24mm f/3.5L was adequate without using this feature but it can be used to optimize focus in some situations.
All Photos © 2006, Joseph A. Dickerson, All Rights Reserved

A PC lens lets you do a certain amount of tilt/shift, rise/fall control, a limited equivalent to a technique that view camera photographers can fully exploit via the movable standards on their gear. Canon offers three such lenses: the TS-E 24mm f/3.5L, the TS-E 45mm f/2.8, and the TS-E 90mm f/2.8. For Nikon users there is the amazing PC Micro Nikkor 85mm f/2.8D. So what do you do if you don't shoot with Canon or Nikon gear? Well, there are PC (shift only) lenses offered for other systems--check the manufacturer's website to see if there is one for your camera.

The images are added to Panorama Maker 3.0 in the order that you want them stitched (left to right), then click on Include All. This will start the stitching process and take you to the next dialog screen.

Zörkendorfer manufactures tilt/shift attachments that can be adapted to fit many cameras, including medium format. Both Horseman and Wista (HP Marketing) have recently introduced view camera-like devices that convert a normal SLR camera into a mini view camera.

This screen shows the complete panorama, you can zoom in to inspect the areas where the images join to make sure there are no anomalies. You can also use the Fine Tune tool if you find any problems.

PC Panoramas
One exciting technique I have been playing with for a while now is stitching images together in the computer to create composite panoramas. It's a blast and it creates images that look like they were shot with a dedicated panoramic camera. My fascination with panoramas started when I acquired a 6x12cm rollfilm back for my 4x5 view camera. I really like the wide aspect ratio, the 6x12cm rollfilm back is easy to use, and the 6x12cm negatives will print on a standard 4x5 enlarger. As my interest in panoramas grew I looked into shooting 6x17cm, but found the cameras somewhat limited and, for me, too expensive. The Hasselblad XPan seemed like a great compromise but I really didn't need yet another camera system. While the XPan is no longer being produced you can still find some dealer stock and used models.

Your completed panorama. You can choose what you want to do with it and where you'd like to save it. I save mine as TIFF files and save them to the desktop. I then open them in Photoshop to size and optimize them.

Then serendipity showed up in an opportunity to take a panoramic class taught by George Lepp and Brian Lawler at the Lepp Institute of Digital Imaging in Los Osos, California. Long-time friends of mine, and panoramic photographers extraordinaire, Lepp and Lawler taught us to stitch images together using Photoshop or an inexpensive, easy to use, software called Panorama Maker 3.0 by ArcSoft.

Problem solved, sorta. This eliminated the need for a specialized camera system but the shots are not always simple to align. Care must be taken to allow enough overlap of the images to facilitate the matching of elements within adjoining frames. But with proper technique and attention to detail even 360Þ panoramas are possible using virtually any camera.

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