Using Night Portrait mode, the statue of Atlas near New
York's Rockefeller Center at dusk came out great.
The flash added just enough illumination to add detail
and the longer exposure time brought out detail in the
building and even opened up the dark sky. All photos made
on Fujichrome 100 Provia film.
Photos © 2003, George Schaub, All Rights Reserved
Now that digital SLRs are knocking
on the door, film SLRs are undergoing a renaissance that makes them smaller,
lighter, easier to use and carry. They also are incorporating many advanced
features of their pro film SLR cousins but in a way that makes all that
amazing technology virtually transparent to the user. In some sense we
are in the golden age of film SLRs, and while their appearance may be
that of a basic camera with point-and-shoot ease they are quite impressive
in their potential to be full-fledged picture making machines. One such
in this new breed is the Nikon N75, first announced at this year's
PMA Show. Unlike some vaporware cameras--where you have to wait six
months for them to actually appear--the N75 arrived on our desk soon
after the show was over and is available now in stores.
Simple To Use
While the camera body and grip are made for smaller hands than mine, I
can see how they would work well for most folks. The controls are quite
straightforward, especially after you have used a digital SLR with all
the possible options, menus, etc. that sort of camera offers. In fact,
the simplicity is a bit of a relief and the application of the various
shooting programs and controls couldn't be easier.
painter's table was in the Art Student's League
in New York. No compensation was required on the flash and
the focusing area snagged the edge of the paint bucket in
the center of the table. An aperture of f/8 using the 28mm
focal length on the supplied zoom kept all the objects sharp.
The Matrix Meter nailed the exposure.
On the left top of the camera
is the exposure mode and shooting mode dial. For so-called "user
controlled" exposure modes there's the typical aperture- and
shutter-priority and manual exposure controls, plus a Program mode that's
Flexible, allowing you to shift aperture and shutter speed combos on the
fly. This is probably the best of the lot and frankly I'm not sure
why we bother with the others at this point, especially for those who
know what a narrow aperture and/or fast shutter speed can do.
For those who are still perplexed by apertures and shutter speeds there
are the "point-and-shoot" exposure modes, as Nikon calls them.
They can be used when you want to set up a shot for full Auto, Portrait,
Landscape, Close-Up, Sports, and Night Portrait modes. Even experienced
shooters can benefit from these modes, and we found the Macro and Night
Scene modes worked great. By the way, if you set the exposure mode to
Auto the setup is for Matrix Metering, a 25-segment meter that does an
excellent job in most lighting situations; indeed, that's the default
for every other exposure mode than Manual, which sets the metering pattern
For those who like to refine the camera's metering opinion there
are also some advanced features such as exposure compensation (+/- 3 EV
in 1/2 EV steps), Auto Exposure Bracketing (AEB) that can be customized
to start from various points by first setting the exposure compensation,
and Multiple Exposure, with a well-written guide to set compensation values
for various sets of overlapping images. Of course, multi-exposure is a
fairly inexact science, so experimentation for success is key.
at Marco mode, the focusing points in the N75 viewfinder
confirmed sharp focus and the exposure was dead on. The
1.1 ft minimum focusing distance of the 28-80mm lens set
at 80mm let us get up close and personal with this orchid.
The nice thing about the N75 is that it contains both point-and-shoot
features for making images on the grab and some fairly sophisticated options
for those who want to play around with their images. A case in point is
the focusing alternatives. You can use the camera in both manual and AF
modes, with an AF lock available for making way off-center subject focusing
choices. The N75 does have a fairly wide focusing target, however. But
on the back of the camera is a toggle or rocker panel that has three options--Dynamic
AF with closest subject focus priority, Dynamic AF with the centered subject
(middle target) as priority, and Dynamic AF, which allows you to pick
a subject from one of the five targets in the finder and keep with it,
so to speak, if it moves. The rocker panel allows you to choose among
the five targets while three options around the dial allow you to pick
the focus area mode best suited to what and whom you're photographing.
There are a few options in various exposure modes. For example, if you
change the exposure mode to Auto or a Vari-Program from one of the priority
or manual modes then the focus area resets to the center target, but if
you shift around in the priority modes it doesn't. This is probably
the most complicated part of the N75, but a few rolls will dispel any
problems. Basically the N75 might revert to default if you shift it around
in the middle of making exposure calculations, but sometimes it doesn't.
Exposure and focusing are linked, and that's where the reversion
usually applies. Being an SLR this is no big deal, as you usually see
what you get in the viewfinder if you use the depth of field preview function.
When using built-in flash you might have a problem with
some cameras with close-ups. Our first exposure (left)
is quite good and was made with no exposure compensation;
our --1 EV exposure is better on slide film, but
the uncompensated shot would be fine with print film as
you can always get the print made a bit darker. This is
a testament to the Nikon exposure system and tells us
that the N75 metering system will deliver great shots
in even difficult lighting conditions.
Custom Setting Suggestions
Being a Nikon the camera can be further customized to your way of shooting
using the Custom Settings. Here are some I suggest you use: Get rid of
the beep (CS1-disabled); activate Focus Area Illumination (always on,
CS4-option 2); put the AEL in shutter release button (CS5-option 1); and
change the Time Delay of Auto-Meter Off (CS8-option 10--the default
5 seconds is too short for me). In total there are 12 Custom Settings,
and of course you will set them to your own way of working. By the way,
though not touted too much, you can also set up a spot metering using
Auto Exposure Lock via a Custom Setting (CS7-2).
Other Features Of Note
There are of course other things to explore with this camera, such as
a mid-roll rewind, a continuous advance mode (up to 1.5 frames per second),
a nice built-in diopter adjustment, and an optional remote control. The
built-in flash has a Guide Number of 39 (ISO 100/ft) that at a middling
aperture of f/8 yields a maximum coverage of about 5 ft. If you use ISO
400 film that goes up to about 10 ft, so if you like to work with flash
you're probably better off getting an auxiliary flash for this camera
or always working with faster film. The built-in flash has all sorts of
sync modes, but unless you load with fast film (and I still consider ISO
400 fast) there's little reason to get too deep into using it because
the coverage is limited. I did use the built-in for Night Portrait Mode
and the combination of flash and slower shutter speed did a great job
on a statue near New York's Rockefeller Center. But in general if
you like to use a lot of flash techniques and like to work with slower
speeds then get yourself one of the fine Nikon Speedlights that will allow
you to take full advantage of all the flash modes in many more shooting
The "kit" lens for this camera is a 28-80mm f/3.3-5.6, which
gives you some idea of the marketing target. The lens is very lightweight
and delivered very sharp images in a variety of shooting situations. Of
course, you can use a whole bunch of Nikon lenses, and for first time
Nikon users the N75 ushers you into the world of Nikon glass and accessories.
For the price this camera is well worth it, considering what digital SLRs
go for and the fact that all that technology is built into a lightweight,
fully functional body. The N75 proves that when it comes to modern film
SLRs you can get a lot of bang for your buck.
Type: 35mm SLR with electronically controlled shutter
Exposure Modes: Auto, Program (Flexible or Shift), TV,
AV, M, and Vari-Program
Viewfinder Frame Coverage: At 89 percent
Focusing: AF, Nikon Multi-CAM 900
Focusing Modes: Single or Continuous; Manual focus. Three
selectable Dynamic AF choices: Closest Subject Priority, Center Subject
Priority, and Dynamic AF. Five AF targets.
Metering: 3D 25-Segment Matrix; Center-Weighted, Spot
Flash: Built-in; flash sync at 1/90 sec
Flash Coverage: 28mm or longer
Handling: Motorized advance and rewind; mid-roll rewind
Power: Two 3v CR2 batteries
Weight: 13.4 oz
Price: Street, with 28-80mm f/3.3-5.6 lens, at $349.
Also comes in a QD (Quartz Date) model; street price body only at $289.