Me and My Shadow
We rarely consider photographing
shadows, but oftentimes the long shadows created in early morning or late afternoon
light are so dramatic that they can actually become interesting subjects for
Shadows exist wherever light exists, but we tend to overlook them, partly because our eyes are drawn to light--and because we're usually looking for some other type of information rather than the juxtaposition of light and dark. Shadows cast by people can be particularly interesting. They're expressive yet anonymous, because the person casting these shadows could be anyone.
You can photograph the subject and
its shadow or just the shadow alone. For example, in one of these accompanying
photos, we don't see the lamp post that casts a shadow on a building,
but it becomes an intriguing design element on this monolithic rendering of
architecture. It's even more interesting than if we saw a photo of the
lamp post itself. Photos that capture the shadow and not the subject are striking
because--as with silhouettes--they leave everything to the imagination
except for the shape of the subject.
Silhouettes are also, by definition, shadow photos. The light strikes the subject from behind, and you're photographing the shadow side. For the best silhouettes, pick a subject with a strong, easily recognizable shape.
Long shadows cast by an object can
become an important part of a picture's composition, such as with the
image of the mountain. Shadows can also be used to conceal unwanted clutter
in a photo, which calls attention to the subject. By creating some contrast,
shadows often emphasize the color or brightness of a particular light source.
Shadows can be very dramatic, such as a light subject emerging from the moody
darkness. You'll want to emphasize the highlighted portion of the photo
to give it some punch.