The Gemini kit is composed of two flash heads (monoblocs) and a Gemini Battery
set, as well as a strong duffle-bag like carrying case and stands for the heads.
We worked with the 500WS heads, although the kit comes in both 250WS and 750WS
units as well. The supplied stands come with an "L" bracket that
allows you to mount the heads in vertical or horizontal positions. Once mounted
you can choose from either AC or battery power; be sure to set the appropriate
switch on the back and avoid connecting both at the same time. Once you do the
green "go" light comes on quickly and you're ready to shoot.
The heads' output are variable over five full f-stops, from full to 1/32
power, with 1/3 EV steps in between. The accompanying modeling lamp must be
manually set to match the flash output, which is easily done by matching numbers
on the dials. If you need an audible signal that the flash has built up full
power you can set the sound switch to "on", or turn it off if desired.
When you hit the flash you can have the modeling lamp dim out or stay on all
You can dial in up to five power ratio stops in 1/3 EV intervals
by simply turning the Power dial. The modeling lamp can be coordinated,
made brighter or turned off, if desired. This power ratio range
gives you a great amount of control over the output, especially
when using the two lights as key and fill.
There are three ways to trigger the flash. If you want to test the flash or
use multiple pops you can work with the Open Flash button. You can also use
a standard quarter inch jack attached to the socket on the rear of the unit.
If you want to fire just one flash you can go straight in, or use a "Y"
connector for both heads. This is where you can also plug in an infrared receiver
or similar wireless triggering device. One accessory you might consider is the
Bowens Pulsar Radio Trigger, which mounts in your camera hot shoe and can be
used, says Bowens, for popping the flash up to 100 meters away (!) This is a
radio transmitter so you can shoot through walls and around corners. It offers
four individual channels and what is known as six studio selectors, each with
a different ID for different flash units. Bowens tells us that the low-voltage
operation of the unit makes it ideal for use with digital SLRs. Another firing
option is the built-in photocell "slave", which can be used to pop
the flash with any other flash source, such as a shoe mount or even built-in
flash on your camera. This can be switched on or off, depending on your operating
The back of the unit offers simplified controls and input. The
unit can be fired in three ways in both wired and wireless fashion.
Add in the flexibility of the Travel-Pak and the units can be
used easily both in studio and on location.
On their own and connected to an AC power source the Gemini heads can be used
for any studio setup, from still life to portraits to groups. They take a numerous
and full line of light modifiers, including wide-angle, keylite and softlite
reflectors as well as adaptors for a wide range of softboxes (visit www.rtsphoto.com
for more information on the lighting modifiers available.) But the real bonus
of this system is the ability to power it using the Gemini Travel-Pack. The
battery pack can power two monoblocs simultaneously, with a total power output
of 1500 WS, which means you can use both heads at full power off the one pack.
If you use only one head there's a supplied "dummy" to close
off the second power socket. It brings one of the heads to full power in about
5 sec., and yields up to 200 full-power flashes on one charge. You can charge
either in fast or slow options, which means it can give you a quick boost for
the last remaining shots in a set if needed. Weighing in at about 15 lb, the
Travel-Pak comes in a case with a shoulder sling, making it easy to carry about
wherever your location shots lead.
Shooting close and getting just enough light for a shallow depth
of field was simplified by the capability of going to 1/32nd power.
The dim day was overcome with the Gemini's supplied fill.
(Image effect of Gaussian Blur added after exposure.) Model: Caitlin McTiernan, Photo by John Schaub
For testing photographer John Schaub worked on location with model Caitland
McTiernan. He used a single head as a direct flash in a snowy field, placing
insulating cover on the ground. The Travel-Pack worked flawlessly for the full
shooting session, powering up quickly between takes and setups. In the studio
Schaub created sets for shots of vintage Fire-King dinnerware, using flags and
skim lighting to create the quiet glow in and through the products.
With the Bowens Gemini set low and angled to shoot light across
the tabletop, one light created all the texture and lighting angles
desired for this still life. Flags, color reflectors and a snoot
were all combined in the setup. Photo by John Schaub
List price on the Gemini 1000 WS kit (two 500WS heads) is $1945; the Travel
Pack lists for $895. Together they make for a versatile lighting kit that can
be used in the studio, or on the go.