3D GAMING LCD DISPLAYS ?????
Serious digital photography to the computer industry is a small niche market that only obtains support in LCD displays with high-cost specialty brands and models like Eizo ColorEdge, LaCie and the very limited XL line of Samsung Syncmaster brand displays. I’d mention too NEC’s SpectraView displays (in the same high price category), but word is that many of their displays will not support a low enough brightness to match printing paper brightness. But I have had some luck with much more modest cost displays adjusting, calibrating and profiling them to provide both color and density print matching. However, there are hundreds of different consumer LCD display models and sadly the information (specifications) give no indication if they will or will not work and can be adjusted, calibrated and profiled successfully, and although I would like to find out and develop a list of affordable displays I can recommend for digital photographers, without actually testing some, it is not a possibility.
But in general, should putting together a computer system and setting up the component hardware and software to obtain color and density matching between display and output without “prints too dark”, be that difficult and expensive? It should not be so, as it is really not rocket science, although color management profile making software does involve high level color science, implementing a color managed work flow is relatively simple and involves well established known hardware and software elements. There are a dozen or so companies that can produce all kinds of ways to make it easy to do image manipulation that took time and skill manually with Photoshop, and they are selling plugins to all kinds of digital photographers either too lazy or intimidated to learn how to use Photoshop. There should be some of that resource of programming talent that could devise a Wizard that would walk a user through adjusting their display, and setting up their system to enable color management and a workflow that would output photographic images that aren’t either too dark or off color. So, why not?
It used to be a principle of business success to discover a need and fill it as a way to make money. But today it seems that everyone is trying to make some gee whiz gizmo, usually not needed, that will become the latest fad to turn a buck in the marketplace. I have been immersed in trying to find solutions to “prints too dark” for months now, and it still seems to be a taboo subject within the digital photography industry. I would think someone would recognize that making the challenge of putting together a moderate cost computer system configured and capable of inputting and outputting digital photographs of good quality, reliably, out of the box is a golden opportunity. Maybe some company has something in the works that’s still secret, but I am fearful maybe there is nothing because everyone just hopes the problem will go away because they don’t really understand what’s involved.
If you have a comment, they are welcome, so please post it. If you have a question you want me to answer please address an e-mail to David B. Brooks at: email@example.com
- 10 Tips to Tell Your Novice Photography Friends on How to Shoot Fireworks
- Grandpa’s Super Rare 1959 Nikon F with Cloth-Type Shutter Curtain for Sale on eBay
- Gearing Up: 10 Essential Photo Products to Bring on Your Next Location Shoot
- Apple May Disable Your iPhone Camera at Concerts and Venues Where Photography Is “Inappropriate”
- Nick Carver Shares His Secrets for Making and Framing Great Fine Art Prints (VIDEO)