Paper & Ink
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Paper & Ink
George Schaub Dec 19, 2011 Published: Nov 01, 2011 0 comments
There’s no question that glossy and satin or pearl-type surfaces give an image more “pop,” but on the other hand you might want to use a matte surface to enhance the look and feel of certain images that rely less on pop than a quieter mood. It could be boiled down to a simple rule of thumb: for rich, high-saturation images you might use a glossy or semigloss; for more subtle colors it might be better to use a matte or satin. In the black-and-white realm it’s more of a toss-up but I think the same general rule applies. For example, for architectural images of adobe or stucco wall buildings I use matte; for glass and steel skyscrapers I choose glossy. Notice that I always modify the recommendations with “might”: if you really get into papers for printing you’ll make your own judgments. But there’s no denying that surface decisions play a role in overall effectiveness of the image.

Paper & Ink
George Schaub Oct 27, 2011 Published: Sep 01, 2011 0 comments
Let’s face it—some images just look better on a glossy surface. Yet, some folks spurn gloss for its “commercial” cachet and snapshot aesthetic. For those who prefer a “crisp” look to their prints but eschew gloss for practical and aesthetic reasons, a paper like the new Lasal Exhibition Luster could do the trick. Replacing Moab’s former Lasal Photo Luster (a 270 gsm paper vs. this one’s 300 gsm), this Resin-Coated (RC) paper has a bright white base, is flexible yet strong, and touts a new coating technology that the company claims yields improved scratch resistance and enhanced “opacity.” The paper is affordable for its class, with letter-size paper well below $1 per sheet (in 50-sheet packs), 13x19” at slightly under $2 a sheet, and a 17”x100’ roll at $143, all quoted from the company’s website.

Being an RC paper, the company says you can print using either dye or pigment-ink printers, although it says pigment is preferred. Lacking a dye printer our print runs were done using an Epson 3800 (pigment) printer using Epson (Premium Luster) and Moab ICC profiles, and both Photoshop and Epson printer controls. Color and black-and-white images of landscapes, people, and graphics were chosen for the tests. Prints were left overnight to cure, although we note that prints were instant dry and the paper showed no signs of ink “wetness” sometimes seen with fiber-based papers right off the press, and there was no dry down effect perceived. Prints were made with Photo Black ink settings.

Paper & Ink
Frances E. Schultz Oct 24, 2011 Published: Sep 01, 2011 4 comments
Ilford’s new Multigrade Art 300 (MGA 300) paper is a completely new, different, silver halide, wet-process printing paper: the company’s first new paper in 13 years. The tonality is rich and subtle, and the feel of the prints is incomparable. As a bonus, it is perfect for handcoloring.
Paper & Ink
George Schaub Jul 07, 2011 Published: Jun 01, 2011 0 comments

Inkjet printmakers have nothing to complain about when it comes to paper choices. There are glossy, semigloss, and matte surface papers galore, each with their own charm and cachet. Regarding the latter aspect, Somerset is no slouch, having established a reputation in both inkjet and other art papers many years back.

Their latest entry into the inkjet market is Somerset Museum Rag, distributed by Moab. This 100 percent cotton, 300 gsm paper displays a smooth matte surface, a considerable, but not yellowish warm tone, and while strong and fairly thick, is actually quite supple. The paper is single-sided, which means the tooth is on one side only, and telling the printable from the backing side is not something that will be immediately apparent. For that reason the packaging comes with a stick-on label that says “printable THIS SIDE.” You would do well to keep the original cellophane packaging until you get a good feel for the surfaces. I found that if you rub your thumb along the surface the differences become clear, with the printable surface evoking somewhat of a higher pitch.

Paper & Ink
George Schaub Mar 01, 2011 0 comments

The substrate and the image often go hand in hand, with a natural tendency to choose a matte surface for one type of scene, bucolic landscapes, perhaps, a hard gloss for commercial work, and a luster for deep blacks and a fine art feel.

Accessories, Paper & Ink
C.A. Boylan Feb 01, 2011 0 comments

PocketWizard MiniTT1 And FlexTT5 For Nikon
Made for use with Nikon D-SLR cameras, the MiniTT1 transmitter slides into the camera’s hot shoe and measures just 2.8x1.9x1.3”. The FlexTT5 transceiver measures 3.6x2.9x1.4”. This system can be used to control single or multiple off-camera Nikon i-TTL flash units. The firmware is upgradeable and other accessories...

Paper & Ink, Show Reports
Roger W. Hicks ... Feb 01, 2011 0 comments

In our recent photokina reports (January, 2011, issue) we covered products and trends at the show. Here’s a brief follow-up on some film and paper processing items and information on friends old and new, present and gone.

In our photokina reports we mentioned Kodak’s new film, of course, and Harman’s Direct Positive paper, and...

Paper & Ink
George Schaub Feb 01, 2011 0 comments

OK, so I have on the meditation tape and have done my breathing exercises and now I’m ready to print on Hahnemühle’s Bamboo paper, which they dub prime for “spiritual black and white and color photography.” Made from 90 percent bamboo fibers and 10 percent cotton, and washed in “pure spring water,” the paper comes with a bit of New Age hype but at the end...

Roger W. Hicks ... Jan 01, 2011 0 comments

Let’s be honest. One thing no one would have expected at photokina was a unique new black-and-white silver halide process. But that’s what we got. Well, not exactly brand new. It’s a revival of a technology that hasn’t been seen in decades, quite possibly not in the lifetime of many of our readers: direct reversal paper.

Jon Canfield Jun 01, 2010 0 comments

There are a couple of new printers aimed at the event photographer market, and there are plenty of media options as well for snapshot to fine art printers. And, the photo book industry is taking off—there were more book printing options available than ever before, both for the portrait/wedding photographer with companies like Fujifilm, HP, Kodak, and Lucidiom all having offerings in both...

Paper & Ink
George Schaub May 01, 2010 0 comments

Part of the fun of making inkjet prints is the wide variety of printing surfaces and weights from which you can choose. You can go the budget route and have some fine papers to work with, or choose papers that have brand cachet and a price tag to match. That cachet generally pays off in a level of quality and durability that many printmakers both admire and hope to discover in their printing...

The Editors Aug 01, 2009 0 comments

The best imaging products of 2009 were voted on at the Technical Image Press Association (TIPA) General Assembly held from April 2-4, 2009 in Budapest.

Paper & Ink
Jon Canfield Jul 01, 2009 0 comments

It’s kind of difficult to believe that there could be much innovation in a material that’s been used for thousands of years, but I’m always surprised at the number of new printing papers that come out each year. Of course, the traditional surface photo papers in gloss and luster finishes continue to be the most popular choices, but there is an ever-widening variety of fine art...

Paper & Ink
George Schaub Sep 01, 2008 0 comments

Like most everything else these days the cost of "art" inkjet printing paper seems to be going through the roof, so printmakers are seeking alternatives without sacrificing quality. The perceived issue with some so-called "third-party" papers (those that do not carry the printer maker's brand, thus lack a profile installed with the original start up...

Paper & Ink, Show Reports
Jon Canfield Jun 01, 2008 0 comments

There may not have been many new printer announcements at PMA this year, but that certainly didn't affect the paper vendors from going all out with new products. It's clear that old is new again, as many of the surfaces shown mimic those of traditional darkroom days. If you're a lover of fiber-based papers, this is a great year for you with plenty of new options...