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The idea here was...well, there were a few ideas. First, I wanted to do photography that was bright, cheerful, colorful—and different. With times being a bit harsh and stressful for many, I was looking for something light-hearted and, frankly, far from reality. Dreamy and summer-like came to mind. 

Depth-of-field is like the weather—we can’t control it but we can take advantage of its powerful effects. That is, if we understand its behavior. Here are 7 facts about DoF to coach photographers through the laws of physics and optical phenomena.

One of the banes of outdoor portraiture is that you’re always at the mercy of prevailing lighting and weather conditions. Equally challenging is the fact that, whether you’re shooting images for a client or photographing a model for your portfolio, you don’t always get to choose the time and location of a session.

Many photographers consider beauty retouching a difficult and arcane art. And while you can make this task as simple or as complicated as you want, with the proper tools photographers of all skill levels can dramatically increase the quality of their results.

Most of our tutorials involve tips, tricks, and techniques you can use to capture more compelling images. But today we’re going to switch things up by describing what NOT to do when shooting landscape, travel, and nature images.

(Editor’s Note: Exploring Light is a monthly Shutterbug column featuring tips, tricks, and photo advice from professional photographers in Canon’s Explorer’s of Light education program. This month's column is by Gregory Heisler on his approach to creating an environmental portrait. 

Lens Filters were more commonly used back when everyone shot film, perhaps because some digital photographers are imbued with the notion that “You can always fix it in Photoshop.” And that’s a shame because putting a filter on your lens is an easy way to “get it right in the camera,” rather than resorting to post-processing enhancements.