Lighting Equipment

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Jack Neubart Posted: Jan 01, 2009 0 comments

Studio lighting comes in all shapes and sizes, and the lights that are new to photokina certainly support that contention. Our primary focus here is on strobe lighting, but that includes a mix of monolights and power packs (generators), and select flash heads that attach to these generators. If we can see any trend in studio strobes it is the increasing reliance on electronic components and...

Joe Farace Posted: Dec 01, 2008 0 comments

“Something you threw together in crafts class, Princess?”—Buck Rogers in the 25th century

As a kid during the 1950s, I had one of the last Buck Rogers ray guns produced. These were actually flashlights made by Norton Honer but were designed to look like Buck’s ray gun. It’s only fitting that ExpoImaging’s Ray Flash ringlight converter projects light as...

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Jack Neubart Posted: Dec 01, 2008 0 comments

A monolight makes entering the world of studio flash photography as painless as possible. Before long you’ll find that this studio strobe will be as easy to use as your shoe-mount flash (perhaps easier) and provide undreamt of creative possibilities. Some monolights make the transition much easier. Enter the digital Interfit Stellar XD.

The Stellar XD is a...

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Joe Farace Posted: Oct 01, 2008 0 comments

I have been using Westcott's light banks and umbrellas for glamour, fashion, and portraiture almost since the company entered the photographic business and have always been impressed by their quality and value. Previously I used their rugged and flexible Spiderlite family of hot and cold continuous lighting products and now they've introduced a line of monolights built...

Jack Neubart Posted: Oct 01, 2008 0 comments

I've had many opportunities to work with battery-operated studio strobe systems. My problem with them was that they were heavy and bulky, not powerful enough, or simply too costly. Then I came upon the Opus Pro OPL-L300 location kit. I immediately noted that the 300 ws monolights were compact. Then I hefted the battery pack. Hmm, not bad, I thought. I could actually carry...

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Jack Neubart Posted: Oct 01, 2008 0 comments

A monolight (or monobloc, in some circles) is a self-contained strobe--and possibly the best way to get started in studio lighting. Self-contained means it does not require an external power pack to control its various functions with all the controls housed in the body. Most monolights plug into an AC outlet, although a few are driven by a separate, external battery pack. You...

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Steve Anchell Posted: Oct 01, 2008 0 comments

At a recent pro photo show I came across what I consider to be a unique innovation in small studio lighting--the Lowel Rifa eXchange System (#1), which is comprised of four self-contained softboxes that come in varying sizes. At 16x16" the Rifa eX 44 is the smallest and the Rifa eX 88 is the largest at 32x32". What makes this system special is the minimal time it...

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Steve Bedell Posted: Oct 01, 2008 0 comments

Monolights are a handy and portable way to work and I am always interested in testing out new models. When I tested these new lights from Adorama I received an added bonus, some of their new Belle Drape Muslin backgrounds. This was going to be fun--it was like getting a new studio setup in one box. When I opened the box I found two of the Flashpoint II 2420 monolights, a...

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George Schaub Posted: Jul 01, 2008 0 comments

The affordable yet sophisticated self-contained Genesis 200 ws and 400 ws monolights provide all the power and lighting control needed to create professional-looking portraits and great still life tabletop photographs. They provide recycling times as low as 1 second. The 5v sync voltage is even safe for today's digital cameras.

The convenient rear control panel of...

Jack Neubart Posted: Jun 01, 2008 0 comments

It appears someone hit the dimmer switch when it came to lighting this year: the number of entries was sporadic, at best. But the good news is that there were a few shining lights. In strobe lighting the focus was entirely on self-contained monopacs, notably in lighting designed with digital control, smaller and easier-to-use lights, and one super-lightweight battery...

Shutterbug Staff Posted: Jun 01, 2008 0 comments

As part of our annual Photo Marketing Association (PMA) coverage we ask our reporters to deliver a "Best of Show" award. While each contributor had their own beat, we also asked them to go beyond their respective area of coverage to find what, for them, signified a breakthrough product, technology, or new trend that they felt would affect all photographers in the...

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Steve Bedell Posted: Apr 01, 2008 0 comments

Even though I know I look like 30 something (ahem), I've been at this game for some time. But sometimes having all those years of background (I think some people call that experience) comes in mighty handy for putting things in historical perspective. And while 30 years isn't exactly an eon in terms of the history of photography, I guess you could say I've been...

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Stan Sholik Posted: Jan 01, 2008 0 comments

Whether it's ambient light or light we provide, light is always available for photography. Controlling that light to give the exposure level, quality, and mood we desire is the goal of every photographer. And tools that allow us to achieve that goal in the simplest, easiest, most cost-effective manner are the ones that last in the marketplace. That explains why the Scrim Jim...

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Steve Anchell Posted: Nov 01, 2007 0 comments

The first time I met a wireless radio trigger was while writing a review of White Lightning monolights, circa 1998. The Paul C. Buff company sent a RadioRemote One transmitter and four receivers to use with their lights, so I decided to give them a try just to see what they could do. By the time I was through I had purchased the lights from Paul C. Buff, not because I needed more...

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Stan Sholik Posted: Nov 01, 2007 1 comments

Let's clear one thing up right away. The Lastolite HiLite background, distributed by Bogen Imaging, is easily the most versatile lighting accessory of recent years, and possibly of all time. No matter if you are a studio or location photographer, commercial, portrait, wedding, or fashion/beauty photographer, film or digital, you will find an infinite number of ways to use...


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