Lighting Equipment

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Jack Neubart Posted: Oct 01, 2008 0 comments

A monolight (or monobloc, in some circles) is a self-contained strobe--and possibly the best way to get started in studio lighting. Self-contained means it does not require an external power pack to control its various functions with all the controls housed in the body. Most monolights plug into an AC outlet, although a few are driven by a separate, external battery pack. You...

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Steve Anchell Posted: Oct 01, 2008 0 comments

At a recent pro photo show I came across what I consider to be a unique innovation in small studio lighting--the Lowel Rifa eXchange System (#1), which is comprised of four self-contained softboxes that come in varying sizes. At 16x16" the Rifa eX 44 is the smallest and the Rifa eX 88 is the largest at 32x32". What makes this system special is the minimal time it...

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Steve Bedell Posted: Oct 01, 2008 0 comments

Monolights are a handy and portable way to work and I am always interested in testing out new models. When I tested these new lights from Adorama I received an added bonus, some of their new Belle Drape Muslin backgrounds. This was going to be fun--it was like getting a new studio setup in one box. When I opened the box I found two of the Flashpoint II 2420 monolights, a...

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George Schaub Posted: Jul 01, 2008 0 comments

The affordable yet sophisticated self-contained Genesis 200 ws and 400 ws monolights provide all the power and lighting control needed to create professional-looking portraits and great still life tabletop photographs. They provide recycling times as low as 1 second. The 5v sync voltage is even safe for today's digital cameras.

The convenient rear control panel of...

Jack Neubart Posted: Jun 01, 2008 0 comments

It appears someone hit the dimmer switch when it came to lighting this year: the number of entries was sporadic, at best. But the good news is that there were a few shining lights. In strobe lighting the focus was entirely on self-contained monopacs, notably in lighting designed with digital control, smaller and easier-to-use lights, and one super-lightweight battery...

Shutterbug Staff Posted: Jun 01, 2008 0 comments

As part of our annual Photo Marketing Association (PMA) coverage we ask our reporters to deliver a "Best of Show" award. While each contributor had their own beat, we also asked them to go beyond their respective area of coverage to find what, for them, signified a breakthrough product, technology, or new trend that they felt would affect all photographers in the...

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Steve Bedell Posted: Apr 01, 2008 0 comments

Even though I know I look like 30 something (ahem), I've been at this game for some time. But sometimes having all those years of background (I think some people call that experience) comes in mighty handy for putting things in historical perspective. And while 30 years isn't exactly an eon in terms of the history of photography, I guess you could say I've been...

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Stan Sholik Posted: Jan 01, 2008 0 comments

Whether it's ambient light or light we provide, light is always available for photography. Controlling that light to give the exposure level, quality, and mood we desire is the goal of every photographer. And tools that allow us to achieve that goal in the simplest, easiest, most cost-effective manner are the ones that last in the marketplace. That explains why the Scrim Jim...

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Steve Anchell Posted: Nov 01, 2007 0 comments

The first time I met a wireless radio trigger was while writing a review of White Lightning monolights, circa 1998. The Paul C. Buff company sent a RadioRemote One transmitter and four receivers to use with their lights, so I decided to give them a try just to see what they could do. By the time I was through I had purchased the lights from Paul C. Buff, not because I needed more...

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Stan Sholik Posted: Nov 01, 2007 1 comments

Let's clear one thing up right away. The Lastolite HiLite background, distributed by Bogen Imaging, is easily the most versatile lighting accessory of recent years, and possibly of all time. No matter if you are a studio or location photographer, commercial, portrait, wedding, or fashion/beauty photographer, film or digital, you will find an infinite number of ways to use...

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Steve Anchell Posted: Nov 01, 2007 0 comments

The kind of photography I do can take me almost anywhere. Today I could be photographing in my studio, tomorrow on the streets. I can often "get away" with available light or a Speedlite mounted on a flash bracket--and sometimes I do just that. But getting away with something is not always the best way to get the results my clients need.

On location...

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Jack Neubart Posted: Oct 01, 2007 0 comments

Selling collectibles, used cameras, confections, and a myriad of other items online is an exploding phenomenon, but to sell effectively you have to show the product off to advantage. Of course, tabletop photography extends beyond the world of eBay. You may want to document small valuables for insurance purposes or have loftier goals in the still life world. Any way you look at it...

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Joe Farace Posted: Oct 01, 2007 0 comments

More than 20 years ago, photographer and photographic genius Gary Regester showed us all how to create a lighting system that used two shoe-mounted flash units and would indeed fit inside a shoebox. Over the years I've tried to create something similar--a set of small electronic flash units and all the required ephemera that would fit inside a small carrying case. But I...

C.A. Boylan Posted: Oct 01, 2007 0 comments

Savage Universal's Light Kits
Savage Universal has added two new light kits to their line of photographic equipment. The M31500 and M31100 kits include three variable power light heads with a quartz light bulb in each, three 24x24" softboxes, three four-section stands, and three 10-foot AC power cords with a carrying case. The kits are designed...

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Jack Neubart Posted: Oct 01, 2007 0 comments

I 'll admit to it--ever since I was first introduced to the Interfit flat panel strobes a few short years back, I've become enamored of this company's products. And I still use those lights. Every year since, Interfit would introduce new lighting gear, but these newer monolights were either too big or too basic for my needs. Then along came the EXD200.

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