Lenses

Sort By: Post Date | Title | Publish Date
Filed under
Jack Neubart Posted: Jul 01, 2009 0 comments

There’s an old saying that putting a new lens on your camera is like putting on a fresh pair of eyes. The latest lenses increasingly offer the ability to shoot in lower light without having to raise the ISO beyond quality limits, thanks to wider maximum apertures; shoot wider angles of view with APS-Csensor-size cameras; and allow for perspective control right in the camera.

...

Filed under
Peter K. Burian Posted: Jun 01, 2009 0 comments

Although zoom lenses are certainly versatile and convenient, they do have some drawbacks, including relatively small maximum apertures.

Filed under
Stan Trzoniec Posted: May 01, 2009 1 comments

The arrival of the new Canon EF 800mm f/5.6L IS USM lens was a case of perfect timing as within a few days I’d be on the road for a couple of weeks photographing the abundance of wildlife at the Blackwater Refuge.

C.A. Boylan Posted: May 01, 2009 1 comments

Nikon’s COOLPIX Cameras
Nikon has introduced eight new models to their COOLPIX line of digital cameras. The S220 (10 megapixels) is a slim body camera with a 2.5” LCD screen, 3x optical zoom, Smart Portrait System, and four-way VR Image Stabilization. The S230 (10 megapixels) features a 3” high-resolution LCD screen, 3x optical zoom, and one-touch focus...

Filed under
George Schaub Posted: Apr 06, 2009 6 comments

There was time when those seeking super-wide lenses for APS-C size sensor cameras didn’t have much choice, but new light gathering systems that distribute light evenly from lens to sensor, as well as new optical formulas from camera makers and independent lens manufacturers, have changed that point of view. The latest in this welcome new class of glass is from Tamron, with their 10-24mm f/3.5-4.5 offering. Priced at around $500 (street) and weighing in at about 14 oz., the Tamron 10-24mm is useable for cameras that require “motor in the lens” operation, such as the Nikon D40X, on which this lens was tested.  The DiII designation tells you that this lens is for digital SLRs with APS-C sensors.

...

Filed under
Peter K. Burian Posted: Apr 01, 2009 0 comments

Designed specifically for Nikon and Canon D-SLRs with APS-C-size sensors, Tamron’s latest all-purpose lens is even more desirable than the previous 18-250mm Di II model.

Filed under
Peter K. Burian Posted: Jan 01, 2009 0 comments

With the growing popularity of D-SLR cameras with sensors of various sizes, most of the manufacturers are working to expand their line of lenses. As expected, many of the latest products are “digital only”: designed for the majority of D-SLRs with the APS-C or Four Thirds size sensor. But (as specified in the text), some are multi-platform products suitable for all 35mm and digital...

Filed under
Roger W. Hicks Posted: Dec 01, 2008 0 comments

As soon as I heard about it, I wanted to try the f/2 28mm Zeiss ZF lens; ZF, for those unfamiliar with the current Zeiss line-up, is their superb line of Nikon F compatible manual focus lenses, as distinct from ZM (Leica M compatible) and ZV (classic Hasselblad compatible).

All of the ZF series are also available in ZK (Pentax K bayonet compatible) and a few, though apparently not...

Filed under
Peter K. Burian Posted: Nov 01, 2008 0 comments

Because of the increasing number of D-SLRs with full-frame sensors, Tamron is upgrading several of their multi-platform lenses to the Digitally Integrated standard. The most recent model, the 70-200mm f/2.8 Di, is optimized for D-SLRs regardless of the sensor size but also provides outstanding results with 35mm SLRs. This zoom has benefited from several improvements, including closer focusing...

Filed under
Peter K. Burian Posted: Nov 01, 2008 0 comments

The Olympus D-SLR system always included a series of pro-caliber lenses targeting serious photographers working with the E-1 pro camera. Since the introduction of the newer E-3, Olympus has also unveiled three high-grade zooms, the first in the Zuiko Digital line with Supersonic Wave Drive (SWD) autofocus. Designed to provide the ultimate in AF performance, this trio offers wide apertures...

Filed under
Roger W. Hicks & Frances E. Schultz Posted: Nov 01, 2008 1 comments

If you own and use an M-series Leica, a Zeiss Ikon, or a bayonet-mount Voigtländer Bessa, Leica’s 16-18-21mm Tri-Elmar is so staggeringly desirable that it is almost easier to list the reasons for not buying one than to list its advantages—though these are easy enough to list, too. It is compact, sweet handling, sharp, contrasty, rangefinder-coupled, unbelievably convenient, and...

Filed under
Jack Neubart Posted: Nov 01, 2008 0 comments

The mid-range zoom I started with when I bought my Nikon D300 was no speed demon, and I was hankering for an f/2.8 lens in the (effective) 70-200mm range. What first attracted me to the Tokina AT-X 535 PRO DX was the fast, constant maximum aperture, providing a bright view every step of the way. What’s more, the barrel on this tele-zoom does not rotate when zoomed: all movement is entirely...

Filed under
George Schaub Posted: Aug 01, 2008 0 comments

Created chiefly for the high-end Nikon D300 and D3, the new 24mm PC (Perspective Control) lens from Nikon can also be used on other Nikon D-SLR cameras, such as the relatively new D60 on which I tested it, albeit with some loss of full automation and functionality. Being a manual focus lens it can also mount on most Nikon film SLRs as well; being a PC lens it is unique in both...

Filed under
Roger W. Hicks & Frances E. Schultz Posted: Aug 01, 2008 0 comments

Understatement almost always speaks louder than overstatement; or if not louder, then generally with more authority. The four new Leica Summarits, for M-series Leicas, Zeiss Ikons, and Voigtländer Bessas, are about as far from ostentatious as you can get; they are merely first-class tools for the photographer who knows what he or she is doing.

Neither the...

Filed under
Jack Neubart Posted: Aug 01, 2008 0 comments

I developed a love for fisheyes way back when I was shooting film. In fact, when I took the digital route, the first new lens I bought for my brand-new Canon EOS 5D was a fisheye.

I figured, what better way to celebrate my purchase of a full-frame D-SLR than with a lens that could take full advantage of the larger sensor! So now, fast forward to the purchase of a...

Pages

X
Enter your Shutterbug username.
Enter the password that accompanies your username.
Loading