The A-35 is based on the Sony SLT system, which means the camera uses a translucent mirror system. The mirror is fixed and therefore the camera doesn’t offer an optical SLR viewfinder; instead, it uses a high resolution electronic viewfinder and an LCD monitor – just like a CSC (compact system camera).The ELV of the Sony A35 has a resolution of 1.15 million RGB dots and shows a very crisp and clear image.
The Sony NEX-C3 is an ultra compact CSC (compact system cameras) system with an APS-C sized sensor. The camera offers a resolution of 16 MP (megapixels), which is similar to some Sony SLT cameras like the SLT-A35. The main difference in the concept of the NEX cameras is the very compact body and the fact that the camera doesn’t work with an optical or electronic viewfinder, but only with the LCD screen on the back as viewfinder and control monitor.
The Panasonic GF3 is the successor of the GF2. The new camera is 17 percent smaller and 16 percent lighter than the GF2, making it an extremely compact camera. Due to the reduction of body dimensions there are some elements missing which were part of the GF2--no accessory shoe for external flash light systems and no interface for the optional ELV that could be mounted on the GF2.
Having owned a (used) Leica M3 since the late 1970’s I can attest to the charms of working with a Leica camera. There is a certain heft and solidity of construction that speaks to its obvious longevity, which is juxtaposed with a deftness of operation, characteristics on display in the M3 in the stroke of the film advance lever and the sound and feel of the shutter release. For those who have experienced a Leica, that “aha that’s why” moment is quite unmatched by other cameras and it spoils you, in a way. Yet, working with a Leica for me has always had a certain awkwardness—witness the film loading in the M3, at least when compared with a sleek Nikon or Canon of the day, and the rangefinder focusing system, almost arcane in the world of autofocusing speed and accuracy. Yet, that awkwardness is not a true impediment and almost becomes part of the charm.
The Fujifilm Finepix X100 is designed like a classic viewfinder camera yet it offers state-of-the-art digital technology and some brand new and innovative systems. The Hybrid viewfinder, for example, is an example of a sophisticated enhancement of a classic concept. First of all, there’s a very bright and large optical viewfinder onto which the camera will overlay exposure information (aperture, shutter speed) and a parallax marker. Instead of using an optical system to create these overlay elements, as done in classic viewfinders of analog cameras, it uses a high resolution LCD. This results in detailed information and a very crisp look.
With the recent announcement of the third PEN in this series from Olympus, which is now in Shutterbug test, the not yet discontinued E-PL2 has dropped in price to $599 (from Olympus, with 14-42mm kit lens), about $200 less than when it was first introduced and to me a good deal for what you get while you can get it. The 12MP (effective pixels) Live CMOS sensor Olympus E-PL2 adds to the charms of the first in the “PEN” digital series, the P1. (See Joe Farace’s excellent review of that camera at http://www.shutterbug.com/content/olympus-e-p1in our Jan, 2010 issue) The PL2 adds a larger and higher resolution viewing screen, expanded accessories using the special plug-in adapter, an enhanced control setup and expanded Scene and Art filter modes.
Perhaps the most versatile of all moderate tele zoom focal lengths, the 70-200mm or thereabouts range is a hallmark and standard-bearer for many optical companies. Being a constant aperture (fast) zoom, this lens opens up numerous focusing, depth of field and perhaps as important low light shooting possibilities that make it a lens most Canon photographers aspire to own. Introduced last year, we got a chance to work with one and were so impressed we thought we’d revisit it with a quick review.
The Samsung NX11 is the follower of the NX10. Like the NX10 it is a compact system camera with an APS-C-sized sensor and a nominal resolution of 14.6 MP. The most important difference to the NX11 is the “i-Function” technology, which allows the user to set up image parameters very quickly and intuitively. The NX11 offers this technology right out of the box; the NX10 now offers “i-Function” via a firmware update.
For the past few months I have been slowly cataloging prints I’ve made over the past years. This entails signing, dating and numbering the prints and then making an Index. I decided the easiest way to maintain and expand the list as I continued cataloging would be a blog. That was only the beginning of the project, it turns out.
The Pentax WG-1 GPS is a compact camera with a 5x zoom lens (28-140mm) and a robust body, which is water proved to 33 ft, shock proof (5 ft drop down) and an integrated GPS system. The camera offers 14 MP resolution and some extraordinary features like “Digital Microscope” mode.