Digital Darkroom

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Steve Bedell Posted: Sep 01, 2007 1 comments

I had a thought (it happens!) back in the `80s. I was thinking how great it would be to create a portrait piece of someone that combined several images together to show the many facets of that individual. Let's take an example. Suppose you were commissioned to do a portrait of a young man. His interests may include playing football, swimming, sailing, playing guitar...

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Howard Millard Posted: May 01, 2007 0 comments

Whether you shoot portraits, landscapes, still life, or nature, soft focus effects can add an evocative, mysterious tone to your photographs.

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Chris Maher and Larry Berman Posted: May 01, 2007 2 comments

Both fiber-based and RC photographic prints have been around for many years, and the materials and processes to mount and frame them are well understood.

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Joe Farace Posted: May 01, 2007 0 comments

One of the easiest ways to improve your images is to use lens filters, but like so much in the photo world, life is rarely that simple.

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Joseph A. Dickerson Posted: May 01, 2007 0 comments

Have you always been intrigued by panoramic photography but couldn’t bring yourself to pony up for a dedicated panorama camera? Well, today you don’t have to.

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Peter K. Burian Posted: May 01, 2007 0 comments

In digital photography, exposure control is sometimes considered irrelevant. “You can easily fix any problems in your computer,” some friends will suggest.

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Steve Bedell Posted: May 01, 2007 0 comments

Retouching a portrait using film used to be a pretty simple task. Send the negative to your lab, check the “retouch” box, pay $5 or so, and the job was done.

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Joe Farace Posted: May 01, 2007 0 comments

A vailable light, unavailable light, available darkness, or low light. It doesn’t matter what you call it.

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Jon Sienkiewicz Posted: May 01, 2007 0 comments

Stop shooting! That’s the first thing to do when you accidentally delete an image file or inadvertently format a memory card full of images.

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Darryl C. Nicholas Posted: May 01, 2007 0 comments

If you have ever had the experience of trying to convert your favorite slide or color negative to an electronic file you have probably run into the problem called “noise.”...

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Anthony L. Celeste Posted: Apr 01, 2007 0 comments

Many people tend to associate JPEGs with poor quality. However, when a JPEG has poor quality, it's the result of the format being used incorrectly, not a flaw in the format itself. Used properly, JPEG can and will produce a file that cannot be distinguished from any other format.

The main advantage of JPEG is clearly its superior compression. An RGB image...

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Jon Canfield Posted: Mar 01, 2007 0 comments

One of the most frequent questions I get from readers or students is about dpi, or dots per inch. There's a great deal of confusion out there on what the best settings are, and it isn't being made any easier by the use of two different measurements for resolution.

First, we have ppi, or pixels per inch, which usually applies to image resolution. This is...

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Steve Bedell Posted: Mar 01, 2007 0 comments

In this article I'm going to show you how combining two software programs and one plug-in can make your life easier and your workflow faster. As a bonus (see sidebar), I'm going to show you a way to handle dodging and burning that is nondestructive to your files. First up, we've got a family portrait with 16 people to retouch. That sounds like an hour's...

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Philip Andrews Posted: Mar 01, 2007 0 comments

Despite what many photographers think, there is more to Photoshop's layer technology than its ability to bring together several images. Some of the most sophisticated layer techniques are not based on composing different image parts but rather use the characteristics of the layer technology to provide nondestructive editing alternatives for many of our standard enhancement...

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Phillip Andrews Posted: Feb 01, 2007 0 comments

For most photographers being able to switch from color to black and white with a few simple mouse clicks is one of the most powerful aspects of digital imaging. With digital you no longer need to pick color or black and white before taking the photo, as was the case when film was king. Now after color capture the decision to convert to monochrome can be made easily at the...

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