The world of videography has quickly changed over the past few years. Many photographers have realized the need and advantage of shooting videos. The introduction of DSLRs and lower priced modular video cameras that can produce professional quality videos, has accelerated this trend.
The Pentax MX was a 35mm Single Lens Reflex (SLR) camera produced from 1976 to 1985 and, for a time, was the company’s flagship SLR. It was solidly built featuring all-mechanical construction, including the shutter, and only the metering system was battery dependent. The new all-digital, all-electronic Pentax MX-1 couldn’t be more different. For openers, the MX-1 is not an SLR but an advanced digital compact camera with the kind of retro styling that’s all the rage these days with camera designers and, apparently, camera buyers, too. So, how does the MX-1 stack up?
“The first questions I ask myself, after receiving the layouts from the art director, are: how can I make this my own, what can I add to it?” Active lifestyle photographer Rod McLean continues: “When we select the final locations and talent, the ideas become clearer. During a tech scout, we’ll shoot various views of the location, create rough comps, and talk about the possible scenarios: the best time to shoot, the props and wardrobe, etc. We all have to have a clear idea what we’ll be shooting and how the final images are going to look because we’ll be setting up the first shot in the dark, waiting for the morning light.”
A native New Yorker, Len Speier has been photographing in the Big Apple and around the world since the Sixties. Although concentrating on street photography, his wandering eye encompasses many venues and subjects. He describes his work as a search for compassion and truth. His work is collected in the Bibliotheque Nationale, Paris; International Center of Photography; Museum of the City of New York and the Photo Archive of the NYPublic Library. Speier taught photography and photographers' legal rights (he also is an attorney of long standing), is retired Assoc. Professor at the Fashion Institute of Technology, and lectures on legal rights and street photography, many of which are available on YouTube.
The Canon EOS Rebel T5i (700D) is the replacement of the EOS Rebel T4i but in many ways is quite similar to its forerunner. Just like the T4i it uses an 18MP APS-C-sized sensor, has a compact body, a swivel monitor, Full HD video recording, and numerous helpful functions for beginners.
The book publishing business is experiencing huge upheavals and transformations of late. “Physical” bookstores are closing, and for many photographers eBooks are an exciting option. While eBooks may become a preferred delivery system for creative content, with them come questions about creation, preferred content, and, perhaps most importantly, how to market your work. In this article we’ll look at how three photographers are working through this change and how it has altered the way they show their work to the world. Thanks go to Jeff Colburn, Bret Edge, and Guy Tal for their expertise and wisdom in this regard. Please check our links and contact information at the end of this article to see their work, and more.
Beyond its primary function as a white balance tool, the precision calibration and uniformity of the ExpoDisc 2.0 means that it can also be used to meter for an 18% incident exposure and todust map the image sensor. Made in the USA, every ExpoDisc 2.0 is tested by hand on a transmission spectrophotometer and individually adjusted using custom filters to ensure neutrality and an 18% total light transmission across the visible spectrum.
One such path is onOne Software’s Perfect B&W, nestled within their Perfect Photo Suite or available as a stand-alone or plug-in for Photoshop, Lightroom, and Aperture. The advantage of using it within the Suite is that you also get access to the other excellent modules within that program. The advantage of the stand-alone is that you get an amazing array of controls for a rather incredible price. The Suite, by the way, offers onOne’s Layers, Mask, Effects, Focus, and Resize programs, all highly regarded, making the options virtually endless. For this review I accessed Perfect B&W from within the Suite.
Rogue Safari Pop-Up Flash Booster
Designed for use with most modern Canon APS-C or Nikon DX sensor cameras with telephoto zoom lenses (100mm and longer), the Rogue Safari Pop-Up Flash Booster is lightweight and easy to use. This attachment concentrates the light from the camera’s pop-up flash to provide more illumination on subjects as far as 60 to 70 feet away. The light adds up to 8x more than what the unassisted flash provides. Crafted from durable impact-resistant polycarbonate materials, the Rogue Safari Pop-Up Flash Booster does not require batteries and has a retail price of $34.95.