Our Picture This! assignment this month was “Architecture/Composition,” and we were seeking compositions that created an abstract from the entire form. These details often echo the overall design sense of the building itself, but also create an interesting composition in their own right. Readers sent in a wide variety of images that honed in on the play of shadow and light in building interiors and exteriors, with quite a few more than usual in black and white.
On April 25, Beijing’s Temple of Heaven will become the site of one of the most memorable exhibitions of its kind – The Power of the Image. The exhibition will feature more than 200 works by 20 internationally-renowned professional photographers, including Pep Bonet, Michael Crouser, Lauren Greenfield, Peter Guttman, Jocelyn Bain Hogg, Nadav Kander, Frederic LaGrange, Yann Layma, Roman Loranc, Gerd Ludwig, Steve McCurry, Eric Meola, Sylvia Plachy, John Sexton, Matthew Jordan Smith, Eddie Soloway, Art Streiber, Joyce Tenneson, Art Wolfe and Qin Yuhai.
The new Olympus OM-D E-M1 is the follower of the first OM-D, the proper and full name having been the “OM-D E-M5.” The E-M1 incorporates many of the E-M5 advantages, the famous five-axis image stabilizer being one of them. This image stabilizer is based on sensor-shift technology and allows the user to shoot a stabilized image with every lens system mounted to the camera.
A powerful portfolio involves so much more than just a strong grasp of the technical aspects of photography—it’s a complex mix of style, techniques, and intriguing ideas. Many photographers struggle to achieve a high-impact portfolio, feeling that they lack the creative spark to invigorate them and move their work forward.
Coming from as far away as Australia, many of the best, and best-known, photographers in the world will be in Los Angeles May 17-18, teaching photo enthusiasts, advanced amateurs, and even other pros how to hone their photography skills at The Big Photo Show. Best of all, most of these 40-plus exciting courses are included in the $25 registration fee – offered to attendees at no additional charge.
The Fujifilm X-M1 is an extremely compact system camera that uses Fujifilm’s 16MP X-Trans CMOS sensor. The camera offers very high image quality due to its special RGB filter array which differs from the standard Bayer RGB pattern. The pattern on the APS-C-sized X-Trans sensor resembles the random pattern of grain of analog film and reduces image noise. The interpretation of this RGB pattern isn’t very easy, but the most current versions of Adobe’s Photoshop Camera Raw plug-in and Adobe’s Lightroom are able to convert this pattern correctly.
While Uncle Ned might be bragging that he can take care of the photography at his niece’s wedding with his D-SLR with built-in flash, amusing and sometimes bitter experiences have taught prospective brides that there’s nothing like an experienced photographer to do the job right. But getting yourself and your work in front of that group of brides and wedding planners can be a challenge, and that’s what this month’s column is all about. We’ll take a look at changes in the business model, including portfolios, marketing materials, networking with wedding vendors, and bridal shows.
The Obscura by ILFORD Pinhole Photography Kit was introduced in mid 2013. The original kit continues to be available and comes complete with starter packs of black and white film and paper, together with a simple Exposure Calculator and Instruction Book.
Sigma’s 18-35mm f/1.8 DC HSM is part of their DC series of lenses designed for APS-C-sized sensors so the imaging circle is matched to the size of the sensor. For this assignment, I used a Canon EOS 60D with a 22.3x14.9mm sensor, producing an equivalent angle of view of a 28-56mm lens. Shooters of Nikon, Pentax, Sigma, and Sony cameras, the other mounts for which the lens is available, will achieve an angle of view equivalent to 27-52mm. Unlike other lens manufacturers, Sigma priced the different mounts the same ($799) so don’t feel you’re going to be paying a premium for your camera choice. Bucking a trend with camera manufacturers’ lenses, the Sigma 18-35mm f/1.8 DC HSM includes a lens hood at no extra charge.
As primarily a landscape photographer Iam often in a situation where I am struggling to give a feeling of scale to big dramatic views. I will look for something to place close to the camera, such as a dramatic flower or rock, to capture the viewer’s attention and draw them deeper into the photo. In some cases, though, I find including a person rather than a natural element within the scene does a better job of it. Not only does the figure add scale, but it also makes viewers feel like they are standing within the scene rather than looking at a print on the wall, a kind of visual empathy.