Accessories, Films, & Lighting

35mm Tri-X Celebrates It’s 50th, by Frances E. Schultz (November 2004, page 48)
4GB Compact Flash Card For All Digicams, by George Schaub (May 2004, page 84)
4GB Compact Flash Card From Lexar: Highest Capacity, But Watch Out For FAT 32, by George Schaub (November 2003, page 60)
10 Must-Have Studio Accessories: The Stuff I use (Nearly) Every Day, by Jay Abend (July 2003, page 84)
35mm SLR Cameras, Lenses And Flashes, by Peter K. Burian (May 2001, page 114)
35mm SLR Cameras And Flash Units, by Peter K. Burian (June 2002, page 76)
A Case For The Traveling Photographer, by George Schaub (November 2007, page 54)f
A Tabletop Lighting System Sampler: We Work With The Lowel Ego, Interfit Pop-Up Light Tent, Sharpics D-Flector, Samigon Internet Photo Studio Pro, And Sunbox eBox, by Jack Neubart (October 2007, page 36)
Accessories And “Weird Stuff”: From The Really Useful To The Odd Lot, by Roger W. Hicks (June 2002, page 92)
Accessories Can Make A Big Difference! by Monte Zucker (July 2003, page 22)
Accessories, Darkroom, And Bags, by Robert E. Mayer (June 2003, page 92)
Accessories Expand The Fun And Function Of Digital Cameras, by Rick Sammon (December 2001, page 90)
Accessories, Portable Flash, Panoramic & Specialty Cameras, by Robert E. Mayer (June 2005, page 154)
Accessories, Portable Flash, Panoramic & Specialty Cameras, by Robert E. Mayer (June 2005, page 154)
Accessories: Studio & Home Helpers, by Robert E. Mayer (June 2006, page 76)
Acupan 200: The US Receives A Cult Film, by Roger W. Hicks (February 2002, page 74)
Adorama Monolights, by Joe Farace (October 2004, page 114)
A Gallery Of Filters, by Darryl C. Nicholas (July 2004, page 16)
Albums And Frames, by Robert E. Mayer (June 2008, page 119)
AlienBee’s Flash Units, by Jay Abend (January 2002, page 102)
AlienBee’s Ringflash, by Ron Eggers (October 2007, page 44)
A Model Portfolio Made Easy: Lighting Basics Using BKA’s Lancer Light Series AC/DC Lights, by Ingrid S. Krampe (April 2003, page 92)
Anything But Front Light: Use Side And Backlighting To Enhance Your Travel Photos, by Dave Howard (November 2001, page 70)
ASF 35mm Film Kiosk Yeilds Prints, CD...But No Negatives, by George Schaub (December 2002, page 112)
Available Light Portraits: 10 Secrets To Photographing People Using Minimum Equipment, by Joe Farace (January 2001, page 166)
Bags And Cases, by Frances E. Schultz (January 2005, page 160)
Bags And Cases, by Frances E. Schultz (June 2005, page 146)
Bags, Cases, Straps, And Vests, by Frances E. Schultz (May 2001, page 142)
Bags And Cases, by Frances E. Schultz (December 2002, page 94)
Bags, Cases, And Vests: All-Purpose Carriers For All Sorts Of Gear, by Frances E. Schultz (June 2002, page102)
Bags & Cases: Photo Backpacks, Shoulder Packs & More, by Frances E. Schultz (June 2006, page 102)
Bags, Lighting, Tripods, Photo Gear And Accessories..And More, by Robert E. Mayer (June 2004, page 112)
Balance Of Light, by Andre Costantini (February 2001, page 210)
Balcar’s AQ Lighting System, by Jay Abend (October 2004, page 82)
Batteries And Chargers, by Robert E. Mayer (July 2007, page 120)
Batteries And Chargers, by Rober E. Mayer (June 2008, page 104)
Batteries: Charge Up Your Gear, by Robert E. Mayer (June 2006, page 172)
Bowens Esprit Gemini Digital Monoblocs, by Stan Sholik and Ron Eggers (October 2007, page 56)
Bowens Esprit Monolights: A New Line Of Solid Performers From A Trusted Name, by Joe Farace (January 2001, page 68)
Bowens 9Lite System, by Joe Farace (October 2003, page 58)
Bowens’ Pulsar Radio Trigger System, by Joe Farace (October 2004, page 120)
Buyer’s Guide To Tripods: Choosing Different ‘Pods For Different Jobs, by Dave Howard (February 2001, page 140)
Buying Your First Flash: If The Shoe Mount Fits, Wear it, by Jack Neubart (October 2002, page 90)
B&W For Shoot & Scan: Chromogenic Films Offer An Easy Solution, by Roger W. Hicks (May 2001, page 186)
Calumet’s Genesis For Entry-Level Studio Lighting, by George Schaub (July 2008, page 86)
Calumet’s LiteLink Radio Remote Trigger System, by Jay Abend (October 2004, page 94)
Calumet Travelite 750 One-Head Umbrella Kit, by Joe Farace (July 2002, page 56)
Camera Backpacks: Practical Choices With Style, by Jack Neubart (August 2007, page 50)
Camera Bags And Cases, by Jack Neubart (July 2007, pg 102)
Camera Bags: Hard & Soft Cases For Shoulder & Backpacking, by Jack Neubart (June 2008, page 96)
Canon’s EOS-1Ds Mark II, by George Schaub (May 2005, page 88)
Canon MR-14EX Macro Ring Lite: Simple, Small, Product Lighting, by Robert E. Mayer (October 2002, page 88)
Canon’s Speedlite 580EX II & Metz’s Mecablitz 58 AF-1C Digital, by Jack Neubart (February 2008, page 94)
Carry-On Photo Backpacks: Protecting Your Gear In The Overhead Bin, by Jack Neubart (April 2004, page 114)
Covering The Photo Beat, by Robert E. Mayer (December 2003, page 64)
Covering The Photo Beat, by Robert E. Mayer (January 2004, page 122)
Covering The Photo Beat, by Robert E. Mayer (February 2004, page 170)
Covering The Photo Beat, by Robert E. Mayer (March 2004, page 184)
Covering The Photo Beat, by Robert E. Mayer (April 2004, page 82)
Covering The Photo Beat, by Robert E. Mayer (May 2004, page 10)
Covering The Photo Beat, by C.A. Boylan (April 2008, page 32)
Creating Cinematic Lighting The Easy Way, by Ben Clay/Web Photo School (April 2004, page 22)
Custom Brackets, by Steve Bedell (October 2007, page 52)
Dedicated, Hot Shoe Flash & Flash Diffusion Devices, by Robert E. Mayer (July 2007, pg 96)
Digital Backs & Memory Cards, by Joe Farace (June 2005, page 90)
Digital Backs & Memory Cards, by Joe Farace (June 2005, page 90)
Digital Infrared Photography: Imaging With Invisible Light, by Joe Farace (November 2006, page 92)
Digital Innovations: Black & White And Infrared All Over, by Joe Farace (July 2005, page 176)
Digital Innovations: It’s National Hardware Month...Again, by Joe Farace (September 2005, page 167)
Digital Innovations: Raw Power, by Joe Farace (August 2005, page 150)
Digital Innovations: Share & Share Alike, by Joe Farace (April 2005, page 146)
Digital Innovations: Stocking Stuffers, by Joe Farace (December 2006, page 46)
Digital Innovations: Stocking Stuffers 2007, by Joe Farace (December 2007, page 34)
Digital Innovations: The Best Things In Life Are Free, by Joe Farace (May 2005, page 165)
Digital Innovations: The Time Machine, by Joe Farace (February 2005, page 104)
Digital Innovations: Yes, But Is It Art? by Joe Farace (March 2005, page 134)
Digital Portable Storage Devices, by Jack Neubart (June 2005, page 100)
Digital SLRs, by Joe Farace (June 2005, page 46)
Digital SLRs, Medium Format And Pro Gear, by Bob Shell (June 2002, page 80)
Don’t Get In Trouble For Non-Support: Use That Tripod, by Bob Shell (September 2001, page 22)
dr5 Labs: Renewing The Black And White Lease, by George Schaub (February 2005, page 66)
Dr. Don’s Button Maker, by Bob Shell (January 2001, page 243)
Dust Removal: Image Trends’ SensorKleen & DustKleen, by Joe Farace (September 2007, page 50)
Efke’s IR 820 Infrared Film, by Roger W. Hicks (February 2008, page 108)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
Eight Unique Monopods: Multifaceted Camera Support Options, by Dave Howard (July 2005, page 82)
Excalibur SPC1600 Strobe And Studio Systems Softboxes, by Steve Bedell (October 2002, page 76)
ExpoAperture, by George Schaub (October 2007, page 122)
Fear Of Flying, by Joe Farace (May 2004, page 16)
Fill Flash Flamenco: Catch The Spirit Of The Dance, by David Wade (October 2002, page 58)
Film, Chemistry, Paper, And Darkroom, by Frances E. Schultz (June 2002, page 106)
Film, Paper, Chemistry, And Darkroom, by Frances E. Schultz (June 2005, page 152)
Film, Paper, And Darkroom, by Robert E. Mayer (June 2008, page 78)
Filters, by Robert E. Mayer (June 2008, page 108)
First Look: Casio’s EXILIM Card EX-S100, by George Schaub (May 2005, page 106)
First Look: Casio’s EX-S500, by George Schaub (December 2005, page 68)
Fist Look: Konica Minolta’s DiMAGE X60, by Joe Farace (November 2005, page 46)
F.J. Westcott Celebrates 75 Years: Pro Photographers’ Input Has Helped Build A Strong & Versatile Product Line-Up. by the Editors (September 2001, page 86)
Flashkon 2000 Linear Monolight: Wider Is Better, by Jay Abend (May 2001, page 26)
Flying With Film, Post 9/11, by Bob Shell (March 2002, page 26)
Fuji Acros: A New Fine Grain, ISO 100 B&W Film, by Roger W. Hicks & Frances E. Schultz (February 2002, page 68)
Fujichrome Velvia 50…It’s Back! By George Schaub (December 2007, page 56)
Fujifilm’s FinePix S3 Pro, by Steve Bedell (May 2005, page 99)
Fuji NPH 400 Professional: Fuji Reinvents Fast Color Negative Film, by Jay Abend (November 2002, page 42)
Fujichrome Provia 400F Pro Plus Sensia 200 And 400 Films, by Peter K. Burian (July 2001, page 62)
Fujifilm’s Velvia 100 Professional, by George Schaub (October 2005, page 68)
Future Tech: A Look At What’s Ahead For Photography In 2007…And Beyond, by The Editors (December 2006, page 152)
Future Tech: Shutterbug Contributors Get Out The Crystal Ball, by The Editors (December 2007, page 120)
Gadgets And Items Of Interest, by Robert E. Mayer (June 2008, page 110)
Getting A Head In This World—The Ins And Outs Of Tripod Heads, by Bob Shell (January 2002, page 22)
Get Great Studio Portraits: Nine Tips To Lighting Success, by Steve Bedell (October 2003, page 85)
Getting Started: Basic Studio Lighting Setups On A Budget, by Robert E. Mayer (November 2001, page 46)
Get Your Head On Straight: A Guide To Tripod Heads, by Jack Neubart (July 2005, page 76)
Handheld Light Meters: Are They Still Important For Serious Photography? By Stan Sholik And Ron Eggers (October 2007, page 96)
Hard Or Soft? Q&A On Paper Grades, by Roger W. Hicks & Frances E. Schultz (February 2003, page 92)
Hasselblad’s H1 & Kodak’s Pro Back 645H, by Uwe Steinmueller (January 2004, page 54)
Hot New Digicams, by Peter K. Burian (June 2005, page 48)
Ilford’s New Delta 400 Professional B&W Film, by Jay Abend (April 2001, page 42)
Infrared—Digital Style: Shooting Infrared Photographs With Your Digital Camera, by Chris Maher & Larry Berman (February 2002, page 60)
Interfit’s EXD200 Lighting Kit, by Jack Neubart (October 2007, page 28)
Interfit Flat Panel Electronic Flash, by Jack Neubart (March 2004, page 62)
Is “7 The Megapixel Lucky Number? by Peter K. Burian (August 2005, page 60)
ISO 400 Black And White Films: The Best Keeps On Getting Better, by Roger W. Hicks (February 2004, page 106)
JTL Mobilights, by Bob Shell (January 2003, page 72)
JTL’s Mobillight DC-600, by Steve Anchell (November 2007, page 60)
JTL Product Table: Shoot Tabletops Like A Pro—Anywhere, by Jack Neubart (April 2008, page 114)
JTL Superlights Are Hot, by Robert E. Mayer (March 2001, page 236)
Kenko FP Series Ball Heads, by George Schaub (December 2001, page 188)
Kodak’s 100 And 400 Ultra Color Professional Films, by Peter K. Burian (September 2004, page 90)
Kodak Portra 400BW Film, by Roger W. Hicks & Frances E. Schultz (October 2001, page 82)
Kodak’s Portra 800 Film, by Steve Bedell (July 2004, page 70)
Konica Minolta Maxxum 7D, by Peter K. Burian (March 2005, page 100)
Lastolite’s HiLikte Background, by Stan Sholik (November 2007, page 48)
Lastolite Umbrella Box, by Roger W. Hicks (November 2001, page 217)
Lighting, by Jack Neubart (June 2004, page 86)
Light Boxes & Illuminators: Useful Accessories For Every Photographer. by Robert E. Mayer (September 2002, page 70)
Lighting And Supports, by Jack Neubart (June 2003, page 64)
Lighting For Black And White Portraits: The Black And White “Thing,” by Steve Bedell (February 2001, page 66)
Lighting Highlights, by Ron Eggers (January 2007, page 120)
Lighting. Studio And Mobile Lighting: Strobe & Continuous—Plus Accessories, by Jack Neubart (June 2006, page 88)
Light Tents And Cocoons, by Jack Neubart (October 2003, page 46)
Lighting Your Way To Success, by Maria Piscopo (October 2003, page 22)
Lighting Workshop: How To Meter And Balance Your Lights, by Steve Nichols (October 2003, page 38)
Lowepro’s Linx 220, by Frances E. Schultz (July 2001, page 202)
Lowepro Road Runner AW—A Rolling Pro Backpack, by Peter K. Burian (August 2001, page 242)
Making One Light Two, by Steve Bedell (October 2004, page 60)
Master Class: Light Control, by Monte Zucker (February 2005, page 16)
Master Class: Simplify And Clarify, by Monte Zucker (October 2005, page 20)
Medium And Large Format, Rangefinders, And Continuous Lighting, by Roger W. Hicks (June 2005, page 58)
Medium Format, Light Meters, And Studio Equipment, by Bob Shell (May 2001, page 122)
Minolta Macro Flash System, by Bob Shell (December 2001, page 112)
More Unusual Tripods & Other Nifty Gadgets, by Bob Shell (May 2002, page 42)
Nailed Down Lighting: A Simple Setup For Volume Work, by Steve Bedell (October 2002, page 56)
New 35mm And Digital SLR Cameras, by Peter K. Burian (January 2005, page 62)
New Agfa Print Films: Ultra 100 And Vista Series, by Peter K. Burian (November 2003, page 110)
New And Newly-Reinforced Films, by Robert E. Mayer (July 2007, page 118)
New Digital Cameras With Integral Lens, by Peter K. Burian (January 2005, page 72)
New Electronic Flash Units, by Peter K. Burian (January 2005, page 154)
New Films, by Robert E. Mayer (June 2004, page 64)
New Films (!), Darkroom Gear (!), And News From The Silver-Halide Wars, by Frances E. Schultz (January 2005, page 100)
New Gear And Gadgets, by Robert E. Mayer (June 2002, page 66)
New Kodak Max Zoom 400 Print Film, by Peter K. Burian (July 2001, page 40)
New Negative And Transparency Films, by Peter K. Burian (June 2003, page 60)
New Pentax ZX-L & AF360GZ Flash, by Peter K. Burian (August 2002, page 68)
New Photographic Films, by Frances E. Schultz (May 2001, page 120)
New Shoe-Mount Flash Units, by Peter K. Burian (December 2002, page 90)
Nikon’s D50, by Peter K. Burian (December 2005, page 84)
No Strings Attached With...Wireless TTL Flash, by Jack Neubart (November 2001, page 56)
Nova 5 Star Plus Safelight: How Safe Can A Safelight Be? by Frances E. Schultz (September 2002, page 76)
Novoflex Macro Flash Lighting System, by Jay Abend (November 2001, page 78)
Off-Camera Lighting, by Jay Abend (October 2004, page 62)
Olympus’ E-300 EVOLT, by Peter K. Burian (May 2005, page 76)
On-Camera Flash: Softbox In A Pocket, by Steve Anchell (October 2007, page 62)
On The Beach: How To Tame Those Tough Lighting Conditions, by Steve Bedell (August 2001, page 192)
On The Film Front, by Frances E. Schultz (December 2002, page 96)
Optimum Optical Accessories: Binoculars For Photographers, by Jon Sienkiewicz (May 2007, page 58)
Panoramic Photography With Your Digital Camera: Gear And A Guide To Maximum Panoramic Power, by Jim Porter (July 2005, page 54)
Paterson FX-50: Single Bath, Two Bath Options For Maximum Versatility, by Roger W. Hicks (September 2002, page 74)
Paterson Interfit Flash Heads, by Roger W. Hicks (April 2002, page 160)
PerforMax AC/DC Studio/Portable Flash, by Robert E. Mayer (November 2001, page 82)
Photo Accessories: Storage, Display, Backgrounds, Pro, And More, by Robert E. Mayer (July 2007, page 122)
Photo Backpacks: Amiable Traveling Companions For Your Gear, by Jon Sienkiewicz (May 2007, page 86)
Photogenic Digilight Tungsten Light Units, by Jay Abend (December 2001, page 106)
Photogenic StudioMax II, by Joe Farace (December 2003, page 38)
Photo Gear: Covering The Photo Beat, by Frances E. Schultz and Robert E. Mayer (November 2005, page 136)
Photo Gear: Covering The Photo Beat, by Joe Farace and Robert E. Mayer (January 2006, page 62)
PhotoVision’s One Shot Digital Calibration Targets, by Jack Neubart (November 2007, page 136)
Practical Accessories For The Field Photographer: A Pro’s Recommended List Of Gear For The Road, by Stan Trzoniec (July 2005, page 62)
Practos Exposure Meter, by Roger W. Hicks (July 2004, page 168)
Portable Flash, LED Lighting, And Flash Brackets, by Robert E. Mayer (June 2008, page 86)
Press-Printed Products, A New Offering For Wedding & Portrait Photographers, by Steve Bedell (September 2007, page 28)
Portable Flash: On-Camera Flash, by Robert E. Mayer (June 2006, page 94)
Portable Power on Location, by Jay Abend (November 2004, page 86)
Portraits To Go With JTL’s Mobilight 300, by Joe Farace (March 2005, page 82)
Power Lighting On Location! Studio-Quality Lighting With Minimum Gear: Four Masters Reveal Their Secrets, by Jason Schneider (August 2005, page 44)
Pro Techniques: Filters For Fall. Add New Vibrancy And Excitement To Your Autumn Foliage Photos, by Howard Millard (October 2001, page 124)
Power And Performance, by Jack Neubart (June 2003, page 100)
Quantum’s Leap, by Joe Farace (December 2004, page 80)
Quantum’s Turbo Slim Compact Battery & More, by Joe Farace (October 2007, page 90)
Quick Draw Clip System, by Robert E. Mayer (January 2001, page 226)
Radio Remote Control From Paul C. Buff, by Bob Shell (May 2001, page 34)
Rangefinder, Large Format, Tripods, Batteries And More, by Roger W. Hicks (May 2001, page 136)
Rangefinders, Large Format, Tripods And More, by Roger W. Hicks (June 2002, page 72)
Really Useful Stuff: A Gathering Of Accessories & Items, With Something For Everyone, by Roger W. Hicks (January 2007, page 124)
Rechargeable Batteries & Chargers, by Jack Neubart (June 2005, page 96)
Refurbished Photo Gear: Bargain Or Bust? By Jon Sienkiewicz (March 2007, page 110)
Roundup: Rechargeable Batteries & Chargers, by Jack Neubart (March 2006, page 48)
Roundup: Covering The Photo Beat, by C.A. Boylan (May 2006, page 48)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (September 2006, page 48)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (December 2006, page 52)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (February 2007, page 52)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (March 2007, page 50)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (September 2007, page 78)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (November 2007, page 32)
Roundup: New Products, Covering The Photo Beat, By C.A. Boylan (December 2007, page 30)
Roundup: New Products, Covering The Photo Beat, By C.A. Boylan (May 2008, page 30
Safelights: A New Generation, by Frances E. Schultz (January 2001, page 46)
Scrim Jim System, by Stan Sholik (January 2008, page 120)
Sekonic’s DualMaster L-558R Flash/Ambi Meter, by Jack Neubart (February 2006, page 86)
Shoot High-Speed Films At The Beach? One Pro Tells Why, by Steve Bedell (July 2003, page 80)
Shoot-Out In The Old West: Four Pros In A Digital SLR Showdown, by Steve Anchell (July 2005, page 57)
Shutterbug’s 2005 Picks Of The Top Slide Films: Despite Today’s Digital Revolution, Chromes Are Better Than Ever, by Stan Trzoniec (September 2005, page 60)
Sigma’s EM-140 DG Flash, by George Schaub (April 2005, page 70)
Silver And Oil, by Jack Jeffers (December 2004, page 60)
Simple Lighting Makes For Effective Portraiture: It’s All About Highlight & Shadow, by Monte Zucker (April 2002, page 100)
Some Of My Favorite Necessary Accessories, by Gary Bernstein (August 2001, page 56)
Speed Demons: The New Breed Of High-Speed Print Films, by Peter K. Burian (July 2001, page 90)
SP Studio Systems’ LancerLight SPC3200 AC/DC, by Steve Bedell (October 2005, page 72)
Spot Meter Roundup: Metering For Those Who Seek Total Exposure Control, by Joseph A. Dickerson (July 2003, page 76)
Spot Meters, by Joseph A. Dickerson (October 2004, page 57)
Studio And Mobile Lighting: Strobe, Hot, And Cool Lights, by Jack Neubart (July 2007, page 84)
Studio Accessories And Novelty Sales Items, by Robert E. Mayer (June 2008, page 112)
Studio And Mobile Lighting, by Jack Neubart (June 2008, page 80)
Studio Supplies: Studio Accessories, by Robert E. Mayer (April, 2006, page 44)
Studio & Mobile Strobes, Mobile Batteries, And Flash Meters, by Jack Neubart (June 2005, page 102)
Studio Update—Lighting And Assorted “Weird” Gear, by Roger W. Hicks (January 2005, page 104)
Subtle Silver, by Frances E. Schultz (December 2003, page 44)
Superzoom Digital Cameras With Image Stabilizer, by Peter K. Burian (December 2005, page 110)
Studio Flash Lighting: There’s A System To Fit Every Need, by Jack Neubart (October 2005, page 34)
Support On The Road: A Guide To Travel & Field Tripods Under 10 Lbs, by Jack Neubart (July 2005, page 68)
Tabletop Photography: Controlling Shadows And Contrast With Using LitePanels On Location For Fashion Shots, by Ben Clay/Web Photo School (November 2003, page 12)
Tamrac’s Aero 80 Backpack, by George Schaub (January 2008, page 92)
Test Report: Bags. Lowepro’s DryZone Rover, by Jack Neubart (November 2006, page 50)
Test Report: Film. Kodak’s Professional Portra 160 & 400 VC And NC, by Steve Anchell (May 2007, page 110)
Test Report: Film. Rollei’s ScanFilm, by Roger W. Hicks and Frances E. Schultz (March 2007, page 114)
Test Report: Flash. The Nikon R1C1, by Tony Sweet (October 2006, page 82)
Test Report: Lighting. BKA’s Studio System Pro Starter Kit, by Ron Eggers (October 2006, page 90)
Test Report: Lighting. Calumet’s Travelites, by Ron Eggers and Stan Sholik (October 2006, page 52)
Test Report: Lighting. JTL’s Multifunctional Meter, by Ron Eggers (October 2006, page 46)
Test Report: Lighting. JTL’s Mobilight 300, by Ron Eggers (December 2006, page 148)
Test Report: Lighting. Photoflex’s LiteDome Kits, by Ron Eggers (April 2007, page 98)
Test Report: Lighting. Photoflex’s Starter Kits, by Ron Eggers (December 2006, page 120)
Test Report: Llighting. The ExpoDisc, by George Schaub (May 2007, page 102)
Test Report Lighting: The Westcott Spiderlite, by Ron Eggers (October 2006, page 76)
Test Report: Photo Gear, Think Tank Photo Bags, by Jon Sienkiewicz (March 2006, page 102)
Test Report: Photo Gear. Traveling With A SlingShot, by Frances E. Schultz (May 2006, page 114)
The Digital Debate: For Group Portraits, Film Still Rules, by Steve Bedell (July 2002, page 96)
The Epson R-D1 Journey Begins, by David B. Brooks (April 2005, page 62)
The Hasselblad Xpan, by Tony Sweet (April 2003, page 76)
The JTL Versalight D—Digital Monolights, by Jay Abend (April 2004, page 50)
The Latest In Light Meters: Sekonic’s L-608 And L-508, by Bob Shell (July 2001, page 56)
The MK Gem eBox, by Jack Neubart (October 2005, page 82)
The Nikon D2x, by Tony Sweet (August 2005, page 68)
The Pentax *ist Ds, by Peter K. Burian (September 2005, page 84)
The Quantum FreeWire: The Pro Wireless TTL System That Turns Heads, by Jay Abend (October 2002, page 70)
The SEI Photometer: A Legend Among Spot Meters, by Roger W. Hicks (October 2002, page 96)
Three Essential Film Filters Vs. Digital Filter Software, by Tony Sweet (July 2004, page 51)
Three (Unexpected) Uses For A Digital Camera: A New Tool For Some Old Tricks, by Roger W. Hicks (March 2005, page 52)
Transformations With Portrait Lighting, by Ben Clay (April 2001, page 88)
TrekPod Go! Monopod, by Joe Farace (February 2008, page 100)
Tripods And Camera Supports, by Frances E. Schultz (January 2007, page 157)
Tripods And Heads, by Frances E. Schultz (June 2005, page 150)
Tripods And Heads, by Jon Canfield (July 2007, page 108)
Tripods And Various Weird Stuff, by Roger W. Hicks (December 2002, page 166)
Tripods, Monopods, And Heads, by Jack Neubart (June 2008, page 90)
Tripods—New Materials And Designs, by Frances E. Schultz (January 2005, page 167)
TTL Flash: Shedding New Light On Close-Up & Macro, by Jack Neubart (October 2002, page 94)
Turn Off Your Flash For Digital Images: Continuous Light Sources Make A Comeback, by Joe Farace (October 2005, page 38)
Two New JTL Light Meters: Getting The RIght Exposure At An Affordable Price, by Bob Shell (December 2002, page 118)
Velbon’s MAXi34E, by Roger W. Hicks (March 2002, page 162)
Visatec Litepac: A Portable Masterpiece, by Jay Abend (May 2002, page 102)
Weird And Wonderful: A Visit To The PMA Novelty Shop, by Roger W. Hicks (June 2006, page 82)
What’s New, by George Schaub (July 2007, page 24)
White Lightning’s X-Series Monolights, by Jay Abend (August 2004, page 116)
Wireless Radio Triggers, by Steve Anchell (November 2007, page 68)
XP Innovations’ LiteShaper, by Steve Bedell (December 2005, page 78)

35mm Cameras

35mm And APS Compact Cameras, by Peter K. Burian (May 2001, page 124)
35mm And APS Compact Cameras, by Peter K. Burian (June 2002, page 98)
35mm SLR, by Editor (June 2005, page 62)
35mm SLR Cameras, Lenses And Flashes, by Peter K. Burian (May 2001, page 114)
35mm SLR Cameras And Lenses, by Peter K. Burian (December 2002, page 54)
35mm SLR Cameras And Flash Units, by Peter K. Burian (June 2002, page 76)
35mm SLR And Rangefinder Cameras, by Peter K. Burian (December 2001, page 74)
35mm SLR And Rangefinder Cameras, by Peter K. Burian (June 2003, page 38)
A Case For Elegance—Kameraleder, by Bob Shell (August 2001, page 24)
All-Manual 35mm Cameras: Total Control Is In Your Hands, by Peter K. Burian (February 2001, page 227)
Breakthrough Contax N1, by Bob Shell (March 2001, page 84)
Buying Tips: A Pro’s Picks In The Compact Class, by Dave Howard (January 2001, page 58)
Cameras: Rangefinder 35mms, Medium & Large Format Cameras, by Roger W. Hicks (June 2006, page 38)
Canon EOS 20D, by George Schaub (February 2005, page 94)
Canon EOS Elan 7E, by Bob Shell (August 2001, page 98)
Canon’s EOS ELAN 7NE, by Stan Trzoniec (December 2004, page 112)
Canon EOS Rebel Ti, by Bob Shell (February 2003, page 96)
Compact 35mm And APS Format Cameras, by Peter K. Burian (December 2002, page 92)
Covering The Photo Beat, by Robert E. Mayer (March 2004, page 184)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
First Look: Innovative New Minolta Maxxum 7, by Peter K. Burian (January 2001, page 34)
First Look: Fujifilm Zoom Date 1300, by George Schaub (October 2002, page 101)
First Look: Pentax MZ-S, by Peter K. Burian (December 2001, page 110)
Leica M7, by Bob Shell (November 2002, page 56)
Minolta Freedom Zoom 160: A New Take On AF Tech, by George Schaub (August 2002, page 80)
Minolta Maxxum 5, by George Schaub (January 2002, page 88)
New 35mm And APS Compact Cameras, by Peter K. Burian (June 2003, page 86)
New 35mm And Digital SLR Cameras, by Peter K. Burian (January 2005, page 62)
New 35mm SLR And Rangefinder Cameras, by Peter K. Burian (June 2004, page 28)
New Pentax ZX-L & AF360GZ Flash, by Peter K. Burian (August 2002, page 68)
New Sigma SA-9, SA-7, & EF 500 Super Flash, by Peter K. Burian (November 2001, page 112)
Nikon N55, by Peter K. Burian (August 2002, page 78)
Pentax’s *ist 35mm Camera, by Peter K. Burian (January 2004, page 44)
Rangefinder Cameras: The Golden Age Is Upon Us, by Roger W. Hicks (January 2007, page 102)
Reminisces Of 35mm. by Gary Bernstein (June 2001, page 18)
Rollei 6008 AF, by Bob Shell (March 2003, page 86)
Snob Appeal: 35s With A Touch Of Class, by Peter K. Burian (August 2002, page 56)
Test Report: Rangefinder 35mm The New Zeiss Ikon Rangefinder 35, by Roger W. Hicks and Frances E. Schultz (April, 2006, page 110)
Test Report: Rangefinder 35mm Voigtlander’s Bessa R3A, by Roger W. Hicks and Frances E. Schultz (April, 2006, page 94)
The Contax NX AF-SLR, by Bob Shell (August 2002, page 60)
The Evolution Of A New Rangefinder Camera: Is The New Zeiss Ikon Just Another Bessa Under A Different Brand Name? by S. “Fritz” Takeda (April 2005, page 100)
The Full-Featured Nikon N65 35mm AF SLR, by Robert E. Mayer (September 2001, page 82)
The Hasselblad 203FE Revisited, by Jay Abend (January 2003, page 64)
The Leica MP, by Roger W. Hicks (December 2004, page 86)
The Nikon F6, by Stan Trzoniec (April 2005, page 84)
The Nikon N75, by George Schaub (August 2003, page 68)
The Pentax MZ-S Professional Camera, by W.L. Fadner (May 2002, page 98)
Toho FC45X & FC45 Mini: Ultra-Compact 4x5 Cameras, by Roger W. Hicks (December 2001, page 118)
Voigtlander Bessa-T, by Roger W. Hicks (January 2002, page 82)
Zeiss Ikon SW Camera, by Joe Farace (October 2007, page 112)

APS & Miscellaneous Cameras

35mm And APS Compact Cameras, by Peter K. Burian (June 2002, page 98)
Both Sides Now: Bruce Myren Looks At The Pros And Cons Of The Digital World, by Rosalind Smith (October 2003, page 82)
Compact 35mm Cameras, by Robert E. Mayer (December 2001, page 84)
Compact 35mm And APS Format Cameras, by Peter K. Burian (December 2002, page 92)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
New 35mm And APS Compact Cameras, by Peter K. Burian (June 2003, page 86)
Panflex Panoramic Camera, Bob Shell (October 2001, page 86)
Pocket Cameras, Pocket Portfolios: Shoot & Show On The GO, by Larry Berman and Chris Maher (September 2005, page 46)
Roundshot 28/220, by Dave Howard (May 2003, page 100)
Samsung Maxima Elite 170QD: A 38-170mm Point-And-Shoot Zoom In A Coat Pocket Camera, by George Schaub (July 2001, page 84)
What’s A WOCA Do? Can Happiness Be Found In The Latest Diana Wannabee? by John Stewart (January 2003, page 66)

Darkroom

Accessories, Darkroom, And Bags, by Robert E. Mayer (June 2003, page 92)
Adorama’s Ador Variable Grade Fiber Base Paper, by Dave Howard (October 2001, page 90)
A Gallery Of Filters, by Darryl C. Nicholas (July 2004, page 16)
An Enhanced Multicontrast Printing Technique, by Bill Davis (February 2004, page 184)
B&W Film Developing Made Easy: Do-It-Yourself Tips & Techniques, by Frances E. Schultz (September 2004, page 58)
Blackout: Darkroom In A Pinch, by Frances E. Schultz (July 2001, page 230)
Care And Feeding Of Enlargers—Part I, by Frances E. Schultz (July 2002, page 42)
Care And Feeding Of Enlargers—Part II, by Frances E. Schultz (September 2002, page 68)
Coping With Change, by Frances E. Schultz (February 2006, page 158)
Create A Background For Portrait Candids, by Darryl C. Nicholas (November 2004, page 20)
Coffee, Tea, Or Vitamin C: Kitchen Chemistry In The Darkroom, by Roger K. Bunting (September 2003, page 42)
Create A Torn Effect In Photoshop, by Darryl C. Nicholas (November 2003, page 14)
Darkroom Equipment And Materials, by Frances E. Schultz (May 2001, page 212)
Darkroom: Film, Paper, Chemistry, And Darkroom Gear, by Frances E. Schultz (June 2006, page 112)
Darkroom Products, by Frances E. Schultz (December 2002, page 98)
Dealing With Dynamic Range, by Darryl C. Nicholas (May 2003, page 44)
dr5 Labs: Renewing The Black And White Lease, by George Schaub (February 2005, page 66)
Film, Chemistry, Paper, And Darkroom, by Frances E. Schultz (June 2002, page 106)
Film, Paper, Chemistry, And Darkroom, by Frances E. Schultz (June 2005, page 152)
From Color Prints To Color Copy Negatives, by Darryl C. Nicholas (January 2001, page 234)
How To Build The World’s Least Expensive, Easiest To Assemble Film Dryer (Next To A Coat Hanger And Two Clothespins) by F. Michael LaRosa (September 2002, page 150)
Kaiser’s Studio Out Of The Box, by Frances E. Schultz and Roger W. Hicks (March 2005, page 90)
Making Picture Frames, by Darryl C. Nicholas (October 2002, page 34)
Making Quick Mask Selections, by Darryl C. Nicholas (December 2002, page 38)
Nightmare Negs, by Frances E. Schultz (August 2003, page 148)
Paterson Acugrade Warmtone, by Frances E. Schultz (September 2003, page 80)
Photo Gear: Covering The Photo Beat, by Dave Howard and Robert E. Mayer (December 2005, page 118)
Planning A Perfect Darkroom: Long-Term And Temporary Considerations, by Frances E. Schultz (November 2002, page 170)
Printing Black And White Negatives With A Color Enlarger, by Darryl C. Nicholas (February 2002, page 162)
Quick Tips: Film Drying, by Roger W. Hicks (October 2001, page 180)
Setting The Black Point, by Darryl C. Nicholas (September 2004, page 184)
Silver and Oil, by Jack Jeffers (December 2004. page 60)
Softening And Vignetting, by Frances E. Schultz (May 2002, page 26)
Silver Halide Photography: Films, Papers, Chemicals, Darkroom, And More, by Frances E. Schultz (January 2007, page 117)
Still Using A Lab For B&W Prints? For Best Results, Do It Yourself! by Frances E. Schultz (February 2003, page 84)
Strip, CLean, And Overhaul, by Frances E. Schultz (October 2003, page 174)
Subtle Differences: Warm-Tone Prints, by Frances E. Schultz (October 2001, page 108)
The Darkroom: Contrast Control Masking, by Darryl C. Nicholas (March 2005, page 150)
The Darkroom: Making Digital Mattes In Photoshop, by Darryl C. Nicholas (July 2005, page 154)
The Darkroom: Printing From Glass Plates, by Frances E. Schultz (September 2005, page 100)
The Darkroom: Problem Restorations Solved, by Darryl C. Nicholas (July 2006, page 36)
The Darkroom: Sanctuary, by Frances E. Schultz (September 2006, page 148)
The Darkroom: The Hybrid Darkroom, by Frances E. Schultz (November 2005, page 176)
The Darkroom: The Lowdown On VC Papers, by Frances E. Schultz (May 2005, page 176)
The Darkroom: Using The Extract Tool, by Darryl C. Nicholas (June 2005, page 18)
The Darkroom: When Good Chemicals Go Bad, by Frances E. Schultz (February 2005, page 146)
The Holga Enlarger, by Dave Howard (September 2004, page 114)
The Large Format Darkroom, by Frances E. Schultz (October 2004, page 124)
The University Of The Arts: A State Of The Art Darkroom, by Darryl C. Nicholas (October 2001, page 100)
Timeless Travel: Images Made With History In Mind, by Frances E. Schultz (May 2005, page 66)
Toward A Kinder, Gentler Camera, by Frances E. Schultz (June 2004, page 180)
Using The Info Tool To Create Better Prints, by Darryl C. Nicholas (March 2003, page 32)
Use More Paper—Waste Less! by Frances E. Schultz (April 2003, page 144)
Using The Right Enlarger Lens—Exceptions To The Rule, by Darryl C. Nicholas (February 2001, page 214)
Using The Shadow/Highlight Tool, by Darryl C. Nicholas (May 2004, page 22)
What Do Those H&D Curves Really Mean? by Darryl C. Nicholas (April 2001, page 211)
Working With Imperfection, by Frances E. Schultz (December 2004, page 178)
Your Traditional Darkroom, by Frances E. Schultz (December 2003, page 154

How-To And Techniques

10 Rules For Top Digital Quality: Format, Exposure, Highlight Control, And More, by Steve Bedell (March 2004, page 124)
10 Terrific Tips: For Black And White Images, by Frances E. Schultz (February 2001, page 72)
20 Photoshop/Elements Secrets, by Phillip Andrews (How To Guide 2006, page 64)
A Basic Child Portrait On Location, by Ben Clay/Web Photo School (April 2002, page 20)
Accessories Can Make A Big Difference! by Monte Zucker (July 2003, page 22)
ACDSee 7, by Joe Farace (March 2005, page 62)
A Digital Convert Tell’s All About...The Good, The Bad, And The Ugly Of Switching, by Clint Farlinger (March 2004, page 113)
A Digital Trip To Paris: On The Road With Cameras, Batteries, Computer, Cords, And More, by Susan McCartney (May 2004, page 58)
After Dark: What To Do When The Light Runs Out, by Roger W. Hicks (May 2002, page 82)
Are You Talking To Me?, by Jack Hollingsworth (December 2007, page 26)
A Journey Through Autumn: Following The Color South, by Richard Pahl (October 2002, page 52)
Alternative Sources & Resources For Income, by Maria Piscopo (October 2002, page 192)
A Macro Photography Primer: Getting Up Close And Personal For Some Great Photo Ops, by Kenneth J. Stein, Ph.D. (August 2003, page 90)
A Model Portfolio Made Easy: Lighting Basics Using BKA’s Lancer Light Series AC/DC Lights, by Ingrid S. Krampe (April 2003, page 92)
A New Direction For Portraiture, by Monte Zucker (July 2001, page 32)
A New B&W Inkjet Option: Using An Epson R800 Or R1800 With B&W 100 Percent Carbon MIS Ink, by David B. Brooks (February 2008, page 84)
An Insider’s Look At Food Photography, by Dennis Davis (December 2004, page 56)
An Ink Jet Printer, by David B. Brooks (April 2003, page 96)
A Pocket Digital—My Traveling Companion! by Monte Zucker (November 2002, page 20)
A Pro’s Touch: Creative Portrait Backgrounds Using Photoshop 6.0, by Darryl C. Nicholas (March 2001, page 138)
A Working Model For Photography Business Growth, by Maria Piscopo (July 2001, page 24)
Add Motion To Stills, by Rick Sammon (February 2001, page 22)
Another Option: Dodging And Burning-In With Photoshop, by Darryl C. Nicholas (September 2001, page 112)
Anything But Front Light: Use Side And Backlighting To Enhance Your Travel Photos, by Dave Howard (November 2001, page 70)
Aperture In Black And White: Conversion Strategies For Mac Users, by George Schaub (February 2008, page 64)
Aperture’s Light Table, Layout And Pictures Stories: A Newfound Tool For A Lost Art, by Rod Lawton (October 2007, page 86)
April Showers: Techniques For Capturing May Flowers, by Peter K. Burian (April 2001, page 138)
Autofocus Problem Solving: 10 Tips For Reliable Photography, by Peter K. Burian (January 2001, page 158)
Automated Color Correction: Getting Idiot-Proof Color Every Time, by Jay Abend (March 2002, page 54)
Available Light Portraits: 10 Secrets To Photographing People Using Minimum Equipment, by Joe Farace (January 2001, page 166)
Background Check, by Bob Shell (April 2003, page 28)
Backgrounds & Montages: Create A Unique, Custom Image For Your Portrait Clients, by Woody Walters (April 2005, page 44)
Back It Up! How Four Pros Preserve And Protect Their Digital Images…And Why One Won’t Play That Game, by Barry Tanenbaum (June 2007, page 74)
Back To Basics Part I—How To Get Started In Your Photography Business, by Maria Piscopo (January 2002, page 174)
Back To Basics Part II—Finding Images To Shoot That Clients Will Buy, by Maria Piscopo (February 2002, page 166)
Back To Basics Part III—Focus On An Action Plan, by Maria Piscopo (March 2002, page 154)
Back Up Your Photos Now! You (Probably) Already Have The Software You Need In Windows (And There’s A Free One For Mac Users As Well), by Rod Lawton (April 2008, page 146)
Basic Studio Portraiture, by Ben Clay/Web Photo School (September 2001, page 20)
Becoming Your Own Publisher: Online Photo Books And Albums, by Steve Gottlieb, (June 2007, page 78)
Blackout: Darkroom In A Pinch, by Frances E. Schultz (July 2001, page 230)
B&W Negative Scanning: A Step By Step, Easy Way To Quality Images, by David B. Brooks (September 2002, page 86)
Black & White Conversions: A Powerful New Tool In CS3, by Ben Willmore (February 2008, page 74)
Blog, Blog, Blog, Blog, Photoblog: How Photographers Are Making The Internet Work For Them, by David B. Brooks (January 2005, page 27)
Blur a la Carte: Add Motion To Any Image, by Howard Millard (How To Guide 2006, page 50)
Books & DVDs: Up To Speed With Adobe’s Photoshop CS2, by Howard Millard (April, 2006, page 156)
Break The Rules: 7 Tips For The Modern Portrait Photographer, by Jay Abend (January 2001, page 162)
Breakin’ Out On Your Own: Making It In The Free-Lance World, by Rick Sammon (April 2002, page 78)
Build A Low-Cost Film Drying Cabinet, by Tom Fuller (February 2001, page 236)
Building A Photographic Community, by Maria Piscopo (September 2004, page 156)
Build An Underwater Camera Housing, by Tom Fuller (September 2001, page 220)
Build A Variable Extension Tube, by Tom Fuller (January 2001, page 18)
Building Great Photos: Compositing Multiple Frames To Create One Great Image, by Jay Abend (November 2002, page 92)
Building Your Digital Event Photography, by Maria Piscopo (December 2004, page 26)
Business Opportunities Working With Your Lab/Service Bureau, by Maria Piscopo (July 2003, page 158)
Business Trends: A Marketing Survey Of Photo Buyers, by Maria Piscopo (September 2007, page 106)
Business Trends: Are There Digital Photography Clients? by Maria Piscopo (April, 2006,page 24)
Business Trends: Fix Your Marketing Mix, by Maria Piscopo (April 2007, page 70)
Business Trends: Going Pro—Portrait Style, by Maria Piscopo (November 2005, page 22)
Business Trends: How To Grow Your Wedding Business, by Maria Piscopo (August 2007, page 30)
Business Trends: “Know Your Rights—Know The Price”, by Maria Piscopo (May 2008, page 32)
Business Trends: Making A Difference With Photography, by Maria Piscopo (April 2008, page 40)
Business Trends: Project Management For Photographers, by Maria Piscopo (June 2007, page 50)
Business Trends: Risky Business, by Maria Piscopo (February 2006, page 20)
Business Trends: Setting The Right Price, by Maria Piscopo (February 2005, page 150)
Business Trends: The Business Of Children’s Portraits, by Maria Piscopo (January 2006, page 16)
Business Trends: The Business Of Travel Photograpy, by Maria Piscopo (May 2006, page 32)
Business Trends: The NEW State Of Stock Photography, by Maria Piscopo (September 2006, page 32)
Business Trends: The Photo Workshop Business, by Maria Piscopo (March 2008, page 16)
Business Trends: Update That Website—Now!, by Maria Piscopo (January 2007, page 176)
Business Trends: Using Software For Your Photo Business, by Maria Piscopo (March 2006, page 26)
Business Trends: Use Your Website As A Marketing Tool, by Maria Piscopo (October 2007, page 191)
Build Your Own Custom Imaging Computer: It’s Easier Than You Think, by John Rettie (July 2003, page 48)
Buying Your First Flash: If The Shoe Mount Fits, Wear it, by Jack Neubart (October 2002, page 90)
Buyer’s Guide To Tripods: Choosing Different ‘Pods For Different Jobs, by Dave Howard (February 2001, page 140)
Capturing Mood. by Tony Sweet (June 2001, page 10)
Capturing That Special Sense Of Place, by Jack Hollingsworth (February 2001, page 46)
Capturing The Magic Of Kids On Film, by Jack Holllingsworth (August 2001, page 52)
Cave Photography, by Clint Farlinger (January 2008, page 124)
Change Everything, by Jack Hollingsworth (June 2004, page 9)
Choosing A Notebook Computer: Indispensable Tools For Photographers, by Jon Sienkiewicz (March 2007, page 74)
Creating Cinematic Lighting The Easy Way, by Ben Clay/Web Photo School (April 2004, page 22)
Create A Pop Art Portrait: Back To The ‘60s, by Howard Millard (March 2008, page 102)
Creative Multiple Exposure: Digital And Film Options, by Howard Millard (April 2008, page 148)
Close-Up Lighting, Soft And Easy. Adapting Light To Macro Photography, by Robert E. Mayer (October 2006, page 68)
Coffee, Tea, Or Vitamin C: Kitchen Chemistry In The Darkroom, by Roger K. Bunting (September 2003, page 42)
Color Is Content, by Jack Hollingsworth (April 2001, page 14)
Color Management, by Jon Canfield (July 2007, page 66)
Color Management, by Jon Canfield (June 2008, page 54)
Contrasting Color For Vivid Results, by Ben Clay/Web Photo School (January 2002, page 20)
Controlling Background Brightness: In The Studio And Outdoors, by Tony L. Corbell (July 2002, page 92)
Controlling “Impossible” Reflections, by Ben Clay/Web Photo School (February 2004, page 18)
Correcting Distortion In The Digital Darkroom, by Darryl C. Nicholas (June 2002, page 38)
Correcting Perspective With Architectural Shots, by Ben Clay/Web Photo School (May 2003, page 34)
Cowboy & Horses, Layers: Creative And Practical Uses, by David B. Brooks (August 2001, page 120)
Crash Course: A Short Lesson In Wildlife Photography, by Rick Sammon (March 2001, page 152)
Creating And Modifying Soft Light Indoors, by Ben Clay/Web Photo School (March 2002, page 20)
Creating A Site That Works For You, by Rosalind Smith (December 2001, page 42)
Create A Torn Effect In Photoshop, by Darryl C. Nicholas (November 2003, page 14)
Creating Brushed Metal Reflections, by Ben Clay/Web Photo School (November 2001, page 20)
Creating Digital Macro Shots On Location, by Ben Clay/Web Photo School (February 2003, page 22)
Creative Ideas For Self-Promotion In the Marketplace, by Maria Piscopo (November 2002, page 166)
Creating Panoramic Images Digitally, by Ben Clay/Web Photo School (April 2003, page 20)
Create Top Model Portfolios: Tips From A Pro, by Joe Farace (April 2001, page 92)
Creating Warm Light For Portraits, by Ben Clay/Web Photo School (January 2003, page 20)
Cruising For Images, by Jack Hollingsworth (October 2002, page 42)
Dancing Around The Format, by Monte Zucker (August 2004, page 20)
Darkroom Products, by Frances E. Schultz (December 2002, page 98)
David Brooks’ Digital Darkroom Resource CD: An Affordable Way To Get A Handle On Digital Imaging, by Andrea Keister (March 2008, page 108)
Dealing With Dynamic Range, by Darryl C. Nicholas (May 2003, page 44)
Develop Photographer/Client Relationships, by Maria Piscopo (March 2001, page 233)
Digital Color To B&W: Five Top Ways To Convert To Gray, by Philip Andrews (February 2007, page 68)
Digital Darkroom: Digital Innovations Speed Photographers’ Workflow, by Steve Bedell (March 2006, page 55)
Digital Darkroom: Camera Raw Workflow, by David B. Brooks (April, 2006, page 58)
Digital Darkroom: Digital Capture Input: “Alternative” Output, by Rainer Wenzel (April, 2006, page 51)
Digital Darkroom: Faster Photoshop, Free, by Phillip Andrews (April, 2006, page 46)
Digital Darkroom: Is This The Ultimate Photo Road Warrior machine? by Brad Perks and Roger L Johnson (May 2006, page 60)
Digital Diary: Photographing Dance, by Andre Costantini (March 2003, page 66)
Digital In Black And White: Ink Jet Printing Problems And Solutions, by David B. Brooks (December 2001, page 58)
Digital Innovations: Blink-Free Photos Guaranteed! by Joe Farace (May 2007, page 50)
Digital Innovations: Capturing Images In Camera And The Ditigal Darkroom, by Joe Farace (September 2007, page 22)
Digital Innovations: How To Choose The Right Digital SLR, by Joe Farace (June 2007, page 38)
Digital Innovations: Is There A Correct Way To Make A Photograph? by Joe Farace (February 2006, page 156)
Digital Innovations: Living Outside The Frame, by Joe Farace (September 2006, page 168)
Digital Innovations: On The Digital Road, by Joe Farace (May 2008, page 40)
Digital Innovations: The Dog Ate My Homework..., by Joe Farace (April, 2006,page 40)
Digital Innovations: The Virtues Of Digital Imaging, by Joe Farace (February 2007, page 160)
Digital Isn’t For Everyone, by Monte Zucker (March 2004, page 12)
Digital Life Preservers: How To Organize, Archive, And Protect Your Valuable Photos, by Howard Millard (September 2005, page 62)
Digital Print Display Do’s And Don'ts: How To Mount And Frame Your Ink Jet Masterpieces, by Jay Abend (April 2001, page 122)
Digital Soft Focus And Diffusion: Adding Mood And Mystery With Any Software, by Howard Millard (How To Guide 2006, page 58)
Digital White Balance And Color Temperature: Not So Simple As It Seems, by Bob Shell (January 2003, page 26)
Digital Wedding Photography: Tips From The Pros, by Joe Farace (April 2003, page 70)
Direct Mail Marketing: Targeted, Effective Campaigns Pay Off! by Maria Piscopo (August 2002, page 34)
Distance And Angles Of Light, by Gary Bernstein (October 2001, page 40)
Doin’ South Beach Digitally: Turning Snapshots Into Great Shots, by Rick Sammon (January 2003, page 30)
Double Exposures: Double The Trouble, But Double The Fun! by Dave Wade (May 2004, page 52)
Dressed For The Occasion, by Gene Kester/Web Photo School (October 2001, page 18)
Earth’s Shadow: Wait For The Right Light, by Frank Weston (May 2004, page 31)
Easy Online Construction: Do-It-Yourself Portfolio, by George Schaub (January 2002, page 100)
Enshourded In Fog: Tips On Capturing That Soft And Subtle Light, by Jim Zuckerman (October 2006, page 64)
Entering Photographic Competitions Can Be The Fairy-Tale Stepping Stone To Success, by Monte Zucker (March 2001, page 18)
Ever Wonder...How RA-4 Paper Works? by Darryl C. Nicholas (September 2002, page 78)
Exclusive—First Dry Film Processing Test. by Bob Shell (June 2001, page 14)
Experience And Energy, by Blake Ziegler & Mary Brocius (November 2002, page 30)
False Accuracy: Learn To Live With The Variables, by Roger W. Hicks (November 2003, page 190)
Fill Flash Flamenco: Catch The Spirit Of The Dance, by David Wade (October 2002, page 58)
Fill Light: Use Your Flash Outdoors, by Peter K. Burian (October 2007, page 88)
Film Photography Meets Digital Imaging, by Joe Farace (March 2002, page 194)
Film & Digital B&W “Hybrid”: How To Get The Best Of Both Worlds, by David B. Brooks (February 2008, page 76)
Fine Art Marketing, by Maria Piscopo (January 2008, page 36)
Fine Printing: Recipes For Great Print Quality, by Frances E. Schultz (September 2003, page 52)
First Light/Last Light Reflections: Fleeting Opportunities For Unique Photos, by Dave Howard (December 2001, page 102)
Flash Back: Getting The Most From Built-In Flash, by Joe Farace (How To Guide 2006, page 22)
Focal Lengths And Faces: Choosing The Right Lens For Up Close And Personal Portraits, by Scott Stulberg (August 2007, page 60)
For Fun And Profit: Five Flat-Bed Scanner Projects, by Howard Millard (April 2001, page 118)
Foreground Framing: Wide Angle Lenses, Deep Depth Of Field & Point Of View Can Yield Some Great Travel Shots, by Kerry Drager (July 2002, page 88)
For The Love Of Photography: Don’t Allow The Challenge Of A Disability Stop You From Making Great Pictures, by Ralph J. Adkins (April 2007, page 180)
Formal Bridal Portraiture: A Posing Guide For The “New” Elegance, by Monte Zucker (April 2004, page 102)
Format Selection: Bigger Is Better...Or Is It?, Joseph A. Dickerson (July 2001, page 76)
Friendly Tips For Photographers: A Reminder About Effective Techniques, by Monte Zucker (October 2001, page 26)
From Color Prints To Color Copy Negatives, by Darryl C. Nicholas (January 2001, page 234)
From Russia With Love...Part 1, by Monte Zucker (August 2003, page 14)
From Russia With Love...Part 2, by Monte Zucker (September 2003, page 24)
Gentle Scenics: Discerning The Less-Than-Obvious Landscape, by Dave Howard (September 2001, page 102)
Get A Grip! Camera Comfort Isn’t Just A Luxury! by Dave Howard (August 2001, page 136)
Getting Back To The Basics, by Monte Zucker (July 2004, page 20)
Get Control Of Color! WYSIWYG: Are We There Yet? by David B. Brooks (April 2001, page 110)
Get Great Studio Portraits: Nine Tips To Lighting Success, by Steve Bedell (October 2003, page 85)
Get Great Race Shots...Without A Press Pass, by R.C. Parsons (July 2006, page 43)
Get It Right…In The Camera…And Save On “Post”-Processing Time, by Steve Bedell (May 2008, page 92)
Getting Skin Tones Right: Digital Portrait Techniques, by Jay Abend (April 2002, page 90)
Get Organnized: Make A Contact Sheet, by Darryl C. Nicholas (How To Guide 2006, page 44)
Getting Started As A Pro, by Maria Piscopo (November 2004, page 176)
Getting Started: Basic Studio Lighting Setups On A Budget, by Robert E. Mayer (November 2001, page 46)
Get The Most From Your Scans: Dynamic Density And Resolution, by Darryl C. Nicholas (How To Guide 2006, page 46)
Getting Your Money, by Maria Piscopo (April 2001, page 224)
Go With The Flow: Tips For Capturing Great Water Shots, by Clint Farlinger (May 2001, page 66)
Globetrotter—Travel & Location: Cruisin’ For Photo Opportunities, by Rick Sammon (May 2005, page 18)
Globetrotter—Travel & Location: Leaving Las Vegas..., by Rick Sammon (July 2005, page 12)
Globetrotter—Travel & Location: Shooting Indoors, by Rick Sammon (March 2005, page 12)
Handcolor Your Prints: A Venerable Craft That’s Still Going Strong, by Frances E. Schultz (September 2003, page 76)
Hard Light Portraits: An Island In A Sea Of Softboxes, by Steve Bedell (April 2008, page 58)
Hard Or Soft? Q&A On Paper Grades, by Roger W. Hicks & Frances E. Schultz (February 2003, page 92)
Have Cameras...Will Travel! by Monte Zucker (May 2004, page 18)
Have Camera...Will Travel! by Monte Zucker (June 2004, page 16)
HDR Primer: High Dynamic Range Photography For Those Who “Want It All!”, by Tony Sweet (July 2008, page 46)
Helping People See The World, by Joe Farace (April 2008, page 48)
High Flying: Photograph The Fun At Balloon Festivals, by Rick Sammon (May 2001, page 78)
High Impact With Extreme Close-Ups, by Ben Clay (August 2001, page 20)
How To Build The World’s Least Expensive, Easiest To Assemble Film Dryer (Next To A Coat Hanger And Two Clothespins) by F. Michael LaRosa (September 2002, page 150)
How To Find Commercial Clients, by Maria Piscopo (September 2003, page 156)
How To Improve Your Internet Marketing, by Maria Piscopo (June 2004, page 192)
How To Photograph Big Groups: Simple Guidelines For Great Results, by Steve Bedell (April 2004, page 106)
How To Scan Large Pictures, by Darryl C. Nicholas (February 2003, page 36)
How’d You Like To Write An e-Book? by Joe Farace (September 2002, page 84)
Improving Your Scenic Shots, by Ben Clay/Web Photo School (July 2003, page 14)
In Camera Image Controls: Contrast, Color Saturation, And Sharpening, by Peter K. Burian (How To Guide 2006, page 30)
Infinite Backgrounds: Select, Cut & Paste—It’s All In The Digital Darkroom, by Steve Bedell (March 2003, page 72)
Inkjet Printer Maintenance: Tips For Fixing Poor Print Results, by Darryl C. Nicholas (How To Guide 2006, page 88)
Is This The Ultimate Image Composite? Scavengers Tell The Story, by Robert Inouye (March 2004, page 120)
It’s All Done With Mirrors—Mirror Lenses, That Is. by Bob Shell (April 2001, page 22)
It May Not Be Monday Football, But…The Youth Action Sport Market, by David Whitson (May 2007, page 34)
Improving Sales By Selling Your Style: An Interview With Robert Lino, by Maria Piscopo (September 2002, page 22)
Improve Your Outdoor Portraits: Tips From A Pro On Lighting, Posing, And More, by Steve Bedell (May 2005, page 70)
Infrared—Digital Style: Shooting Infrared Photographs With Your Digital Camera, by Chris Maher & Larry Berman (February 2002, page 60)
Is Your Computer Set Up For Digital Photography? How To Stop Creating Natural Light Indoors, by Ben Clay/Web Photo School (March 2003, page 24)
Just When You Thought You Knew Me...by Monte Zucker (December 2001, page 26)
Large Format Primer: Gearing Up & Getting To Work, by Joseph A. Dickerson (September 2001, page 114)
Legal And Business Practices For Digital Photography, by Maria Piscopo (February 2008, page 40)
Lighting For Black And White Portraits: The Black And White “Thing,” by Steve Bedell (February 2001, page 66)
Light On The Land: Capturing The Elusive Moment, by Clint Farlinger (May 2002, page 50)
Light Plays: Pumped Up Color, by Jay Abend (June 2001, page 110)
Lighten Up, by Jack Hollingsworth (August 2002, page 24)
Lighting Your Way To Success, by Maria Piscopo (October 2003, page 22)
Lighting—What’s It All About? by Monte Zucker (November 2001, page 26)
Lighting Workshop: How To Meter And Balance Your Lights, by Steve Nichols (October 2003, page 38)
Locations: Creative Seeing, by Rick Sammon (January 2007, page 32)
Locations: Make Your Own Luck, by Clint Farlinger (May 2006, page 38)
Long Weekends: Learning To Take The Next Step, by Barry Tanenbaum (August 2001, page 132)
Look Ma, No Lens! Pinhole Cameras You Can Build Or Buy, by John Stewart (February 2005, page 153)
Made Easy: Digital Sepia Toning, by Darryl C. Nicholas (February 2001, page 80)
Make A Digital Montage, by Rick Sammon (April 2001, page 32)
Making A “Monte” Portrait: Take A Simple, Direct Approach, by Monte Zucker (April 2005, page 50)
Making Custom Brushes In Photoshop Version 7.0, by Darryl C. Nicholas (July 2003, page 42)
Making Digital Contact Sheets From Negatives: A Hybrid Solution For The Film/Digital Photographer, by Joel Simpson (March 2005, page 56)
Making Digital Photos Sing: Basic Image Optimization Using Photoshop, by David B. Brooks (July 2003, page 72)
Making Drop Shadows, by Darryl C. Nicholas (August 2002, page 50)
Making It In The Marketplace: Two Seasoned Pros Share Their Views, by Rosalind Smith (August 2002, page 82)
Making It Picture Or Portrait Perfect, by Joe Farace (November 2007, page 36)
Making Money As A Photographer And Writer, by Maria Piscopo (May 2002, page 22)
Making More Effective Sales Calls, by Maria Piscopo (January 2001, page 228)
Making Picture Frames, by Darryl C. Nicholas (October 2002, page 34)
Make Pictures And Profits, by Maria Piscopo (September 2001, page 195)
Making Quick Mask Selections, by Darryl C. Nicholas (December 2002, page 38)
Making The Most Of Your Travel Photography, by Maria Piscopo (May 2003, page 22)
Make Your Marketing And Business Resolutions Now, by Maria Piscopo (February 2003, page 148)
Make Your Web Site Work For You, by Maria Piscopo (March 2003, page 162)
Marketing Fine Art Photography, by Maria Piscopo (August 2004, page 16)
Marketing Resolutions For 2005, by Maria Piscopo (January 2005, page 22)
Marketing Trends Today, by Maria Piscopo (July 2004, page 170)
Marketing Your Style, by Maria Piscopo (April 2004, page 16)
Master Class: A Shared Experience, by Monte Zucker (March 2006, page 32)
Master Class: Always Be Prepared For Portraits, by Monte Zucker (July 2005, page 20)
Master Class: Imagination To Reality, by Monte Zucker (October 2006, page 36)
Master Class: Life’s Most Treasured Moments, by Monte Zucker (April 2007, page 32)
Master Class: Light Control, by Monte Zucker (February 2005, page 16)
Master Class: Make Every Wedding A Dream Wedding, by Monte Zucker (February 2007, page 38)
Master Class: On The Road, by Monte Zucker (April, 2006, page 28)
Master Class: On The Road, by Monte Zucker (May 2006, page 26)
Master Class: Portrait And Wedding Photography In England & Ireland, by Monte Zucker (July 2006, page 26)
Master Class: Who Teaches The Teacher? by Monte Zucker (May 2005, page 22)
Master Class: Why Black And White? By Monte Zucker (February 2006, page 24)
Mesa Verde: Photographing In The Footsteps Of The Ancients, by Howard Millard (September 2001, page 120)
Model Assignment, by Jack Hollingsworth (October 2003, page 16)
Modifying Light For Portraits At Sunset, by Web Photo School (November 2002, page 28)
Modifying White Balance For Indoor Portraits, by Web Photo School (December 2002, page 27)
Monte’s Digital Conversions, by Monte Zucker (March 2003, page 50)
More Haste, More Speed: Push Process Q&A, by Roger W. Hicks (October 2002, page 183)
Moving Toward The Wireless Studio, by Bob Shell (December 2002, page 30)
Multi-Image Portraits: Combining Images For A Unique Look, by Steve Bedell (September 2007, page 110)
Mundane Imaging Tasks Made Easy: Navigating The Action Palette In Photoshop 6.0, by Eric Seeger (February 2002, page 100)
Museum Photography: Diverse Tools For Diverse Needs, by Jack Neubart (January 2008, page 40)
My Digital Photography Tool Kit—Part I: Gear For The ePhoto Crowd, by Bob Shell (August 2002, page 44)
Natural Light Portraits...A Little Ingenuity Will Do, by Monte Zucker (July 2002, page 22)
Natural Llight Portraiture: Why One Photographer Loves The Sun! by Steve Bedell (October 2006, page 56)
Nailed Down Lighting: A Simple Setup For Volume Work, by Steve Bedell (October 2002, page 56)
New Horizons, by Monte Zucker (December 2003, page 12)
New Lighting Options For Macro Photography, by Bob Shell (March 2003, page 38)
Night Moves: Las Vegas, How To Shoot After Dark, by Howard Millard (May 2001, page 84)
On Location At Carnival: Six Photographers Talk About Their Pic...And Along The Way Enter The Film/Digital Debate, by Jonathan Franklin (March 2004, page 116)
Old Growth Forests Of The East: Abundant Photo Ops Await In Hard-To-Find Places, by Clint Farlinger (May 2004, page 34)
One Photographer’s Apporach To The Digital Dilemma: Shoot Film And Scan, by William Davis (February 2006, page 50)
On The Beach: How To Tame Those Tough Lighting Conditions, by Steve Bedell (August 2001, page 192)
On The Road With Monte, by Monte Zucker (May 2003, page 30)
Opinions About Imaging, by Roger W. Hicks (January 2008, page 64)
Optical Options For Your D-SLR: Which Lenses And lens Combos Work Best? Here Are 7 Great Lens Kits To Match Your Needs And Taste, by Jason Schneider (How To Guide 2006, page 6)
Ordinary Attractions, by Jack Hollingsworth (August 2003, page 32)
Output Options: Online Or Else, by Jon Canfield (August 2007, page 44)
Output Options: Selective Sharpening, by Jon Canfield (December 2006, page 42)
Output Options: Sharpening For Output, by Jon Canfield (October 2006, page 32)
Over The Edge: An Obsession On Bordering, by Frances E. Schultz (September 2001, page 118)
Package Printing Made Easy: Print Different Images On The Same Sheet, by Darryl C. Nicholas (How To Guide 2006, page 90)
Package Printing: Many Options In Photoshop, by Darryl C. Nicholas (December 2001, page 54)
Panama Offers Many Unique Photo Opportunities, by Rick Sammon (July 2003, page 30)
Panoramic View Cameras, by Tom Fuller (January 2002, page 203)
Panoramic Photography With Your Digital Camera: Gear And A Guide To Maximum Panoramic Power, by Jim Porter (July 2005, page 54)
Passport—Travel & Location: Bringing It All Back Home, by Jack Hollingsworth (December 2005, page 14)
Passport—Travel & Location: Eye Contact, by Jack Hollingsworth (February 2005, page 10)
Passport—Travel & Location: Happy Accidents, by Jack Hollingsworth (August 2005, page 12)
Passport—Travel & Location: In The Zone, by Jack Hollingsworth (April 2005 page, 18)
Passport—Travel & Location: Take Stock, by Jack Hollingsorth (February 2004, page 8)
Passport—Travel & Location: Simplify To Amplify, by Jack Hollingsworth, (June 2005, page 12)
Patience Has Its Rewards, by Tony Sweet (April 2002, page 18)
People, Places, And Things... by Monte Zucker (April 2003, page 48)
Perfect Digital Exposure, by Joe Farace (November 2002, page 100)
Personal Project: Mood, Ambience, & Dramatic Effects In Photography, by Joseph Meehan (March 2008, page 69)
Personal Project: Taking (Through) Panes, by John Neubauer (March 2008, page 104)
Personal Project: The Eyes Have It, by Ande Costantini (August 2005, page 58)
Photographing Artwork Digitally: Setting, Shooting, And Post-Processing, by Larry Berman & Chris Maher (April 2007, page 74)
Photographing Beauties And Beasts In Florida, by Rick Sammon (September 2004, page 10)
Photographing During The Witching Hour, by Steve Anchell (October 2004, page 20)
Photographing People Of Color, by Monte Zucker (September 2001, page 32)
Photographing People Of Color, by Monte Zucker (January 2004, page 28)
Photo Retouching Techniques: A Step By Step Guide For Big Prints From 35mm Film, by Cris Daniels (April 2003, page 68)
Photographing Strangers: The Art Of Travel Portraiture, by Rick Sammon (July 2002, page 38)
Photography Sales Booster, by Maria Piscopo (October 2001, page 34)
Photo Stuff From Unlikely Places, by Bob Shell (May 2001, page 10)
Photo Teamwork: Bleu Cotton Photography, by Maria Piscopo (August 2001, page 46)
Picture Project: The Working Wharf, by David Wade (May 2002, page 72)
Planning A Perfect Darkroom: Long-Term And Temporary Considerations, by Frances E. Schultz (November 2002, page 170)
Point Of View, by Monte Zucker (November 2004, page 16)
Portrait Backgrounds, by Darryl C. Nicholas (March 2004, page 24)
Portable Storage And Downloading Devices: Gear For The Traveling Digital Photographer, by Stan Trzoniec (How To Guide 2006, page 86)
Post Cards From Maine, by Rick Sammon (November 2003, page 8)
Privacy Right And Copyrights: What Photographers Need To Know, by Maria Piscopo (May 2007, page 30)
Pro Talk. Peter B. Kaplan: Turn The Key, by Jay McCabe (March 2007, page 32)
Product Photography For Business And The Web, by Ben Clay/Web Photo School (February 2002, page 20)
Pro Techniques: Filters For Fall. Add New Vibrancy And Excitement To Your Autumn Foliage Photos, by Howard Millard (October 2001, page 124)
Playing With Perspective: Go Wide Or Get Stacked, by The Editors (February 2003, page 70)
Putting Your Portfolio On CD-ROM: The Technology Is There, But Is This Any Way To Show Your Work? by Jay Abend (September 2001, page 122)
Quick Tips: Film Drying, by Roger W. Hicks (October 2001, page 180)
Quieting Noise: Digital Noise Is Easily Controlled With These Plug-In Filters, by Jack Neubart (July 2008, page 76)
Raw File Format And Image Quality: What It’s Got And How To Get The Most From It, by David B. Brooks (September 2004, page 66)
Raw Image Converter Essentials: How To Choose The Best One For Your Work, by Uwe Steinmueller (March 2004, page 130)
Raw Processing Options: A Sampler For Every Camera & Budget, by Jon Sienkiewicz (March 2008, page 106)
Raw Vs. JPEG Capture Mode: Choose The Image File Format To Fit Your Needs, by Peter K. Burian (How To Guide 2006, page 16)
Rediscovering Black And White Via Digital, by Bob Shell (May 2003, page 50)
Rediscovering Black And White Via Digital, Part II, by Bob Shell (August 2003, page 36)
Red, Blue, And Green...by Monte Zucker (February 2004, page 12)
Reinventing Your Business, Selling High-End Portraits, by Maria Piscopo (April 2003, page 34)
Revisiting Photo Locations: You Can Go Home Again, by Tony Sweet (November 2002, page 34)
Safe And Secure: Back-Up Strategies For The Digital Darkroom, by Jon Sienkiewicz (How To Guide 2006, page 40)
Second Thoughts: Personalizing The Landscape, by Barry Tanenbaum (May 2004, page 44)
Seeing In Color: Don’t Take It For Granted, by Frances E. Schultz (July 2001, page 124)
Seeing Pictures: Outdoor Backgrounds Around Every Corner, by Monte Zucker (January 2001, page 120)
Seeing The Light, by Gary Bernstein (November 2001, page 22)
Self-Assignment: Portraiture, by Steve Anchell (April 2005, page 10)
Selling Your Photography At Art Shows: Two Experienced Pros Tell You How, by Larry Berman and Chris Maher (May 2003, page 142)
Senior Portraits Using Natural Light, by Ben Clay/Web Photo School (May 2002, page 20)
Setting Up Your Digital Darkroom: Computer Specs To Get You On The Road, by Joe Farace (December 2003, page 96)
Sharing The Secrets Of The Craft, by Monte Zucker (October 2004, page 36)
Sharpening Simplified: The High Pass Technique, by Howard Millard (September 2007, page 102)
Shedding Some Light On A Murky Subject—Metering & Light Ratios, by Bob Shell (July 2002, page 32)
Shooting A Basic Headshot, by Ben Clay/Web Photo School (September 2002, page 20)
Shoot And Save: A Workflow For Digital Photographers, by Darryl C. Nicholas (How To Guide 2006, page 38)
Shooting And Assembling Panoramas: A Stitch In Time, by Joseph A. Dickerson (How To Guide 2006, page 54)
Shooting And Assembling Panoramas: A Stitch In Time—The Sequel, by Joseph A. Dickerson (June 2007, page 72)
Shoot Handheld And Shoot Sharp: Tips For Achieving Image Sharpness Without A Tripod, by Jack Neubart (How To Guide 2006, page 10)
Shooting In The City, by Rick Sammon (May 2004, page 106)
Shooting From Canoes And Kayaks: Gear, Prep, And Image Ideas, by Clint Farlinger (May 2007, page 71)
Shootin’ & Scootin’ In Bangkok, by Rick Sammon (July 2004, page 10)
Shooting Your Own Family Portrait, by Ben Clay/Web Photo School (September 2003, page 30)
Shoot High-Speed Films At The Beach? One Pro Tells Why, by Steve Bedell (July 2003, page 80)
Shooting Jewelry Simply And Elegantly, by Ben Clay/Web Photo School (August 2003, page 28)
Shoot Outside All Day Long! by Monte Zucker (January 2003, page 22)
Shooting The Slots, by Rick Sammon (March 2003, page 44)
Show ‘Em And Share “em, by Jon Canfield (November 2007, page 132)
Show And Sell: John Conn And The Fine Art Of The Street Sale, by Barry Tanenbaum (January 2008, page 73)
Shutterbug’s Alaskan Cruise, by Monte Zucker (December 2004, page 14)
Simple Lighting Makes For Effective Portraiture: It’s All About Highlight & Shadow, by Monte Zucker (April 2002, page 100)
Simple Steps To Elegant Portraiture. by Monte Zucker (June 2001, page 20)
Six Kinds Of Contrast: How Each Affects Image Quality, by Roger W. Hicks (July 2003, page 36)
Slide Show Applications: Putting Your Show On The Screen, by Jon Sienkiewicz (How To Guide 2006, page 94)
Smart Objects/Smart Filtering & Digital Lith Prints: Nondestructive Editing Techniques, by Philip Andrews (September 2007, page 32)
Soft Focus Revisited, Digitally: How To Make Your Own Soft-Focus Lens Like The oNe I’ve Used For 40 Years, by David B. Brooks (January 2006, page 40)
“Soft” Proofing, by Jon Canfield (January 2008, page 102
Software: Quick Digital Output Tips, by Phillip Andrews (March 2006, page 52)
Spice Up Your Cameras With A New Look, by Bob Shell (July 2003, page 16)
Sporting Chance: Want To Shoot Pro Sports? There’s A Workshop For That, by Barry Tanenbaum (September 2007, page 120)
Star Trails, Digital Syle: Exposure And Stacking Techniques, by Art Rosch (October 2007, page 78)
Start It Up: For Steve Gottlieb, Creating His Own Workshop Was A Learning Experience, by Barry Tanenbaum (February 2006, page 37)
Stay The Course, by Maria Piscopo (November 2007, page 28)
Step By Step: How To Plan And Shoot A How-To Sequence, by Roger W. Hicks (May 2001, page 96)
Still Using A Lab For B&W Prints? For Best Results, Do It Yourself! by Frances E. Schultz (February 2003, page 84)
Subtle Differences: Warm-Tone Prints, by Frances E. Schultz (October 2001, page 108)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (April 2007, page 128)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (May 2007, page 152)
Tabletop Photography: Controlling Shadows And Contrast With Light Tents And Cocoons, by Jack Neubart (October 2003, page 46)
Take A Photo Safari To Texas, by Rick Sammon (January 2004, page 18)
Take Control Of Your Backgrounds, by Monte Zucker (August 2001, page 36)
Take Control Of Your Print Quality: A Color Managed Screen-To-Print Workflow With Adobe’s Photoshop Elements 3.0 & 4.0, by David B. Brooks (December 2006, page 102)
Techniques For Shooting Jewelry, by Ben Clay/Web Photo School (July 2002, page 20)
Thanks For The Memories: Adding RAM Can Be A Good Solution, by Joe Farace (January 2002, page 164)
The Art Of Photographic Recreation: How To Make An Image From The Mind’s Eye, by David B. Brooks (April 2004, page 88)
The Art Of The Travel Portrait: Making Images While On The Road, by Daryl Hawk (May 2003, page 68)
The Business Of Fine Art Photography, by Maria Piscopo (August 2003, page 22)
The Business Side, by Jack Hollingsworth (August 2004, page 10)
The Canon D10 Digital SLR, by Monte Zucker (June 2003, page 26)
The Care And Feeding Of Memory Cards: Keeping Your Images Safe And Secure, by Darryl C. Nicholas (How To Guide 2006, page 84)
The Case For JPEG: It’s Not Just A Small Print And E-Mail Format, by Anthony L. Celeste (April 2007, page 56)
The Darkroom: Multi-Image Flat-Bed Scanner Techniques, by Darryl C. Nicholas (January 2006, page 34)
The Darkroom: Photoshop Tweaks, by Darryl C. Nicholas (October 2006, page 42)
The Default Demon From Making Your Pictures Blah! by David B. Brooks (February 2003, page 156)
The Digital Portrait: Quality, Speed, And Convenience, by Steve Bedell (April 2002, page 94)
The Digital Road To Infrared: Software, Cameras, And Filters For A trip To An Often Surreal World, by Howard Millard (February 2006, page 44)
The Elements Of Style, by Jack Hollingsworth (December 2002, page 32)
The Joys Of “Lens Hacking”: No Computer Necessary, by Bob Shell (November 2001, page 30)
The Epson Perfection 2450 Photo, by David B. Brooks (February 2002, page 78)
The Inside Scoop: A Look At A Traveling Commerical Photographer’s Gear—Part 1, by Jay Abend (February 2003, page 76)
The Inside Scoop: The Travel Photographer’s Kit—Part 2, by Jay Abend (March 2003, page 74)
The Last Resort, by Jack Hollingsworth (February 2003, page 26)
The Power Of Layer Masks, by Ben Clay/Web Photo School (December 2003, page 18)
The Quest For The Perfect File: Tools For Acurate Exposure And White Balance, by Steve Bedell (How To Guide 2006, page 26)
The Rainbow Connection, by Joe Farace (January 2003, page 88)
The Raw Deal: Why You Should Use The Raw File Format With Digital Cameras, by Uwe Steinmueller (August 2003, page 94)
The Same, Only Different: Format, Angle Of View, And Image Quality, by Frances E. Schultz (Janaury, page 54)
The SEI Photometer: A Legend Among Spot Meters, by Roger W. Hicks (October 2002, page 96)
The Shoot And Scoot Photographer: Tips For Getting Pictures On The Run, by Rick Sammon (November 2002, page 124)
The Spontaneous Eye, by Maria Piscopo (October 2004. page 16)
The State Of Stock Photography, by Maria Piscopo (May 2004, page 164)
The Studio Portrait: One Light, Many Options, by Gary Bernstein (April 2001, page 86)
The Stuff Dreams Are Made Of, by Monte Zucker (September 2004, page 14)
The Tools I Use, What’s In My Gear Bag And Why, by Joe Farace (May 2008, page 76)
The Travel Photo Market: An Underwater Photographer Comes Up For Air, by Bob Coates (November 2003, page 102)
The View From The Sidelines: Shooting NFL Football With The Pros, by Jay Abend (January 2004, page 67)
The Wedding Day—Part I, by Monte Zucker (January 2002, page 34)
The Wedding Day—Part II, by Monte Zucker (February 2002, page 22)
The Wedding Day—Part III, by Monte Zucker (March 2002, page 30)
The Whitewater Experience: Wedding & Portrait Class For All Seasons! by Monte Zucker (April 2001, page 66)
Think Flash! Shooting Portraits Outdoors, by Rick Sammon (November 2001, page 74)
Time, Expenses...And Experience: How To Bill For Your Work, Whether You’re A Pro Or An Amateur, by Jay Abend (October 2003, page 118)
Timeless Travel: Images Made With History In Mind, by Frances E. Schultz (May 2005, page 66)
Tips From A Travel Pro: Research Before You Go, by Susan McCartney (August 2002, page 98)
Toward The Perfect Print: How To Get The Best Quality From
Use More Paper—Waste Less! by Frances E. Schultz (April 2003, page 144)
Transformations With Portrait Lighting, by Ben Clay (April 2001, page 88)
Transform Your Photos: The Pencil Sketch Option, by Howard Millard (January 2008, page 56)
Traveling Light: Great Shots With Less Gear, by Steve Bedell (May 2002, page 60)
Travel Photography: Pro Tips For Effective Composition, by Peter K. Burian (May 2001, page 52)
Travel Photography: Basic Tips For Every Trip, Near And Far, by Rick Sammon (August 2001, page 126)
Try Your Hand At Special Effects: Working Wit nik Color Efex Pro 2, by Howard Millard (How To Guide 2006, page 76)
Tunnel Vision: A Guide To Using Super Telephoto Autofocus Lenses, by Stan Trzoniec (August 2003, page 86)
Uncolor My World: Techniques To Get Beautiful Black And White Images From Color Originals, by Howard Millard (September 2006, page 52)
Understanding Digital White Balance, by Ben Clay/Web Photo School (August 2002, page 20)
Unlocking HDR. Examining Photoshop’s HDR Mode: Are There Better Ways To Deal With High Dynamic Range Images? By Rod Lawton (March 2008, page 102)
Urban Elegance: Personalize Your Images, by Richard Lotman Brown (February 2004, page 100)
Use Black And White, by Monte Zucker (February 2003, page 40)
Using Black And White To Correct Color: A Simple But Effective Tool, by Larry Berman and Chris Maher (June 2007, page 84)
Using Soft Light For Dramatic Results, by Ben Clay/Web Photo School (June 2002, page 20)
Using LitePanels On Location For Fashion Shots, by Ben Clay/Web Photo School (November 2003, page 12)
Using LitePanels To Create Double Diffusion, by Ben Clay/Web Photo School (October 2003, page 124)
Using Photoshop Styles, by Darryl C. Nicholas (September 2003, page 38)
Using Photoshop To Correct For Color Casts, by Darryl C. Nicholas (January 2004, page 30)
Using The Info Tool To Create Better Prints, by Darryl C. Nicholas (March 2003, page 32)
Using The Shadow/Highlight Tool, by Darryl C. Nicholas (May 2004, page 22)
Underwater Photo Fun: Fab Tips For Photos Of Fish Watchers And Fish! by Rick Sammon (April 2001, page 134)
Up-Close: How To Capture Those Wildlife Faces, by Carol Polich (June 2001, page 106)
Using A Telephoto Lens For Outdoor Portraits, by Ben Clay (July 2001, page 20)
Vintage Lenses On Digital SLRs? How To Recycle Old Lenses With Adapters, by Gene Wilburn (August 2004, page 46)
Want A Gallery Show? Three Top Gallery Directors Tell You How, by Rosalind Smith (September 2001, page 92)
Want To Turn Pro? by Monte Zucker (November 2003, page 28)
Want To Write A Photo Book? How To Get Published, by Roger W. Hicks (September 2001, page 126)
Web Photo School: Posing & Lighting, by Norm Haughey (April 2008, page 62)
Wedding Photographers Face The Digital Dilemma: Is Now The Time To Go Filmless? by Steve Bedell (April 2002, page 84)
What Color Is Your Umbrella? by Joe Farace (July 2004, page 160)
What Color Red Is 228-54-25? A Primer On Color Management: What Can It Do For You, And How Does It Work? By David B. Brooks (How To Guide 2006, page 80)
What Do Those H&D Curves Really Mean? by Darryl C. Nicholas (April 2001, page 211)
What I Did On My Photographic Vacation: Try A “Busman’s Holiday” To Re-Open Your Eyes! by Monte Zucker (December 2002, page 22)
What To Do When The Weather Turns Bad, by Rick Sammon (May 2003, page 52)
What’s Wrong With My Prints? The Joys And Frustrations Of Ink Jet Printing, by Joe Farace (February 2002, page 198)
When Cameras Get Wet: Things To Do After A Dousing, by Jon Sienkiewicz (May 2007, page 84)
When Good Prints Go Bad: How To Track Down & Solve Your Color Print Problems! by Frances E. Schultz (March 2001, page 118)
Where Are All Your Digital Negatives? by Joe Farace (May 2003, page 152)
While Strolling Through The Park One Day—Part I, by Monte Zucker (August 2002, page 30)
While Strolling Through The Park One Day—Part II, by Monte Zucker (September 2002, page 28)
While Strolling Through The Park One Day —Part III, by Monte Zucker (October 2002, page 20)
Whiteout! by Jim Zuckerman/Web Photo School (December 2001, page 38)
Wide-Open: Walking The Knife’s Edge Of Shallow Depth Of Field, by Jay Abend (August 2004, page 62)
Wild Horses, by Steve Anchell (July 2004, page 28)
Wildlife Model Shoots: Great Shots Under “Controlled Conditions,” by Don Mammoser (May 2004, page 38)
Winter Activites: Things To Do Inside When The Weather Won’t Let You Outside, by Jon Sienkiewicz (February 2006, page 58)
Winter Wonderland: Frosty Photo Ops, by Carol Polich (January 2003, page 34)
XPan Scans: Tips And Tools For Digitizing Panormanic Film, by Joe Farace (September 2005, page 74)
Your Personal Sense Of Place: Making Images When Romance And Reality Collide, by Roger W. Hicks (March 2001, page 122)

Lenses

35mm SLR Cameras, Lenses And Flashes, by Peter K. Burian (May 2001, page 114)
35mm SLR Cameras And Lenses, by Peter K. Burian (December 2002, page 54)
A Canon EF 70-200mm F12.8L IS USM Lens Album, by Peter K. Burian (March 2002, page 62)
Canon’s F/1.0 USM: A Super Speed Lens, by Stan Trzoniec (April 2002, page 62)
AF VR Zoom Nikkor 80-400mm f/4.5-5.6D ED: Nikon’s Vibration Reduction Entry, by Peter K. Burian (August 2001, page 69)
After The Kit Lens: Tips On Expanding Your Optical Options, by Jon Sienkiewics (April 2008, page 120)
A Pro’s Two Fixed Focal Legnth Portrait Lenses & The Six Reason He Owns Them: Only For The Not Ready For Full-Frame Players! by Steve Bedell (August, page 34)
Canon’s 50mm f/1.2 Rangefinder Lens: A Legend In The Super-Fast Realm, by Roger W. Hicks (September 2005, page 156)
Canon’s EF-S 10-22mm f/3.5-4.5 USM, by Jack Neubart (December 2005, page 72)
Canon’s EF 14mm f/2.8L II USM Ultra-Wide Lens. Open Your Eyes To Wider Perspectives, by Jack Neubart (May 2008, page 100)
Canon EF 70-200mm F/2.8L IS USM Zoom Lens, by Bob Shell (March 2002, page 60)
Canon’s EF 70-300mm f/4.5-5.6 DO IS USM, by Peter K. Burian (November 2004, page 112)
Digitally Optimized Zoom Lenses: Do They Really Make A Difference? by Peter K. Burian (March 2005, page 40)
Dreamagon 90mm f/4: The Ultimate Soft-Focus Effect For 35mm, by Roger W. Hicks (February 2001, page 120)
Expand Your Horizon: Ultra-Wide Zooms Can Do The Trick, by Peter K. Burian (March 2001, page 92)
First Look: Sigma’s 24-60mm f/2.8 EX DG, by George Schaub (March 2005, page 78)
Fast Sigma Zooms: AF 100-300mm F/4 EX And AF 28-70mm F/2.8 EX, by Peter K. Burian (October 2001, page 59)
First Look: The Kobalux 21mm f/2.8 Offers Wide Speed At A Bargain Price, by Roger W. Hicks (January 2001, page 88)
Get Into Superwide With Sigma’s 20mm F/1.8 EX DG Aspherical RF Lens, by George Schaub (September 2001, page 62)
Great New Lenses For SLR Cameras, by Peter K. Burian (June 2008, page 38)
Hasselblad Zeiss Telephoto Power Pack, by Jay Abend (January 2003, page 70)
Image Stabilizers And Anti-Shake Systems: Do They Do The Job, And Are They Worth The Premium Price? by Peter K. Burian (August 2004, page 64)
Indy Ultra-Wide Zooms For Digital SLR Cameras, by Peter K. Burian (February 2006, page 94)
Interchangeable Lenses, by Peter K. Burian (June 2004, page 40)
Leica’s Summicron 75mm f/2, by Roger W. Hicks (October 2005, page 110)
Lensbaby 3G, by Steve Anchell (November 2007, page 124)
Lenses For 35mm SLR Cameras, by Peter K. Burian (June 2002, page 90)
Lenses: Great New Optics For Digital And 35mm SLRs, by Peter K. Burian (June 2006, page 48)
Longer Focal Length Macros: Get Up Close From Far Away, by Stan Trzoniec (August, page 38)
Medium Format Lensbabies, by Joe Farace (August 2007, page 86)
Megazoom—The Sigma 50-500mm f/4-6.3 APO Tele-Zoom Lens, by Robert E. Mayer (January 2001, page 38)
Mix & Match: Adapters For Using Lenses On Different Camera Bodies, by Robert E. Mayer (March 2002, page 192)
More Glass For Your Money: A Brief Time Line Of Lens Design, by Robert W. Hicks (August 2001, page 62)
New Lenses For 35mm SLR & Rangefinder Cameras, by Peter K. Burian (December 2001, page 80)
New Lenses For 35mm And Digital SLR Cameras, by Peter K. Burian (June 2003, page 48)
New Lenses For 35mm And Digital SLR Cameras, by Peter K. Burian (January 2005, page 82)
New Lenses For 35mm And Digital SLRs, by Peter K. Burian (June 2005, page 64)
New Lenses For 35mm And Digital SLR Cameras: The D-SLR Lens Ship Comes In, by Peter K. Burian (January 2007, page 70)
New Lenses For Digital And 35mm SLRs, by Peter K. Burian (July 2007, page 42)
New Sigma SA-9, SA-7, & EF 500 Super Flash, by Peter K. Burian (November 2001, page 112)
New Voightlander Lenses, by Roger W. Hicks (August 2002, page 76)
Nikon’s AF-S VR Zoom-Nikkor 24-120mm f/3.5-5.6G ED-IF Lens, by Stan Trzoniec (August 2004, page 88)
Nikon FM3A And 45mm F/2.8 Nikkor P Lens, by Bob Shell (February 2002, page 80)
Nikon’s New 300mm f/2.8D ED-IF II AF-S Lens, by Stan Trzoniec (August 2001, page 94)
Pentax FA 24-90mm F/3.5-4.5 AL [IF] Zoom & FA 31mm F/1.8 AL Limited Lens, by Peter K. Burian (February 2002, page 90)
Perspective Control (PC) Lenses For Panoramas: Not Just For Architecture Anymore, byJoseph A. Dickerson (August, page 30)
“Real” Rebels, Exclusive Lenses, And More, by Joe Farace (February 2004, page 172)
Remarkable New Close-Up Device From Zork And Update On Q-Tip, by Bob Shell (June 2002, page 26)
Sigma’s 18-200mm f/3.5-6.3 DC OS Lens, by Peter K. Burian (December 2007, page 44)
Sigma 28-200mm F/3.5-5.6 & 28-300mm F/3.5-6.3, by Peter K. Burian (January 2003, page 82)
Sigma’s 80-400mm f/4.5-5.6 EX OS APO. by Peter K. Burian (November 2004, page 122)
Sigma AF APO Macro 180mm f/3.5 EX IF, by Peter K. Burian (June 2001, page 69)
Sigma AF APO 500mm f/4.5 EX HSM, by Peter K. Burian (August 2002, page 64)
Sigma’s APO 50-150mm f/2.8 EX DC HSM & 70mm f/2.8 EX DG Macro, by Peter K. Burian (August 2007, page 92)
Sigma Wide Angle Zooms: AF 15-30mm F/3.5-4.5 EX DG Aspherical & AF 20-40mm F/2.8 EX DG Aspherical, by Peter K. Burian (April 2002, page 72)
SP AF 24-135mm f/3.5-5.6AD [IF] Macro & AF 70-300mm f/4-5.6LD Macro From Tamron. by Peter K. Burian (June 2001, page 52)
Split-Field Lenses: Get Impossible Depth Of Field, by Robert E. Mayer (March 2002, page 58)
Tamron 28-300mm Lens: How Compact Can You Get? by George Schaub (November 2002, page 52)
Tamron’s AF 18-200mm F/3.5-6.3 XR Di II Lens, by Joe Farace (November 2005, page 88)
Tamron’s AF 18-250mm f/3.5-6.3 Di II LD Aspherical (IF) Macro, by Peter K. Burian (August 2007, page 74)
Tamron AF 28-200mm Super Zoom F/3.8-5.6 Aspherical XR (IF) Macro, by Peter K. Burian (December 2001, page 116)
Tamron’s AF 28-300mm F/3.5-6.3 XR Di VC LD Aspherical (IF) Macro, The First Tamron Lens With Vibration Compensation Stabilizer, by Peter K. Burian (April 2008, page 130)
Tamron Di Lenses—Just What Does Di (“Digitally Integrated”) Mean? by Peter K. Burian (November 2003, page 84)
Tamron’s SP AF17-35mm F/2.8-4 Di LD Aspherical [IF] Zoom, by Peter K. Burian (August 2004, page 72)
Tamron’s SP AF90mm F/2.8 Di Macro (1:1), by George Schaub (September 2004, page 52)
Test Report: Lens. A Trio Of Tamron Lenses, by Peter K. Burian (December 2006, page 132)
Test Report: Lens Canon’s EF-S 60mm f/2.8 Macro USM Lens, by Jack Neubart (April, 2006, page 80)
Test Report: Lens, Canon’s EF 85mm f/1.2L II USM, by Joe Farace (August, page 70)
Test Report: Lens, Olympus’ Zuiko Digital 35mm f/3.5 Macro And Macro Flash, by Jack Neubart (August, page 64)
Test Report: Lens, Sigma’s APO MACRO 150mm f/2.8 EX DG HSM, by Steve Bedell (December 2006, page 114)
Test Report: Lens. Sigma’s APO 50-150mm f/2.8 EX DC HSM, by Steve Bedell (June 2007, page 116)
Test Report: Lens, Tamron’s SP AF180mm F/3.5 Di LD (IF) 1:1 Macro, by Jason Schneider (August, page 78)
Test Report: Tokina’s AT-X 100mm f/2.8 PRO D Marco Lens, by Peter K. Burian (January 2006, page 82)
Test Report: Lenses, Zeiss Ikon Lenses, by Roger W. Hicks & Frances E. Schultz (August, page 84)
Test Report: Lenses, Zeiss “Nikon-Fit” ZF Lenses, by Roger W. Hicks (May 2007, page 124)
The Contax T3: Lens/Shutter Plus, by George Schaub (August 2001, page 104)
Three Carl Zeiss T* Lenses From Sony For The Alpha, And Soon-To-Come Sony D-SLRs, by Peter K. Burian (August 2007, page 112)
The Joys Of “Lens Hacking”: No Computer Necessary, by Bob Shell (November 2001, page 30)
There’s More To Lenses Than Focal Length: Six Thoughts On Buying Your Next Lens, by Roger W. Hicks (August 2004, page 66)
The Nikon AF-S DX Zoom 12-24mm f/4G ED-IF Lens, by Stan Trzoniec (July 2004, page 116)
The Original Lensbaby, by Joe Farace (April 2005, page 90)
The Pentax 654N: Expanding The Telephoto Lens Line-Up, by W.L. Fadner (January 2002, page 52)
The Sigma 300-800mm F/5.6 Zoom, by Stan Trzoniec (October 2003, page 68)
The Wide & The Weird: New Fisheye And PCS Lenses From Russia, by Jay Abend (August 2001, page 76)
Thoughts On Super Wide: Working With Sigma’s 12-24mm f/4.5-5.6 EX DG Aspherical Lens, by Omar Attum (February 2005, page 60)
Tilt/Shift Lenses: Tilting At Windmills, by Joseph A. Dickerson (August 2001, page 82)
Tunnel Vision: A Guide To Using Super Telephoto Autofocus Lenses, by Stan Trzoniec (August 2003, page 86)
Vario-Sonnar T 45-90mm f/4.5 Lens, by George Schaub (August 2003, page 62)
Voigtländer APO Lanthar 90mm f/3.5, by Roger W. Hicks (August 2001, page 90)
Wide-Open: Walking The Knife’s Edge Of Shallow Depth Of Field, by Jay Abend (August 2004, page 62)
You Can’t Use Old Lenses On Digital Cameras! Or Can You?, by Roger W. Hicks (August 2007, page 84)
Zeiss ZV Lenses For Hasselblad, Classic In The Modern Age, by Roger W. Hicks (April 2008, page 128)
Zooming Around: Eight Reasons Why I Shoot With Zoom Lenses, by Rick Sammon (August 2002, page 58)
Zuiko Digital 300mm f/2.8 ED And 11-22mm f/2.8-3.5 Lenses, by Peter K. Burian (December 2004, page 92)

Medium & Large Format Systems

6x9 View/Field Cameras: Little Cameras, Big Results, by Joseph A. Dickerson (July 2004, page 54)
Bronica RF645: A Compact And Convenient Medium Format Camera, by Bob Shell (April 2001, page 48)
Cameras: Medium And Large Format Update & A New (And Old) Rangefinder 35, by Roger W. Hicks (January 2005, page 88)
Cameras: Rangefinder 35mms, Medium & Large Format Cameras, by Roger W. Hicks (June 2006, page 38)
Considering Medium Format? Here’s The Real Lowdown On Why You’re Making The Right Choice, by Roger W. Hicks (January 2001, page 108)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
Entry-Level Field Camera Shootout Serious 4x5s For Under $1000: Mission Impossible? by Joseph A. Dickerson (January 2004, page 70)
Entry-Level Large Format, by Joseph A. Dickerson (November 2004, page 54)
Great Buys In Medium Format Cameras: You Can Snag Your Dream 2 1/4 Film Camera At A Fantastic Price, by Jason Schneider (January 2006, page 116)
Hasselblad’s H1 & Kodak’s Pro Back 645H, by Uwe Steinmueller (January 2004, page 54)
Large Format Cameras: A Rare Treat, And “Stitches,” Too, by Roger W. Hicks (January 2007, page 114)
Large Format Primer: Gearing Up & Getting To Work, by Joseph A. Dickerson (September 2001, page 114)
Mamiya 645E: The “Move Up To Medium Format” Camera, by Bob Shell (September 2001, page 38)
Medium And Large Format, Rangefinders, And Continuous Lighting, by Roger W. Hicks (June 2005, page 58)
Medium Format, by Ibarionex R. Perello (June 2008, page 26)
Medium Format, Light Meters, And Studio Equipment, by Bob Shell (May 2001, page 122)
Medium Format: More Than Just A Large Film, by Bob Shell (January 2002, page 42)
Medium Format: “The Reports Of Its Death…”, by Roger W. Hicks (January 2007, page 104)
Medium Format News, by Bob Shell (December 2002, page 64)
Medium Format Update: Breaking News And Highlights, by George Schaub (January 2002, page 48)
Medium Format Update: Does 120/220 Offer The Best Of Film...And Digital? by George Schaub (January 2004, page 100)
Medium Format Update: When Worlds Collide, by George Schaub (January 2003, page 52)
Might As Well Jump: Lori Stoll’s Large (Format) Challenge, by Barry Tanenbaum (April 2005, page 108)
Olympus’ E-300 EVOLT, by Joe Farace (December 2004, page74)
Rangefinder, Large Format, Tripods, Batteries And More, by Roger W. Hicks (May 2001, page 136)
Rangefinders, Large Format, Tripods And More, by Roger W. Hicks (June 2002, page 72)
Rangefinder, Large Format And Specialty Cameras, by Roger W. Hicks (December 2002, page 86)
Seagull 4A-105 And 4A-107 TLR Cameras, by Tom Fuller (January 2002, page 56)
Test Report: Medium Format Mamiya’s 645AFDII, by Steve Anchell (April, 2006, page 86)
The Latest Entries To Medium Format From Ukraine, by Bob Shell (October 2002, page 24)
The Mamiya 645 AF, by Bob Shell (January 2001, page 130)
The Mamiya 645AFD, by Bob Shell (January 2002, page 68)
The Pentax 654N: Expanding The Telephoto Lens Line-Up, by W.L. Fadner (January 2002, page 52)
Top Autofocus SLR Cameras: The Cream Of The Mid-Range Crop. by Peter K. Burian (June 2001, page 86)
Toyo-View 45CF, by George Schaub (November 2002, page 50)

Miscellaneous

5 Reasons Digital Rules For Group Portraits: Ansel Would Have Loved It! by Steve Bedell (March 2005, page 55)
2001 Roundup, by Maria Piscopo (December 2001, page 186)
Affordable Medium Format, by Bob Shell (November 2002, page 14)
A Look Inside My Gadget Bag, by Bob Shell (February 2002, page 26)
A Look Into Digital Photography’s Future: Will The Nameplates Say “X3 Inside”? by Bob Collins (April 2002, page 68)
A Natural Water World, by Efrain M. Padro (May 2008, page 12)
American Photo Masters Honored With Special Stamp Issue: Which 20 Would You Have Chosen? by Lorin R. Robinson (July 2002, page 74)
A Myth Is As Good As A Mile, by Joe Farace (September 2003, page 151)
An Old Idea Made New—Canon’s Ingenious DO Lens Technology, by Bob Shell (February 2001, page 50)
Are You Serious? by Jack Hollingsworth (December 2003, page 20)
A Stroll Down Memory Lane, by Joe Farace (April 2003, page 175)
A Photographer’s Dream: Mono Lake And The Eastern Sierra Nevada, by Joseph A. Dickerson (November 2002, page 112)
A Quick Tour Of World Photography, by Jack Hollingsworth (February 2002, page 30)
A Wedding Pro’s Confession: “I Still Use Medium Format Manual Focus Cameras...For My Work! (But I Might Change My Mind.) by Steve Bedell (January 2001, page 116)
Back East, by Jack Hollingsworth (October 2006, page 26)
Back To The Future. by Joe Farace (March 2003, page 186)
Backpacking With Photo Gear: Tips On What To Carry Into The Great Outdoors, by Timothy Edberg (May 2005, page 53)
Bad Trip: Fear And Loathing On The Travel Trail, by Barry Tanenbaum (May 2002, page 64)
Bags, Cases, And Underwater Housing, Too, by Frances E. Schultz (January 2007, page 152)
Beautiful Black And White, by Gary Bernstein (February 2001, page 14)
Best Of Show: Shutterbug’s Picks Of PMA 2006, (June 2006, page 154)
Best Of Show, by The Editors (June 2008, page 160)
Best Of Show, by The Editors (July 2007, page 152)
Bogen Files High On Wings Of Smithsonian: New Air And Space museum Is Now Shown In The Right Light—For All To See, by Jack Neubart (May 2004, page 70)
Building A Better Mousetrap: Is Digital Inevitable? by Barry Tanenbaum (November 2003, page 98)
Business Trends: Build A Better Website, by Maria Piscopo (June 2005, page 173)
Business Trends: Going Pro—Portrait Style, by Maria Piscopo (November 2005, page 22)
Business Trends: Marketing Portraits With Personal Style, by Maria Piscopo (April 2005, page 36)
Business Trends: Marketing Your Travel Photography, by Maria Piscopo (May 2005, page 152)
Business Trends: Mid-Year Marketing Plan Update, by Maria Piscopo (July 2006, page 24)
Business Trends: New Technology For Printing Promos, by Maria Piscopo (December 2006, page 28)
Business Trends: Plan Ahead Now For 2006, by Maria Piscopo (December 2005, page 168)
Business Trends—The Digital State Of Stock Photography, by Maria Piscopo (March 2005, page 148)
Business Trends: Working Digitally—The Business Side, by Maria Piscopo (September 2005, page 18)
Business Trends: Working With Fine Art Reps, by Maria Piscopo (February 2007, page 156)
Business Trends: Working With Your Partner—Profit Or Peril? by Maria Piscopo (August 2005, page 156)
Business Trends: Your Portfolio—The Client’s Perspective, by Maria Piscopo (July 2005, page 158)
Camera Clubs: The Good, The Bad & The Ugly, by Roger W. Hicks (April 2001, page 198)
Canon & The National Parks: Yellowstone Workshop Showcases Company’s Involvement, by George Schaub (December 2006, page 200)
Capturing Funk On Film: A Stroll Down L.A.’s Melrose Avenue, by Dave Howard (April 2001, page 132)
Classic Cameras: The Top 20 Cameras Of All-Time Countdown, by Jason Schneider (July 2008, page 146)
Close And Personal, by Peter K. Burian (October 2003, page 88)
Contemporary American Photography In Germany: 7th International Photo Days In Mannheim/Ludwigshafen, by Heiner Henninges (February 2006, page 104)
Contest: Legion Paper Photo Contest, by The Editors (May 2007, page 40)
Cover Shot: East Coast Blackout New York Magazine, by Drew Schwartz (November 2001, page 128)
Cover Shot: Tiger Woods/Golf Digest, by Drew Schwartz (July 2001, page 130)
Covering The Photo Beat, by Robert E. Mayer (December 2003, page 64)
Covering The Photo Beat, by Robert E. Mayer (February 2004, page 170)
Covering The Photo Beat, by Robert E. Mayer (March 2004, page 184)
Covering The Photo Beat, by Robert E. Mayer (July 2004, page 34)
Covering The Photo Beat, by Robert E. Mayer, (August 2004, page 30)
Covering The Photo Beat, by Robert E. Mayer (September 2004, page 28)
Covering The Photo Beat, by Robert E. Mayer (October 2004, page 26)
Covering The Photo Beat, by Robert E. Mayer (November 2004, page 28)
Covering The Photo Beat, by Robert E. Mayer (December 2004, page 42)
Covering The Photo Beat, by Frances E. Schultz (February 2006, page 112)
Covering The Photo Beat, by C.A. Boylan (January 2008, page 30)
Covering The Photo Beat, by C.A. Boylan (February 2008, page 56)
Covering The Photo Beat, by C.A. Boylan (July 2008, page 40)
Cuba: Frozen In Time, by Elliot Kornberg, M.D. (August 2001, page 130)
Destination: Fort Worth, Texas, by Rick Sammon (March 2004, page 20)
Devil Mountain: Capturing The Beauty Of This Scenic Land, by Brad Perks (July 2001, page 74)
Diamonds In The Rough: Pictures From War-Torn Afghanistan, by 2LT Michael S. Palmer (June 2007, page 68)
Digital Diary: Photographing Dance, by Andre Costantini (March 2003, page 66)
Digital Files Vs. Scanned Medium Format Film: We Put The Mediums To The Test, by Paul Mozell (September 2004, page 60)
Digital Help: Q&A For Digital Photography, by David B. Brooks (January 2006, page 188)
Digital Help: Q&A For Digital Photography, by David B. Brooks (February 2006, page 184)
Digital Innovations: Holiday Stocking Stuffers, by Joe Farace (December 2005, page 144)
Digital Innovations: New Year’s Resolutions, by Joe Farace (January 2007, page 44)
Digital Innovations: The Dog Ate My Homework…Again! by Joe Farace (November 2006, page 30)
Digital Innovations: The March Of Digital Time, by Joe Farace (July 2008, page 30)
Digital Innovations: The Vices Of Digital Imaging, by Joe Farace (March 2007, page 40)
Digital Innovations: Trying To Be Your Best, by Joe Farace (August, page 160)
Digital Stock: Is The Spec Image Going The Digital Route? by Rosalind Smith (March 2003, page 68)
Digital Transitions, by Maria Piscopo (February 2004, page 166)
Disappearing Act: Whatever Happened To Half Frame? by Roger W. HIcks (March 2001, page 146)
Discover The Channel Islands National Park, by Chuck Graham (October 2007, page 74)
Doin’ Cuba Digitally: New Technology In Old Cities, by Rick Sammon (May 2002, page 38)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
Essence: Too Much Of A Good Thing? by Barry Tanenbaum (January 2001, page 92)
Face Value: Jack Neal’s Portrait Partnerships, by Barry Tanenbaum (February 2004, page 93)
First Look, by Jack Hollingsworth (June 2003, page 14)
Five Sandwiches, And Candy For Dessert, by Gary Bernstein (May 2001, page 22)
F.J. Westcott Celebrates 75 Years: Pro Photographers’ Input Has Helped Build A Strong & Versatile Product Line-Up. by the Editors (September 2001, page 86)
Flashes Of Inspiration, by Joe Farace (July 2003, page 193)
Format Wars! Which One Is Right For You? by Dave Howard (March 2001, page 98)
Flight Plans, by Jack Hollingsworth (October 2004, page 10)
Focus Shift, by Jack Hollingsworth (February 2008, page 120)
Format Wars! DO Bigger Negs Make For Better Pictures? by Frances E. Schultz (March 2001, page 98)
Fort Worth Stockyards: A Taste Of The Old West, by Rick Sammon (March 2002, page 22)
Frances’ Fancy, by Frances E. Schultz (January 2005, page 158)
From Russia With Love...Part 3, by Monte Zucker (October 2003, page 14)
From San Francisco To San Simeon, by Rick Sammon (September 2003, page 16)
Future Report: A Look At What’s Ahead For Photography In 2005...And Beyond, by The Editors (January 2005, page 32)
Future Report: A Look At What’s Ahead For Photography In 2006...And Beyond, by The Editors (December 2005, page 60)
Globetrotter—Travel & Location: Colors Of The Kuna, by Rick Sammon (September 2005, page 14)
Globetrotter—Travel & Location: Goin’ Digital On Safari, by Rick Sammon (November 2005, page 14)
Going To Extremes, by Tom Sobey (March 2001, page 32)
Globetrotter—Travel & Location: Niagara Falls, by Rick Sammon (January 2006, page 146)
Gotta-Have Imaging Gadgets And Gizmos, by Joe Farace (March 2008, page 34)
Growing From Specialist To Generalist, by Maria Piscopo (February 2001, page 30)
Happy Anniversary, Charlie Brown, by Joe Farace (October 2007, page 134)
Happy New Year, by Joe Farace (January 2008, page 24)
Help! Traditional Photography Q&A, by Robert E. Mayer (January 2006, page 198)
Help! Traditional Photography Q&A, by Robert E. Mayer (February 2006, page 189)
Holiday Books: For The Digital Photographer, by Joe Farace (December 2002, page 100)
Holiday Books For The Digital Photographer, by Joe Farace (December 2003, page 66)
Holiday Books: For The Digital Photographer, by Joe Farace (December 2004, page 66)
Holiday Books: For The Digital Photographer, by Joe Farace (December 2005, page 38)
Holiday Books: For The Digital Photographer, by Joe Farace (December 2006, page 74)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December 2002, page 108)
Holiday Books For The Traditional Photographer, by C.A. Boylan (December 2003, page 69)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December 2004, page 68)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December 2005, page 48)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December 2006, page 71)
Ideas & Gifts For Your Photographic Friends And Family, by Peter K. Burian, Robert E. Mayer, Joe Farace, and Bob Shell (November 2001, page 98)
Infinite Backgrounds: Select, Cut & Paste—It’s All In The Digital Darkroom, by Steve Bedell (March 2003, page 72)
In Search Of Asia: Travels With A D1, by Larry Mulvehill (May 2002, page 44)
Instant Exposure Check: How And Why To Use Your Histogram, by Uwe Steinmueller (December 2004, page 62)
Is Digital Imaging Hazardous To Your Health? It Can Be, But Using A Computer Doesn’t Have To Be A Pain. by Joe Farace (March 2002, page 36)
Jasper, Banff, And Yoho: A Photographer’s Delight! by Joseph A. Dickerson (March 2001, page 112)
Just Like Starting Over, by Jack Hollingsworth (December 2001, page 22)
Latest And The Greatest In 2008, by The Editors (June 2008, page 18)
Just My Luck! by Monte Zucker (May 2001, page 18)
Lasting Memories: A Portrait Photographer’s Gift, by Steve Bedell (February 2008, page 34)
Little Bigs. by Jack Hollingsworth (June 2001, page 26)
Local Color. David Middleton’s Advice To Outdoor Photographers: Stay Home, by Barry Tanenbaum (July 2005, page 50)
Locations: Being There, by Mary Ann Benyo (February 2007, page 22)
Locations: California’s Central Coast, by Joseph A. Dickerson (July 2006, page 32)
Locations: Exploring Arches National Park, by Rick Sammon (March 2007, page 172)
Locations: Maroon Bells, by Mike Norton (November 2006, page 152)
Locations: New Zealand, by Daryl Hawk (May 2007, page 74)
Locations: Over The Rainbow, by Brad Perks (April 2008, page 92)
Locations: Post Cards From The Freezer, by Rick Sammon (August, page 96)
Locations: Post Cards From The Land Of The Thunder Dragon, by Rick Sammon (October 2006, page 126)
Locations: Rust And Swollen Film, by David W. Shaw (April 2007, page 63)
Locations: The Yosemite Firefall, by Brad Perks (December 2006, page 66)
Locations: Truckin’ On A Tundra Buggy, by Rick Sammon (March 2006, page 38)
Making Profits From Better Business Management, by Maria Piscopo (July 2002, page 148)
Making Sense Of Sensors: Interpolation Before And After The Fact, by Jason Schneider (January 2008, page 100)
Make Your Web Site Work For You, by Maria Piscopo (March 2003, page 162)
Mamiya Press, by Robert E. Mayer (February 2008, page 132)
Manufacturers And Distributors, (December 2002, page 178)
Manufacturers And Distributors, by The Staff (June 2003, page 180)
Master Class: Classic Photographs Are Made In The Camera, by Monte Zucker (September 2005, page 20)
Master Class: On The Beach, by Monte Zucker (September 2006, page 38)
Master Class: On The Road With Monte, by Monte Zucker (November 2006, page 38)
Master Class: On The Road with Monte, by Monte Zucker (December 2006, page 34)
Master Class: Previsualization And Post-Processing, by Monte Zucker (November 2005, page 18)
Master Class: Simplify And Clarify, by Monte Zucker (October 2005, page 20)
Master Class: What Does A Wedding Photographer Do On A European Vacation? by Monte Zucker (December 2005, page 18)
Monochrome Moments, by Jack Hollingsworth (April 2003, page 22)
Monte’s Digital Conversions, by Monte Zucker (March 2003, page 50)
Motorbikes, Trains, And Automobiles: Advice For (Photo) Road Warriors, by Roger W. Hicks (May 2005, page 46)
My Back Pages, by Jack Hollingsworth (December 2004, page 9)
My Photographic New Year’s Resolutions, by Bob Shell (February 2003, page 32)
Networking: It’s For Everybody! by Joe Farace (November 2003, page 118)
Not Too Big, Not Too Small: In Praise Of 5x7 Format, by Roger W. Hicks (January 2006, page 48)
One Final Thought: “Other Worldly” Hike, by Marcus W. Reinkensmeyer (March 2006, page 202)
One Final Thought: A Kind Of Metaphor, by Larry Dickerson (June 2006, page 194)
One Final Thought: A Town With Heart, by Clemens Roether (December 2006, page 218)
Opinions About Imaging, by Roger W. Hicks (February 2008, page 124)
Output Options: Easy Web Galleries, by Jon Canfield (March 2008, page 52)
Output Options: How To Protect Your Images, by Jon Canfield (May 2007, page 28)
Output Options: The DPI Myth, by Jon Canfield (March 2007, page 36)
Panoramic Cameras: Gear To Help You Get The WIDE View, by Roger W. Hicks (January 2006, page 42)
Passport: Addition By Subtraction, by Jack Hollingsworth (June 2007, page 46)
Passport: Another Country, by Jack Hollingsworth (August 2006, page 94)
Passport: Face Value, by Jack Hollingsworth (April 2007, page 26)
Passport: Take A Seat… by Jack Hollingsworth (October 2007, page 72)
Passport—Travel & Location: The Real Stuff, by Jack Hollignsworth (October 2005, page 14)
Passport—Travel & Location: F/8 And Be There, by Jack Hollingsworth (February 2006, page 16)
Passport: Blood, Sweat, And Tear Sheets, by Jack Hollingsworth (December 2006, page 150)
Passport: Green Day, by Jack Hollingsworth (April, 2006, page 34)
Passport: Personal Touch, by Jack Hollingsworth (February 2007, page 130)
Pass The Cheese, by Jack Hollingsworth (June 2002, page 22)
Personal Project: A Photographic Journey, by Jim Mitchell (May 2007, page 82)
Personal Project: Mirror/Mirror, by Scott Stulberg (June 2007, page 44)
Photo Art Masters Search Contest: Corel’s Paint Shop Pro Photo Art Suite Winners, by The Staff (October 2006, page 132)
Photo E-mail Marketing—Spam Or Business Builder? by Maria Piscopo (June 2002, page 184)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (April 2005, page 30)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (July 2005, page 38)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (August 2005, page 24)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (September 2005, page 28)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (October 2005, page 54)
Photo Gear: Covering The Photo Beat, by Frances E. Schultz and Robert E. Mayer (November 2005, page 136)
Photo Gear: Covering The Photo Beat. Binoculars, Memory Mates, And More, by Robert E. Mayer (May 2005, page 28)
Photo Gear: Covering The Photo Beat. Camera Raincoat, Print Tacking Iron, Online Photo Lessons, And More, by Robert E. Mayer (February 2005, page 26)
Photo Gear: Covering The Photo Beat. Small Product Lighting, Studio, Flash Bracket, Camo Blind, And More. by Robert E. Mayer (March 2005, page 26)
Photojournalism: David Rae Morris, by Rosalind Smith (March 2006, page 58)
Photo Mythology: It Ain’t Necessarily So, by Roger W. Hicks (March 2002, page 164)
Picture This! Monthly Photo Assignment, by The Editors (July 2008, page 12)
Picture This! Seascapes, by The Editors (November 2003, page 92)
Point Of View: Opinions About Imaging, (November 2005, page 160)
Point Of View: Opinions About Imaging, by Jon Sienkiewicz (October 2006, page 184)
Pro Gear: What’s In Their Bag? by Steve Bedell (April, 2006, page 54)
Reach Out And Photograph Someone...by Joe Farace (March 2004, page 209)
Real Or Photoshop? by Joe Farace (August 2004, page 189)
Roadside USA Offers Wonderful Photo Opps, by Rick Sammon (November 2004, page 12)
Real Portraits: A True Reflection Of The Subject, by Steve Bedell (April 2005, page 54)
Roundup: New Products, Covering The Photo Beat, by Frances E. Schultz (July 2006, page 54)
Roundup: New Products. Covering The Photo Beat, by C.A. Boylan (August, page 158)
Roundup: New Products. Covering The Photo Beat, by C.A. Boylan (November 2006, page 44)
Roundup: New Products. Covering The Photo Beat, by C.A. Boylan (May 2007, page 44)
Ruined Glories: Hidden Treasures Found Off The Beaten Track, by Frances E. Schultz (May 2001, page 218)
Roundup: new Products. Covering The Photo Beat, by C.A. Boylan (October 2006, page 118)
Roundup: New Products. Covering The Photo Beat, by C.A. Boylan (April 2007, page 36)
Roundup: New Products. Covering The Photo Beat, by C.A. Boylan (June 2007, page 34)
Roundup: New Products. Covering The Photo Beat, by C.A. Boylan (October 2007, page 144)
Roundup: New Products. Covering The Photo Beat, by C.A. Boylan (March 2008, page 38)
San Diego Wild Animal Park: Up Close & Personal, by Rick Sammon (January 2002, page 28)
Shutterbug’s First Digital Seminar...Photographers Were In Overload Mode! by Monte Zucker (May 2002, page 28)
Shutterbug’s Exclusive Report, by George Schaub (December 2002, page 52)
Singular Sensation: “This Place You Say You’re Looking For...” by Barry Tanenbaum (April 2001, page 20)
Small Wonders, by Joe Farace (September 2004, page 154)
Some Of My Favorite Things, by Bob Shell (March 2001, page 28)
Special Section: The Exciting World Of Black And White Imaging, by The Editors (February 2001, page 54)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (February 2008, page 128)
Style And Design Make The Shot, by Gary Bernstein (January 2001, page 14)
Summing It Up, by Roger W. Hicks & Frances E. Schultz (December 2002, page 168)
Talking Pictures: It’s All A Matter Of Perspective…, by Ryan L. Shapiro (July 2008, page 10)
Talking Pictures: “There’s No Place Like Home”, by Diane Walker (June 2007, page 28)
Taos Digital Workshop Focused On Learning, Creativity, And Fun. by Rick Sammon (September 2002, page 46)
Tapping The Source: Other Than Pictures, What Inspires Picture Taking? by Barry Tanenbaum (June 2001, page 138)
Tech Talk: On Film, Format & Photo Philosophy, by Roger W. Hicks & Frances E. Schultz (July 2002, page 86)
Telephoto Lenses For View Cameras: The Long And The Short Of It, by Joseph A. Dickerson (January 2003, page 74)
The 2004 Exhibitions, by Grace Schaub (January 2005, page 54)
The Archival Quality Of Digital Print Media: A Conversation With Henry Wilhelm, The “Guru” Of Image Permanence, by Chris Maher and Larry Berman (November 2003, page 128)
These Are A Few Of My Favorite Plug-Ins: Classic, Brand New, And Stand-Alone, Too, by Anthony L. Celeste (March 2008, page 82)
The Business Side...Of Travel Photography, by Maria Piscopo (May 2001, page 60)
The Cabin: A Refuge And A Photo Inspiration, by Daryl Hawk (February 2008, page 28)
The Classical Portrait Still Commands Respect, by Steve Bedell (November 2004, page 51)
The Couch, by Lawrence W. Smith As Told To Barry Tanenbaum (April 2001, page 40)
The Digital Debate: For Group Portraits, Film Still Rules, by Steve Bedell (July 2002, page 96)
The Digital Dilemma—When, If Ever, Is The Right Time To Switch? by Bob Shell (April 2002, page 36)
The End Of 2001, by Gary Bernstein (December 2001, page 20)
The Far View: What’s New In Binoculars? by Peter K. Burian (August 2001, page 110)
The Forest And The Trees, by Theo Allofs (January 2001, page 30)
The Inside Scoop: The Travel Photographer’s Kit—Part 2, by Jay Abend (March 2003, page 74)
The Last Word On Travel Portraits, by Jack Hollingsworth (April 2002, page 28)
The Law Of Unintended Consequences Redux, by Joe Farace (January 2004, page 196)
The Living Rock, by Theo Allofs (March 2001, page 14)
The Mystery Of The Aurora Borealis: Capturing Nature’s Light Show, by Mike Endres (April 2007, page 66)
The Shot On The Way To The Shot, by Tony Sweet (April 2003, page 44)
The World’s Fair Of Imaging Lives Up To Its Reputation, by George Schuab (January 2005, page 44)
Thinking Outside The Box(car), by Joe Farace (February 2003, page 88)
Top Digital Books Of 2007, More & Better Digital Imaging Books, by Joe Farace (December 2007, page 104)
Top Photo Books Of 2007, Pictures & Words For Business And Pleasure, by C.A. Boylan (December 2007, page 94)
Traditional Holiday Books, by C.A. Boylan (December 2001, page 96)
Trends And Weird Stuff, by Roger W. Hicks (June 2005, page 108)
Trends On Diversity, Power, And Pride Of Workmanship, by Roger W. Hicks (January 2005, page 156)
Visiting The Law Of Unintended Consequences, by Joe Farace (October 2002, page 46)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (March 2006, page 24)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (September 2006, page 26)
Weird & Wonderful: When Innovation And Entrepenural Spirit Meet, by The Editors (July 2007, page 128)
Weird & Wonderful, by Jason Schneider (June 2008, page 128)
Weird Stuff: Camera Condoms, Death Masks, Triple-Lens Reflexes, And Body Armor For Your D-SLR, by Roger W. Hicks (January 2007, page 126)
West Coast Lighthouses: Guided By The Light, by Joseph A. Dickerson (April 2001, page 126)
What’s Ahead For 2003? by George Schaub (January 2003, page 44)
What’s Ahead For Imaging Artists in 2003? by Maria Piscopo (January 2003, page 142)
What Clients Want—What Clients Need, by Maria Piscopo (November 2003, page 182)
What’s In Store For 2004? by Maria Piscopo (December 2003, page 166)
What’s In Store For 2004? A Collective Look Into The Photo/Imaging Crystal Ball, by The Editors (December 2003, page 76)
What’s New In Binoculars?, by Peter K. Burian (October 2004, page 64)
What Photo Clients Want—A Survey, (November 2001, page 187)
Working With A Photo Rep, by Maria Piscopo (January 2004, page 164)
Worthless Fakes—What’s Up With Counterfeit Cameras? by Bob Shell (October 2001, page 46)

Show Reports

35mm SLR Cameras, Lenses And Flashes, by Peter K. Burian (May 2001, page 114)
35mm And APS Compact Cameras, by Peter K. Burian (May 2001, page 124)
35mm SLR Cameras And Flash Units, by Peter K. Burian (June 2002, page 76)
35mm And APS Compact Cameras, by Peter K. Burian (June 2002, page 98)
35mm SLR And Rangefinder Cameras, by Peter K. Burian (June 2003, page 38)
35mm SLR, by Editor (June 2005, page 62)
Accessories And “Weird Stuff”: From The Really Useful To The Odd Lot, by Roger W. Hicks (June 2002, page 92)
Accessories, Darkroom, And Bags, by Robert E. Mayer (June 2003, page 92)
Accessories, Portable Flash, Panoramic & Specialty Cameras, by Robert E. Mayer (June 2005, page 154)
Accessories: Studio & Home Helpers, by Robert E. Mayer (June 2006, page 76)
Bags And Cases, by Frances E. Schultz (January 2005, page 160)
Bags And Cases, by Frances E. Schultz (June 2005, page 146)
Bags, Cases, Straps, And Vests, by Frances E. Schultz (May 2001, page 142)
Bags & Cases: Photo Backpacks, Shoulder Packs & More, by Frances E. Schultz (June 2006, page 102)
Bags, Lighting, Tripods, Photo Gear And Accessories..And More, by Robert E. Mayer (June 2004, page 112)
Batteries: Charge Up Your Gear, by Robert E. Mayer (June 2006, page 172)
Best Of Show, (June 2004, page 122)
Best Of Show, by Staff (June 2005, page 156)
Best Of Show: Our Reporters Make Their Top Picks, by The Staff (June 2003, page 102)
Best Of Show: Shutterbug’s Picks Of PMA 2006, (June 2006, page 154)
Cameras: Medium And Large Format Update & A New (And Old) Rangefinder 35, by Roger W. Hicks (January 2005, page 88)
Cameras: Rangefinder 35mms, Medium & Large Format Cameras, by Roger W. Hicks (June 2006, page 38)
Darkroom Equipment And Materials, by Frances E. Schultz (May 2001, page 212)
Darkroom: Film, Paper, Chemistry, And Darkroom Gear, by Frances E. Schultz (June 2006, page 112)
Desktop Photo Printers, by Joe Farace (June 2005, page 70)
Digital Accessories, by Robert E. Mayer (June 2004, page 102)
Digital Backs, by Joe Farace (June 2004, page 36)
Digital Backs & Memory Cards, by Joe Farace (June 2005, page 90)
Digicams: Integral Lens And “Point-And-Shoot” Digital Cameras, by Peter K. Burian (June 2006, page 30)
Digital Imaging At The Beginning Of The 21st Century, by Joe Farace (May 2001, page 144)
Digital Portable Storage Devices, by Jack Neubart (June 2005, page 100)
Digital Printers And Papers, by Joe Farace (June 2004, page 74)
Digital SLRs, by Joe Farace (June 2004, page 26)
Digital SLRs, by Joe Farace (June 2005, page 46)
Digital SLRs, Medium Format And Pro Gear, by Bob Shell (June 2002, page 80)
Digital SLRs (And A Medium Format Lens) by Bob Shell (June 2003, page 54)
Digital SLRs: 4/3rds & new Players In D-SLRs, by Joe Farace (June 2006, page 24)
Film, Paper, Chemistry, And Darkroom, by Frances E. Schultz (June 2005, page 152)
Flat-Bed And Film Scanners, by Joe Farace (June 2005, page 74)
Frances’ Fancy, by Frances E. Schultz (January 2005, page 158)
Fun In The Digital Magic Kingdom, by Joe Farace (June 2002, page 86)
Hot New Digicams, by Peter K. Burian (June 2005, page 48)
Imaging Odyssey 2001 Update: Featured Speaker: Robert Farber, by George Schaub (March 2001, page 40)
Imaging Odyssey 2001 Update: Featured Speaker: Oscar Lozoya, by George Schaub (April 2001, page 82)
Ink Jet Media, by Jack Neubart (June 2005, page 80)
Inkjet Media: Papers And Inks, by Jack Neubart (June 2006, page 64)
Interchangeable Lenses, by Peter K. Burian (June 2004, page 40)
Large Format Printers: Pro Printers, by Jon Canfield (June 2006, page 58)
Lenses: Great New Optics For Digital And 35mm SLRs, by Peter K. Burian (June 2006, page 48)
Lighting, by Jack Neubart (June 2004, page 86)
Lighting And Supports, by Jack Neubart (June 2003, page 64)
Lighting. Studio And Mobile Lighting: Strobe & Continuous—Plus Accessories, by Jack Neubart (June 2006, page 88)
Manufacturers And Distributors, by the staff (May 2001, page 250)
Manufacturers And Distributors, (June 2002, page 198)
Manufacturers And Distributors, by The Staff (June 2003, page 180)
Manufacturers And Distributors, (June 2004, page 204)
Manufacturers And Distributors, by Staff (June 2005, page 176)
Master Class—Monte On Stage At New York’s PhotoPlus Show, by Monte Zucker (March 2005, page 18)
Medium And Large Format, Rangefinders, And Continuous Lighting, by Roger W. Hicks (June 2005, page 58)
Medium Format, Light Meters, And Studio Equipment, by Bob Shell (May 2001, page 122)
Medium Format Digital: Large Sensor D-SLRs, by Jon Canfield (June 2006, page 46)
Memory Cards, by Joe Farace (June 2004, page 70)
Memory Cards: Faster & Higher Capacity, by Jon Canfield (June 2006, page 60)
My Personal PMA Picks, by Bob Shell (July 2001, page 16)
New 35mm And APS Compact Cameras, by Peter K. Burian (June 2003, page 86)
New 35mm SLR And Rangefinder Cameras, by Peter K. Burian (June 2004, page 28)
New 35mm And Digital SLR Cameras, by Peter K. Burian (January 2005, page 62)
New Digital Cameras With Integral Lens, by Peter K. Burian (January 2005, page 72)
New Digicam Technology Highlights, by Larry Berman and Chris Maher (June 2003, page 32)
New Electronic Flash Units, by Peter K. Burian (January 2005, page 154)
New Films, by Robert E. Mayer (June 2004, page 64)
New Films (!), Darkroom Gear (!), And News From The Silver-Halide Wars, by Frances E. Schultz (January 2005, page 100)
New Gear And Gadgets, by Robert E. Mayer (May 2001, page 108)
New Gear And Gadgets, by Robert E. Mayer (June 2002, page 66)
New Lenses For 35mm And Digital SLR Cameras, by Peter K. Burian (June 2003, page 48)
New Lenses For 35mm And Digital SLR Cameras, by Peter K. Burian (January 2005, page 82)
New Lenses For 35mm And Digital SLRs, by Peter K. Burian (June 2005, page 64)
New Negative And Transparency Films, by Peter K. Burian (June 2003, page 60)
New Photographic Films, by Frances E. Schultz (May 2001, page 120)
New Photo Printers, by Peter K. Burian (January 2005, page 96)
New Product Preview, by The Editors (June 2002, page 64)
photokina—Cologne 2002: World Of Imaging, by The Editors (August 2002, page 55)
Photo Printers: Pigment, Dye Sub & Desktop Photo Labs, by Joe Farace (June 2006, page 54)
Point-And-Shoot Digicams, by Jack Neubart (June 2004, page 50)
Portable Flash: On-Camera Flash, by Robert E. Mayer (June 2006, page 94)
Portable Storage: Hard Drives, CD/DVD Burners, And Flash Drives, by Jack Neubart (June 2006, page 74)
Power And Performance, by Jack Neubart (June 2003, page 100)
Product Parade, by George Schaub (May 2001, page 106)
Product Parade: New Gear You’ll See In 2003, by George Schaub (June 2003, page 30)
Rangefinder, Large Format, Tripods, Batteries And More, by Roger W. Hicks (May 2001, page 136)
Rangefinders, Large Format, Tripods And More, by Roger W. Hicks (June 2002, page 72)
Rechargeable Batteries & Chargers, by Jack Neubart (June 2005, page 96)
Scanners, by Joe Farace (June 2004, page 68)
Scanners: Film To Digital Devices, by Jon Canfield (June 2006, page 59)
Shutterbug’s Exclusive PMA 2004 Report, by George Schaub (June 2004, page 24)
Shutterbug’s Exclusive PMA 2005 Coverage, by George Schaub (June 2005, page 44)
Software, by Joe Farace (June 2004, page 80)
Software, Memory & More, by Joe Farace (June 2003, page 84)
Software & Plug-Ins, by Joe Farace (June 2005, page 76)
Studio & Mobile Strobes, Mobile Batteries, And Flash Meters, by Jack Neubart (June 2005, page 102)
Studio Update—Lighting And Assorted “Weird” Gear, by Roger W. Hicks (January 2005, page 104)
The 2004 Exhibitions, by Grace Schaub (January 2005, page 54)
The Digital Doings At PMA, by Joe Farace (June 2003, page 70)
The Megapixel Race Heats Up... by Uwe Steinmueller (June 2004, page 30)
The World’s Fair Of Imaging Lives Up To Its Reputation, by George Schuab (January 2005, page 44)
Trends And Weird Stuff, by Roger W. Hicks (June 2005, page 108)
Trends On Diversity, Power, And Pride Of Workmanship, by Roger W. Hicks (January 2005, page 156)
Tripods And Heads, by Frances E. Schultz (June 2005, page 150)
Tripods—New Materials And Designs, by Frances E. Schultz (January 2005, page 167)
Weird And Wonderful: A Visit To The PMA Novelty Shop, by Roger W. Hicks (June 2006, page 82)

Digital Cameras

A Classic Goes Digital. The Leica M Mount, by Jason Schneider (September 2006, page 50)
Adding, Changing, And Jazzing Up Color. by Rick Sammon (June 2001, page 124)
Add Motion To Stills, by Rick Sammon (February 2001, page 22)
A Digital Trip To Paris: On The Road With Cameras, Batteries, Computer, Cords, And More, by Susan McCartney (May 2004, page 58)
Adobe Photoshop 6, by David B. Brooks (February 2001, page 110)
Adobe Photoshop Elements: Affordable Image Editing For The Photo Enthusiast, by David B. Brooks (May 2001, page 32)
All The Colors Of The Rainbow, by Joe Farace (January 2001, page 82)
Another Option: Dodging And Burning-In With Photoshop, by Darryl C. Nicholas (September 2001, page 112)
A Pro’s Confession: Why I Bought My First Consumer Digital Camera, by Howard Millard (March 2001, page 44)
A New Concept In Album Design: Digital Technology Makes It Happen, by Steve Bedell (April 2001, page 84)
A Pro’s Touch: Creative Portrait Backgrounds Using Photoshop 6.0, by Darryl C. Nicholas (March 2001, page 138)
Be Careful What You Wish For, by Joe Farace (October 2004, page 162)
Black & White And Read All Over, by Joe Farace (August 2003, page 48)
Black & White In Color: Something Extra From Monochrome Digital Images, by Joe Farace (February 2001, page 84)
Browsers And Other Useful Digital Imaging Software, by Joe Farace (September 2001, page 204)
Cambo’s Ultima 35, by Jay Abend (January 2004, page 34)
Camera, Cases, Lost & Found & More...by Joe Farace (April 2001, page 60)
Canon’s 6.3-Megapixel Digital Rebel, by Jay Abend (December 2003, page 54)
Canon’s Duo Of Digital Delights, by Bob Shell (February 2001, page 102)
Canon’s EOS-1D Mark II, by Joe Farace (August 2004, page 108)
Canon’s EOS 5D Full-Frame Digital SLR, by David B. Brooks (February 2006, page 72)
Canon EOS 10D, by Bob Shell (July 2003, page 106)
Canon EOS 40D, by George Schaub (December 2007, page 64)
Canon EOS D60: An Upgraded D30, Or Much More? by Bob Shell (July 2002, page 60)
Canon EOS-1D Mark III, by Joe Farace (November 2007, page 114)
Canon’s EOS-1Ds Mark III: The Big Kahuna Has Landed, by Joe Farace (April 2008, page 96)
Canon PowerShot A20 And CP-10 Printer: The Good, The Bad & The Ugly, by Ingrid S. Krampe (October 2001, page 68)
Canon PowerShot Pro90 IS Digital Camera. by Bob Shell (June 2001, page 40)
Canon S600 Bubble Jet Printer, by David B. Brooks (November 2001, page 108)
Change Is The Name Of The Game, by Joe Farace (November 2001, page 218)
Cleaning The D-SLR Sensor: Commercial Products For Use At Home Or On The Road, by Jack Neubart (December 2006, page 84)
Creating A Site That Works For You, by Rosalind Smith (December 2001, page 42)
Casio’s EXILIM Pro, by George Schaub (September 2004, page 46)
Digicams Aren’t New! by Joe Farace (October 2003, page 201)
Digicams: Integral Lens And “Point-And-Shoot” Digital Cameras, by Peter K. Burian (June 2006, page 30)
Digicams: Integral Lens Digital Cameras—Anti-Shake, Higher Megapixel Counts, And Face Detectin, Too, by Peter K. Burian (January 2007, page 58)
Digital Cameras And Imaging Software, by Joe Farace (February 2008, page 48)
Digital Dry Film Processing & More From Applied Science Fiction, by Bob Shell (December 2001, page 30)
Digital Imaging At The Beginning Of The 21st Century, by Joe Farace (May 2001, page 144)
Digital In Black And White: Ink Jet Printing Problems And Solutions, by David B. Brooks (December 2001, page 58)
Digital Imaging Books, by Joe Farace (December 2001, page 98)
Digital Photography, by Joe Farace (December 2001, page 92)
Digital Photography For Fun And Profit: Making Money With Event Imaging, by Jay Abend (October 2001, page 175)
Digital Print Display Do’s And Don'ts: How To Mount And Frame Your Ink Jet Masterpieces, by Jay Abend (April 2001, page 122)
Digital SLRs, by Joe Farace (June 2004, page 26)
Digital SLRs, by Jason Schneider (June 2008, page 18)
Digital SlRs, by Joe Farace (July 2007, page 24)
Digital SLRs: 4/3rds & new Players In D-SLRs, by Joe Farace (June 2006, page 24)
Digital SLR Cameras, by Bob Shell (December 2002, page 80)
Digital SLR Cameras, by Peter Burian (January 2007, page 54)
Digital SLRs, Medium Format And Pro Gear, by Bob Shell (June 2002, page 80)
Digital SLRs (And A Medium Format Lens) by Bob Shell (June 2003, page 54)
Do Major Megapixel Counts Aid Or Hinder Image Quality? By Peter K. Burian (November 2007, page 108)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
Enquiring Minds Want To Know, by Joe Farace (November 2004, page 180)
Epson Expression 1640XL: A Quality All Format Scanner, by David B. Brooks (February 2001, page 96)
Espon Stylus Photo 820, by David B. Brooks (March 2002, page 76)
Epson Stylus Photo 900, by David B. Brooks (October 2003, page 106)
Epson’s Stylus Pro 5500: Is This The Ultimate Ink Jet Photo Printer? by David B. Brooks (June 2002, page 58)
Field Accessories For Digital SLRs: While Perhaps Not Top Priority, These Items Can Really Come In Handy, by Stan Trzoniec (May 2007, page 66)
First Look: Canon’s EOS Digital Rebel XT, by George Schaub (January 2006, page 70)
First Look: Digital Camera, Sony’s Alpha A100, by Peter K. Burian (August, page 44)
First Look: Konica Minolta’s DiMAGE X1, by Joe Farace (January 2006, page 74)
First Look: New Epson R-D1 Camera, by David B. Brooks (July 2004, page 68)
First Look: Olympus Unveils E-1 Digital SLR: “Built For Digital,” by George Schaub (September 2003, page 68)
First Look: Pentax *ist D Digital SLR, by George Schaub (October 2003, page 114)
Five 10-Megapixel Digicams: Small Cameras, Big Files, Canon’s PowerShot G7, Casio’s Exilim EX-Z1000, Olympus’ Stylus 1000, Panasonic’s Lumix DMC-LX2, Samsung’s NV10, by Jack Neubart (September 2007, page 70)
For Fun And Profit: Five Flat-Bed Scanner Projects, by Howard Millard (April 2001, page 118)
Fujifilm FinePix 4900 Zoom: More Serious, More Fun! by David B. Brooks (March 2001, page 72)
Fujifilm FinePix S2 Pro: 6Mp Interchangeable Lens Digital SLR Has What It Takes, by Jack Neubart (December 2002, page 114)
Fujifilm’s FinePix S20 Pro--Small Camera, Big Results, by Steve Bedell (October 2004, page 86)
Fujifilm’s FinePix S5 Pro: A Real-World Test Of A Viable Alternative D-SLR, by Steve Bedell (April 2008, page 68)
Fujifilm’s IS-1, by Joe Farace (December 2007, page 68)
Get Control Of Color! WYSIWYG: Are We There Yet? by David B. Brooks (April 2001, page 110)
Greetings From The Planet Pixel, by Joe Farace (December 2002, page 70)
Hot New Digicams, by Peter K. Burian (June 2008, page 28)
Illusions In Black And White. by Rosalind Smith (June 2001, page 32)
Image Capture Revisited, by Joe Farace (March 2001, page 130)
Instant Prints: Mini Printer Roundup, by Theano Nikitas (August 2001, page 124)
InkJet Printing And Publishing, by Joe Farace (December 2001, page 225)
It’s Here! The All-Digital Portrait Studio, by Steve Bedell (March 2001, page 50)
Hot New Digicams, by Peter K. Burian (July 2007, page 32)
Kodak DCS Pro 14n, by Bob Shell (August 2003, page 102)
Kodak DCS 760 Professional Digital Camera, by John Rettie (September 2001, page 68)
Kodak Professional DCS Pro Back Plus Digital Camera Back: 16 Million Pixels And A Whole Lot More, by Jay Abend (June 2002, page 50)
Kodak Professional RFS 3600 Film Scanner, by David B. Brooks (April 2001, page 36)
Kodak’s Pro SLR/n, by Jay Abend (July 2004, page 102)
Kodak’s Revised T-Max 400. A “Classic” Gets A Facelift, by Roger W. Hicks and Frances E. Schultz (May 2008, page 108)
Kodak’s Vintage DCS 520 Digital SLR Is Now A Bargain...by Jay Abend (March 2004, page 178)
Konica Minolta’s Maxxum 5D, by Peter K. Burian (February 2006, page 80)
Leica Digilux 1, by Joe Farace (September 2002, page 60)
The Nikon D100, by Bob Shell (October 2002, page 84)
Leica’s DIGITAL-MODUL-R, by Joe Farace (February 2006, page 64)
Leica M7, by Bob Shell (November 2002, page 56)
Make A Digital Montage, by Rick Sammon (April 2001, page 32)
Medium Format Digital, by Jon Canfield (July 2007, page 30)
Medium Format Digital: Large Sensor D-SLRs, by Jon Canfield (June 2006, page 46)
Microtek ArtixScan 2500, by David B. Brooks (January 2001, page 76)
Minolta’s DiMAGE A1, by Jack Neubart (April 2004, page 74)
Minolta DiMAGE X, by Joe Farace (November 2002, page 62)
More Digtial News, by Bob Shell (December 2002, page 84)
My Favorite Web Sites For The Photo Industry. by Maria Piscopo (June 2001, page 196)
New Digicam Technology Highlights, by Larry Berman and Chris Maher (June 2003, page 32)
New NegaFix In SilverFast 5.5: The Color Negative Scanning Problem Solved, by David B. Brooks (December 2001, page 219)
New Operating Systems And Products For Pixographers, by Joe Farace (August 2001, page 140)
Nikon CoolPix 775 Digital Camera, by Ingrid S. Krampe & Gary McGinnis (February 2002, page 94)
Nikon CoolPix 5000, by Larry Berman and Chris Maher (June 2002, page 54)
Nikon D1X: Defining The Professional SLR, by George Schaub (October 2001, page 62)
Nikon’s D3. The New Pro Flagship “Full-Frame” D-SLR, by Steve Anchell (May 2008, page 122)
Nikon’s D60 D-SLR: Next Step In Amateur Line-Up Has Some Inside Tricks, by George Schaub (July 2008, page 108)
Nikon’s D70 D-SLR, by George Schaub (November 2004, page 102)
Nikon’s D300, by George Schaub (March 2008, page 114)
Olympus Camedia C-5050 Zoom, by Jack Neubart (December 2003, page 112)
Olympus Camedia E-10 4MP SLR, by David B. Brooks (March 2001, page 66)
Olympus Camedia E-20n, by George Schaub (March 2002, page 80)
Olympus E-3, by Peter K. Burian (February 2008, page 112)
Olympus’ EVOLT E-510, by Peter K. Burian (November 2007, page 88)
Olympus’ Ferrari Digital Model 2004, by Joe Farace (November 2004, page 42)
Package Printing: Many Options In Photoshop, by Darryl C. Nicholas (December 2001, page 54)
Panasonic’s Lumix DMC-L10: A Versatile 10-Megapixel D-SLR With Live View, by Peter K. Burian (April 2008, page 106)
Pentax K10D, by Joe Farace (August 2007, page 102)
Pentax K20D, by Peter K. Burian (March 2008, page 64)
Pentax K100D Super, by Joe Farace (January 2008, page 84)
Phase One’s “Capture One DSLR”, by Jay Abend (July 2003, page 112)
Photography Online At photo.net, by Joe Farace (August 2001, page 118)
Photo Quality Counts: A Roundup Of Ink Jet Printers, by Joe Farace (October 2001, page 112)
Point-And-Shoot Digicams, by Jack Neubart (June 2004, page 50)
Point Of View: How Fast Is YOUR Memory Card? by Mark Leathem (April, 2006, page 150)
Printing Your Digital Images, by Joe Farace (July 2001, page 120)
Pro Digital Cameras: The High-End Digital Market. by Ingrid S. Krampe (June 2001, page 96)
Pro Film Scanners: A Main Line Into Digital, by Ingrid S. Krampe (July 2001, page 206)
Putting Your Portfolio On CD-ROM: The Technology Is There, But Is This Any Way To Show Your Work? by Jay Abend (September 2001, page 122)
Q&A For Digital Photography, by David B. Brooks (January 2001, page 258)
Q&A For Digital Photography, by David B. Brooks (May 2001, page 243)
Q&A For Digital Photography, by David B. Brooks (March 2001, page 267)
Q&A For Digital Photography, by David B. Brooks (April 2001, page 255)
Q&A For Digital Photography, by David B. Brooks (February 2001, page 254)
Q&A For Digital Photography. by David B. Brooks (June 2001, page 251)
Q&A For Digital Photography, by David B. Brooks (July 2001, page 258)
Q&A For Digital Photography, by David B. Brooks (August 2001, page 248)
Q&A For Digital Photography, by David B. Brooks (September 2001, page 235)
Q&A For Digital Photography, by David B. Brooks (October 2001, page 232)
Q&A For Digital Photography, by David B. Brooks (November 2001, page 224)
Q&A For Digital Photography, by David B. Brooks (December 2001, page 232)
Reach Out And Photograph Someone...by Joe Farace (March 2004, page 209)
“Real” Rebels, Exclusive Lenses, And More, by Joe Farace (February 2004, page 172)
Rediscovering Black And White Via Digital, Part II, by Bob Shell (August 2003, page 36)
Renew Your Creativity With Digital Imaging, by Joe Farace (October 2001, page 225)
Sekonic’s Dualmaster L-558, by Paul Mozell (April 2004, page 46)
Sigma’s Easy IR. The SD14 D-SLR As An Easy Access IR Image-Maker, by George Schaub (May 2008, page 62)
Sigma SD9, by George Schaub (March 2003, page 92)
Sigma’s SD10 Digital Camera, by Peter K. Burian (April 2004, page 60)
Sigma’s SD14 by Peter K. Burian (September 2007, page 90)
Software, Printers, Cameras...And A Format Farewell. by Joe Farace (June 2001, page 114)
Software Roundup 2001: New And Improved Tools For The Digital Photographer, by David B. Brooks (June 2001, page 76)
Software Roundup 2001-Part II: New And Improved Tools For Producing Artistic Photographs, by Joe Farace (July 2001, page 98)
Sony’s Alpha A700, by Peter K. Burian (January 2008, page 94)
Sony Cyber-shot DSC-S85, by John Rettie (March 2002, page 66)
Sony Cyber-shot DSC-W200 12.1-Megapixel Pocket Camera, by David B. Brooks (December 2007, page 86)
Stocking Stuffers: Presents For Photographers, by Joe Farace (December 2002, page 212)
Stocking Stuffers, by Joe Farace (December 2004, page 116)
Surf The Internet For Free? Sure, But There’s A Catch, by Joe Farace (March 2001, page 220)
Test Report: Digital Camera, Canon’s EOS-1D Mark II N, by George Schaub (March 2006, page 82)
Test Report: Fujifilm’s FinePix S9000, by George Schaub (January 2006, page 102)
Test Report: Digital Camera. Nikon’s D80, by George Schaub (December 2006, page 140)
Test Report: Digital Camera. Nikon’s D200, by George Schaub (May 2006, page 94)
Test Report: Digital Camera Olympus’ EVOLT E-500, by Peter K. Burian (April, 2006, page 102)
Test Report: Pentax’s *ist DL, by Peter K. Burian (January 2006, page 106)
Test Report: Digital Camera. Sony’s Cyber-shot DSC-R1, by Peter K. Burian (May 2006, page 80)
The Canon CanoScan D2400UF Flat-Bed Scanner, by David B. Brooks (September 2001, page 54)
The Canon D60: Love At First Sight, by Monte Zucker (June 2002, page 32)
The Canon EOS-1D, by Bob Shell (May 2002, page 88)
The Canon EOS-1Ds, by Jay Abend (March 2003, page 78)
The Canon EOS D30 Digital SLR, by George Schaub (March 2001, page 76)
The Digital Darkroom: Changing The Way We Take And Make Pictures, by Rick Sammon (October 2001, page 54)
The Digital Doings At PMA, by Joe Farace (June 2003, page 70)
The Epson Expression 1680 Pro, by David B. Brooks (June 2001, page 60)
The Epson Perfection 1640SU Photo Scanner, by David B. Brooks (May 2001, page 40)
The Epson PhotoPC 3100Z, by Ingrid S. Krampe (April 2002, page 52)
The Epson Stylus Photo 1280 Printer, by David B. Brooks (July 2001, page 48)
The JVC GC-QX5HD: A Lot More Than Meets The Eye, by Ingrid S. Krampe (September 2001, page 44)
The LaCie Photon 18 Blue Flat Panel Display, by David B. Brooks (October 2001, page 74)
The Megapixel Race Heats Up... by Uwe Steinmueller (June 2004, page 30)
The Nikon D2H, by Uwe Steinmueller (July 2004, page 86)
The Olympus E-1, by George Schaub (March 2004, page 90)
The Olympus P-400 Color Printer, by David B. Brooks (January 2001, page 44)
The Return Of 3D Photography, by Joe Farace (December 2003, page 196)
The Sony Vaio Slimtop Pen Tablet: A Dream Computer For Digital Photographers? by David B. Brooks (September 2001, page 76)
The Times They Are A Changin’...Digitally That Is, by Joe Farace (February 2001, page 138)
Two Sites That Seek The Unusual, by Rosalind Smith (March 2001, page 36)
Where Are All Your Digital Negatives? by Joe Farace (May 2003, page 152)
ZigView S2, by Jack Neubart (January 2008, page 110)

Profiles and Portfolios

A Game Of Dominoes, by Jacqueline Veissid (May 2008, page 20)
A Keen Eye For Color: The Photography Of Alex Webb, by Rosalind Smith (January 2006, page 37)
Agency VII: Photographers Controlling Their Destinies, by Rosalind Smith (December 2005, page 56)
Alexander Gardner, by Fred Rosen (November 2004, page 184)
Amy Arbus: Revealing Human Nature Through Portrait Photography, by Lloyd Ferriss (July 2002, page 70)
An Interview With Bobbi Lane: On Web Marketing, Stock, And More, by Maria Piscopo (April 2002, page 22)
An Interview With Eric Meola. Passion, Belief & Risk, by Chris Maher & Larry Berman (September 2006, page 54)
Another Country: William Abranowicz Finds A Place Of His Own, by Barry Tanenbaum (July 2001, page 146)
A Portrait Project: Nat Clymer Finds Neighborhood America, by Barry Tanenbaum (January 2002, page 62)
A Traditional Photographer Merges Film And Digital Techniques: The Art And Craft Of Richard Lohmann, by Steve Bedell (February 2006, page 40)
A Treasure Trove Of Photographica. Jack Naylor’s Unmatched Collection Will Move On, by Rosalind Smith (September 2006, page 58)
A Tribute To Monte Zucker: Images From The Pages Of Monte’s “Master Class” Column From Over The Years, by The Editors (August 2007, page 67)
Available Light—Bethany Pugmire, by Jay McCabe (September 2002, page 18)
Available Dark: The Cultural Landscapes Of Chris Faust, by Barry Tanenbaum (February 2007, page 64)
A Visual Diary: Gerald Parker’s Brockton Project, by Rosalind Smith (July 2003, page 68)
A Yearning For The Wilderness: The Photography Of Brad Washburn, by Rosalind Smith (December 2004, page 53)
Balancing Act: Rod Planck Works Both Sides Of The Creative Fence, by Barry Tanenbaum (August 2004, page 54)
Balance—Billy Wrobel, by Jay McCabe (June 2003, page 24)
Both Sides Now: Bruce Myren Looks At The Pros And Cons Of The Digital World, by Rosalind Smith (October 2003, page 82)
Blue Light—Patricia Auger, by Jay McCabe (May 2004, page 120)
Bruce Folck: Test Results, by Jay McCabe (December 2001, page 18)
Bryan F. Peterson: Exposure And Expression, Film Or Digital Style, by Jim Miotke (September 2005, page 55)
Business Trends: Lighting His Way To Success, by Maria Piscopo (October 2005, page 18)
By Design—Laurie Hundt, by Jay McCabe (July 2002, page 18)
Casual Observer: Entries In Joe Gioia’s Digital Notebook, by Barry Tanenbaum (March 2003, page 64)
Changes—Adam Paine, by Jay McCabe (September 2004, page 18)
Change Of Plans—Sherry Hausner, by Jay McCabe (February 2002, page 18)
Change Of Plans—Jaime Cancio, by Jay McCabe (February 2004, page 22)
Chen Changfen Photographs The Great Wall Of China: One Subject, Ever Changing, by Rosalind Smith (August 2007, page 70)
Close To Home: John Netherton Returns To The Source, by Barry Tanenbaum (May 2001, page 70)
Clyde Butcher: A Photographer In The Heart Of The Everglades, by Rosalind Smith (February 2004, page 96)
Color Vision: The Photography Of Alison Shaw, by Rosalind Smith (July 2001, page 140)
Common Ground: The Photographs Of Don Gurewitz, by Rosalind Smith (May 2003, page 65)
Control—Susanne M. Schatz, by Jay McCabe (February 2003, page 20)
David Mendelsohn: Road Trip, by Barry Tanenbaum (July 2002, page 26)
Design In Mind—Matt Mikulla, by Jay McCabe (November 2001, page 18)
Digital Darkroom: Mixed Media, by Staff (May 2006, page 56)
Digital Innovations: A Few Unsung Heroes Of Digital Imaging, by Joe Farace (October 2006, page 124)
Digital Noir—Matthew Barnes, by Jay McCabe (April 2003, page 18)
Discoveries—Gordon Stillman, by Jay McCabe (April 2004, page 36)
Duane Michals: Getting To The Heart With A Wry Eye, by Rosalind Smith (December 2003, page 72)
Early Start—Lindsay Adler, by Jay McCabe (October 2003, page 32)
Earth From Above: Yann Arthus-Bertrand’s Global Vision, by I.J. Schecter (November 2004, page 60)
Earth’s Shadow: Wait For The Right Light, by Frank Weston (May 2004, page 31)
Eddie Adams: Every Picture Tells A Story, by Rosalind Smith (November 2003, page 95)
Ed Kashi: Recording The Human Experience, by Rosalind Smith (August 2005, page 55)
Edge To Edge: James Kay’s Panoramic Views, by Barry Tanenbaum (May 2003, page 70)
Eastbound—Amy Postle, by Jay McCabe (January 2002, page 18)
“Enjoy Yourself!”, by Shannon Corr (January 2008, page 12)
Eugene Richards: Personal Documents Of Our World, by Rosalind Smith (November 2005, page 53)
Exclusive Interview: Neil Leifer, by Larry Berman and Chris Maher (November 2002, page 120)
Exclusive Interview: Pete Turner, by Chris Maher and Larry Berman (November 2001, page 130)
Exclusive Interview: Ralph Gibson, by Chris Maher & Larry Berman (February 2002, page 54)
Expressions—Christine Dirkscheider, by Jay McCabe (April 2001, page 10)
Field Test: On Location With David X. Tejada, by Barry Tanenbaum (December 2005, page 53)
First Choice—Timothy C. Riley, by Jay McCabe (May 2003, page 20)
Focus Of Attention: The Return Of John Isaac, by Barry Tananbaum (July 2002, page 76)
Franklin B. Way: Perfection In Color, by Rosalind Smith (January 2004, page 74)
From The Driver’s Seat: What We Know About David Plowden, by Barry Tanenbaum (February 2001, page 58)
Game Digital: Why Jon Adams Switched To Pixels, by Barry Tanenbaum (February 2002, page 46)
George DeWolfe: Where The Eye And The Spirit Meet, by Rosalind Smith (August 2004, page 58)
Glory Days: On Any Given Sunday, You’ll Find Ron St. Angelo Prowling The Sidelines For The Dallas Cowboys, by Barry Tanenbaum (November 2005, page 56)
Grace Notes—Allison Gretsuk, by Jay McCabe (July 2004, page 42)
Handcrafted—Rachel Newman, by Jay McCabe (September 2003, page 18)
Harm’s Way: John McColgan Captures A Harrowing Image, by Barry Tanenbaum (January 2002, page 110)
Harold Silverman: A New Beginning, by George Schaub (January 2002, page 90)
Henry Hamilton Bennett: Legendary Landscape Photographer (1843-1908), by Neela Bhagat (February 2007, page 126)
Hide In Plain Sight: Chip Simons’ Light Strategy, by Barry Tanenbaum (October 2005, page 48)
High Adventure: Journey Through The Thunder Dragon Kingdom, by Daryl Hawk (November 2005, page 60)
Higher Education—Alexander Diaz, by Jay McCabe (November 2002, page 18)
Hollywood Still Photography, by Patrick Ecclesine (November 2004, page 56)
Homework—Jorel Cuomo, by Jay McCabe (November 2004, page 26)
Home Work—Ken Vanderford, by Jay McCabe (June 2002, page 18)
In The Wild With Team Husar: A Cause Served With Great Images, by Rosalind Smith (May 2007, page 78)
Inner Journey: The Photography Of Joyce Tenneson, by Rosalind Smith (January 2008, page 78)
Interview: Judith Vejvoda, by Rosalind Smith (September 2002, page 96)
In The Spirit: Robert Lindholm’s Visual-Verbal Connection, by Barry Tanenbaum (September 2003, page 71)
Jack Holowitz: A Master Photographer Using Classic Techniques, by Steve Bedell (February 2003, page 80)
Jack Reznicki, People Photographer: The Film To Digital Workflow, by Rosalind Smith (April 2002, page 108)
Jay Goldsmith: A Passion For Quality. New Hampshire Photographer Finds Fulfilling, Profitable Niche, by Steve Bedell (September 2001, page 100)
Jay Maisel: Exclusive Interview. by Chris Maher and Larry Berman (June 2001, page 126)
John Isaac: Back To Nature And Home Again, by Rosalind Smith (July 2004, page 58)
John Paul Caponigro: When Technology And Vision Converge, by Rosalind Smith (January 2001, page 96)
Karen Kasmauski, by Jay McCabe (November 2004, page 9)
Late Night—Cheryl May 2004hew, by Jay McCabe (August 2004, page 26)
Lauren Greenfield: Photographic Signs Of Our Times, by Rosalind Smith (September 2005, page 58)
Light And Shadow—Tyler Lankford, by Jay McCabe (March 2004, page 28)
Light Moves: Sammuel Elijah Strives For The Emotional Moment, by Barry Tanenbaum (January 2001, page 100)
Lightning Strikes: The Photography Of Tom Willet And Jeff Smith, by Lorraine A. DarConte (July 2008, page 72)
Little Worlds—Rhonda L. Wilson, by Jay McCabe (March 2001, page 22)
Living History: Tony Arruza’s Offshore Interests, by Barry Tanenbaum (October 2003, page 79)
Long Distance—Peter Franchell, by Jay McCabe (December 2003, page 24)
Looking Glass—Brett Jameson, by Jay McCabe (August 2003 page, 18)
Look, See—Kyle Kalm, by Jay McCabe (September 2001, page 18)
Look, Up In The Sky...It’s Stephen Zacker’s Cloud Formations, by Barry Tanenbaum (September 2001, page 90)
Lou Jones: The World Of Jazz, by Rosalind Smith (April 2005, page 56)
Master Class: Six Photographers, Six Styles...One Camera! by Monte Zucker (January 2006, page 12)
Master Class: Where Strangers Become Friends, by Monte Zucker (August 2005, page 18)
Master Interview: Albert Watson, The Discerning Eye, by Howard Millard (April 2008, page 88)
Master Interview: Jerry Uelsmann, by Chris maher & Larry Berman (September 2007, page 64)
Master Photographer & Teacher: Interview With Freeman Patterson, by Chris Maher and Larry Berman (July 2002, page 80)
Medium Format, Big Difference, by Barry Tanenbaum (May 2006, page 54)
Might As Well Jump: Lori Stoll’s Large (Format) Challenge, by Barry Tanenbaum (April 2005, page 108)
Movement And Emotion: The Dance Photography Of Jeffrey Dunn, by Rosalind Smith (December 2007, page 114)
Moving Images: The Photography Of Lois Greenfield, by Jack Neubart (December 2007, page 75)
Natural Selections: Gil Lopez-Espina’s Brand-New Blank Canvas, by Barry Tanenbaum (March 2005, page 49)
Natural World—Ryan White, by Jay McCabe (January 2004, page 12)
Nevada Wier: Traveler With A Camera, by Rosalind Smith (May 2005, page 58)
Not Just Another Walk In The Park: Vincent Versace’s Presidio Project, by Rosalind Smith (March 2003, page 61)
Old Growth Forests Of The East: Abundant Photo Ops Await In Hard-To-Find Places, by Clint Farlinger (May 2004, page 34)
On Assignment: The Photography Of Kevin Moloney, by Rosalind Smith (July 2008, page 68)
One Each Day—Karen Olson, by Jay McCabe (March 2002, page 18)
Ongoing—Bill Elder, by Jay McCabe (July 2001, page 22)
Pamela Ellis Hawkes: Surrogate Reality, by Rosalind Smith (February 2005, page 55)
On The Waterfront: AJ Neste’s Pro Surf Shot Strategies, by Barry Tanenbaum (April 2008, page 84)
Paul Eric Johnson: Total Control With LightJet Prints, by Rosalind Smith (October 2001, page 98)
Personal Project: A New Look At Classic Cars, by Tom Frier (February 2007, page 122)
Personal Project: Abstract Vision, by Dick Stanley (March 2007, page 122)
Personal Project: Art Of New York’s Bridges, by Dave Frieder (February 2007, page 62)
Personal Project: “Between Regular Heaven And Funnel Cake Heaven,” by Andrea Gordon Murrill (February 2005, page 58)
Personal Project: Images From The Mind’s Eye, by Theresa Airey (March 2007, page 22)
Personal Project: Ken Sklute’s Ethereal Infrared Images, by Bob Coates (July 2001, page 136)
Personal Project: Mirror’s Image, by Barry Tanenbaum (November 2007, page 150)
Personal Project: Roadside Attractions, by Barry Tanenbaum (May 2005, page 56)
Personal Project: Staying In Focus In Iraq, by Scott Stulberg (April 2008, page 80)
Photojournalist Lucian Perkins: A Man Behind The Images Of Our Time, by Rosalind Smith (February 2001, page 132)
Photojournalism: Extreme Nature, by Rosalind Smith (May 2006, page 51)
Picturing Concepts: The Photography Of Cary Wolinsky, by Rosalind Smith (January 2007, page 38)
Picture Taker: The Photography Of Ken Elkins, by Rosalind Smith (February 2007, page 59)
Platinum Cocktail: The Techniques Of Gary Auerbach, by Lorraine A. DarConte (February 2002, page 50)
Places To Visit: H.H. Bennett Photo Studio, Wisconsin Dells, Wisconsin, by Robert E. Mayer (April 2002, page 76)
Points Of Interest—Kari Atkinson, by Jay McCabe (May 2001, page 14)
Portrait Projects—Mae Williams, by Jay McCabe (January 2001, page 22)
Post Graduate—Simon Willms, by Jay McCabe (January 2003, page 18)
Preserve & Protect—Gabby Salazar, by Jay McCabe (March 2003, page 22)
Profile: Gary Dineen, Basketball Diaries, by Lorraine A. DarConte (January 2002, page 78)
Profile: Helen Boursier Writer/Photographer, by Steve Bedell ( March 2002, page 88)
Profile: The Free Vision Of Susan Kaprov, by Rosalind Smith (November 2002, page 114)
Pro’s Choice: Chris Collins, Problem Solver, by Jack Neubart (March 2008, page 76)
Pro’s Choice: Jeff Smith Captures Interiors, by Jack Neubart (May 2008, page 28)
Pro Talk. Bill Sallaz: Keep It Real, by Jay McCabe (July 2006, page 30
Pro Talk—Dave Black, by Jay MaCabe (January 2005, page 9)
Pro Talk. David Alan Harvey: Transition, by Jay McCabe (May 2006, page 30)
Pro Talk. David Doubilet: The Take, by Jay McCabe (November 2006, page 20)
Pro Talk. Frans Lanting: Life On Earth, by Jay McCabe (January 2007, page 28)
Pro Talk: James Balog, by Jay McCabe (July 2005, page 24)
Pro Talk: Jill Enfield, by Jay McCabe (January 2006, page 20)
Pro Talk: John Solano, by Jay McCabe (September 2005, page 24)
Pro Talk: Mike Colon: Great Expectations, by Jay McCabe (September 2006, page 30)
Pro Talk: Mitchell Funk: Cityscapes, by Jay McCabe (March 2006, page 30)
Pro Talk: Rosanne Pennella, by Jay McCabe (November 2005, page 26)
Pro Talk—Sandro, by Jay McCabe (March 2005, page 33)
Pro Talk: Steve Vaccariello, by Jay McCabe (May 2005, page 12)
Resonant Images: The Photography Of David Fokos, by Rosalind Smith (February 2003, page 72)
Revelation Of The Hidden: The Photography OF Greg Gorman, by Phillip Andrews (November 2007, page 72)
Robert Freedman: An Amateur Photographer Heads West, by Rosalind Smith (April 2001, page 104)
Rooms With A Viewpoint: Gloria Nimetz’s Behind Doors Project, by Barry Tanenbaum (February 2001, page 78)
Second Thoughts: Personalizing The Landscape, by Barry Tanenbaum (May 2004, page 44)
Seeing Life Firsthand: The Photography Of Peter DaSilva, by Rosalind Smith (April 2007, page 80)
So Many Images, So Little Time: So David & Marc Muench Turned To A New Tool—Photoshop, by Barry Tanenbaum (December 2001, page 122)
Steve Gottlieb’s Abandoned America: Visual Clues From On The Road, by Rosaline Smith (August 2003, page 82)
Steve McCurry: A Top Photojournalist Honors The Fine Art Of Photography, by Rosalind Smith (March 2002, page 50)
Stills Of The Night: In Which Lou Jawitz Goes With The Flow, by Barry Tanenbaum (March 2002, page 42)
Strauss Peyton Imaging: Printing That Transcends The Ordinary, by Steve Bedell (October 2001, page 104)
Street Level—Chris Grodzki, by Jay McCabe (December 2002, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (June 2007, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (February 2007, page 30)
Student Union: Early Days—Andrew Nosé, by Jay McCabe, (February 2005, page 36)
Student Union: Inspired—Hillary Berg, by Jay McCabe (March 2005, page 32)
Student Union: Profiles Of The Up And Coming, (November 2005, page 36)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (March 2006, page 22)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (April, 2006, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (May 2006, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (July 2006, page 22)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (August 2006, page 18)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (September 2006, page 24)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (December 2006, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (May 2007, page 26)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (August 2007, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (October 2007, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (November 2007, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (December 2007, page 28)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (January 2008, page 20)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (February 2008, page 12)
Student Union: Profiles Of The Up And Coming, by Jay McCabe (March 2008, page 122)
Student Union: Sweet Science—David Field, by Jay McCabe (May 2005, page 16)
Student Union: The Rock—Joel Foster, by Jay McCabe (July 2005, page 26)
Student Union: Workout—David Calvert, by Jay McCabe (April 2005, page 24)
Student Union: World Views—Lina Collado, by Jay McCabe (June 2005, page 22)
Substance Of Style—Anna Thiessen, by Jay McCabe (October 2002, page 18)
Summing Up: Bruce Dale’s Search For The Final Frame. by Barry Tanenbaum (September 2002, page 92)
Text And Photos: Something Different By David Alan Harvey, by Barry Tanenbaum (March 2007, page 65)
Talking Pictures: “Mining Photographic Gold”, by Robert Michaels (February 2008, page 20)
Talking Pictures: Observant Eye, by Carol Snow (May 2007, page 24)
Talking Pictures; “Cold And Tired”, by V. Michael Straus (December 2007, page 24)
Talking Pictures; “Feelin’ Jazzy”, by Stan Singer (March 2008, page 124)
Talking Pictures: “Showing Her The World” by Celeste McWilliams (April 2008, page 10)
Talking Pictures: “Still Waters”, by B.W. Ginas (November 2007, page 152)
Talking Pictures: “Sunlit Lily Pads”, by Maria Costa (August 2007, page 28)
The Accidental Tourist: Bob Krist’s New Perspective On Travel Photography, by Barry Tanenbaum (October 2006, page 61)
The Beauty Part: What Mark Steines Really Wants To Do Is Direct, by Barry Tanenbaum (March 2008, page 72)
The Blend: Michael Creedon Combines Film And Digital, by Barry Tanenbaum (July 2003, page 65)
The Book—Cheryl Zibisky, by Jay McCabe (October 2001, page 18)
The Call Of The Wild: Daryl Hawk Goes It Alone, by Barry Tanenbaum (July 2004, page 62)
The Imagist, Dan Naylor: From Pencils To Pixels, by Barry Tanenbaum (March 2001, page 34)
The Inside Scoop: A Day At The Ballpark With A Photojournalist—Part 3, by Jay Abend (April 2003, page 58)
The Microscopic World Of Sal Lopes: Images Of Worlds Often Hidden To Our Eyes, by Rosalind Smith (September 2003, page 74)
The Mystique Remains: The World According To Daniel Morduchowicz, by Rosalind Smith (April 2004, page 99)
The Others—Ben Haynes, by Jay McCabe (June 2004, page 14)
The Path Of Ann Johansson: A Life Dedicated To Recording Humanity, by Rosalind Smith (October 2005, page 42)
The Poet And The Photographer: A Photographer Translates A Poet’s World, by Rosalind Smith (March 2007, page 124)
The Photography Of Robert Leon: A Passion For People, by Lorraine A. DarConte (October 2007, page 69)
The Photography Of Eli Reed: A Passion For Storytelling, by Rosalind Smith (February 2008, page 71)
The Recreations Of David B. Brooks: The Pictorial Side Of Our Digital Guru, by Andrea Keister (February 2003, page 67)
The Third Dimension: Daryl Hawk Brings Infrared To His Nature Images, by Barry Tanenbaum (November 2001, page 124)
The Time-Out Theory Of Travel Photography, by Jack Hollingsworth (October 2001, page 22)
The Unexpected: John Sexton, by Barry Tanenbaum (October 2001, page 94)
The University Of The Arts: A State Of The Art Darkroom, by Darryl C. Nicholas (October 2001, page 100)
The View—Justin Solitrin, by Jay McCabe (August 2002, page 18)
The Wedding Planner: Al Riccio Finds His Niche, by Barry Tanenbaum (April 2002, page 104)
Time And Place—Eric Michael Svik, by Jay McCabe (November 2003, page 24)
Time Will Tell: Harvey Stein’s Long-Term Investments, by Barry Tanenbaum (November 2006, page 89)
Tim Kelly: A Master Of Medium Format Goes Digital, by Steve Bedell (January 2003, page 40)
Transformer—Jessica Schrom, by Jay McCabe (August 2001, page 32)
Transformations: The Art Of Cherie Lester, by Barry Tanenbaum (April 2001, page 100)
Traveler—Adrienne Lahr, by Jay McCabe (July 2003, page 10)
Treatments—Katherine Cochrane, by Jay McCabe (October 2004, page 54)
Under Construction—Michael Randolph, by Jay McCabe (May 2002, page 18)
(Un)Natural Wonders: Rob Atkins Captures The Passing Scene, by Barry Tenenbaum (August, page 46)
Vision Quest: Gary San Pietro Takes Time To Stop And See, by Barry Tanenbaum (August 2002, page 92)
Web Profiles: Great Photo Sites Reviewed, (November 2005, page 40)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (April, 2006, page 22)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (May 2006, page 24)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (July 2006, page 20)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (August 2006, page 22)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (October 2006, page 20)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (November 2006, page 26)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (December 2006, page 24)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (January 2007, page 16)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (February 2007, page 34)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (March 2007, page 28)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (April 2007, page 22)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (June 2007, page 16)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (August 2007, page 16)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (October 2007, page 24)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (November 2007, page 24)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (September 2007, page 18)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (December 2007, page 20)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (January 2008, page 60)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (February 2008, page 24)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (March 2008, page 10)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (April 2008, page 20)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (May 2008, page 24)
Web Profiles: Great Photo Sites Reviewed, by Joe Farace (July 2008, page 18)
What Else Do They Pack? A Peek Inside Three Pros’ Gadget Bags Reveals More Than Photo Gear, by Jon Sienkiewicz (May 2005, page 42)
Where The Sky Meets The Sea: The Photography Of Alison Shaw, by Rosalind Smith (August, page 53)
Why People Pictures? by Jack Hollingsworth (April 2004, page 10)
Wildlife Model Shoots: Great Shots Under “Controlled Conditions,” by Don Mammoser (May 2004, page 38)
Winifred Meiser: Through Children’s Eyes, by Rosalind Smith (September 2004, page 55)
With Enough Drive—Shreve Neff, by Jay McCabe (February 2001, page 20)

Test Reports

43 Tools That Make Your Photo Life Easier, by Roger W. Hicks (July 2001, page 214)
A Canon EF 70-200mm F12.8L IS USM Lens Album, by Peter K. Burian (March 2002, page 62)
ACDSee PowerPack 6.0, by Joe Farace (March 2004, page 106)
ACDSee 7, by Joe Farace (March 2005, page 62)
Acer ScanWit 2740S, by David B. Brooks (January 2002, page 92)
Acupan 200: The US Receives A Cult Film, by Roger W. Hicks (February 2002, page 74)
Adobe Creative Suite/Photoshop CS (8.0) by David B. Brooks (March 2004, page 70)
Adobe’s Creative Suite 2, by David B. Brooks (November 2005, page 100)
Adobe Photoshop 6, by David B. Brooks (February 2001, page 110)
Adobe Photoshop Camera Raw Plug-In, by David B. Brooks (August 2003, page 98)
Adobe Photoshop Elements 2.0: Is It Worth The Upgrade? by David B. Brooks (December 2002, page 120)
Adobe Photoshop Elements: Affordable Image Editing For The Photo Enthusiast, by David B. Brooks (May 2001, page 32)
Adorama’s Ador Variable Grade Fiber Base Paper, by Dave Howard (October 2001, page 90)
Adorama Monolights, by Joe Farace (October 2004, page 114)
AF VR Zoom Nikkor 80-400mm f/4.5-5.6D ED: Nikon’s Vibration Reduction Entry, by Peter K. Burian (August 2001, page 69)
AlienBee’s Flash Units, by Jay Abend (January 2002, page 102)
All The Colors Of The Rainbow, by Joe Farace (January 2001, page 82)
Apple’s eMAC Computer, by David B. Brooks (January 2003, page 60)
Apple Power Mac G4 & Operating System OS X, by David Brooks (May 2002, page 84)
Are LCD Flat Panel Displays Ready For The Digital Darkroom?, by David B. Brooks (November 2004, page 74)
ArtixScan 4000tf/SilverFast Ai 6.0, by David B. Brooks (March 2003, page 82)
ASF 35mm Film Kiosk Yeilds Prints, CD...But No Negatives, by George Schaub (December 2002, page 112)
Balcar’s AQ Lighting System, by Jay Abend (October 2004, page 82)
Bowens 9Lite System, by Joe Farace (October 2003, page 58)
Bowens Esprit Monolights: A New Line Of Solid Performers From A Trusted Name, by Joe Farace (January 2001, page 68)
Bowens’ Pulsar Radio Trigger System, by Joe Farace (October 2004, page 120)
Breakthrough Contax N1, by Bob Shell (March 2001, page 84)
Bronica RF645: A Compact And Convenient Medium Format Camera, by Bob Shell (April 2001, page 48)
Calumet’s LiteLink Radio Remote Trigger System, by Jay Abend (October 2004, page 94)
Calumet Travelite 750 One-Head Umbrella Kit, by Joe Farace (July 2002, page 56)
Cambo’s Ultima 35, by Jay Abend (January 2004, page 34)
Canon’s 6.3-Megapixel Digital Rebel, by Jay Abend (December 2003, page 54)
Canon Bubble Jet S9000 Photo Printer, by David B. Brooks (October 2002, page 80)
Canon’s CanoScan LiDE 80 Flat-Bed Scanner, by David B. Brooks (January 2004, page 62)
Canon’s Duo Of Digital Delights, by Bob Shell (February 2001, page 102)
Canon EF 70-200mm F/2.8L IS USM Zoom Lens, by Bob Shell (March 2002, page 60)
Canon’s EF 70-300mm f/4.5-5.6 DO IS USM, by Peter K. Burian (November 2004, page 112)
Canon’s EF-S 10-22mm f/3.5-4.5 USM, by Jack Neubart (December 2005, page 72)
Canon’s EOS-1Ds Mark II, by George Schaub (May 2005, page 88)
Canon’s EOS-1D Mark II, by Joe Farace (August 2004, page 108)
Canon EOS 10D, by Bob Shell (July 2003, page 106)
Canon EOS 20D, by George Schaub (February 2005, page 94)
Canon EOS D60: An Upgraded D30, Or Much More? by Bob Shell (July 2002, page 60)
Canon EOS Elan 7E, by Bob Shell (August 2001, page 98)
Canon’s EOS ELAN 7NE, by Stan Trzoniec (December 2004, page 112)
Canon EOS Rebel Ti, by Bob Shell (February 2003, page 96)
Canon’s F/1.0 USM: A Super Speed Lens, by Stan Trzoniec (April 2002, page 62)
Canon i950 Photo Printer, by Peter K. Burian (September 2003, page 84)
Canon’s i9100 Photo Printer, by David B. Brooks (February 2004, page 42)
Canon’s i9900 Photo Printer, by David B. Brooks (October 2004, page 100)
Canon’s PIXMA iP8500 Photo Printer, by Peter K. Burian (July 2005, page 106)
Canon PowerShot A20 And CP-10 Printer: The Good, The Bad & The Ugly, by Ingrid S. Krampe (October 2001, page 68)
Canon PowerShot Pro90 IS Digital Camera. by Bob Shell (June 2001, page 40)
Canon S600 Bubble Jet Printer, by David B. Brooks (November 2001, page 108)
CanoScan 8000F Scanner And i850 Photo Printer, by Bob Shell (May 2003, page 74)
Canon MR-14EX Macro Ring Lite: Simple, Small, Product Lighting, by Robert E. Mayer (October 2002, page 88)
ColorVision LCD/CRT Spyder With OptiCAL, by Cris Daniels (September 2003, page 94)
ColorVision’s Spyder2PRO Studio, by Jon Canfield (March 2005, page 66)
Corel’s Painter IX, by David B. Brooks (August 2005, page 92)
Déja Vu: Kodak Photo CD Revisited, by Joe Farace (January 2001, page 146)
Digital Camera: Nnikon’s D40, by George Schaub (April 2007, page 94)
Digial Camera: Fujifilm’s FinePix S3 Pro UVIR, by George Schaub (April 2007, page 110)
Digital Camera Battery, by John Rettie (March 2002, page 146)
Digital Rangefinder Camera: Leica’s M8, by Jason Schneider (April 2007, page 84)
Dreamagon 90mm f/4: The Ultimate Soft-Focus Effect For 35mm, by Roger W. Hicks (February 2001, page 120)
Dr. Don’s Button Maker, by Bob Shell (January 2001, page 243)
Epson Expression 1640XL: A Quality All Format Scanner, by David B. Brooks (February 2001, page 96)
Epson Perfection 3200 Pro, by David B. Brooks (September 2003, page 106)
Epson Perfection 4870 Pro, by David B. Brooks (July 2004, page 78)
Epson’s Perfection 4990 PRO, by David B. Brooks (September 2005, page 80)
Epson’s New Stylus Pro 4000, by David B. Brooks (September 2004, page 100)
Epson Stylus C82, by David Brooks (May 2003, page 88)
Epson’s Stylus Photo R800, by David B. Brooks (August 2004, page 100)
Epson’s Stylus Photo R1800, by David B. Brooks (October 2005, page 90)
Espon Stylus Photo 820, by David B. Brooks (March 2002, page 76)
Epson Stylus Photo 900, by David B. Brooks (October 2003, page 106)
Epson Stylus Photo 2200, by David B. Brooks (November 2002, page 82)
Epson’s Stylus Pro 4800, by George Schaub (November 2005, page 128)
Epson Stylus Pro 7600, by Cris Daniels (August 2003, page 54)
Excalibur SPC1600 Strobe And Studio Systems Softboxes, by Steve Bedell (October 2002, page 76)
Expand Your Horizon: Ultra-Wide Zooms Can Do The Trick, by Peter K. Burian (March 2001, page 92)
Extensis’ Portfolio 7, by Howard Millard (February 2005, page 84)
Eye-One Photo, by Cris Daniels (March 2004, page 82)
EZ Viewer 3: Digital Image Organizer & More, by John Stewart (February 2002, page 86)
Fast Sigma Zooms: AF 100-300mm F/4 EX And AF 28-70mm F/2.8 EX, by Peter K. Burian (October 2001, page 59)
First Look: Fujifilm Zoom Date 1300, by George Schaub (October 2002, page 101)
First Look: Innovative New Minolta Maxxum 7, by Peter K. Burian (January 2001, page 34)
First Look: Konica Minolta’s DiMAGE X60, by Joe Farace (November 2005, page 46)
First Look: Leica Digital-Modul-R Back For Leica R System SLRs, by George Schaub (December 2003, page 34)
First Look: Pentax *ist D Digital SLR, by George Schaub (October 2003, page 114)
First Look: Pentax MZ-S, by Peter K. Burian (December 2001, page 110)
First Look: Photoshop 7.0: Is It Worth The Upgrade? by David B. Brooks (July 2002, page 50)
First Look: The Kobalux 21mm f/2.8 Offers Wide Speed At A Bargain Price, by Roger W. Hicks (January 2001, page 88)
Flashkon 2000 Linear Monolight: Wider Is Better, by Jay Abend (May 2001, page 26)
Fotoman 617, by Roger W. Hicks (September 2005, page 94)
Fred Miranda’s Suite Of Solutions, by Peter K. Burian (April 2005, page 76)
Fuji Acros: A New Fine Grain, ISO 100 B&W Film, by Roger W. Hicks & Frances E. Schultz (February 2002, page 68)
Fujifilm’s FinePix F700 Digicam, by George Schaub (February 2004, page 86)
Fujifilm FinePix S2 Pro: 6Mp Interchangeable Lens Digital SLR Has What It Takes, by Jack Neubart (December 2002, page 114)
Fujifilm’s FinePix S3 Pro, by Steve Bedell (May 2005, page 99)
Fujifilm’s FinePix S20 Pro--Small Camera, Big Results, by Steve Bedell (October 2004, page 86)
Fuji NPH 400 Professional: Fuji Reinvents Fast Color Negative Film, by Jay Abend (November 2002, page 42)
Fujifilm’s Studiomaster Pro 3, by Steve Bedell (April 2005, page 94)
Fujichrome Provia 400F Pro Plus Sensia 200 And 400 Films, by Peter K. Burian (July 2001, page 62)
Fujifilm FinePix 4900 Zoom: More Serious, More Fun! by David B. Brooks (March 2001, page 72)
Fujifilm’s Velvia 100 Professional, by George Schaub (October 2005, page 68)
Get Into Superwide With Sigma’s 20mm F/1.8 EX DG Aspherical RF Lens, by George Schaub (September 2001, page 62)
Hasselblad’s H1 & Kodak’s Pro Back 645H, by Uwe Steinmueller (January 2004, page 54)
Hasselblad’s Xpan II, by Tony Sweet (November 2003, page 64)
Hasselblad Zeiss Telephoto Power Pack, by Jay Abend (January 2003, page 70)
HiTi Transphotable, by George Schaub (November 2003, page 72)
HiTi 630PS Printer, by George Schaub (February 2003, page 56)
Hoffman Metalmaster, by Roger W. Hicks (September 2002, page 154)
HP photosmart 7960 Printer, by George Schaub (December 2003, page 102)
HP’s Photosmart 8750, by George Schaub (August 2005, page 88)
iCorrect EditLab 2.0 By Pictographics: Great Color Made Simple, by Cris Daniels (November 2002, page 74)
Ilford’s New Delta 400 Professional B&W Film, by Jay Abend (April 2001, page 42)
Image Editing With Paint Shop Pro (9), by Jon Sienkiewicz (July 2005, page 92)
ImagePrint RIP, by Jon Canfield (November 2004, page 94)
Is “7 The Megapixel Lucky Number? by Peter K. Burian (August 2005, page 60)
It’s Here! The All-Digital Portrait Studio, by Steve Bedell (March 2001, page 50)
Jasc Software’s Paint Shop Pro 8, by Cris Daniels (January 2004, page 78)
JTL Mobilights, by Bob Shell (January 2003, page 72)
JTL Superlights Are Hot, by Robert E. Mayer (March 2001, page 236)
JTL Web-Lite Kit, by Bob Shell (April 2003, page 84)
Kaiser’s Studio Out Of The Box, by Frances E. Schultz and Roger W. Hicks (March 2005, page 90)
Kenko FP Series Ball Heads, by George Schaub (December 2001, page 188)
Kodak’s 100 And 400 Ultra Color Professional Films, by Peter K. Burian (September 2004, page 90)
Kodak DCS Pro 14n, by Bob Shell (August 2003, page 102)
Kodak DCS Pro Back 645, by Bob Shell (September 2002, page 50)
Kodak DCS 760 Professional Digital Camera, by John Rettie (September 2001, page 68)
Kodak’s New Tri-X, by Frances E. Schultz (February 2004, page 76)
Kodak Professional DCS Pro Back Plus Digital Camera Back: 16 Million Pixels And A Whole Lot More, by Jay Abend (June 2002, page 50)
Kodak Professional RFS 3600 Film Scanner, by David B. Brooks (April 2001, page 36)
Kodak’s Pro SLR/n, by Jay Abend (July 2004, page 102)
Kodak Portra 400BW Film, by Roger W. Hicks & Frances E. Schultz (October 2001, page 82)
Kodak’s Portra 800 Film, by Steve Bedell (July 2004, page 70)
Konica Minolta’s DiMAGE Scan Dual IV, by Peter K. Burian (August 2005, page 78)
Konica Minolta’s DiMAGE Scan Elite 5400 II, by David B. Brooks (November 2005, page 116)
Konica Minolta Maxxum 7D, by Peter K. Burian (March 2005, page 100)
LaserSoft’s SilverFast DCPro, by David B. Brooks (January 2004, page 88)
Lastolite Umbrella Box, by Roger W. Hicks (November 2001, page 217)
Leica Digilux 1, by Joe Farace (September 2002, page 60)
Leica M7, by Bob Shell (November 2002, page 56)
Leica’s Summicron 75mm f/2, by Roger W. Hicks (October 2005, page 110)
Lowepro’s Linx 220, by Frances E. Schultz (July 2001, page 202)
Lowepro Road Runner AW—A Rolling Pro Backpack, by Peter K. Burian (August 2001, page 242)
Maco’s Cube 400c, by Roger W. Hicks (February 2004 ,page 70)
Mamiya 645E: The “Move Up To Medium Format” Camera, by Bob Shell (September 2001, page 38)
Megazoom—The Sigma 50-500mm f/4-6.3 APO Tele-Zoom Lens, by Robert E. Mayer (January 2001, page 38)
Microtek’s ArtixScan 1800f, by David B. Brooks (November 2003, page 76)
Microtek ArtixScan 2500, by David B. Brooks (January 2001, page 76)
Microtek ScanMaker 6800, by George Schaub (July 2003, page 102)
Microtek Scanmaker 8700 Pro: Is This The Ideal All-Around Scanner? by David B. Brooks (September 2002, page 56)
Minolta’s DiMAGE A1, by Jack Neubart (April 2004, page 74)
Minolta DiMAGE Scan Multi PRO, by David B. Brooks (April 2002, page 44)
Minolta DiMAGE X, by Joe Farace (November 2002, page 62)
Minolta Freedom Zoom 160: A New Take On AF Tech, by George Schaub (August 2002, page 80)
Minolta Macro Flash System, by Bob Shell (December 2001, page 112)
Minolta Maxxum 5, by George Schaub (January 2002, page 88)
Monaco’s EZcolor/OPTIXXR, by Howard Millard (September 2004, page 78)
Namo’s WebEditor Version 5.5, by Chris Maher and Larry Berman (January 2004, page 40)
New Agfa Print Films: Ultra 100 And Vista Series, by Peter K. Burian (November 2003, page 110)
New Kodak Max Zoom 400 Print Film, by Peter K. Burian (July 2001, page 40)
New NegaFix In SilverFast 5.5: The Color Negative Scanning Problem Solved, by David B. Brooks (December 2001, page 219)
New Pentax ZX-L & AF360GZ Flash, by Peter K. Burian (August 2002, page 68)
New Sigma SA-9, SA-7, & EF 500 Super Flash, by Peter K. Burian (November 2001, page 112)
New Voightlander Lenses, by Roger W. Hicks (August 2002, page 76)
Nikon’s AF-S VR Zoom-Nikkor 24-120mm f/3.5-5.6G ED-IF Lens, by Stan Trzoniec (August 2004, page 88)
Nikon CoolPix 775 Digital Camera, by Ingrid S. Krampe & Gary McGinnis (February 2002, page 94)
Nikon CoolPix 5000, by Larry Berman and Chris Maher (June 2002, page 54)
Nikon’s Coolscan V ED, by Peter K. Burian (May 2004, page 86)
Nikon D1X: Defining The Professional SLR, by George Schaub (October 2001, page 62)
Nikon’s D50, by Peter K. Burian (December 2005, page 84)
Nikon’s D70 D-SLR, by George Schaub (November 2004, page 102)
Nikon FM3A And 45mm F/2.8 Nikkor P Lens, by Bob Shell (February 2002, page 80)
Nikon N55, by Peter K. Burian (August 2002, page 78)
Nikon’s New 300mm f/2.8D ED-IF II AF-S Lens, by Stan Trzoniec (August 2001, page 94)
Noise Ninja 2.0, by Peter K. Burian (February 2005, page 74)
Nova 5 Star Plus Safelight: How Safe Can A Safelight Be? by Frances E. Schultz (September 2002, page 76)
Novoflex Macro Flash Lighting System, by Jay Abend (November 2001, page 78)
Olympus Camedia C-5050 Zoom, by Jack Neubart (December 2003, page 112)
Olympus Camedia E-10 4MP SLR, by David B. Brooks (March 2001, page 66)
Olympus Camedia E-20n, by George Schaub (March 2002, page 80)
Olympus’ E-300 EVOLT, by Peter K. Burian (May 2005, page 76)
Olympus Unveils E-1 Digital SLR: “Built For Digital”, by George Schaub (September 2003, page 68)
Pacific Image PrimeFilm 1800 Silver Scanner: Big Features At A Small Price, by Bob Shell (April 2002, page 42)
Panflex Panoramic Camera, Bob Shell (October 2001, page 86)
Panopticum’s Plugin Galaxy, by Anthony Celeste (October 2005, page 96)
Paterson Acugrade Warmtone, by Frances E. Schultz (September 2003, page 80)
Paterson FX-50: Single Bath, Two Bath Options For Maximum Versatility, by Roger W. Hicks (September 2002, page 74)
Paterson Interfit Flash Heads, by Roger W. Hicks (April 2002, page 160)
Pentax FA 24-90mm F/3.5-4.5 AL [IF] Zoom & FA 31mm F/1.8 AL Limited Lens, by Peter K. Burian (February 2002, page 90)
Pentax’s *ist 35mm Camera, by Peter K. Burian (January 2004, page 44)
Pentax Optio 550, by George Schaub (November 2003, page 48)
PerforMax AC/DC Studio/Portable Flash, by Robert E. Mayer (November 2001, page 82)
Phase One’s “Capture One DSLR,” by Jay Abend (July 2003, page 112)
Photogenic Digilight Tungsten Light Units, by Jay Abend (December 2001, page 106)
Photogenic StudioMax II, by Joe Farace (December 2003, page 38)
Portraits To Go With JTL’s Mobilight 300, by Joe Farace (March 2005, page 82)
Pro Digital Cameras: The High-End Digital Market. by Ingrid S. Krampe (June 2001, page 96)
Projector: Epson’s PowerLite 1715c Projector, by George Schaub (April 2007, page 104)
Polaroid SprintScan 120 Medium Format Scanner, by Bob Shell (January 2002, page 74)
Polaroid SprintScan 4000 Plus, by Cris Daniels (October 2002, page 102)
Portable Power On Location, by Jay Abend (November 2004, page 86)
Producing Artistic Photographs, by Joe Farace (July 2001, page 98)
Pro Film Scanners: A Main Line Into Digital, by Ingrid S. Krampe (July 2001, page 206)
Quantum’s Leap, by Joe Farace (December 2004, page 80)
QPcard’s QPcolorkit 1, by Jay Abend (May 2004, page 100)
Quick Draw Clip System, by Robert E. Mayer (January 2001, page 226)
Radio Remote Control From Paul C. Buff, by Bob Shell (May 2001, page 34)
Rangefinder Camera & Lens: Voigtlander’s Bessa R3M And 50mm f/2 Heliar Classic Lens, by Roger W. Hicks and Frances E. Schultz (April 2007, page 118)
Rollei 6008 AF, by Bob Shell (March 2003, page 86)
Roundshot 28/220, by Dave Howard (May 2003, page 100)
Safelights: A New Generation, by Frances E. Schultz (January 2001, page 50)
Samsung Maxima Elite 170QD: A 38-170mm Point-And-Shoot Zoom In A Coat Pocket Camera, by George Schaub (July 2001, page 84)
Seagull 4A-105 And 4A-107 TLR Cameras, by Tom Fuller (January 2002, page 56)
Seven On Seven, by Larry Berman and Chris Maher (September 2002, page 83)
Sigma 28-200mm F/3.5-5.6 & 28-300mm F/3.5-6.3, by Peter K. Burian (January 2003, page 82)
Sigma’s 80-400mm f/4.5-5.6 EX OS APO, by Peter K. Burian (November 2004, page 122)
Sigma’s 120-300mm f/2.8 APO HSM Zoom Lens, by Jay Abend (February 2004, page 66)
Sigma AF APO Macro 180mm f/3.5 EX IF, by Peter K. Burian (June 2001, page 69)
Sigma AF APO 500mm f/4.5 EX HSM, by Peter K. Burian (August 2002, page 64)
Sigma’s EM-140 DG Flash, by George Schaub (April 2005, page 70)
Sigma SD9, by George Schaub (March 2003, page 92)
Sigma’s SD10 Digital Camera, by Peter K. Burian (April 2004, page 60)
Sigma Wide Angle Zooms: AF 15-30mm F/3.5-4.5 EX DG Aspherical & AF 20-40mm F/2.8 EX DG Aspherical, by Peter K. Burian (April 2002, page 72)
Sekonic’s Dualmaster L-558, by Paul Mozell (April 2004, page 46)
Software Roundup 2001: New And Improved Tools For The Digital Photographer, by David B. Brooks (June 2001, page 76)
Software Roundup 2001-Part II: New And Improved Tools For
Voigtländer APO Lanthar 90mm f/3.5, by Roger W. Hicks (August 2001, page 90)
Sony Cyper-shot DSC-S85, by John Rettie (March 2002, page 66)
SP AF 24-135mm f/3.5-5.6AD [IF] Macro & AF 70-300mm f/4-5.6LD Macro From Tamron. by Peter K. Burian (June 2001, page 52)
Speed Demons: The New Breed Of High-Speed Print Films, by Peter K. Burian (July 2001, page 90)
SP Studio Systems’ LancerLight SPC3200 AC/DC, by Steve Bedell (October 2005, page 72)
Stitcher 3.5, by Cris Daniels (February 2003, page 60)
Subtle Silver, by Frances E. Schultz (December 2003, page 44)
Superzoom Digital Cameras With Image Stabilizer, by Peter K. Burian (December 2005, page 110)
Tamron’s AF18-200mm F/3.5-6.3 XR Di II Lens, by Joe Farace (November 2005, page 88)
Tamron AF 28-200mm Super Zoom F/3.8-5.6 Aspherical XR (IF) Macro, by Peter K. Burian (December 2001, page 116)
Tamron 28-300mm Lens: How Compact Can You Get? by George Schaub (November 2002, page 52)
Tamron Di Lenses—Just What Does Di (“Digitally Integrated”) Mean? by Peter K. Burian (November 2003, page 84)
Tamron’s SP AF17-35mm F/2.8-4 Di LD Aspherical [IF] Zoom, by Peter K. Burian (August 2004, page 72)
Telephoto Lenses For View Cameras: The Long And The Short Of It, by Joseph A. Dickerson (January 2003, page 74)
Test Report: Auto FX Software’s DreamSuite Series One Pro, by Anthony L. Celeste (January 2006, page 94)
Test Report: Color Management, The New ColoVision PrintFIX PRO, by David B. Brooks (August, page 88)
Test Report: Digital Cameras, Six New Digicams With Image Stablizer, by Peter K. Burian (September 2006, page 80)
Test Report: Digital Camera, Canon’s EOS-1D Mark II N, by George Schaub (March 2006, page 82)
Test Report: Lens, Canon’s EF 85mm f/1.2L II USM, by Joe Farace (August, page 70)
Test Report: Digital Camera. Canon’s EOS Digital Rebel XTi, by Peter K. Burian (February 2007, page 112)
Test Report: Digital Camera, Canon’s EOS 30D, by George Schaub (August, page 60)
Test Report: Digital Camera. Nikon’s D200, by George Schaub (May 2006, page 94)
Test Report: Digital Camera. Nikon’s D2Xs, by George Schaub (November 2006, page 132)
Test Report: Digital Camera Olympus’ EVOLT E-500, by Peter K. Burian (April, 2006, page 102)
Test Report: Digital Camera Olympus’ EVOLT E-330, by Peter K. Burian (July 2006, page 94)
Test Report: Digital Camera. Panasonic’s Lumix DMC-L1, by Peter K. Burian (February 2007, page 94)
Test Report: Digital Camera. The Pentax K100D, by Joe Farace (October 2006, page 108)
Test Report: Digital Camera. Samsung’s GX-1S by Joe Farace (September 2006, page 114)
Test Report: Digital Camera Samsung’s Digimax Pro815, by Joe Farace (July 2006, page 104)
Test Report: Digital Camera. Sony’s Cyber-shot DSC-R1, by Peter K. Burian (May 2006, page 80)
Test Report: Digital Camera. Sony’s Alpa A100, by Peter K. Burian (November 2006, page 106)
Test Report: Digital Capture, Wi-Pics, by Joe Farace (March 2006, page 78)
Test Report: Digital Capture. Roundup: Memory Cards And Data Transfer Accessories, by Peter K. Burian (April, 2006, page 70)
Test Report: Digital Capture. Roundup: Image Data Transfer, by Peter K. Burian (September 2006, page 108)
Test Report: Digital Darkroom, The HitTi S400, by George Schaub (March 2006, page 70)
Test Report: Digital Darkroom, Wacom’s Graphie4 Tablet, by Jon Canfield (March 2006, page 74)
Test Report: External Storage. The Maxtor OneTouch III, by George Schaub (July 2006, page 68)
Test Report: Fujifilm’s FinePix S9000, by George Schaub (January 2006, page 102)
Test Report: Large Format Camera. The Fotoman 810PS, by Roger W. Hicks (May 2007, page 94)
Test Report: Lens Canon’s EF-S 60mm f/2.8 Macro USM Lens, by Jack Neubart (April, 2006, page 80)
Test Report: Lens, Olympus’ Zuiko Digital 35mm f/3.5 Macro And Macro Flash, by Jack Neubart (August, page 64)
Test Report: Lens, Tamron’s SP AF180mm F/3.5 Di LD (IF) 1:1 Macro, by Jason Schneider (August, page 78)
Test Report: Lens. Sigma’s APO 70-200mm f/2.8 EX DG Macro HSM, by Peter K. Burian (November 2006, page 78)
Test Report: Lenses, Zeiss Ikon Lenses, by Roger W. Hicks & Frances E. Schultz (August, page 84)
Test Report: Lighting. Back Yard Studio In A Bag, by Steve Anchell (February 2007, page 106)
Test Report: Lighting, Bowen’s Espirit Gemini Flash System, by George Schaub (August, page 92)
Test Report: Medium Format Mamiya’s 645AFDII, by Steve Anchell (April, 2006, page 86)
Test Report: Monitors. Apple’s Cinema Displays, by David B. Brooks (September 2006, page 96)
Test Report: Monitors. LaCie’s 320 LCD Monitor, by David B. Brooks (March 2007, page 106)
Test Report: Monitors. The Samsung SyncMaster 244T And 214T LCD Displays, by David B. Brooks (May 2006, page 76)
Test Report: Monitor. The EIZO ColorEdge CE210W LCD Display, by David B. Brooks (October 2006, page 96)
Test Report: Monitor & Computer. The LGE Flatron L2000C LCD Display & Apple mini Intel Core Duo Computer, by David B. Brooks (November 2006, page 140)
Test Report: Panorama Plates. Novoflex’s Panorama=Q PRO, by Joe Farace (May 2007, page 104)
Test Report: Pentax’s *ist DL, by Peter K. Burian (January 2006, page 106)
Test Report: Photo Gear, Think Tank Photo Bags, by Jon Sienkiewicz (March 2006, page 102)
Test Report: Photo Gear. Traveling With A SlingShot, by Frances E. Schultz (May 2006, page 114)
Test Report: Portable Storage Device, Epson’s P-4000 Multimedia Viewer, by Joe Farace (May 2006, page 90)
Test Report: Printer. Canon’s imagePROGRAF iPF5000 17” Printer, by David B. Brooks (March 2007, page 82)
Test Report: Printer. Epson’s Stylus Pro 3800, by George Schaub (February 2007, page 76)
Test Report: Printer. Sony’s UP-DR150 Photo Printer, by Ingrid S. Krampe & Brittany J. Reed (September 2006, page 64)
Test Report: Printer. HP’s Photosmart Pro B9180, by Jon Canfield (November 2006, page 118)
Test Report: Printer. HP’s Designjet 90, by Jon Canfield (July 2006, page 74)
Test Report: Portable Storage. Roundup: Fast USB 2.0 Flash And “Smart” Drives, by Peter K. Burian (July 2006, page 86)
Test Report: Portable Storage Downloading On The Run, by Stan Trzoniec (July 2006, page 110)
Test Report: Rangefinder 35mm Voigtlander’s Bessa R3A, by Roger W. Hicks and Frances E. Schultz (April, 2006, page 94)
Test Report: Rangefinder 35mm The New Zeiss Ikon Rangefinder 35, by Roger W. Hicks and Frances E. Schultz (April, 2006, page 110)
Test Report: Scanner. Epson’s Perfection V750-M Pro Scanner, by David B. Brooks (November 2006, page 62)
Test Report: Scanner. Microtek’s ScanMaker I800 Pro Design, by David Brooks (February 2007, page 84)
Test Report: SLR Camera. Voitlander’s VSL 43, by Roger W. Hicks And Frances E. Schultz (September 2006, page 70)
Test Report: Software. Adobe’s Photoshop Elements 4.0 (Windows & Mac), by David B. Brooks (July 2006, page 76)
Test Report: Software. Alien Skin’s Exposure, by George Schaub (May 2006, page 110)
Test Report: Software. Apple’s Aperture, by David B. Brooks (May 2006, page 64)
Test Report: Software, Convert With BW Pro 3.0, by Scott Eldridge (March 2006, page 94)
Test Report: Software. Corel’s Paint Shop Pro X, by David B. Brooks (May 2006, page 102)
Test Report: Software, Corel’s Painter IX.5, by Howard Millard (September 2006, page 102)
Test Report: Software. CPAC Imaging PRO Version 3.0, by Steve Bedell (July 2006, page 70)
Test Report: Software DCF Full Spectrum, by George Schaub (April, 2006, page 68)
Test Report: Stereo Camera. The Horseman 3D, by Jason Schneider (May 2007, page 116)
Test Report: Software, Genuine Fractals 4.1, by George Schaub (March 2006, page 64)
Test Report: Software. Kubota’s Image Tools, by George Schaub (March 2007, page 92)
Test Report: Software. onOne Software’s PhotoFrame Pro 3, by Howard Millard (March 2007, page 98)
Test Report: Software, Nik Multimedia’s Color Efex Pro 2.0 Tips, by Jon Sienkiewicz (March 2006, page 112)
Test Report: Software, Pixmantec’s RawShooter Premium 2006, by Uwe Steinmueller (March 2006, page 106)
Test Report: Software, Raw Converter Software, by David Brooks (March 2006, page 62)
Test Report: Tokina’s AT-X 100mm f/2.8 PRO D Marco Lens, by Peter K. Burian (January 2006, page 82)
Test Report: Training. Software Cinema DVD Training, by Steve Anchell (March 2007, page 104)
The Canon CanoScan D2400UF Flat-Bed Scanner, by David B. Brooks (September 2001, page 54)
The Canon EOS-1D, by Bob Shell (May 2002, page 88)
The Canon EOS-1Ds, by Jay Abend (March 2003, page 78)
The Canon EOS D30 Digital SLR, by George Schaub (March 2001, page 76)
The Contax NX AF-SLR, by Bob Shell (August 2002, page 60)
The Contax T3: Lens/Shutter Plus, by George Schaub (August 2001, page 104)
The Epson Expression 1680 Pro, by David B. Brooks (June 2001, page 60)
The Epson Perfection 1640SU Photo Scanner, by David B. Brooks (May 2001, page 40)
The Epson Perfection 2450 Photo, by David B. Brooks (February 2002, page 78)
The Epson PhotoPC 3100Z, by Ingrid S. Krampe (April 2002, page 52)
The Epson R-D1 Journey Begins, by David B. Brooks (April 2005, page 62)
The Epson Stylus Photo 960, by David B. Brooks (February 2003, page 102)
The Epson Stylus Photo 1280 Printer, by David B. Brooks (July 2001, page 48)
The Full-Featured Nikon N65 35mm AF SLR, by Robert E. Mayer (September 2001, page 82)
The Hasselblad 203FE Revisited, by Jay Abend (January 2003, page 64)
The Hasselblad Xpan, by Tony Sweet (April 2003, page 76)
The Holga Enlarger, by Dave Howard (September 2004, page 114)
The JTL Versalight D—Digital Monolights, by Jay Abend (April 2004, page 50)
The JVC GC-QX5HD: A Lot More Than Meets The Eye, by Ingrid S. Krampe (September 2001, page 44)
The Kodak Professional RFS 3600 Film Scanner, by David B. Brooks (October 2002, page 106)
The Kodak Professional 8500 Digital Photo Printer, by Jay Abend (October 2003, page 98)
The LaCie Photon 18 Blue Flat Panel Display, by David B. Brooks (October 2001, page 74)
The Latest In Light Meters: Sekonic’s L-608 And L-508, by Bob Shell (July 2001, page 56)
The Leica MP, by Roger W. Hicks (December 2004, page 86)
The Mamiya 645 AF, by Bob Shell (January 2001, page 130)
The Mamiya 645AFD, by Bob Shell (January 2002, page 68)
The Microtek ScanMaker i900, by David B. Brooks (December 2004, page 102)
The MK Gem eBox, by Jack Neubart (October 2005, page 82)
The New Epson Stylus Photo R2400, by David B. Brooks (December 2005, page 100)
The New Minolta DiMAGE Scan Elite 5400, by David B. Brooks (December 2003, page 106)
The New Sony CPD-E540: The Big Screen Monitor You Can Afford, by David B. Brooks (July 2002, page 64)
The Nikon AF-S DX Zoom 12-24mm f/4G ED-IF Lens, by Stan Trzoniec (July 2004, page 116)
The Nikon D100, by Bob Shell (October 2002, page 84)
The Nikon D2H, by Uwe Steinmueller (July 2004, page 86)
The Nikon D2x, by Tony Sweet (August 2005, page 68)
The Nikon F6, by Stan Trzoniec (April 2005, page 84)
The Nikon N75, by George Schaub (August 2003, page 68)
The Olympus E-1, by George Schaub (March 2004, page 90)
The Olympus P-400 Color Printer, by David B. Brooks (January 2001, page 44)
The Original Lensbaby, by Joe Farace (April 2005, page 90)
The Pentax MZ-S Professional Camera, by W.L. Fadner (May 2002, page 98)
The Pentax *ist Ds, by Peter K. Burian (September 2005, page 84)
The Quantum FreeWire: The Pro Wireless TTL System That Turns Heads, by Jay Abend (October 2002, page 70)
The Ricoh RDC-7: Form And Feature Beat Function, by Ingrid S. Krampe (May 2001, page 46)
The Sigma 300-800mm F/5.6 Zoom, by Stan Trzoniec (October 2003, page 68)
The Sony Vaio Slimtop Pen Tablet: A Dream Computer For Digital Photographers? by David B. Brooks (September 2001, page 76)
Toho FC45X & FC45 Mini: Ultra-Compact 4x5 Cameras, by Roger W. Hicks (December 2001, page 118)
Top Autofocus SLR Cameras: The Cream Of The Mid-Range Crop. by Peter K. Burian (June 2001, page 86)
Transform Your Photos Into Art With Corel’s Painter 8, by Howard Millard (February 2004, page 54)
Using Adobe’s Photoshop Elements 3.0, by David B. Brooks (March 2005, page 58)
Using The Konica Minolta magicolor 2350 EN Color Laser Printer, by David B. Brooks (May 2005, page 82)
UMAX’s PowerLook 2702 Film Scanner, by David B. Brooks (July 2005, page 86)
Velbon’s MAXi34E, by Roger W. Hicks (March 2002, page 162)
Visatec Litepac: A Portable Masterpiece, by Jay Abend (May 2002, page 102)
Voigtlander Bessa-T, by Roger W. Hicks (January 2002, page 82)
Toyo-View 45CF, by George Schaub (November 2002, page 50)
Two New JTL Light Meters: Getting The RIght Exposure At An Affordable Price, by Bob Shell (December 2002, page 118)
Vario-Sonnar T 45-90mm f/4.5 Lens, by George Schaub (August 2003, page 62)
Velvia 100, by George Schaub (October 2003, page 62)
Voigtlander Bessa R2S/R2C, by Roger Hicks (April 2003, page 88)
Wacom’s Cintiq 21UX, by Jon Canfield (September 2005, page 90)
Wacom’s Intuos 3, by Jon Canfield (July 2005, page 100)
What’s A WOCA Do? Can Happiness Be Found In The Latest Diana Wannabee? by John Stewart (January 2003, page 66)
White Lightning’s X-Series Monolights, by Jay Abend (August 2004, page 116)
XP Innovations’ LiteShaper, by Steve Bedell (December 2005, page 78)
X-Rite’s Pulse ColorElite, by Jon Canfield (August 2005, page 100)
Zuiko Digital 300mm f/2.8 ED And 11-22mm f/2.8-3.5 Lenses, by Peter K. Burian (December 2004, page 92)

Classic And Historic Cameras

A Linhof Technika 70 Special, by Roger W. Hicks (November 2002, page 162)
Canon 7 And The “Dream” Lens, by John Wade (April 2008, page 140)
Canon’s 50mm f/1.2 Rangefinder Lens: A Legend In The Super-Fast Realm, by Roger W. Hicks (September 2005, page 156)
Canon F-1 35mm SLR, by Robert E. Mayer (April 2007, page 134)
Classic Accessories: A Leica Panoramic Head, by Roger W. Hicks (June 2005, page 166)
Classic Cameras: Argus Cameras, by Robert E. Mayer (March 2006, page 168)
Classic Cameras: Baldessa 1, by Roger W. Hicks (May 2005, page 136)
Classic Cameras: Bilora Bella 44, by Roger W. Hicks (February 2005, page 163)
Classic Cameras: Making A Spectacle Of Themselves, by Roger W. Hicks (August 2005, page 168)
Classic Cameras: Samoca 35 LE, by Roger W. Hicks (February 2007, page 128)
Classic Camera: The 2x3 Century Graphic, by Rick Shimonkevitz (May 2007, page 156)
Classic Camera: Leitz ELDIA and NATRA, by Roger W. Hicks (June 2007, page 134)
Classic Cameras: The Leitz Thambar 90mm f/2.2, by Roger W. Hicks (April 2005, page 158)
Classic Cameras: The Soho Reflex, by Rick Shimonkevitz (March 2005, page 163)
Classic Cameras: Tokyo’s Used Camera Show 2006, by S. “Fritz” Takeda (July 2006, page 176)
Exakta Varex IIa, by Roger W. Hicks (March 2007, page 120)
Fotoman 617, by Roger W. Hicks (September 2005, page 94)
Gandolfi Precision. by Roger W. Hicks (June 2001, page 194)
Goerz Minicord, by Roger W. Hicks (January 2002, page 182)
Good Old Cameras From Good Old Germany: Classic And Secondhand Models At Moderate Prices Attract More And More Foreign Shoppers, by Heiner Henninges (August 2005, page 64)
Graflex XL, by Roger W. Hicks (July 2001, page 265)
“Just Hold A Pentax,” by Roger W. Hicks (August 2003, page 156)
Kodak’s Vintage DCS 520 Digital SLR Is Now A Bargain...by Jay Abend (March 2004, page 178)
Kilfitt’s Pan-Tele-Kilar, by Roger W. Hicks (July 2003, page 164)
Kowa Rollfilm SLRs, by Roger W. Hicks (January 2004, page 166)
MPP Micro-Technical Cameras, by Robert W. Hicks (May 2001, page 216)
Nikonos II, by Roger W. Hicks (May 2003, page 156)
Nikon Historical Society Voigtlander R2S, by Roger W. Hicks (March 2008, page 112_
Large Format Lensless Photography, by Rick Shimonkevitz (August 2007, page 142)
Pentacon sixTL: A Classic 6x6, by Roger W. Hicks (November 2005, page 170)
Polaroid 600 SE, by Roger W. Hicks (September 2004, page 150)
Retina IIa, by Roger W. Hicks (February 2004, page 162)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (March 2006, page 166)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (April, 2006, page 152)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (May 2006, page 175)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (July 2006, page 174)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Col
The 1950 Canons: Classic 35mm Cameras, by Peter Dechert (February 2006, page 114)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (June 2007, page 130)
The Kardon Camera: An American Tale, by Randy Ritz and Dean Ritz (January 2006, page 120)
The Kodak “Art Deco” Six-20, by Roger W. Hicks (November 2003, page 184)
The Linhof Kardan Color 45s, by Harry Price (November 2004, page 172)
The Linhof Technika 70, by Rick Shimonkevitz (December 2004, page 121)
The Mamiya Super 23, by Harry Price (May 2004, page 26)
The Nikon F: Strong and Reliable, by Roger W. Hicks (April 2001, page 220)
Top 20 Cameras Of All-Time Countdown: We Begin Schneider’s List—Do You Agree? By Jason Schneider (April 2008, page 142)
Top 20 Cameras Of All-Time Countdown, by Jason Schneider (May 2008, page 68)
The Robot, by Roger W. Hicks (September 2003, page 158)
Vintage 4x5 Field Cameras, by Rick Shimonkevitz (October 2004, page 150)
Voigtlander Bessa, by Roger W. Hicks (October 2003, page 158)
What’s Hot In The Tokyo Used Camera Biz? Classic Imports Command Top Dollar. by S. “Fritz” Takeda (September 2004, page 62)
Zeiss Ikon Baby-Box, by Roger W. Hicks (December 2003, page 172)
Zorkii 4K, by Roger W. Hicks (April 2004, page 162)

Shutterbug Basics

Before You Buy: Digital Cameras, by Peter K. Burian (November 2001, page 88)
Before You Buy: Macro Lenses, by Peter K. Burian (September 2001, page 110)
Before You Buy: Non-TTL Autoflash Units, by Peter K. Burian (May 2001, page 102)
Before You Buy: TTL Flash Units, by Peter K. Burian (March 2001, page 136)
Critique Boutique: Improve Your Work, by Peter K. Burian (January 2001, page 144)
Critique Boutique: Improve Your Work, by Peter K. Burian (March 2001, page 136)
Critique Boutique: Improve Your Work, by Peter K. Burian (May 2001, page 104)
Critique Boutique: Improve Your Work, by Peter K. Burian (September 2001, page 110)
Critique Boutique: Improve Your Work, by Peter K. Burian (November 2001, page 86)
Photography ABCs: Digital Vs. Conventional Imaging, by Peter K. Burian (November 2001, page 84)
Photography ABCs: Extreme Close-Up Photography, by Peter K. Burian (September 2001, page 106)
Photography ABCs: Flash Photography—Part 1, by Peter K. Burian (March 2001, page 132)
Photography ABCs: Flash Photography With Basic Gear, by Peter K. Burian (May 2001, page 100)
Photography ABCs: Travel Photography, by Peter K. Burian (July 2001, page 112)
Photography ABCs: Winter Photography, by Peter K. Burian (January 2001, page 140)
Photo Assignment: Outdoor Fill Flash Photography, by Peter K. Burian (March 2001, page 132)
Photo Assignment: Outdoor Fill-In Flash Photography, by Peter K. Burian (May 2001, page 100)
Photo Assignment: Photograph People While Traveling, by Peter K. Burian (July 2001, page 116)
Photo Assignment: Winter Action Photography, by Peter K. Burian (January 2001, page 140)
Photo Doc’s Q&A, by Peter K. Burian (January 2001, page 144)
Photo Doc’s Q&A, by Peter K. Burian (March 2001, page 134)
Photo Doc’s Q&A, by Peter K. Burian (May 2001, page 104)
Photo Doc’s Q&A, by Peter K. Burian (July 2001, page 116)
Photo Doc’s Q&A, by Peter K. Burian (September 2001, page 109)
Photo Doc’s Q&A, by Peter K. Burian (November 2001, page 88)

Digital Accessories

4GB CompactFlash Card For All Digicams, by George Schaub (May 2004, page 84)
4GB CompactFlash Card From Lexar: Highest Capacity, But Watch Out For FAT 32, by George Schaub (November 2003, page 60)
Digital Accessories, by Robert E. Mayer (June 2004, page 102)
Digital Backs, by Joe Farace (June 2004, page 36)
Digital Camera Battery, by John Rettie (March 2002, page 146)
Digital Innovations: Analog Filters In A Digital World, by Joe Farace (November 2005, page 134)
Digital Innovations: New Year’s Resolutions, by Joe Farace (January 2005, page 18)
Digital Slide Shows: A Road Map For Success, by Ellen Anon (November 2005, page 78)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
Event Photography Tools: Proofing On-Site With The Epson P-2000, by Ingrid S. Krampe (May 2005, page 74)
First Look: Iomega’s Super DVD Writer, by George Schaub (September 2005, page 70)
First Look: Leica Digital-Modul-R Back For Leica R System SLRs, by George Schaub (December 2003, page 34)
Fun In The Digital Magic Kingdom, by Joe Farace (June 2002, page 86)
How Safe Are Your CDs? What You Don’t See Can Say A Lot, by Joe Farace (July 2002, page 178)
Kodak DCS Pro Back 645, by Bob Shell (September 2002, page 50)
Make Your “Colorblind” Computer See As You Do: Datacolor’s Spyder3Elite/Pro And Print Profiling Products, by David B. Brooks (July 2008, page 92)
Memory Cards, by Joe Farace (June 2004, page 70)
Presentation Power: Tips On Projectors, With A Focus On The Epson Line-Up, by Howard Millard (November 2005, page 64)
The JTL Versalight D—Digital Monolights, by Jay Abend (April 2004, page 50)
USB & FireWire Voodoo: Make The Right Connection, by Joe Farace (August 2002, page 178)
Wacom’s Cintiq 21UX, by Jon Canfield (September 2005, page 90)
Wacom Intuos3 Professional Pen Tablets, by George Schaub (October 2004, page 78)
Wacom’s Intuos 3, by Jon Canfield (July 2005, page 100)
What’s In Your Utility Belt? by Joe Farace (April 2004, page 180)

Scanners, Printers, Inks & Papers

Acer ScanWit 2740S, by David B. Brooks (January 2002, page 92)
ArtixScan 4000tf/SilverFast Ai 6.0, by David B. Brooks (March 2003, page 82)
Best Of Show, by Staff (June 2005, page 156)
Building A Portfolio...In The Digital Age, by Joe Farace (March 2002, page 96)
Canon Bubble Jet S9000 Photo Printer, by David B. Brooks (October 2002, page 80)
Canon’s CanoScan LiDE 80 Flat-Bed Scanner, by David B. Brooks (January 2004, page 62)
Canon’s i9900 Photo Printer, by David B. Brooks (October 2004, page 100)
Canon i950 Photo Printer, by Peter K. Burian (September 2003, page 84)
Canon’s imagePROGRAF iPF6100, by Jon Canfield (February 2008, page 102)
CanoScan 8000F Scanner And i850 Photo Printer, by Bob Shell (May 2003, page 74)
Canon’s PIXMA iP8500 Photo Printer, by Peter K. Burian (July 2005, page 106)
Canon’s PIXMA Pro9000, by George Schaub (June 2007, page 122)
Canon’s PIXMA Pro9500, by David B. Brooks (November 2007, page 102)
Desktop Photo Printers, by Joe Farace (June 2005, page 70)
Digital In Black And White: The Status Of Ink Jet B&W Printing In 2005, by David B. Brooks (February 2005, page 44)
Digital Innovations: Isn’t It Ironic? by Joe Farace (October 2005, page 175)
Digital Printers And Papers, by Joe Farace (June 2004, page 74)
Epson’s Stylus Photo 1400, by David B. Brooks (June 2007, page 102)
Epson’s New Stylus Pro 4000, by David B. Brooks (September 2004, page 100)
Epson Stylus Pro 7880 Inkjet Printer: A Pro 24” Model With New “Vivid” Inks, by Jon Canfiled (July 2008, page 62)
Epson Perfection 3200 Pro, by David B. Brooks (September 2003, page 106)
Epson Perfection 4870 Pro, by David B. Brooks (July 2004, page 78)
Epson’s Perfection 4990 PRO, by David B. Brooks (September 2005, page 80)
Epson’s PictureMate Zoom (PM 290), by Jack Neubart (January 2008, page 108)
Epson Stylus C82, by David Brooks (May 2003, page 88)
Epson Stylus Photo 2200, by David B. Brooks (November 2002, page 82)
Epson Stylus Photo R380, by Jack Neubart (September 2007, page 40)
Epson’s Stylus Pro 4800, by George Schaub (November 2005, page 128)
Epson’s Stylus Pro 5500: Is This The Ultimate Ink Jet Photo Printer? by David B. Brooks (June 2002, page 58)
Epson Stylus Pro 7600, by Cris Daniels (August 2003, page 54)
Epson’s Stylus Photo R800, by David B. Brooks (August 2004, page 100)
Epson’s Stylus Photo R1800, by David B. Brooks (October 2005, page 90)
Fine Art Printers, by George Schaub (January 2007, page 96)
First Look: Canon’s CanoScan 9950F, by Jon Canfield, (May 2005, page 108)
First Look: Epson K3 Inks & Printers, by Peter K. Burian (July 2005, page 90)
First Look: Epson’s Stylus Photo RX620, by George Schaub (July 2005, page 102)
First Look: Getting The BIG Picture With The Canon W6400, by George Schaub (October 2005, page 60)
First Look: Pacific Image Electronics’ PowerSlide 3600, by George Schaub (August 2005, page 72)
Flat-Bed And Film Scanners, by Joe Farace (June 2005, page 74)
Fun In The Digital Magic Kingdom, by Joe Farace (June 2002, page 86)
Hahnemuhle’s Photo Rag Pearl 320 gsm, by George Schaub (September 2007, page 36)
HiTi 630PS Printer, by George Schaub (February 2003, page 56)
HP’s Designjet Z3100, by Jon Canfield (June 2007, page 94)
HP photosmart 7960 Printer, by George Schaub (December 2003, page 102)
HP’s Photosmart 8750, by George Schaub (August 2005, page 88)
HP’s Photosmart Pro B8850 Inkjet Printer: A (More) Affordable Pigment-Ink Option, by Jon Canfield (May 2008, page 54)
Ink Jet Media, by Jack Neubart (June 2005, page 80)
Ink Jet Media, by Jack Neubart (July 2007, page 59)
Inkjet Media: Papers And Inks, by Jack Neubart (June 2006, page 64)
Ink Jet Papers, by George Schaub (January 2007, page 90)
Ink Jet Papers & Inks, by Jon Canfield (June 2008, page 52)
Ink Jet Paper Options: A Sampler Of Media For Pigment Ink Printers, by Jon Canfield (April 2008, page 26)
Ink Jet Printers, by Jon Canfield (June 2008, page 48)
Ilford’s Galerie Gold Fibre Silk: A Galerie For The Gallery Wall, by George Schaub (April 2008, page 76)
Konica Minolta’s DiMAGE Scan Dual IV, by Peter K. Burian (August 2005, page 78)
Konica Minolta’s DiMAGE Scan Elite 5400 II, by David B. Brooks (November 2005, page 116)
Large Format Printers: Pro Printers, by Jon Canfield (June 2006, page 58)
LaserSoft’s SilverFast Multi-Exposure Increases Effective Dynamic Range, by David B. Brooks (May 2008, page 112)
Microtek’s ArtixScan 1800f, by David B. Brooks (November 2003, page 76)
Microtek ArtixScan M1 Pro: All Format Glassless Film Scanning And Flat-Bed Print Scanning, All In One, by David B. Brooks (July 2008, page 88)
Microtek ScanMaker 6800, by George Schaub (July 2003, page 102)
Microtek Scanmaker 8700 Pro: Is This The Ideal All-Around Scanner? by David B. Brooks (September 2002, page 56)
Minolta DiMAGE Scan Multi PRO, by David B. Brooks (April 2002, page 44)
Nikon’s Coolscan V ED, by Peter K. Burian (May 2004, page 86)
New Photo Printers, by Peter K. Burian (January 2005, page 96)
Output Options: Continuous Ink Systems, by Jon Canfield (July 2006, page 58)
Pacific Image PrimeFilm 1800 Silver Scanner: Big Features At A Small Price, by Bob Shell (April 2002, page 42)
Photo Printers: Pigment, Dye Sub & Desktop Photo Labs, by Joe Farace (June 2006, page 54)
Photo Quality Ink And Paper Primer: The Choices Are Greater Than Ever, by Jack Neubart (March 2002, page 74)
Photo-Quality Printers, by Joe Farace (July 2007, page 52)
Polaroid SprintScan 120 Medium Format Scanner, by Bob Shell (January 2002, page 74)
Polaroid SprintScan 4000 Plus, by Cris Daniels (October 2002, page 102)
Reach Out And Photograph Someone...by Joe Farace (March 2004, page 209)
Scanners, by Joe Farace (June 2004, page 68)
Scanners, by Jon Canfield (July 2007, page 50)
Scanners: Film To Digital Devices, by Jon Canfield (June 2006, page 59)
The Epson Perfection 2450 Photo, by David B. Brooks (February 2002, page 78)
The Epson Stylus Photo 960, by David B. Brooks (February 2003, page 102)
The Kodak Professional RFS 3600 Film Scanner, by David B. Brooks (October 2002, page 106)
The Kodak Professional 8500 Digital Photo Printer, by Jay Abend (October 2003, page 98)
The Lowdown On Inkjet Paper: What You Need To Know, But Probably Never Asked, by David B. Brooks (September 2007, page 59)
The Microtek ScanMaker i900, by David B. Brooks (December 2004, page 102)
The New Minolta DiMAGE Scan Elite 5400, by David B. Brooks (December 2003, page 106)
The New Epson Stylus Photo R2400, by David B. Brooks (December 2005, page 100)
The Plustek OpticFilm 7200i 35mm Film Scanner, by David B. Brooks (September 2007, page 82)
Toward The Perfect Print: How To Get The Best Quality From An Ink Jet Printer, by David B. Brooks (April 2003, page 96)
UMAX’s PowerLook 2702 Film Scanner, by David B. Brooks (July 2005, page 86)
Using The Konica Minolta magicolor 2350 EN Color Laser Printer, by David B. Brooks (May 2005, page 82)

Storage, Albums, Sleeve Holder

Building A Portfolio...In The Digital Age, by Joe Farace (March 2002, page 96)
Digital Portable Storage Devices, by Jack Neubart (June 2005, page 100)
Digital Storage And Display, by Jack Neubart (June 2008, page 58)
Digital Storage Solutions On The Road, by Jack Neubart (January 2008, page 82)
Fast, High-Capacity Memory Cards, by Peter K. Burian (July 2007, page 74)
Memory Cards, by Peter K. Burian (June 2008, page 70)
Memory Cards: Faster & Higher Capacity, by Jon Canfield (June 2006, page 60)
New Concepts In Album Design: 48 8x10s Doesn’t Do It Anymore, by Steve Bedell (April 2003, page 65)
Portable Storage: Hard Drives, CD/DVD Burners, And Flash Drives, by Jack Neubart (June 2006, page 74)
Portable Storage, by George Schaub (January 2007, page 90)
Portable Storage And Digital Display: Portable Hard Drives, USB Flash Drives, And Digial Photo Frames, by Jack Neubart (July 2007, page 67)
Presentation Power: Tips On Projectors, With A Focus On The Epson Line-Up, by Howard Millard (November 2005, page 64)
Test Report: Digital Capture. Roundup: Memory Cards And Data Transfer Accessories, by Peter K. Burian (April, 2006, page 70)
Test Report: Portable Storage Device, Epson’s P-4000 Multimedia Viewer, by Joe Farace (May 2006, page 90)

Computers

Apple’s eMAC Computer, by David B. Brooks (January 2003, page 60)
Apple Power Mac G4 & Operating System OS X, by David Brooks (May 2002, page 84)
Build Your Own Custom Imaging Computer: It’s Easier Than You Think, by John Rettie (July 2003, page 48)
Digital Innovations: Mac OS Meets Windows, by Joe Farace (July 2006, page 62)
Imaging With Mac OS X: Live From San Francisco It’s A Mac World Expo 2002, by Joe Farace (May 2002, page 186)
Iomega’s USB 2.0 Portable Hard Drive, by George Schaub (February 2006, page 62)
Is Your Computer Set Up For Digital Photography? How To Stop The Default Demon From Making Your Pictures Blah! by David B. Brooks (February 2003, page 156)
New Products: Color Management Hardware And Software, by Jon Canfield (July 2006, page 52)
Pentax Optio 550, by George Schaub (November 2003, page 48)
Setting Up Your Digital Darkroom: Computer Specs To Get You On The Road, by Joe Farace (December 2003, page 96)
Test Report: Monitors. The Samsung SyncMaster 244T And 214T LCD Displays, by David B. Brooks (May 2006, page 76)
The New Sony CPD-E540: The Big Screen Monitor You Can Afford, by David B. Brooks (July 2002, page 64)
Wacom’s Cintiq 12WX: A Touch-Sensitive Screen, And More, by Jon Canfield (May 2008, page 102)
Wacom’s Bamboo Tablets: A Prime Tool For Image Editing, by Jon Canfield (April 2008, page 118)

Software

A Plug-In Bonanza, by Joe Farace (April 2007, page 40)
ACDSee PowerPack 6.0, by Joe Farace (March 2004, page 106)
Adobe Creative Suite/Photoshop CS (8.0) by David B. Brooks (March 2004, page 70)
Adobe’s Creative Suite 2, by David B. Brooks (November 2005, page 100)
Adobe Photoshop Camera Raw Plug-In, by David B. Brooks (August 2003, page 98)
Adobe’s Photoshop CS3 Beta, by David B. Brooks (March 2007, page 56)
Adobe Photoshop Elements 2.0: Is It Worth The Upgrade? by David B. Brooks (December 2002, page 120)
Adobe’s Photoshop Elements 3.0, by Joe Farace (November 2004, page 18)
Adobe’s Photoshop Elements 4.0, by Joe Farace (December 2005, page 64)
Adobe’s Photoshop Elements 6: A Very Capable Image Editor At An Affordable Price, by Jon Canfield (July 2008, page 100)
Adobe’s Photoshop Lightroom 1.0, by David B. Brooks (June 2007, page 112)
Alien Skin’s Exposure 2, by Howard Millard (March 2008, page 94)
Alien Skin’s Snap Art, by Howard Millard (June 2007, page 88)
Apple’s Aperture 1.5.2 Update, by David B. Brooks (June 2007, page 110)
Apple Power Mac G4 & Operating System OS X, by David Brooks (May 2002, page 84)
Best Of Show, by Staff (June 2005, page 156)
Blowup, by Joe Farace (June 2007, page 52)
ColorVision’s Spyder2PRO Studio, by Jon Canfield (March 2005, page 66)
Corel’s Painter IX, by David B. Brooks (August 2005, page 92)
Corel’s Painter X, by Howard Millard (November 2007, page 78)
Digital Innovations: Creative Imaging Software, by Joe Farace (May 2006, page 46)
Digital Innovations: New Year’s Rockin’ Software, by Joe Farace (January 2006, page 164)
Digital Innovations: Soft Focus Software, by Joe Farace (March 2006, page 44)
Digital Oil Painting In Corel’s Painter X: A Step-By-Step Guide To One Of Its Many Tools, by Susan Ruddick Bloom (January 2008, page 48)
Eye-One Photo, by Cris Daniels (March 2004, page 82)
EZ Viewer 3: Digital Image Organizer & More, by John Stewart (February 2002, page 86)
First Look: Adobe’s Photoshop Elements 5.0, by Joe Farace (December 2006, page 94)
First Look: Adobe Photoshop Creative Suite: Call It Photoshop 8 If You Like, by Joe Farace (November 2003, page 140)
First Look: Maxtor’s OneTouch II Drive, by George Schaub (March 2005, page 74)
First Look: Photoshop 7.0: Is It Worth The Upgrade? by David B. Brooks (July 2002, page 50)
Fred Miranda’s Suite Of Solutions, by Peter K. Burian (April 2005, page 76)
Fujifilm’s Studiomaster Pro 3, by Steve Bedell (April 2005, page 94)
Get The Noise Out: A Survey Of Strategies For Digital Imagers, by Jon Canfield (October 2005, page 100)
Graphic Authority Software, by Steve Bedell (March 2008, page 88)
Extensis’ Portfolio 7, by Howard Millard (February 2005, page 84)
HiTi Transphotable, by George Schaub (November 2003, page 72)
iCorrect EditLab 2.0 By Pictographics: Great Color Made Simple, by Cris Daniels (November 2002, page 74)
Image Editing With Paint Shop Pro (9), by Jon Sienkiewicz (July 2005, page 92)
Image Security: Six Easy Ways To Protect Your Images On The Internet, by Larry Berman And Chris Maher (July 2002, page 158)
Imaging Software, by Joe Farace (July 2007, page 80)
ImagePrint RIP, by Jon Canfield (November 2004, page 94)
Imaging Software Primer: A Program For Every Need, by Eric Seeger (March 2002, page 100)
Imaging With Mac OS X: Live From San Francisco It’s A Mac World Expo 2002, by Joe Farace (May 2002, page 186)
Jasc Software’s Paint Shop Pro 8, by Cris Daniels
(January 2004, page 78)
JPEG Compression Programs: Which Of Today’s Top Graphics Programs Does The Best Job? by Larry Berman and Chris Maher (March 2002, page 102)
JTL Web-Lite Kit, by Bob Shell (April 2003, page 84)
Knoll Light Factory For Photoshop, by Anthony L. Celeste (January 2008, page 104)
LaserSoft’s SilverFast DCPro, by David B. Brooks (January 2004, page 88)
Microsoft’s Windows Vista, by David B. Brooks (June 2007, page 62)
Monaco’s EZcolor/OPTIXXR, by Howard Millard (September 2004, page 78)
Mundane Imaging Tasks Made Easy: Navigating The Action Palette In Photoshop 6.0, by Eric Seeger (February 2002, page 100)
My Digital Photography Tool Kit—Part 2: Software. by Bob Shell (September 2002, page 32)
Namo’s WebEditor Version 5.5, by Chris Maher and Larry Berman (January 2004, page 40)
Nik Software’s Color Efex Pro 3.0: Forget Everything You Know About Photoshop Plug-Ins, by Joe Farace (May 2008, page 104_
New Products: Color Management Hardware And Software, by Jon Canfield (July 2006, page 52)
Noise Ninja 2.0, by Peter K. Burian (February 2005, page 74)
Paint Your Photos: It’s Easy With Corel’s Painter Essentials 4, by Howard Millard (July 2008, page 54)
Panopticum’s Plugin Galaxy, by Anthony Celeste (October 2005, page 96)
Pantone hueyPRO, by Jon Canfield (November 2007, page 44)
Phase One’s Capture One 4: A Comprehensive Raw Editor/Organizer, by George Schaub (July 2008, page 120)
Photoshop Power Tools: Photoshop Compatible Plug-In Roundup, by Joe Farace (March 2003, page 104)
Plug It In: Do-It-Yourself PC Upgrades For Photographers, by Jon Sienkiewicz (November 2006, page 124)
QPcard’s QPcolorkit 1, by Jay Abend (May 2004, page 100)
Roundup: Software. New Tools For Enhanced Imaging, by Joe Farace (July 2006, page 46)
Sharing: Software. Easy E-Mail With Win-XP, by Darryl C. Nicholas (July 2006, page 159)
Software, by Joe Farace (June 2004, page 80)
Software & Plug-Ins, by Joe Farace (June 2005, page 76)
Software Show-Offs! These Aren’t Your Daddy’s Slide Shows, by Anthony L. Celeste (May 2008, page 84)
Stitcher 3.5, by Cris Daniels (February 2003, page 60)
Software, by Ibarionex R. Perello (June 2008, page 44)
Software, Memory & More, by Joe Farace (June 2003, page 84)
Software Power Tools From PMA 2007, by Joe Farace (August 2007, page 38)
Test Report: Software. Alien Skin’s Exposure, by George Schaub (May 2006, page 110)
Test Report: Software. Apple’s Aperture, by David B. Brooks (May 2006, page 64)
Test Report: Software. Corel’s Paint Shop Pro X, by David B. Brooks (May 2006, page 102)
Test Report: Auto FX Software’s DreamSuite Series One Pro, by Anthony L. Celeste (January 2006, page 94)
Test Report: Software, Convert With BW Pro 3.0, by Scott Eldridge (March 2006, page 94)
Test Report: Software DCF Full Spectrum, by George Schaub (April, 2006, 2006, page 68)
Test Report: Software, Genuine Fractals 4.1, by George Schaub (March 2006, page 64)
Test Report: Software, LaserSoft’s SilverFast PrinTao, by David B. Brooks (December 2006, page 124)
Test Report: Software, Nik Multimedia’s Color Efex Pro 2.0 Tips, by Jon Sienkiewicz (March 2006, page 112)
Test Report: Software. Phase One’s Capture One, by George Schaub (November 2006, page 58)
Test Report: Software, Pixmantec’s RawShooter Premium 2006, by Uwe Steinmueller (March 2006, page 106)
Test Report: Software, Raw Converter Software, by David Brooks (March 2006, page 62)
The Darkroom: Making Selections With The Pen Tool, by Darryl C. Nicholas (October 2005, page 156)
The Old Operating System Debate: Mac OS Vs. Windows, by Joe Farace (April 2002, page 198)
Three Essential Film Filters Vs. Digital Filter Software, by Tony Sweet (July 2004, page 51)
Tiffen’s Dfx Filter Software, by Jason Schneider (November 2007, page 144)
Ulead’s PhotoImpact 12, by Anthony L. Celeste (December 2007, page 78)
Using Adobe’s Photoshop Elements 3.0, by David B. Brooks (March 2005, page 58)
X-Rite’s Pulse ColorElite, by Jon Canfield (August 2005, page 100)