Accessories, Films, & Lighting

35mm Tri-X Celebrates It’s 50th, by Frances E. Schultz (November 2004, page 48)
4GB Compact Flash Card For All Digicams, by George Schaub (May 2004, page 84)
4GB Compact Flash Card From Lexar: Highest Capacity, But Watch Out For FAT 32, by George Schaub (November 2003, page 60)
10 Must-Have Studio Accessories: The Stuff I use (Nearly) Every Day, by Jay Abend (July 2003, page 84)
35mm SLR Cameras, Lenses And Flashes, by Peter K. Burian (May 2001, page 114)
35mm SLR Cameras And Flash Units, by Peter K. Burian (June 2002, page 76)
A Case For The Traveling Photographer, by George Schaub (November 2007, page 54)f
A Tabletop Lighting System Sampler: We Work With The Lowel Ego, Interfit Pop-Up Light Tent, Sharpics D-Flector, Samigon Internet Photo Studio Pro, And Sunbox eBox, by Jack Neubart (October 2007, page 36)
Accessories And “Weird Stuff”: From The Really Useful To The Odd Lot, by Roger W. Hicks (June 2002, page 92)
Accessories Can Make A Big Difference! by Monte Zucker (July 2003, page 22)
Accessories, Darkroom, And Bags, by Robert E. Mayer (June 2003, page 92)
Accessories Expand The Fun And Function Of Digital Cameras, by Rick Sammon (December 2001, page 90)
Accessories, Portable Flash, Panoramic & Specialty Cameras, by Robert E. Mayer (June 2005, page 154)
Accessories, Portable Flash, Panoramic & Specialty Cameras, by Robert E. Mayer (June 2005, page 154)
Accessories: Studio & Home Helpers, by Robert E. Mayer (June 2006, page 76)
Acupan 200: The US Receives A Cult Film, by Roger W. Hicks (February 2002, page 74)
Adorama Monolights, by Joe Farace (October 2004, page 114)
A Gallery Of Filters, by Darryl C. Nicholas (July 2004, page 16)
Albums And Frames, by Robert E. Mayer (June 2008, page 119)
AlienBee’s Flash Units, by Jay Abend (January 2002, page 102)
AlienBee’s Ringflash, by Ron Eggers (October 2007, page 44)
A Model Portfolio Made Easy: Lighting Basics Using BKA’s Lancer Light Series AC/DC Lights, by Ingrid S. Krampe (April 2003, page 92)
Anything But Front Light: Use Side And Backlighting To Enhance Your Travel Photos, by Dave Howard (November 2001, page 70)
ASF 35mm Film Kiosk Yeilds Prints, CD...But No Negatives, by George Schaub (December 2002, page 112)
Available Light Portraits: 10 Secrets To Photographing People Using Minimum Equipment, by Joe Farace (January 2001, page 166)
Bags And Cases, by Frances E. Schultz (January 2005, page 160)
Bags And Cases, by Frances E. Schultz (June 2005, page 146)
Bags, Cases, Straps, And Vests, by Frances E. Schultz (May 2001, page 142)
Bags And Cases, by Frances E. Schultz (December 2002, page 94)
Bags, Cases, And Vests: All-Purpose Carriers For All Sorts Of Gear, by Frances E. Schultz (June 2002, page102)
Bags & Cases: Photo Backpacks, Shoulder Packs & More, by Frances E. Schultz (June 2006, page 102)
Bags, Lighting, Tripods, Photo Gear And Accessories..And More, by Robert E. Mayer (June 2004, page 112)
Balance Of Light, by Andre Costantini (February 2001, page 210)
Balcar’s AQ Lighting System, by Jay Abend (October 2004, page 82)
Batteries And Chargers, by Robert E. Mayer (July 2007, page 120)
Batteries And Chargers, by Rober E. Mayer (June 2008, page 104)
Batteries: Charge Up Your Gear, by Robert E. Mayer (June 2006, page 172)
Bowens Esprit Gemini Digital Monoblocs, by Stan Sholik and Ron Eggers (October 2007, page 56)
Bowens Esprit Monolights: A New Line Of Solid Performers From A Trusted Name, by Joe Farace (January 2001, page 68)
Bowens 9Lite System, by Joe Farace (October 2003, page 58)
Bowens’ Pulsar Radio Trigger System, by Joe Farace (October 2004, page 120)
Buyer’s Guide To Tripods: Choosing Different ‘Pods For Different Jobs, by Dave Howard (February 2001, page 140)
Buying Your First Flash: If The Shoe Mount Fits, Wear it, by Jack Neubart (October 2002, page 90)
B&W For Shoot & Scan: Chromogenic Films Offer An Easy Solution, by Roger W. Hicks (May 2001, page 186)
Calumet’s Genesis For Entry-Level Studio Lighting, by George Schaub (July 2008, page 86)
Calumet’s LiteLink Radio Remote Trigger System, by Jay Abend (October 2004, page 94)
Calumet Travelite 750 One-Head Umbrella Kit, by Joe Farace (July 2002, page 56)
Camera Backpacks: Practical Choices With Style, by Jack Neubart (August 2007, page 50)
Camera Bags And Cases, by Jack Neubart (July 2007, pg 102)
Camera Bags: Hard & Soft Cases For Shoulder & Backpacking, by Jack Neubart (June 2008, page 96)
Canon’s EOS-1Ds Mark II, by George Schaub (May 2005, page 88)
Canon MR-14EX Macro Ring Lite: Simple, Small, Product Lighting, by Robert E. Mayer (October 2002, page 88)
Canon’s Speedlite 580EX II & Metz’s Mecablitz 58 AF-1C Digital, by Jack Neubart (February 2008, page 94)
Carry-On Photo Backpacks: Protecting Your Gear In The Overhead Bin, by Jack Neubart (April 2004, page 114)
Covering The Photo Beat, by Robert E. Mayer (December 2003, page 64)
Covering The Photo Beat, by Robert E. Mayer (January 2004, page 122)
Covering The Photo Beat, by Robert E. Mayer (February 2004, page 170)
Covering The Photo Beat, by Robert E. Mayer (March 2004, page 184)
Covering The Photo Beat, by Robert E. Mayer (April 2004, page 82)
Covering The Photo Beat, by Robert E. Mayer (May 2004, page 10)
Covering The Photo Beat, by C.A. Boylan (April 2008, page 32)
Creating Cinematic Lighting The Easy Way, by Ben Clay/Web Photo School (April 2004, page 22)
Custom Brackets, by Steve Bedell (October 2007, page 52)
Dedicated, Hot Shoe Flash & Flash Diffusion Devices, by Robert E. Mayer (July 2007, pg 96)
Digital Backs & Memory Cards, by Joe Farace (June 2005, page 90)
Digital Backs & Memory Cards, by Joe Farace (June 2005, page 90)
Digital Infrared Photography: Imaging With Invisible Light, by Joe Farace (November 2006, page 92)
Digital Innovations: Black & White And Infrared All Over, by Joe Farace (July 2005, page 176)
Digital Innovations: It’s National Hardware Month...Again, by Joe Farace (September 2005, page 167)
Digital Innovations: Raw Power, by Joe Farace (August 2005, page 150)
Digital Innovations: Share & Share Alike, by Joe Farace (April 2005, page 146)
Digital Innovations: Stocking Stuffers, by Joe Farace (December 2006, page 46)
Digital Innovations: Stocking Stuffers 2007, by Joe Farace (December 2007, page 34)
Digital Innovations: The Best Things In Life Are Free, by Joe Farace (May 2005, page 165)
Digital Innovations: The Time Machine, by Joe Farace (February 2005, page 104)
Digital Innovations: Yes, But Is It Art? by Joe Farace (March 2005, page 134)
Digital Portable Storage Devices, by Jack Neubart (June 2005, page 100)
Digital SLRs, by Joe Farace (June 2005, page 46)
Digital SLRs, Medium Format And Pro Gear, by Bob Shell (June 2002, page 80)
Don’t Get In Trouble For Non-Support: Use That Tripod, by Bob Shell (September 2001, page 22)
dr5 Labs: Renewing The Black And White Lease, by George Schaub (February 2005, page 66)
Dr. Don’s Button Maker, by Bob Shell (January 2001, page 243)
Dust Removal: Image Trends’ SensorKleen & DustKleen, by Joe Farace (September 2007, page 50)
Efke’s IR 820 Infrared Film, by Roger W. Hicks (February 2008, page 108)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
Eight Unique Monopods: Multifaceted Camera Support Options, by Dave Howard (July 2005, page 82)
Excalibur SPC1600 Strobe And Studio Systems Softboxes, by Steve Bedell (October 2002, page 76)
ExpoAperture, by George Schaub (October 2007, page 122)
Fear Of Flying, by Joe Farace (May 2004, page 16)
Fill Flash Flamenco: Catch The Spirit Of The Dance, by David Wade (October 2002, page 58)
Film, Chemistry, Paper, And Darkroom, by Frances E. Schultz (June 2002, page 106)
Film, Paper, Chemistry, And Darkroom, by Frances E. Schultz (June 2005, page 152)
Film, Paper, And Darkroom, by Robert E. Mayer (June 2008, page 78)
Filters, by Robert E. Mayer (June 2008, page 108)
First Look: Casio’s EXILIM Card EX-S100, by George Schaub (May 2005, page 106)
First Look: Casio’s EX-S500, by George Schaub (December 2005, page 68)
Fist Look: Konica Minolta’s DiMAGE X60, by Joe Farace (November 2005, page 46)
F.J. Westcott Celebrates 75 Years: Pro Photographers’ Input Has Helped Build A Strong & Versatile Product Line-Up. by the Editors (September 2001, page 86)
Flashkon 2000 Linear Monolight: Wider Is Better, by Jay Abend (May 2001, page 26)
Flying With Film, Post 9/11, by Bob Shell (March 2002, page 26)
Fuji Acros: A New Fine Grain, ISO 100 B&W Film, by Roger W. Hicks & Frances E. Schultz (February 2002, page 68)
Fujichrome Velvia 50…It’s Back! By George Schaub (December 2007, page 56)
Fujifilm’s FinePix S3 Pro, by Steve Bedell (May 2005, page 99)
Fuji NPH 400 Professional: Fuji Reinvents Fast Color Negative Film, by Jay Abend (November 2002, page 42)
Fujichrome Provia 400F Pro Plus Sensia 200 And 400 Films, by Peter K. Burian (July 2001, page 62)
Fujifilm’s Velvia 100 Professional, by George Schaub (October 2005, page 68)
Future Tech: A Look At What’s Ahead For Photography In 2007…And Beyond, by The Editors (December 2006, page 152)
Future Tech: Shutterbug Contributors Get Out The Crystal Ball, by The Editors (December 2007, page 120)
Gadgets And Items Of Interest, by Robert E. Mayer (June 2008, page 110)
Getting A Head In This World—The Ins And Outs Of Tripod Heads, by Bob Shell (January 2002, page 22)
Get Great Studio Portraits: Nine Tips To Lighting Success, by Steve Bedell (October 2003, page 85)
Getting Started: Basic Studio Lighting Setups On A Budget, by Robert E. Mayer (November 2001, page 46)
Get Your Head On Straight: A Guide To Tripod Heads, by Jack Neubart (July 2005, page 76)
Handheld Light Meters: Are They Still Important For Serious Photography? By Stan Sholik And Ron Eggers (October 2007, page 96)
Hard Or Soft? Q&A On Paper Grades, by Roger W. Hicks & Frances E. Schultz (February 2003, page 92)
Hasselblad’s H1 & Kodak’s Pro Back 645H, by Uwe Steinmueller (January 2004, page 54)
Hot New Digicams, by Peter K. Burian (June 2005, page 48)
Ilford’s New Delta 400 Professional B&W Film, by Jay Abend (April 2001, page 42)
Infrared—Digital Style: Shooting Infrared Photographs With Your Digital Camera, by Chris Maher & Larry Berman (February 2002, page 60)
Interfit’s EXD200 Lighting Kit, by Jack Neubart (October 2007, page 28)
Interfit Flat Panel Electronic Flash, by Jack Neubart (March 2004, page 62)
Is “7 The Megapixel Lucky Number? by Peter K. Burian (August 2005, page 60)
ISO 400 Black And White Films: The Best Keeps On Getting Better, by Roger W. Hicks (February 2004, page 106)
JTL Mobilights, by Bob Shell (January 2003, page 72)
JTL’s Mobillight DC-600, by Steve Anchell (November 2007, page 60)
JTL Product Table: Shoot Tabletops Like A Pro—Anywhere, by Jack Neubart (April 2008, page 114)
JTL Superlights Are Hot, by Robert E. Mayer (March 2001, page 236)
Kenko FP Series Ball Heads, by George Schaub (December 2001, page 188)
Kodak’s 100 And 400 Ultra Color Professional Films, by Peter K. Burian (September 2004, page 90)
Kodak Portra 400BW Film, by Roger W. Hicks & Frances E. Schultz (October 2001, page 82)
Kodak’s Portra 800 Film, by Steve Bedell (July 2004, page 70)
Konica Minolta Maxxum 7D, by Peter K. Burian (March 2005, page 100)
Lastolite’s HiLikte Background, by Stan Sholik (November 2007, page 48)
Lastolite Umbrella Box, by Roger W. Hicks (November 2001, page 217)
Lighting, by Jack Neubart (June 2004, page 86)
Light Boxes & Illuminators: Useful Accessories For Every Photographer. by Robert E. Mayer (September 2002, page 70)
Lighting And Supports, by Jack Neubart (June 2003, page 64)
Lighting For Black And White Portraits: The Black And White “Thing,” by Steve Bedell (February 2001, page 66)
Lighting Highlights, by Ron Eggers (January 2007, page 120)
Lighting. Studio And Mobile Lighting: Strobe & Continuous—Plus Accessories, by Jack Neubart (June 2006, page 88)
Light Tents And Cocoons, by Jack Neubart (October 2003, page 46)
Lighting Your Way To Success, by Maria Piscopo (October 2003, page 22)
Lighting Workshop: How To Meter And Balance Your Lights, by Steve Nichols (October 2003, page 38)
Lowepro’s Linx 220, by Frances E. Schultz (July 2001, page 202)
Lowepro Road Runner AW—A Rolling Pro Backpack, by Peter K. Burian (August 2001, page 242)
Making One Light Two, by Steve Bedell (October 2004, page 60)
Master Class: Light Control, by Monte Zucker (February 2005, page 16)
Master Class: Simplify And Clarify, by Monte Zucker (October 2005, page 20)
Medium And Large Format, Rangefinders, And Continuous Lighting, by Roger W. Hicks (June 2005, page 58)
Medium Format, Light Meters, And Studio Equipment, by Bob Shell (May 2001, page 122)
Minolta Macro Flash System, by Bob Shell (December 2001, page 112)
More Unusual Tripods & Other Nifty Gadgets, by Bob Shell (May 2002, page 42)
Nailed Down Lighting: A Simple Setup For Volume Work, by Steve Bedell (October 2002, page 56)
New 35mm And Digital SLR Cameras, by Peter K. Burian (January 2005, page 62)
New Agfa Print Films: Ultra 100 And Vista Series, by Peter K. Burian (November 2003, page 110)
New And Newly-Reinforced Films, by Robert E. Mayer (July 2007, page 118)
New Digital Cameras With Integral Lens, by Peter K. Burian (January 2005, page 72)
New Electronic Flash Units, by Peter K. Burian (January 2005, page 154)
New Films, by Robert E. Mayer (June 2004, page 64)
New Films (!), Darkroom Gear (!), And News From The Silver-Halide Wars, by Frances E. Schultz (January 2005, page 100)
New Gear And Gadgets, by Robert E. Mayer (June 2002, page 66)
New Kodak Max Zoom 400 Print Film, by Peter K. Burian (July 2001, page 40)
New Negative And Transparency Films, by Peter K. Burian (June 2003, page 60)
New Pentax ZX-L & AF360GZ Flash, by Peter K. Burian (August 2002, page 68)
New Photographic Films, by Frances E. Schultz (May 2001, page 120)
New Shoe-Mount Flash Units, by Peter K. Burian (December 2002, page 90)
Nikon’s D50, by Peter K. Burian (December 2005, page 84)
No Strings Attached With...Wireless TTL Flash, by Jack Neubart (November 2001, page 56)
Nova 5 Star Plus Safelight: How Safe Can A Safelight Be? by Frances E. Schultz (September 2002, page 76)
Novoflex Macro Flash Lighting System, by Jay Abend (November 2001, page 78)
Off-Camera Lighting, by Jay Abend (October 2004, page 62)
Olympus’ E-300 EVOLT, by Peter K. Burian (May 2005, page 76)
On-Camera Flash: Softbox In A Pocket, by Steve Anchell (October 2007, page 62)
On The Beach: How To Tame Those Tough Lighting Conditions, by Steve Bedell (August 2001, page 192)
On The Film Front, by Frances E. Schultz (December 2002, page 96)
Optimum Optical Accessories: Binoculars For Photographers, by Jon Sienkiewicz (May 2007, page 58)
Panoramic Photography With Your Digital Camera: Gear And A Guide To Maximum Panoramic Power, by Jim Porter (July 2005, page 54)
Paterson FX-50: Single Bath, Two Bath Options For Maximum Versatility, by Roger W. Hicks (September 2002, page 74)
Paterson Interfit Flash Heads, by Roger W. Hicks (April 2002, page 160)
PerforMax AC/DC Studio/Portable Flash, by Robert E. Mayer (November 2001, page 82)
Photo Accessories: Storage, Display, Backgrounds, Pro, And More, by Robert E. Mayer (July 2007, page 122)
Photo Backpacks: Amiable Traveling Companions For Your Gear, by Jon Sienkiewicz (May 2007, page 86)
Photogenic Digilight Tungsten Light Units, by Jay Abend (December 2001, page 106)
Photogenic StudioMax II, by Joe Farace (December 2003, page 38)
Photo Gear: Covering The Photo Beat, by Frances E. Schultz and Robert E. Mayer (November 2005, page 136)
Photo Gear: Covering The Photo Beat, by Joe Farace and Robert E. Mayer (January 2006, page 62)
PhotoVision’s One Shot Digital Calibration Targets, by Jack Neubart (November 2007, page 136)
Practical Accessories For The Field Photographer: A Pro’s Recommended List Of Gear For The Road, by Stan Trzoniec (July 2005, page 62)
Practos Exposure Meter, by Roger W. Hicks (July 2004, page 168)
Portable Flash, LED Lighting, And Flash Brackets, by Robert E. Mayer (June 2008, page 86)
Press-Printed Products, A New Offering For Wedding & Portrait Photographers, by Steve Bedell (September 2007, page 28)
Portable Flash: On-Camera Flash, by Robert E. Mayer (June 2006, page 94)
Portable Power on Location, by Jay Abend (November 2004, page 86)
Portraits To Go With JTL’s Mobilight 300, by Joe Farace (March 2005, page 82)
Power Lighting On Location! Studio-Quality Lighting With Minimum Gear: Four Masters Reveal Their Secrets, by Jason Schneider (August 2005, page 44)
Pro Techniques: Filters For Fall. Add New Vibrancy And Excitement To Your Autumn Foliage Photos, by Howard Millard (October 2001, page 124)
Power And Performance, by Jack Neubart (June 2003, page 100)
Quantum’s Leap, by Joe Farace (December 2004, page 80)
Quantum’s Turbo Slim Compact Battery & More, by Joe Farace (October 2007, page 90)
Quick Draw Clip System, by Robert E. Mayer (January 2001, page 226)
Radio Remote Control From Paul C. Buff, by Bob Shell (May 2001, page 34)
Rangefinder, Large Format, Tripods, Batteries And More, by Roger W. Hicks (May 2001, page 136)
Rangefinders, Large Format, Tripods And More, by Roger W. Hicks (June 2002, page 72)
Really Useful Stuff: A Gathering Of Accessories & Items, With Something For Everyone, by Roger W. Hicks (January 2007, page 124)
Rechargeable Batteries & Chargers, by Jack Neubart (June 2005, page 96)
Refurbished Photo Gear: Bargain Or Bust? By Jon Sienkiewicz (March 2007, page 110)
Roundup: Rechargeable Batteries & Chargers, by Jack Neubart (March 2006, page 48)
Roundup: Covering The Photo Beat, by C.A. Boylan (May 2006, page 48)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (September 2006, page 48)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (December 2006, page 52)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (February 2007, page 52)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (March 2007, page 50)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (September 2007, page 78)
Roundup: New Products, Covering The Photo Beat, by C.A. Boylan (November 2007, page 32)
Roundup: New Products, Covering The Photo Beat, By C.A. Boylan (December 2007, page 30)
Roundup: New Products, Covering The Photo Beat, By C.A. Boylan (May 2008, page 30
Safelights: A New Generation, by Frances E. Schultz (January 2001, page 46)
Scrim Jim System, by Stan Sholik (January 2008, page 120)
Sekonic’s DualMaster L-558R Flash/Ambi Meter, by Jack Neubart (February 2006, page 86)
Shoot High-Speed Films At The Beach? One Pro Tells Why, by Steve Bedell (July 2003, page 80)
Shoot-Out In The Old West: Four Pros In A Digital SLR Showdown, by Steve Anchell (July 2005, page 57)
Shutterbug’s 2005 Picks Of The Top Slide Films: Despite Today’s Digital Revolution, Chromes Are Better Than Ever, by Stan Trzoniec (September 2005, page 60)
Sigma’s EM-140 DG Flash, by George Schaub (April 2005, page 70)
Silver And Oil, by Jack Jeffers (December 2004, page 60)
Simple Lighting Makes For Effective Portraiture: It’s All About Highlight & Shadow, by Monte Zucker (April 2002, page 100)
Some Of My Favorite Necessary Accessories, by Gary Bernstein (August 2001, page 56)
Speed Demons: The New Breed Of High-Speed Print Films, by Peter K. Burian (July 2001, page 90)
SP Studio Systems’ LancerLight SPC3200 AC/DC, by Steve Bedell (October 2005, page 72)
Spot Meter Roundup: Metering For Those Who Seek Total Exposure Control, by Joseph A. Dickerson (July 2003, page 76)
Spot Meters, by Joseph A. Dickerson (October 2004, page 57)
Studio And Mobile Lighting: Strobe, Hot, And Cool Lights, by Jack Neubart (July 2007, page 84)
Studio Accessories And Novelty Sales Items, by Robert E. Mayer (June 2008, page 112)
Studio And Mobile Lighting, by Jack Neubart (June 2008, page 80)
Studio Supplies: Studio Accessories, by Robert E. Mayer (April, 2006, page 44)
Studio & Mobile Strobes, Mobile Batteries, And Flash Meters, by Jack Neubart (June 2005, page 102)
Studio Update—Lighting And Assorted “Weird” Gear, by Roger W. Hicks (January 2005, page 104)
Subtle Silver, by Frances E. Schultz (December 2003, page 44)
Superzoom Digital Cameras With Image Stabilizer, by Peter K. Burian (December 2005, page 110)
Studio Flash Lighting: There’s A System To Fit Every Need, by Jack Neubart (October 2005, page 34)
Support On The Road: A Guide To Travel & Field Tripods Under 10 Lbs, by Jack Neubart (July 2005, page 68)
Tabletop Photography: Controlling Shadows And Contrast With Using LitePanels On Location For Fashion Shots, by Ben Clay/Web Photo School (November 2003, page 12)
Tamrac’s Aero 80 Backpack, by George Schaub (January 2008, page 92)
Test Report: Bags. Lowepro’s DryZone Rover, by Jack Neubart (November 2006, page 50)
Test Report: Film. Kodak’s Professional Portra 160 & 400 VC And NC, by Steve Anchell (May 2007, page 110)
Test Report: Film. Rollei’s ScanFilm, by Roger W. Hicks and Frances E. Schultz (March 2007, page 114)
Test Report: Flash. The Nikon R1C1, by Tony Sweet (October 2006, page 82)
Test Report: Lighting. BKA’s Studio System Pro Starter Kit, by Ron Eggers (October 2006, page 90)
Test Report: Lighting. Calumet’s Travelites, by Ron Eggers and Stan Sholik (October 2006, page 52)
Test Report: Lighting. JTL’s Multifunctional Meter, by Ron Eggers (October 2006, page 46)
Test Report: Lighting. JTL’s Mobilight 300, by Ron Eggers (December 2006, page 148)
Test Report: Lighting. Photoflex’s LiteDome Kits, by Ron Eggers (April 2007, page 98)
Test Report: Lighting. Photoflex’s Starter Kits, by Ron Eggers (December 2006, page 120)
Test Report: Llighting. The ExpoDisc, by George Schaub (May 2007, page 102)
Test Report Lighting: The Westcott Spiderlite, by Ron Eggers (October 2006, page 76)
Test Report: Photo Gear, Think Tank Photo Bags, by Jon Sienkiewicz (March 2006, page 102)
Test Report: Photo Gear. Traveling With A SlingShot, by Frances E. Schultz (May 2006, page 114)
The Digital Debate: For Group Portraits, Film Still Rules, by Steve Bedell (July 2002, page 96)
The Epson R-D1 Journey Begins, by David B. Brooks (April 2005, page 62)
The Hasselblad Xpan, by Tony Sweet (April 2003, page 76)
The JTL Versalight D—Digital Monolights, by Jay Abend (April 2004, page 50)
The Latest In Light Meters: Sekonic’s L-608 And L-508, by Bob Shell (July 2001, page 56)
The MK Gem eBox, by Jack Neubart (October 2005, page 82)
The Nikon D2x, by Tony Sweet (August 2005, page 68)
The Pentax *ist Ds, by Peter K. Burian (September 2005, page 84)
The Quantum FreeWire: The Pro Wireless TTL System That Turns Heads, by Jay Abend (October 2002, page 70)
The SEI Photometer: A Legend Among Spot Meters, by Roger W. Hicks (October 2002, page 96)
Three Essential Film Filters Vs. Digital Filter Software, by Tony Sweet (July 2004, page 51)
Three (Unexpected) Uses For A Digital Camera: A New Tool For Some Old Tricks, by Roger W. Hicks (March 2005, page 52)
Transformations With Portrait Lighting, by Ben Clay (April 2001, page 88)
TrekPod Go! Monopod, by Joe Farace (February 2008, page 100)
Tripods And Camera Supports, by Frances E. Schultz (January 2007, page 157)
Tripods And Heads, by Frances E. Schultz (June 2005, page 150)
Tripods And Heads, by Jon Canfield (July 2007, page 108)
Tripods And Various Weird Stuff, by Roger W. Hicks (December 2002, page 166)
Tripods, Monopods, And Heads, by Jack Neubart (June 2008, page 90)
Tripods—New Materials And Designs, by Frances E. Schultz (January 2005, page 167)
TTL Flash: Shedding New Light On Close-Up & Macro, by Jack Neubart (October 2002, page 94)
Turn Off Your Flash For Digital Images: Continuous Light Sources Make A Comeback, by Joe Farace (October 2005, page 38)
Two New JTL Light Meters: Getting The RIght Exposure At An Affordable Price, by Bob Shell (December 2002, page 118)
Velbon’s MAXi34E, by Roger W. Hicks (March 2002, page 162)
Visatec Litepac: A Portable Masterpiece, by Jay Abend (May 2002, page 102)
Weird And Wonderful: A Visit To The PMA Novelty Shop, by Roger W. Hicks (June 2006, page 82)
What’s New, by George Schaub (July 2007, page 24)
White Lightning’s X-Series Monolights, by Jay Abend (August 2004, page 116)
Wireless Radio Triggers, by Steve Anchell (November 2007, page 68)
XP Innovations’ LiteShaper, by Steve Bedell (December 2005, page 78)

35mm Cameras

35mm And APS Compact Cameras, by Peter K. Burian (May 2001, page 124)
35mm And APS Compact Cameras, by Peter K. Burian (June 2002, page 98)
35mm SLR, by Editor (June 2005, page 62)
35mm SLR Cameras, Lenses And Flashes, by Peter K. Burian (May 2001, page 114)
35mm SLR Cameras And Lenses, by Peter K. Burian (December 2002, page 54)
35mm SLR Cameras And Flash Units, by Peter K. Burian (June 2002, page 76)
35mm SLR And Rangefinder Cameras, by Peter K. Burian (December 2001, page 74)
35mm SLR And Rangefinder Cameras, by Peter K. Burian (June 2003, page 38)
A Case For Elegance—Kameraleder, by Bob Shell (August 2001, page 24)
All-Manual 35mm Cameras: Total Control Is In Your Hands, by Peter K. Burian (February 2001, page 227)
Breakthrough Contax N1, by Bob Shell (March 2001, page 84)
Buying Tips: A Pro’s Picks In The Compact Class, by Dave Howard (January 2001, page 58)
Cameras: Rangefinder 35mms, Medium & Large Format Cameras, by Roger W. Hicks (June 2006, page 38)
Canon EOS 20D, by George Schaub (February 2005, page 94)
Canon EOS Elan 7E, by Bob Shell (August 2001, page 98)
Canon’s EOS ELAN 7NE, by Stan Trzoniec (December 2004, page 112)
Canon EOS Rebel Ti, by Bob Shell (February 2003, page 96)
Compact 35mm And APS Format Cameras, by Peter K. Burian (December 2002, page 92)
Covering The Photo Beat, by Robert E. Mayer (March 2004, page 184)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
First Look: Innovative New Minolta Maxxum 7, by Peter K. Burian (January 2001, page 34)
First Look: Fujifilm Zoom Date 1300, by George Schaub (October 2002, page 101)
First Look: Pentax MZ-S, by Peter K. Burian (December 2001, page 110)
Leica M7, by Bob Shell (November 2002, page 56)
Minolta Freedom Zoom 160: A New Take On AF Tech, by George Schaub (August 2002, page 80)
Minolta Maxxum 5, by George Schaub (January 2002, page 88)
New 35mm And APS Compact Cameras, by Peter K. Burian (June 2003, page 86)
New 35mm And Digital SLR Cameras, by Peter K. Burian (January 2005, page 62)
New 35mm SLR And Rangefinder Cameras, by Peter K. Burian (June 2004, page 28)
New Pentax ZX-L & AF360GZ Flash, by Peter K. Burian (August 2002, page 68)
New Sigma SA-9, SA-7, & EF 500 Super Flash, by Peter K. Burian (November 2001, page 112)
Nikon N55, by Peter K. Burian (August 2002, page 78)
Pentax’s *ist 35mm Camera, by Peter K. Burian (January 2004, page 44)
Rangefinder Cameras: The Golden Age Is Upon Us, by Roger W. Hicks (January 2007, page 102)
Reminisces Of 35mm. by Gary Bernstein (June 2001, page 18)
Rollei 6008 AF, by Bob Shell (March 2003, page 86)
Snob Appeal: 35s With A Touch Of Class, by Peter K. Burian (August 2002, page 56)
Test Report: Rangefinder 35mm The New Zeiss Ikon Rangefinder 35, by Roger W. Hicks and Frances E. Schultz (April, 2006, page 110)
Test Report: Rangefinder 35mm Voigtlander’s Bessa R3A, by Roger W. Hicks and Frances E. Schultz (April, 2006, page 94)
The Contax NX AF-SLR, by Bob Shell (August 2002, page 60)
The Evolution Of A New Rangefinder Camera: Is The New Zeiss Ikon Just Another Bessa Under A Different Brand Name? by S. “Fritz” Takeda (April 2005, page 100)
The Full-Featured Nikon N65 35mm AF SLR, by Robert E. Mayer (September 2001, page 82)
The Hasselblad 203FE Revisited, by Jay Abend (January 2003, page 64)
The Leica MP, by Roger W. Hicks (December 2004, page 86)
The Nikon F6, by Stan Trzoniec (April 2005, page 84)
The Nikon N75, by George Schaub (August 2003, page 68)
The Pentax MZ-S Professional Camera, by W.L. Fadner (May 2002, page 98)
Toho FC45X & FC45 Mini: Ultra-Compact 4x5 Cameras, by Roger W. Hicks (December 2001, page 118)
Voigtlander Bessa-T, by Roger W. Hicks (January 2002, page 82)
Zeiss Ikon SW Camera, by Joe Farace (October 2007, page 112)

APS & Miscellaneous Cameras

35mm And APS Compact Cameras, by Peter K. Burian (June 2002, page 98)
Both Sides Now: Bruce Myren Looks At The Pros And Cons Of The Digital World, by Rosalind Smith (October 2003, page 82)
Compact 35mm Cameras, by Robert E. Mayer (December 2001, page 84)
Compact 35mm And APS Format Cameras, by Peter K. Burian (December 2002, page 92)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
New 35mm And APS Compact Cameras, by Peter K. Burian (June 2003, page 86)
Panflex Panoramic Camera, Bob Shell (October 2001, page 86)
Pocket Cameras, Pocket Portfolios: Shoot & Show On The GO, by Larry Berman and Chris Maher (September 2005, page 46)
Roundshot 28/220, by Dave Howard (May 2003, page 100)
Samsung Maxima Elite 170QD: A 38-170mm Point-And-Shoot Zoom In A Coat Pocket Camera, by George Schaub (July 2001, page 84)
What’s A WOCA Do? Can Happiness Be Found In The Latest Diana Wannabee? by John Stewart (January 2003, page 66)

Darkroom

Accessories, Darkroom, And Bags, by Robert E. Mayer (June 2003, page 92)
Adorama’s Ador Variable Grade Fiber Base Paper, by Dave Howard (October 2001, page 90)
A Gallery Of Filters, by Darryl C. Nicholas (July 2004, page 16)
An Enhanced Multicontrast Printing Technique, by Bill Davis (February 2004, page 184)
B&W Film Developing Made Easy: Do-It-Yourself Tips & Techniques, by Frances E. Schultz (September 2004, page 58)
Blackout: Darkroom In A Pinch, by Frances E. Schultz (July 2001, page 230)
Care And Feeding Of Enlargers—Part I, by Frances E. Schultz (July 2002, page 42)
Care And Feeding Of Enlargers—Part II, by Frances E. Schultz (September 2002, page 68)
Coping With Change, by Frances E. Schultz (February 2006, page 158)
Create A Background For Portrait Candids, by Darryl C. Nicholas (November 2004, page 20)
Coffee, Tea, Or Vitamin C: Kitchen Chemistry In The Darkroom, by Roger K. Bunting (September 2003, page 42)
Create A Torn Effect In Photoshop, by Darryl C. Nicholas (November 2003, page 14)
Darkroom Equipment And Materials, by Frances E. Schultz (May 2001, page 212)
Darkroom: Film, Paper, Chemistry, And Darkroom Gear, by Frances E. Schultz (June 2006, page 112)
Darkroom Products, by Frances E. Schultz (December 2002, page 98)
Dealing With Dynamic Range, by Darryl C. Nicholas (May 2003, page 44)
dr5 Labs: Renewing The Black And White Lease, by George Schaub (February 2005, page 66)
Film, Chemistry, Paper, And Darkroom, by Frances E. Schultz (June 2002, page 106)
Film, Paper, Chemistry, And Darkroom, by Frances E. Schultz (June 2005, page 152)
From Color Prints To Color Copy Negatives, by Darryl C. Nicholas (January 2001, page 234)
How To Build The World’s Least Expensive, Easiest To Assemble Film Dryer (Next To A Coat Hanger And Two Clothespins) by F. Michael LaRosa (September 2002, page 150)
Kaiser’s Studio Out Of The Box, by Frances E. Schultz and Roger W. Hicks (March 2005, page 90)
Making Picture Frames, by Darryl C. Nicholas (October 2002, page 34)
Making Quick Mask Selections, by Darryl C. Nicholas (December 2002, page 38)
Nightmare Negs, by Frances E. Schultz (August 2003, page 148)
Paterson Acugrade Warmtone, by Frances E. Schultz (September 2003, page 80)
Photo Gear: Covering The Photo Beat, by Dave Howard and Robert E. Mayer (December 2005, page 118)
Planning A Perfect Darkroom: Long-Term And Temporary Considerations, by Frances E. Schultz (November 2002, page 170)
Printing Black And White Negatives With A Color Enlarger, by Darryl C. Nicholas (February 2002, page 162)
Quick Tips: Film Drying, by Roger W. Hicks (October 2001, page 180)
Setting The Black Point, by Darryl C. Nicholas (September 2004, page 184)
Silver and Oil, by Jack Jeffers (December 2004. page 60)
Softening And Vignetting, by Frances E. Schultz (May 2002, page 26)
Silver Halide Photography: Films, Papers, Chemicals, Darkroom, And More, by Frances E. Schultz (January 2007, page 117)
Still Using A Lab For B&W Prints? For Best Results, Do It Yourself! by Frances E. Schultz (February 2003, page 84)
Strip, CLean, And Overhaul, by Frances E. Schultz (October 2003, page 174)
Subtle Differences: Warm-Tone Prints, by Frances E. Schultz (October 2001, page 108)
The Darkroom: Contrast Control Masking, by Darryl C. Nicholas (March 2005, page 150)
The Darkroom: Making Digital Mattes In Photoshop, by Darryl C. Nicholas (July 2005, page 154)
The Darkroom: Printing From Glass Plates, by Frances E. Schultz (September 2005, page 100)
The Darkroom: Problem Restorations Solved, by Darryl C. Nicholas (July 2006, page 36)
The Darkroom: Sanctuary, by Frances E. Schultz (September 2006, page 148)
The Darkroom: The Hybrid Darkroom, by Frances E. Schultz (November 2005, page 176)
The Darkroom: The Lowdown On VC Papers, by Frances E. Schultz (May 2005, page 176)
The Darkroom: Using The Extract Tool, by Darryl C. Nicholas (June 2005, page 18)
The Darkroom: When Good Chemicals Go Bad, by Frances E. Schultz (February 2005, page 146)
The Holga Enlarger, by Dave Howard (September 2004, page 114)
The Large Format Darkroom, by Frances E. Schultz (October 2004, page 124)
The University Of The Arts: A State Of The Art Darkroom, by Darryl C. Nicholas (October 2001, page 100)
Timeless Travel: Images Made With History In Mind, by Frances E. Schultz (May 2005, page 66)
Toward A Kinder, Gentler Camera, by Frances E. Schultz (June 2004, page 180)
Using The Info Tool To Create Better Prints, by Darryl C. Nicholas (March 2003, page 32)
Use More Paper—Waste Less! by Frances E. Schultz (April 2003, page 144)
Using The Right Enlarger Lens—Exceptions To The Rule, by Darryl C. Nicholas (February 2001, page 214)
Using The Shadow/Highlight Tool, by Darryl C. Nicholas (May 2004, page 22)
What Do Those H&D Curves Really Mean? by Darryl C. Nicholas (April 2001, page 211)
Working With Imperfection, by Frances E. Schultz (December 2004, page 178)
Your Traditional Darkroom, by Frances E. Schultz (December 2003, page 154

How-To And Techniques

10 Rules For Top Digital Quality: Format, Exposure, Highlight Control, And More, by Steve Bedell (March 2004, page 124)
10 Terrific Tips: For Black And White Images, by Frances E. Schultz (February 2001, page 72)
20 Photoshop/Elements Secrets, by Phillip Andrews (How To Guide 2006, page 64)
A Basic Child Portrait On Location, by Ben Clay/Web Photo School (April 2002, page 20)
Accessories Can Make A Big Difference! by Monte Zucker (July 2003, page 22)
ACDSee 7, by Joe Farace (March 2005, page 62)
A Digital Convert Tell’s All About...The Good, The Bad, And The Ugly Of Switching, by Clint Farlinger (March 2004, page 113)
A Digital Trip To Paris: On The Road With Cameras, Batteries, Computer, Cords, And More, by Susan McCartney (May 2004, page 58)
After Dark: What To Do When The Light Runs Out, by Roger W. Hicks (May 2002, page 82)
Are You Talking To Me?, by Jack Hollingsworth (December 2007, page 26)
A Journey Through Autumn: Following The Color South, by Richard Pahl (October 2002, page 52)
Alternative Sources & Resources For Income, by Maria Piscopo (October 2002, page 192)
A Macro Photography Primer: Getting Up Close And Personal For Some Great Photo Ops, by Kenneth J. Stein, Ph.D. (August 2003, page 90)
A Model Portfolio Made Easy: Lighting Basics Using BKA’s Lancer Light Series AC/DC Lights, by Ingrid S. Krampe (April 2003, page 92)
A New Direction For Portraiture, by Monte Zucker (July 2001, page 32)
A New B&W Inkjet Option: Using An Epson R800 Or R1800 With B&W 100 Percent Carbon MIS Ink, by David B. Brooks (February 2008, page 84)
An Insider’s Look At Food Photography, by Dennis Davis (December 2004, page 56)
An Ink Jet Printer, by David B. Brooks (April 2003, page 96)
A Pocket Digital—My Traveling Companion! by Monte Zucker (November 2002, page 20)
A Pro’s Touch: Creative Portrait Backgrounds Using Photoshop 6.0, by Darryl C. Nicholas (March 2001, page 138)
A Working Model For Photography Business Growth, by Maria Piscopo (July 2001, page 24)
Add Motion To Stills, by Rick Sammon (February 2001, page 22)
Another Option: Dodging And Burning-In With Photoshop, by Darryl C. Nicholas (September 2001, page 112)
Anything But Front Light: Use Side And Backlighting To Enhance Your Travel Photos, by Dave Howard (November 2001, page 70)
Aperture In Black And White: Conversion Strategies For Mac Users, by George Schaub (February 2008, page 64)
Aperture’s Light Table, Layout And Pictures Stories: A Newfound Tool For A Lost Art, by Rod Lawton (October 2007, page 86)
April Showers: Techniques For Capturing May Flowers, by Peter K. Burian (April 2001, page 138)
Autofocus Problem Solving: 10 Tips For Reliable Photography, by Peter K. Burian (January 2001, page 158)
Automated Color Correction: Getting Idiot-Proof Color Every Time, by Jay Abend (March 2002, page 54)
Available Light Portraits: 10 Secrets To Photographing People Using Minimum Equipment, by Joe Farace (January 2001, page 166)
Background Check, by Bob Shell (April 2003, page 28)
Backgrounds & Montages: Create A Unique, Custom Image For Your Portrait Clients, by Woody Walters (April 2005, page 44)
Back It Up! How Four Pros Preserve And Protect Their Digital Images…And Why One Won’t Play That Game, by Barry Tanenbaum (June 2007, page 74)
Back To Basics Part I—How To Get Started In Your Photography Business, by Maria Piscopo (January 2002, page 174)
Back To Basics Part II—Finding Images To Shoot That Clients Will Buy, by Maria Piscopo (February 2002, page 166)
Back To Basics Part III—Focus On An Action Plan, by Maria Piscopo (March 2002, page 154)
Back Up Your Photos Now! You (Probably) Already Have The Software You Need In Windows (And There’s A Free One For Mac Users As Well), by Rod Lawton (April 2008, page 146)
Basic Studio Portraiture, by Ben Clay/Web Photo School (September 2001, page 20)
Becoming Your Own Publisher: Online Photo Books And Albums, by Steve Gottlieb, (June 2007, page 78)
Blackout: Darkroom In A Pinch, by Frances E. Schultz (July 2001, page 230)
B&W Negative Scanning: A Step By Step, Easy Way To Quality Images, by David B. Brooks (September 2002, page 86)
Black & White Conversions: A Powerful New Tool In CS3, by Ben Willmore (February 2008, page 74)
Blog, Blog, Blog, Blog, Photoblog: How Photographers Are Making The Internet Work For Them, by David B. Brooks (January 2005, page 27)
Blur a la Carte: Add Motion To Any Image, by Howard Millard (How To Guide 2006, page 50)
Books & DVDs: Up To Speed With Adobe’s Photoshop CS2, by Howard Millard (April, 2006, page 156)
Break The Rules: 7 Tips For The Modern Portrait Photographer, by Jay Abend (January 2001, page 162)
Breakin’ Out On Your Own: Making It In The Free-Lance World, by Rick Sammon (April 2002, page 78)
Build A Low-Cost Film Drying Cabinet, by Tom Fuller (February 2001, page 236)
Building A Photographic Community, by Maria Piscopo (September 2004, page 156)
Build An Underwater Camera Housing, by Tom Fuller (September 2001, page 220)
Build A Variable Extension Tube, by Tom Fuller (January 2001, page 18)
Building Great Photos: Compositing Multiple Frames To Create One Great Image, by Jay Abend (November 2002, page 92)
Building Your Digital Event Photography, by Maria Piscopo (December 2004, page 26)
Business Opportunities Working With Your Lab/Service Bureau, by Maria Piscopo (July 2003, page 158)
Business Trends: A Marketing Survey Of Photo Buyers, by Maria Piscopo (September 2007, page 106)
Business Trends: Are There Digital Photography Clients? by Maria Piscopo (April, 2006,page 24)
Business Trends: Fix Your Marketing Mix, by Maria Piscopo (April 2007, page 70)
Business Trends: Going Pro—Portrait Style, by Maria Piscopo (November 2005, page 22)
Business Trends: How To Grow Your Wedding Business, by Maria Piscopo (August 2007, page 30)
Business Trends: “Know Your Rights—Know The Price”, by Maria Piscopo (May 2008, page 32)
Business Trends: Making A Difference With Photography, by Maria Piscopo (April 2008, page 40)
Business Trends: Project Management For Photographers, by Maria Piscopo (June 2007, page 50)
Business Trends: Risky Business, by Maria Piscopo (February 2006, page 20)
Business Trends: Setting The Right Price, by Maria Piscopo (February 2005, page 150)
Business Trends: The Business Of Children’s Portraits, by Maria Piscopo (January 2006, page 16)
Business Trends: The Business Of Travel Photograpy, by Maria Piscopo (May 2006, page 32)
Business Trends: The NEW State Of Stock Photography, by Maria Piscopo (September 2006, page 32)
Business Trends: The Photo Workshop Business, by Maria Piscopo (March 2008, page 16)
Business Trends: Update That Website—Now!, by Maria Piscopo (January 2007, page 176)
Business Trends: Using Software For Your Photo Business, by Maria Piscopo (March 2006, page 26)
Business Trends: Use Your Website As A Marketing Tool, by Maria Piscopo (October 2007, page 191)
Build Your Own Custom Imaging Computer: It’s Easier Than You Think, by John Rettie (July 2003, page 48)
Buying Your First Flash: If The Shoe Mount Fits, Wear it, by Jack Neubart (October 2002, page 90)
Buyer’s Guide To Tripods: Choosing Different ‘Pods For Different Jobs, by Dave Howard (February 2001, page 140)
Capturing Mood. by Tony Sweet (June 2001, page 10)
Capturing That Special Sense Of Place, by Jack Hollingsworth (February 2001, page 46)
Capturing The Magic Of Kids On Film, by Jack Holllingsworth (August 2001, page 52)
Cave Photography, by Clint Farlinger (January 2008, page 124)
Change Everything, by Jack Hollingsworth (June 2004, page 9)
Choosing A Notebook Computer: Indispensable Tools For Photographers, by Jon Sienkiewicz (March 2007, page 74)
Creating Cinematic Lighting The Easy Way, by Ben Clay/Web Photo School (April 2004, page 22)
Create A Pop Art Portrait: Back To The ‘60s, by Howard Millard (March 2008, page 102)
Creative Multiple Exposure: Digital And Film Options, by Howard Millard (April 2008, page 148)
Close-Up Lighting, Soft And Easy. Adapting Light To Macro Photography, by Robert E. Mayer (October 2006, page 68)
Coffee, Tea, Or Vitamin C: Kitchen Chemistry In The Darkroom, by Roger K. Bunting (September 2003, page 42)
Color Is Content, by Jack Hollingsworth (April 2001, page 14)
Color Management, by Jon Canfield (July 2007, page 66)
Color Management, by Jon Canfield (June 2008, page 54)
Contrasting Color For Vivid Results, by Ben Clay/Web Photo School (January 2002, page 20)
Controlling Background Brightness: In The Studio And Outdoors, by Tony L. Corbell (July 2002, page 92)
Controlling “Impossible” Reflections, by Ben Clay/Web Photo School (February 2004, page 18)
Correcting Distortion In The Digital Darkroom, by Darryl C. Nicholas (June 2002, page 38)
Correcting Perspective With Architectural Shots, by Ben Clay/Web Photo School (May 2003, page 34)
Cowboy & Horses, Layers: Creative And Practical Uses, by David B. Brooks (August 2001, page 120)
Crash Course: A Short Lesson In Wildlife Photography, by Rick Sammon (March 2001, page 152)
Creating And Modifying Soft Light Indoors, by Ben Clay/Web Photo School (March 2002, page 20)
Creating A Site That Works For You, by Rosalind Smith (December 2001, page 42)
Create A Torn Effect In Photoshop, by Darryl C. Nicholas (November 2003, page 14)
Creating Brushed Metal Reflections, by Ben Clay/Web Photo School (November 2001, page 20)
Creating Digital Macro Shots On Location, by Ben Clay/Web Photo School (February 2003, page 22)
Creative Ideas For Self-Promotion In the Marketplace, by Maria Piscopo (November 2002, page 166)
Creating Panoramic Images Digitally, by Ben Clay/Web Photo School (April 2003, page 20)
Create Top Model Portfolios: Tips From A Pro, by Joe Farace (April 2001, page 92)
Creating Warm Light For Portraits, by Ben Clay/Web Photo School (January 2003, page 20)
Cruising For Images, by Jack Hollingsworth (October 2002, page 42)
Dancing Around The Format, by Monte Zucker (August 2004, page 20)
Darkroom Products, by Frances E. Schultz (December 2002, page 98)
David Brooks’ Digital Darkroom Resource CD: An Affordable Way To Get A Handle On Digital Imaging, by Andrea Keister (March 2008, page 108)
Dealing With Dynamic Range, by Darryl C. Nicholas (May 2003, page 44)
Develop Photographer/Client Relationships, by Maria Piscopo (March 2001, page 233)
Digital Color To B&W: Five Top Ways To Convert To Gray, by Philip Andrews (February 2007, page 68)
Digital Darkroom: Digital Innovations Speed Photographers’ Workflow, by Steve Bedell (March 2006, page 55)
Digital Darkroom: Camera Raw Workflow, by David B. Brooks (April, 2006, page 58)
Digital Darkroom: Digital Capture Input: “Alternative” Output, by Rainer Wenzel (April, 2006, page 51)
Digital Darkroom: Faster Photoshop, Free, by Phillip Andrews (April, 2006, page 46)
Digital Darkroom: Is This The Ultimate Photo Road Warrior machine? by Brad Perks and Roger L Johnson (May 2006, page 60)
Digital Diary: Photographing Dance, by Andre Costantini (March 2003, page 66)
Digital In Black And White: Ink Jet Printing Problems And Solutions, by David B. Brooks (December 2001, page 58)
Digital Innovations: Blink-Free Photos Guaranteed! by Joe Farace (May 2007, page 50)
Digital Innovations: Capturing Images In Camera And The Ditigal Darkroom, by Joe Farace (September 2007, page 22)
Digital Innovations: How To Choose The Right Digital SLR, by Joe Farace (June 2007, page 38)
Digital Innovations: Is There A Correct Way To Make A Photograph? by Joe Farace (February 2006, page 156)
Digital Innovations: Living Outside The Frame, by Joe Farace (September 2006, page 168)
Digital Innovations: On The Digital Road, by Joe Farace (May 2008, page 40)
Digital Innovations: The Dog Ate My Homework..., by Joe Farace (April, 2006,page 40)
Digital Innovations: The Virtues Of Digital Imaging, by Joe Farace (February 2007, page 160)
Digital Isn’t For Everyone, by Monte Zucker (March 2004, page 12)
Digital Life Preservers: How To Organize, Archive, And Protect Your Valuable Photos, by Howard Millard (September 2005, page 62)
Digital Print Display Do’s And Don'ts: How To Mount And Frame Your Ink Jet Masterpieces, by Jay Abend (April 2001, page 122)
Digital Soft Focus And Diffusion: Adding Mood And Mystery With Any Software, by Howard Millard (How To Guide 2006, page 58)
Digital White Balance And Color Temperature: Not So Simple As It Seems, by Bob Shell (January 2003, page 26)
Digital Wedding Photography: Tips From The Pros, by Joe Farace (April 2003, page 70)
Direct Mail Marketing: Targeted, Effective Campaigns Pay Off! by Maria Piscopo (August 2002, page 34)
Distance And Angles Of Light, by Gary Bernstein (October 2001, page 40)
Doin’ South Beach Digitally: Turning Snapshots Into Great Shots, by Rick Sammon (January 2003, page 30)
Double Exposures: Double The Trouble, But Double The Fun! by Dave Wade (May 2004, page 52)
Dressed For The Occasion, by Gene Kester/Web Photo School (October 2001, page 18)
Earth’s Shadow: Wait For The Right Light, by Frank Weston (May 2004, page 31)
Easy Online Construction: Do-It-Yourself Portfolio, by George Schaub (January 2002, page 100)
Enshourded In Fog: Tips On Capturing That Soft And Subtle Light, by Jim Zuckerman (October 2006, page 64)
Entering Photographic Competitions Can Be The Fairy-Tale Stepping Stone To Success, by Monte Zucker (March 2001, page 18)
Ever Wonder...How RA-4 Paper Works? by Darryl C. Nicholas (September 2002, page 78)
Exclusive—First Dry Film Processing Test. by Bob Shell (June 2001, page 14)
Experience And Energy, by Blake Ziegler & Mary Brocius (November 2002, page 30)
False Accuracy: Learn To Live With The Variables, by Roger W. Hicks (November 2003, page 190)
Fill Flash Flamenco: Catch The Spirit Of The Dance, by David Wade (October 2002, page 58)
Fill Light: Use Your Flash Outdoors, by Peter K. Burian (October 2007, page 88)
Film Photography Meets Digital Imaging, by Joe Farace (March 2002, page 194)
Film & Digital B&W “Hybrid”: How To Get The Best Of Both Worlds, by David B. Brooks (February 2008, page 76)
Fine Art Marketing, by Maria Piscopo (January 2008, page 36)
Fine Printing: Recipes For Great Print Quality, by Frances E. Schultz (September 2003, page 52)
First Light/Last Light Reflections: Fleeting Opportunities For Unique Photos, by Dave Howard (December 2001, page 102)
Flash Back: Getting The Most From Built-In Flash, by Joe Farace (How To Guide 2006, page 22)
Focal Lengths And Faces: Choosing The Right Lens For Up Close And Personal Portraits, by Scott Stulberg (August 2007, page 60)
For Fun And Profit: Five Flat-Bed Scanner Projects, by Howard Millard (April 2001, page 118)
Foreground Framing: Wide Angle Lenses, Deep Depth Of Field & Point Of View Can Yield Some Great Travel Shots, by Kerry Drager (July 2002, page 88)
For The Love Of Photography: Don’t Allow The Challenge Of A Disability Stop You From Making Great Pictures, by Ralph J. Adkins (April 2007, page 180)
Formal Bridal Portraiture: A Posing Guide For The “New” Elegance, by Monte Zucker (April 2004, page 102)
Format Selection: Bigger Is Better...Or Is It?, Joseph A. Dickerson (July 2001, page 76)
Friendly Tips For Photographers: A Reminder About Effective Techniques, by Monte Zucker (October 2001, page 26)
From Color Prints To Color Copy Negatives, by Darryl C. Nicholas (January 2001, page 234)
From Russia With Love...Part 1, by Monte Zucker (August 2003, page 14)
From Russia With Love...Part 2, by Monte Zucker (September 2003, page 24)
Gentle Scenics: Discerning The Less-Than-Obvious Landscape, by Dave Howard (September 2001, page 102)
Get A Grip! Camera Comfort Isn’t Just A Luxury! by Dave Howard (August 2001, page 136)
Getting Back To The Basics, by Monte Zucker (July 2004, page 20)
Get Control Of Color! WYSIWYG: Are We There Yet? by David B. Brooks (April 2001, page 110)
Get Great Studio Portraits: Nine Tips To Lighting Success, by Steve Bedell (October 2003, page 85)
Get Great Race Shots...Without A Press Pass, by R.C. Parsons (July 2006, page 43)
Get It Right…In The Camera…And Save On “Post”-Processing Time, by Steve Bedell (May 2008, page 92)
Getting Skin Tones Right: Digital Portrait Techniques, by Jay Abend (April 2002, page 90)
Get Organnized: Make A Contact Sheet, by Darryl C. Nicholas (How To Guide 2006, page 44)
Getting Started As A Pro, by Maria Piscopo (November 2004, page 176)
Getting Started: Basic Studio Lighting Setups On A Budget, by Robert E. Mayer (November 2001, page 46)
Get The Most From Your Scans: Dynamic Density And Resolution, by Darryl C. Nicholas (How To Guide 2006, page 46)
Getting Your Money, by Maria Piscopo (April 2001, page 224)
Go With The Flow: Tips For Capturing Great Water Shots, by Clint Farlinger (May 2001, page 66)
Globetrotter—Travel & Location: Cruisin’ For Photo Opportunities, by Rick Sammon (May 2005, page 18)
Globetrotter—Travel & Location: Leaving Las Vegas..., by Rick Sammon (July 2005, page 12)
Globetrotter—Travel & Location: Shooting Indoors, by Rick Sammon (March 2005, page 12)
Handcolor Your Prints: A Venerable Craft That’s Still Going Strong, by Frances E. Schultz (September 2003, page 76)
Hard Light Portraits: An Island In A Sea Of Softboxes, by Steve Bedell (April 2008, page 58)
Hard Or Soft? Q&A On Paper Grades, by Roger W. Hicks & Frances E. Schultz (February 2003, page 92)
Have Cameras...Will Travel! by Monte Zucker (May 2004, page 18)
Have Camera...Will Travel! by Monte Zucker (June 2004, page 16)
HDR Primer: High Dynamic Range Photography For Those Who “Want It All!”, by Tony Sweet (July 2008, page 46)
Helping People See The World, by Joe Farace (April 2008, page 48)
High Flying: Photograph The Fun At Balloon Festivals, by Rick Sammon (May 2001, page 78)
High Impact With Extreme Close-Ups, by Ben Clay (August 2001, page 20)
How To Build The World’s Least Expensive, Easiest To Assemble Film Dryer (Next To A Coat Hanger And Two Clothespins) by F. Michael LaRosa (September 2002, page 150)
How To Find Commercial Clients, by Maria Piscopo (September 2003, page 156)
How To Improve Your Internet Marketing, by Maria Piscopo (June 2004, page 192)
How To Photograph Big Groups: Simple Guidelines For Great Results, by Steve Bedell (April 2004, page 106)
How To Scan Large Pictures, by Darryl C. Nicholas (February 2003, page 36)
How’d You Like To Write An e-Book? by Joe Farace (September 2002, page 84)
Improving Your Scenic Shots, by Ben Clay/Web Photo School (July 2003, page 14)
In Camera Image Controls: Contrast, Color Saturation, And Sharpening, by Peter K. Burian (How To Guide 2006, page 30)
Infinite Backgrounds: Select, Cut & Paste—It’s All In The Digital Darkroom, by Steve Bedell (March 2003, page 72)
Inkjet Printer Maintenance: Tips For Fixing Poor Print Results, by Darryl C. Nicholas (How To Guide 2006, page 88)
Is This The Ultimate Image Composite? Scavengers Tell The Story, by Robert Inouye (March 2004, page 120)
It’s All Done With Mirrors—Mirror Lenses, That Is. by Bob Shell (April 2001, page 22)
It May Not Be Monday Football, But…The Youth Action Sport Market, by David Whitson (May 2007, page 34)
Improving Sales By Selling Your Style: An Interview With Robert Lino, by Maria Piscopo (September 2002, page 22)
Improve Your Outdoor Portraits: Tips From A Pro On Lighting, Posing, And More, by Steve Bedell (May 2005, page 70)
Infrared—Digital Style: Shooting Infrared Photographs With Your Digital Camera, by Chris Maher & Larry Berman (February 2002, page 60)
Is Your Computer Set Up For Digital Photography? How To Stop Creating Natural Light Indoors, by Ben Clay/Web Photo School (March 2003, page 24)
Just When You Thought You Knew Me...by Monte Zucker (December 2001, page 26)
Large Format Primer: Gearing Up & Getting To Work, by Joseph A. Dickerson (September 2001, page 114)
Legal And Business Practices For Digital Photography, by Maria Piscopo (February 2008, page 40)
Lighting For Black And White Portraits: The Black And White “Thing,” by Steve Bedell (February 2001, page 66)
Light On The Land: Capturing The Elusive Moment, by Clint Farlinger (May 2002, page 50)
Light Plays: Pumped Up Color, by Jay Abend (June 2001, page 110)
Lighten Up, by Jack Hollingsworth (August 2002, page 24)
Lighting Your Way To Success, by Maria Piscopo (October 2003, page 22)
Lighting—What’s It All About? by Monte Zucker (November 2001, page 26)
Lighting Workshop: How To Meter And Balance Your Lights, by Steve Nichols (October 2003, page 38)
Locations: Creative Seeing, by Rick Sammon (January 2007, page 32)
Locations: Make Your Own Luck, by Clint Farlinger (May 2006, page 38)
Long Weekends: Learning To Take The Next Step, by Barry Tanenbaum (August 2001, page 132)
Look Ma, No Lens! Pinhole Cameras You Can Build Or Buy, by John Stewart (February 2005, page 153)
Made Easy: Digital Sepia Toning, by Darryl C. Nicholas (February 2001, page 80)
Make A Digital Montage, by Rick Sammon (April 2001, page 32)
Making A “Monte” Portrait: Take A Simple, Direct Approach, by Monte Zucker (April 2005, page 50)
Making Custom Brushes In Photoshop Version 7.0, by Darryl C. Nicholas (July 2003, page 42)
Making Digital Contact Sheets From Negatives: A Hybrid Solution For The Film/Digital Photographer, by Joel Simpson (March 2005, page 56)
Making Digital Photos Sing: Basic Image Optimization Using Photoshop, by David B. Brooks (July 2003, page 72)
Making Drop Shadows, by Darryl C. Nicholas (August 2002, page 50)
Making It In The Marketplace: Two Seasoned Pros Share Their Views, by Rosalind Smith (August 2002, page 82)
Making It Picture Or Portrait Perfect, by Joe Farace (November 2007, page 36)
Making Money As A Photographer And Writer, by Maria Piscopo (May 2002, page 22)
Making More Effective Sales Calls, by Maria Piscopo (January 2001, page 228)
Making Picture Frames, by Darryl C. Nicholas (October 2002, page 34)
Make Pictures And Profits, by Maria Piscopo (September 2001, page 195)
Making Quick Mask Selections, by Darryl C. Nicholas (December 2002, page 38)
Making The Most Of Your Travel Photography, by Maria Piscopo (May 2003, page 22)
Make Your Marketing And Business Resolutions Now, by Maria Piscopo (February 2003, page 148)
Make Your Web Site Work For You, by Maria Piscopo (March 2003, page 162)
Marketing Fine Art Photography, by Maria Piscopo (August 2004, page 16)
Marketing Resolutions For 2005, by Maria Piscopo (January 2005, page 22)
Marketing Trends Today, by Maria Piscopo (July 2004, page 170)
Marketing Your Style, by Maria Piscopo (April 2004, page 16)
Master Class: A Shared Experience, by Monte Zucker (March 2006, page 32)
Master Class: Always Be Prepared For Portraits, by Monte Zucker (July 2005, page 20)
Master Class: Imagination To Reality, by Monte Zucker (October 2006, page 36)
Master Class: Life’s Most Treasured Moments, by Monte Zucker (April 2007, page 32)
Master Class: Light Control, by Monte Zucker (February 2005, page 16)
Master Class: Make Every Wedding A Dream Wedding, by Monte Zucker (February 2007, page 38)
Master Class: On The Road, by Monte Zucker (April, 2006, page 28)
Master Class: On The Road, by Monte Zucker (May 2006, page 26)
Master Class: Portrait And Wedding Photography In England & Ireland, by Monte Zucker (July 2006, page 26)
Master Class: Who Teaches The Teacher? by Monte Zucker (May 2005, page 22)
Master Class: Why Black And White? By Monte Zucker (February 2006, page 24)
Mesa Verde: Photographing In The Footsteps Of The Ancients, by Howard Millard (September 2001, page 120)
Model Assignment, by Jack Hollingsworth (October 2003, page 16)
Modifying Light For Portraits At Sunset, by Web Photo School (November 2002, page 28)
Modifying White Balance For Indoor Portraits, by Web Photo School (December 2002, page 27)
Monte’s Digital Conversions, by Monte Zucker (March 2003, page 50)
More Haste, More Speed: Push Process Q&A, by Roger W. Hicks (October 2002, page 183)
Moving Toward The Wireless Studio, by Bob Shell (December 2002, page 30)
Multi-Image Portraits: Combining Images For A Unique Look, by Steve Bedell (September 2007, page 110)
Mundane Imaging Tasks Made Easy: Navigating The Action Palette In Photoshop 6.0, by Eric Seeger (February 2002, page 100)
Museum Photography: Diverse Tools For Diverse Needs, by Jack Neubart (January 2008, page 40)
My Digital Photography Tool Kit—Part I: Gear For The ePhoto Crowd, by Bob Shell (August 2002, page 44)
Natural Light Portraits...A Little Ingenuity Will Do, by Monte Zucker (July 2002, page 22)
Natural Llight Portraiture: Why One Photographer Loves The Sun! by Steve Bedell (October 2006, page 56)
Nailed Down Lighting: A Simple Setup For Volume Work, by Steve Bedell (October 2002, page 56)
New Horizons, by Monte Zucker (December 2003, page 12)
New Lighting Options For Macro Photography, by Bob Shell (March 2003, page 38)
Night Moves: Las Vegas, How To Shoot After Dark, by Howard Millard (May 2001, page 84)
On Location At Carnival: Six Photographers Talk About Their Pic...And Along The Way Enter The Film/Digital Debate, by Jonathan Franklin (March 2004, page 116)
Old Growth Forests Of The East: Abundant Photo Ops Await In Hard-To-Find Places, by Clint Farlinger (May 2004, page 34)
One Photographer’s Apporach To The Digital Dilemma: Shoot Film And Scan, by William Davis (February 2006, page 50)
On The Beach: How To Tame Those Tough Lighting Conditions, by Steve Bedell (August 2001, page 192)
On The Road With Monte, by Monte Zucker (May 2003, page 30)
Opinions About Imaging, by Roger W. Hicks (January 2008, page 64)
Optical Options For Your D-SLR: Which Lenses And lens Combos Work Best? Here Are 7 Great Lens Kits To Match Your Needs And Taste, by Jason Schneider (How To Guide 2006, page 6)
Ordinary Attractions, by Jack Hollingsworth (August 2003, page 32)
Output Options: Online Or Else, by Jon Canfield (August 2007, page 44)
Output Options: Selective Sharpening, by Jon Canfield (December 2006, page 42)
Output Options: Sharpening For Output, by Jon Canfield (October 2006, page 32)
Over The Edge: An Obsession On Bordering, by Frances E. Schultz (September 2001, page 118)
Package Printing Made Easy: Print Different Images On The Same Sheet, by Darryl C. Nicholas (How To Guide 2006, page 90)
Package Printing: Many Options In Photoshop, by Darryl C. Nicholas (December 2001, page 54)
Panama Offers Many Unique Photo Opportunities, by Rick Sammon (July 2003, page 30)
Panoramic View Cameras, by Tom Fuller (January 2002, page 203)
Panoramic Photography With Your Digital Camera: Gear And A Guide To Maximum Panoramic Power, by Jim Porter (July 2005, page 54)
Passport—Travel & Location: Bringing It All Back Home, by Jack Hollingsworth (December 2005, page 14)
Passport—Travel & Location: Eye Contact, by Jack Hollingsworth (February 2005, page 10)
Passport—Travel & Location: Happy Accidents, by Jack Hollingsworth (August 2005, page 12)
Passport—Travel & Location: In The Zone, by Jack Hollingsworth (April 2005 page, 18)
Passport—Travel & Location: Take Stock, by Jack Hollingsorth (February 2004, page 8)
Passport—Travel & Location: Simplify To Amplify, by Jack Hollingsworth, (June 2005, page 12)
Patience Has Its Rewards, by Tony Sweet (April 2002, page 18)
People, Places, And Things... by Monte Zucker (April 2003, page 48)
Perfect Digital Exposure, by Joe Farace (November 2002, page 100)
Personal Project: Mood, Ambience, & Dramatic Effects In Photography, by Joseph Meehan (March 2008, page 69)
Personal Project: Taking (Through) Panes, by John Neubauer (March 2008, page 104)
Personal Project: The Eyes Have It, by Ande Costantini (August 2005, page 58)
Photographing Artwork Digitally: Setting, Shooting, And Post-Processing, by Larry Berman & Chris Maher (April 2007, page 74)
Photographing Beauties And Beasts In Florida, by Rick Sammon (September 2004, page 10)
Photographing During The Witching Hour, by Steve Anchell (October 2004, page 20)
Photographing People Of Color, by Monte Zucker (September 2001, page 32)
Photographing People Of Color, by Monte Zucker (January 2004, page 28)
Photo Retouching Techniques: A Step By Step Guide For Big Prints From 35mm Film, by Cris Daniels (April 2003, page 68)
Photographing Strangers: The Art Of Travel Portraiture, by Rick Sammon (July 2002, page 38)
Photography Sales Booster, by Maria Piscopo (October 2001, page 34)
Photo Stuff From Unlikely Places, by Bob Shell (May 2001, page 10)
Photo Teamwork: Bleu Cotton Photography, by Maria Piscopo (August 2001, page 46)
Picture Project: The Working Wharf, by David Wade (May 2002, page 72)
Planning A Perfect Darkroom: Long-Term And Temporary Considerations, by Frances E. Schultz (November 2002, page 170)
Point Of View, by Monte Zucker (November 2004, page 16)
Portrait Backgrounds, by Darryl C. Nicholas (March 2004, page 24)
Portable Storage And Downloading Devices: Gear For The Traveling Digital Photographer, by Stan Trzoniec (How To Guide 2006, page 86)
Post Cards From Maine, by Rick Sammon (November 2003, page 8)
Privacy Right And Copyrights: What Photographers Need To Know, by Maria Piscopo (May 2007, page 30)
Pro Talk. Peter B. Kaplan: Turn The Key, by Jay McCabe (March 2007, page 32)
Product Photography For Business And The Web, by Ben Clay/Web Photo School (February 2002, page 20)
Pro Techniques: Filters For Fall. Add New Vibrancy And Excitement To Your Autumn Foliage Photos, by Howard Millard (October 2001, page 124)
Playing With Perspective: Go Wide Or Get Stacked, by The Editors (February 2003, page 70)
Putting Your Portfolio On CD-ROM: The Technology Is There, But Is This Any Way To Show Your Work? by Jay Abend (September 2001, page 122)
Quick Tips: Film Drying, by Roger W. Hicks (October 2001, page 180)
Quieting Noise: Digital Noise Is Easily Controlled With These Plug-In Filters, by Jack Neubart (July 2008, page 76)
Raw File Format And Image Quality: What It’s Got And How To Get The Most From It, by David B. Brooks (September 2004, page 66)
Raw Image Converter Essentials: How To Choose The Best One For Your Work, by Uwe Steinmueller (March 2004, page 130)
Raw Processing Options: A Sampler For Every Camera & Budget, by Jon Sienkiewicz (March 2008, page 106)
Raw Vs. JPEG Capture Mode: Choose The Image File Format To Fit Your Needs, by Peter K. Burian (How To Guide 2006, page 16)
Rediscovering Black And White Via Digital, by Bob Shell (May 2003, page 50)
Rediscovering Black And White Via Digital, Part II, by Bob Shell (August 2003, page 36)
Red, Blue, And Green...by Monte Zucker (February 2004, page 12)
Reinventing Your Business, Selling High-End Portraits, by Maria Piscopo (April 2003, page 34)
Revisiting Photo Locations: You Can Go Home Again, by Tony Sweet (November 2002, page 34)
Safe And Secure: Back-Up Strategies For The Digital Darkroom, by Jon Sienkiewicz (How To Guide 2006, page 40)
Second Thoughts: Personalizing The Landscape, by Barry Tanenbaum (May 2004, page 44)
Seeing In Color: Don’t Take It For Granted, by Frances E. Schultz (July 2001, page 124)
Seeing Pictures: Outdoor Backgrounds Around Every Corner, by Monte Zucker (January 2001, page 120)
Seeing The Light, by Gary Bernstein (November 2001, page 22)
Self-Assignment: Portraiture, by Steve Anchell (April 2005, page 10)
Selling Your Photography At Art Shows: Two Experienced Pros Tell You How, by Larry Berman and Chris Maher (May 2003, page 142)
Senior Portraits Using Natural Light, by Ben Clay/Web Photo School (May 2002, page 20)
Setting Up Your Digital Darkroom: Computer Specs To Get You On The Road, by Joe Farace (December 2003, page 96)
Sharing The Secrets Of The Craft, by Monte Zucker (October 2004, page 36)
Sharpening Simplified: The High Pass Technique, by Howard Millard (September 2007, page 102)
Shedding Some Light On A Murky Subject—Metering & Light Ratios, by Bob Shell (July 2002, page 32)
Shooting A Basic Headshot, by Ben Clay/Web Photo School (September 2002, page 20)
Shoot And Save: A Workflow For Digital Photographers, by Darryl C. Nicholas (How To Guide 2006, page 38)
Shooting And Assembling Panoramas: A Stitch In Time, by Joseph A. Dickerson (How To Guide 2006, page 54)
Shooting And Assembling Panoramas: A Stitch In Time—The Sequel, by Joseph A. Dickerson (June 2007, page 72)
Shoot Handheld And Shoot Sharp: Tips For Achieving Image Sharpness Without A Tripod, by Jack Neubart (How To Guide 2006, page 10)
Shooting In The City, by Rick Sammon (May 2004, page 106)
Shooting From Canoes And Kayaks: Gear, Prep, And Image Ideas, by Clint Farlinger (May 2007, page 71)
Shootin’ & Scootin’ In Bangkok, by Rick Sammon (July 2004, page 10)
Shooting Your Own Family Portrait, by Ben Clay/Web Photo School (September 2003, page 30)
Shoot High-Speed Films At The Beach? One Pro Tells Why, by Steve Bedell (July 2003, page 80)
Shooting Jewelry Simply And Elegantly, by Ben Clay/Web Photo School (August 2003, page 28)
Shoot Outside All Day Long! by Monte Zucker (January 2003, page 22)
Shooting The Slots, by Rick Sammon (March 2003, page 44)
Show ‘Em And Share “em, by Jon Canfield (November 2007, page 132)
Show And Sell: John Conn And The Fine Art Of The Street Sale, by Barry Tanenbaum (January 2008, page 73)
Shutterbug’s Alaskan Cruise, by Monte Zucker (December 2004, page 14)
Simple Lighting Makes For Effective Portraiture: It’s All About Highlight & Shadow, by Monte Zucker (April 2002, page 100)
Simple Steps To Elegant Portraiture. by Monte Zucker (June 2001, page 20)
Six Kinds Of Contrast: How Each Affects Image Quality, by Roger W. Hicks (July 2003, page 36)
Slide Show Applications: Putting Your Show On The Screen, by Jon Sienkiewicz (How To Guide 2006, page 94)
Smart Objects/Smart Filtering & Digital Lith Prints: Nondestructive Editing Techniques, by Philip Andrews (September 2007, page 32)
Soft Focus Revisited, Digitally: How To Make Your Own Soft-Focus Lens Like The oNe I’ve Used For 40 Years, by David B. Brooks (January 2006, page 40)
“Soft” Proofing, by Jon Canfield (January 2008, page 102
Software: Quick Digital Output Tips, by Phillip Andrews (March 2006, page 52)
Spice Up Your Cameras With A New Look, by Bob Shell (July 2003, page 16)
Sporting Chance: Want To Shoot Pro Sports? There’s A Workshop For That, by Barry Tanenbaum (September 2007, page 120)
Star Trails, Digital Syle: Exposure And Stacking Techniques, by Art Rosch (October 2007, page 78)
Start It Up: For Steve Gottlieb, Creating His Own Workshop Was A Learning Experience, by Barry Tanenbaum (February 2006, page 37)
Stay The Course, by Maria Piscopo (November 2007, page 28)
Step By Step: How To Plan And Shoot A How-To Sequence, by Roger W. Hicks (May 2001, page 96)
Still Using A Lab For B&W Prints? For Best Results, Do It Yourself! by Frances E. Schultz (February 2003, page 84)
Subtle Differences: Warm-Tone Prints, by Frances E. Schultz (October 2001, page 108)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (April 2007, page 128)
Street Smarts: The Savvy Consumer’s Guide To Pre-Owned, Collectible, And Vintage Cameras, by Jason Schneider (May 2007, page 152)
Tabletop Photography: Controlling Shadows And Contrast With Light Tents And Cocoons, by Jack Neubart (October 2003, page 46)
Take A Photo Safari To Texas, by Rick Sammon (January 2004, page 18)
Take Control Of Your Backgrounds, by Monte Zucker (August 2001, page 36)
Take Control Of Your Print Quality: A Color Managed Screen-To-Print Workflow With Adobe’s Photoshop Elements 3.0 & 4.0, by David B. Brooks (December 2006, page 102)
Techniques For Shooting Jewelry, by Ben Clay/Web Photo School (July 2002, page 20)
Thanks For The Memories: Adding RAM Can Be A Good Solution, by Joe Farace (January 2002, page 164)
The Art Of Photographic Recreation: How To Make An Image From The Mind’s Eye, by David B. Brooks (April 2004, page 88)
The Art Of The Travel Portrait: Making Images While On The Road, by Daryl Hawk (May 2003, page 68)
The Business Of Fine Art Photography, by Maria Piscopo (August 2003, page 22)
The Business Side, by Jack Hollingsworth (August 2004, page 10)
The Canon D10 Digital SLR, by Monte Zucker (June 2003, page 26)
The Care And Feeding Of Memory Cards: Keeping Your Images Safe And Secure, by Darryl C. Nicholas (How To Guide 2006, page 84)
The Case For JPEG: It’s Not Just A Small Print And E-Mail Format, by Anthony L. Celeste (April 2007, page 56)
The Darkroom: Multi-Image Flat-Bed Scanner Techniques, by Darryl C. Nicholas (January 2006, page 34)
The Darkroom: Photoshop Tweaks, by Darryl C. Nicholas (October 2006, page 42)
The Default Demon From Making Your Pictures Blah! by David B. Brooks (February 2003, page 156)
The Digital Portrait: Quality, Speed, And Convenience, by Steve Bedell (April 2002, page 94)
The Digital Road To Infrared: Software, Cameras, And Filters For A trip To An Often Surreal World, by Howard Millard (February 2006, page 44)
The Elements Of Style, by Jack Hollingsworth (December 2002, page 32)
The Joys Of “Lens Hacking”: No Computer Necessary, by Bob Shell (November 2001, page 30)
The Epson Perfection 2450 Photo, by David B. Brooks (February 2002, page 78)
The Inside Scoop: A Look At A Traveling Commerical Photographer’s Gear—Part 1, by Jay Abend (February 2003, page 76)
The Inside Scoop: The Travel Photographer’s Kit—Part 2, by Jay Abend (March 2003, page 74)
The Last Resort, by Jack Hollingsworth (February 2003, page 26)
The Power Of Layer Masks, by Ben Clay/Web Photo School (December 2003, page 18)
The Quest For The Perfect File: Tools For Acurate Exposure And White Balance, by Steve Bedell (How To Guide 2006, page 26)
The Rainbow Connection, by Joe Farace (January 2003, page 88)
The Raw Deal: Why You Should Use The Raw File Format With Digital Cameras, by Uwe Steinmueller (August 2003, page 94)
The Same, Only Different: Format, Angle Of View, And Image Quality, by Frances E. Schultz (Janaury, page 54)
The SEI Photometer: A Legend Among Spot Meters, by Roger W. Hicks (October 2002, page 96)
The Shoot And Scoot Photographer: Tips For Getting Pictures On The Run, by Rick Sammon (November 2002, page 124)
The Spontaneous Eye, by Maria Piscopo (October 2004. page 16)
The State Of Stock Photography, by Maria Piscopo (May 2004, page 164)
The Studio Portrait: One Light, Many Options, by Gary Bernstein (April 2001, page 86)
The Stuff Dreams Are Made Of, by Monte Zucker (September 2004, page 14)
The Tools I Use, What’s In My Gear Bag And Why, by Joe Farace (May 2008, page 76)
The Travel Photo Market: An Underwater Photographer Comes Up For Air, by Bob Coates (November 2003, page 102)
The View From The Sidelines: Shooting NFL Football With The Pros, by Jay Abend (January 2004, page 67)
The Wedding Day—Part I, by Monte Zucker (January 2002, page 34)
The Wedding Day—Part II, by Monte Zucker (February 2002, page 22)
The Wedding Day—Part III, by Monte Zucker (March 2002, page 30)
The Whitewater Experience: Wedding & Portrait Class For All Seasons! by Monte Zucker (April 2001, page 66)
Think Flash! Shooting Portraits Outdoors, by Rick Sammon (November 2001, page 74)
Time, Expenses...And Experience: How To Bill For Your Work, Whether You’re A Pro Or An Amateur, by Jay Abend (October 2003, page 118)
Timeless Travel: Images Made With History In Mind, by Frances E. Schultz (May 2005, page 66)
Tips From A Travel Pro: Research Before You Go, by Susan McCartney (August 2002, page 98)
Toward The Perfect Print: How To Get The Best Quality From
Use More Paper—Waste Less! by Frances E. Schultz (April 2003, page 144)
Transformations With Portrait Lighting, by Ben Clay (April 2001, page 88)
Transform Your Photos: The Pencil Sketch Option, by Howard Millard (January 2008, page 56)
Traveling Light: Great Shots With Less Gear, by Steve Bedell (May 2002, page 60)
Travel Photography: Pro Tips For Effective Composition, by Peter K. Burian (May 2001, page 52)
Travel Photography: Basic Tips For Every Trip, Near And Far, by Rick Sammon (August 2001, page 126)
Try Your Hand At Special Effects: Working Wit nik Color Efex Pro 2, by Howard Millard (How To Guide 2006, page 76)
Tunnel Vision: A Guide To Using Super Telephoto Autofocus Lenses, by Stan Trzoniec (August 2003, page 86)
Uncolor My World: Techniques To Get Beautiful Black And White Images From Color Originals, by Howard Millard (September 2006, page 52)
Understanding Digital White Balance, by Ben Clay/Web Photo School (August 2002, page 20)
Unlocking HDR. Examining Photoshop’s HDR Mode: Are There Better Ways To Deal With High Dynamic Range Images? By Rod Lawton (March 2008, page 102)
Urban Elegance: Personalize Your Images, by Richard Lotman Brown (February 2004, page 100)
Use Black And White, by Monte Zucker (February 2003, page 40)
Using Black And White To Correct Color: A Simple But Effective Tool, by Larry Berman and Chris Maher (June 2007, page 84)
Using Soft Light For Dramatic Results, by Ben Clay/Web Photo School (June 2002, page 20)
Using LitePanels On Location For Fashion Shots, by Ben Clay/Web Photo School (November 2003, page 12)
Using LitePanels To Create Double Diffusion, by Ben Clay/Web Photo School (October 2003, page 124)
Using Photoshop Styles, by Darryl C. Nicholas (September 2003, page 38)
Using Photoshop To Correct For Color Casts, by Darryl C. Nicholas (January 2004, page 30)
Using The Info Tool To Create Better Prints, by Darryl C. Nicholas (March 2003, page 32)
Using The Shadow/Highlight Tool, by Darryl C. Nicholas (May 2004, page 22)
Underwater Photo Fun: Fab Tips For Photos Of Fish Watchers And Fish! by Rick Sammon (April 2001, page 134)
Up-Close: How To Capture Those Wildlife Faces, by Carol Polich (June 2001, page 106)
Using A Telephoto Lens For Outdoor Portraits, by Ben Clay (July 2001, page 20)
Vintage Lenses On Digital SLRs? How To Recycle Old Lenses With Adapters, by Gene Wilburn (August 2004, page 46)
Want A Gallery Show? Three Top Gallery Directors Tell You How, by Rosalind Smith (September 2001, page 92)
Want To Turn Pro? by Monte Zucker (November 2003, page 28)
Want To Write A Photo Book? How To Get Published, by Roger W. Hicks (September 2001, page 126)
Web Photo School: Posing & Lighting, by Norm Haughey (April 2008, page 62)
Wedding Photographers Face The Digital Dilemma: Is Now The Time To Go Filmless? by Steve Bedell (April 2002, page 84)
What Color Is Your Umbrella? by Joe Farace (July 2004, page 160)
What Color Red Is 228-54-25? A Primer On Color Management: What Can It Do For You, And How Does It Work? By David B. Brooks (How To Guide 2006, page 80)
What Do Those H&D Curves Really Mean? by Darryl C. Nicholas (April 2001, page 211)
What I Did On My Photographic Vacation: Try A “Busman’s Holiday” To Re-Open Your Eyes! by Monte Zucker (December 2002, page 22)
What To Do When The Weather Turns Bad, by Rick Sammon (May 2003, page 52)
What’s Wrong With My Prints? The Joys And Frustrations Of Ink Jet Printing, by Joe Farace (February 2002, page 198)
When Cameras Get Wet: Things To Do After A Dousing, by Jon Sienkiewicz (May 2007, page 84)
When Good Prints Go Bad: How To Track Down & Solve Your Color Print Problems! by Frances E. Schultz (March 2001, page 118)
Where Are All Your Digital Negatives? by Joe Farace (May 2003, page 152)
While Strolling Through The Park One Day—Part I, by Monte Zucker (August 2002, page 30)
While Strolling Through The Park One Day—Part II, by Monte Zucker (September 2002, page 28)
While Strolling Through The Park One Day —Part III, by Monte Zucker (October 2002, page 20)
Whiteout! by Jim Zuckerman/Web Photo School (December 2001, page 38)
Wide-Open: Walking The Knife’s Edge Of Shallow Depth Of Field, by Jay Abend (August 2004, page 62)
Wild Horses, by Steve Anchell (July 2004, page 28)
Wildlife Model Shoots: Great Shots Under “Controlled Conditions,” by Don Mammoser (May 2004, page 38)
Winter Activites: Things To Do Inside When The Weather Won’t Let You Outside, by Jon Sienkiewicz (February 2006, page 58)
Winter Wonderland: Frosty Photo Ops, by Carol Polich (January 2003, page 34)
XPan Scans: Tips And Tools For Digitizing Panormanic Film, by Joe Farace (September 2005, page 74)
Your Personal Sense Of Place: Making Images When Romance And Reality Collide, by Roger W. Hicks (March 2001, page 122)

Lenses

35mm SLR Cameras, Lenses And Flashes, by Peter K. Burian (May 2001, page 114)
35mm SLR Cameras And Lenses, by Peter K. Burian (December 2002, page 54)
A Canon EF 70-200mm F12.8L IS USM Lens Album, by Peter K. Burian (March 2002, page 62)
Canon’s F/1.0 USM: A Super Speed Lens, by Stan Trzoniec (April 2002, page 62)
AF VR Zoom Nikkor 80-400mm f/4.5-5.6D ED: Nikon’s Vibration Reduction Entry, by Peter K. Burian (August 2001, page 69)
After The Kit Lens: Tips On Expanding Your Optical Options, by Jon Sienkiewics (April 2008, page 120)
A Pro’s Two Fixed Focal Legnth Portrait Lenses & The Six Reason He Owns Them: Only For The Not Ready For Full-Frame Players! by Steve Bedell (August, page 34)
Canon’s 50mm f/1.2 Rangefinder Lens: A Legend In The Super-Fast Realm, by Roger W. Hicks (September 2005, page 156)
Canon’s EF-S 10-22mm f/3.5-4.5 USM, by Jack Neubart (December 2005, page 72)
Canon’s EF 14mm f/2.8L II USM Ultra-Wide Lens. Open Your Eyes To Wider Perspectives, by Jack Neubart (May 2008, page 100)
Canon EF 70-200mm F/2.8L IS USM Zoom Lens, by Bob Shell (March 2002, page 60)
Canon’s EF 70-300mm f/4.5-5.6 DO IS USM, by Peter K. Burian (November 2004, page 112)
Digitally Optimized Zoom Lenses: Do They Really Make A Difference? by Peter K. Burian (March 2005, page 40)
Dreamagon 90mm f/4: The Ultimate Soft-Focus Effect For 35mm, by Roger W. Hicks (February 2001, page 120)
Expand Your Horizon: Ultra-Wide Zooms Can Do The Trick, by Peter K. Burian (March 2001, page 92)
First Look: Sigma’s 24-60mm f/2.8 EX DG, by George Schaub (March 2005, page 78)
Fast Sigma Zooms: AF 100-300mm F/4 EX And AF 28-70mm F/2.8 EX, by Peter K. Burian (October 2001, page 59)
First Look: The Kobalux 21mm f/2.8 Offers Wide Speed At A Bargain Price, by Roger W. Hicks (January 2001, page 88)
Get Into Superwide With Sigma’s 20mm F/1.8 EX DG Aspherical RF Lens, by George Schaub (September 2001, page 62)
Great New Lenses For SLR Cameras, by Peter K. Burian (June 2008, page 38)
Hasselblad Zeiss Telephoto Power Pack, by Jay Abend (January 2003, page 70)
Image Stabilizers And Anti-Shake Systems: Do They Do The Job, And Are They Worth The Premium Price? by Peter K. Burian (August 2004, page 64)
Indy Ultra-Wide Zooms For Digital SLR Cameras, by Peter K. Burian (February 2006, page 94)
Interchangeable Lenses, by Peter K. Burian (June 2004, page 40)
Leica’s Summicron 75mm f/2, by Roger W. Hicks (October 2005, page 110)
Lensbaby 3G, by Steve Anchell (November 2007, page 124)
Lenses For 35mm SLR Cameras, by Peter K. Burian (June 2002, page 90)
Lenses: Great New Optics For Digital And 35mm SLRs, by Peter K. Burian (June 2006, page 48)
Longer Focal Length Macros: Get Up Close From Far Away, by Stan Trzoniec (August, page 38)
Medium Format Lensbabies, by Joe Farace (August 2007, page 86)
Megazoom—The Sigma 50-500mm f/4-6.3 APO Tele-Zoom Lens, by Robert E. Mayer (January 2001, page 38)
Mix & Match: Adapters For Using Lenses On Different Camera Bodies, by Robert E. Mayer (March 2002, page 192)
More Glass For Your Money: A Brief Time Line Of Lens Design, by Robert W. Hicks (August 2001, page 62)
New Lenses For 35mm SLR & Rangefinder Cameras, by Peter K. Burian (December 2001, page 80)
New Lenses For 35mm And Digital SLR Cameras, by Peter K. Burian (June 2003, page 48)
New Lenses For 35mm And Digital SLR Cameras, by Peter K. Burian (January 2005, page 82)
New Lenses For 35mm And Digital SLRs, by Peter K. Burian (June 2005, page 64)
New Lenses For 35mm And Digital SLR Cameras: The D-SLR Lens Ship Comes In, by Peter K. Burian (January 2007, page 70)
New Lenses For Digital And 35mm SLRs, by Peter K. Burian (July 2007, page 42)
New Sigma SA-9, SA-7, & EF 500 Super Flash, by Peter K. Burian (November 2001, page 112)
New Voightlander Lenses, by Roger W. Hicks (August 2002, page 76)
Nikon’s AF-S VR Zoom-Nikkor 24-120mm f/3.5-5.6G ED-IF Lens, by Stan Trzoniec (August 2004, page 88)
Nikon FM3A And 45mm F/2.8 Nikkor P Lens, by Bob Shell (February 2002, page 80)
Nikon’s New 300mm f/2.8D ED-IF II AF-S Lens, by Stan Trzoniec (August 2001, page 94)
Pentax FA 24-90mm F/3.5-4.5 AL [IF] Zoom & FA 31mm F/1.8 AL Limited Lens, by Peter K. Burian (February 2002, page 90)
Perspective Control (PC) Lenses For Panoramas: Not Just For Architecture Anymore, byJoseph A. Dickerson (August, page 30)
“Real” Rebels, Exclusive Lenses, And More, by Joe Farace (February 2004, page 172)
Remarkable New Close-Up Device From Zork And Update On Q-Tip, by Bob Shell (June 2002, page 26)
Sigma’s 18-200mm f/3.5-6.3 DC OS Lens, by Peter K. Burian (December 2007, page 44)
Sigma 28-200mm F/3.5-5.6 & 28-300mm F/3.5-6.3, by Peter K. Burian (January 2003, page 82)
Sigma’s 80-400mm f/4.5-5.6 EX OS APO. by Peter K. Burian (November 2004, page 122)
Sigma AF APO Macro 180mm f/3.5 EX IF, by Peter K. Burian (June 2001, page 69)
Sigma AF APO 500mm f/4.5 EX HSM, by Peter K. Burian (August 2002, page 64)
Sigma’s APO 50-150mm f/2.8 EX DC HSM & 70mm f/2.8 EX DG Macro, by Peter K. Burian (August 2007, page 92)
Sigma Wide Angle Zooms: AF 15-30mm F/3.5-4.5 EX DG Aspherical & AF 20-40mm F/2.8 EX DG Aspherical, by Peter K. Burian (April 2002, page 72)
SP AF 24-135mm f/3.5-5.6AD [IF] Macro & AF 70-300mm f/4-5.6LD Macro From Tamron. by Peter K. Burian (June 2001, page 52)
Split-Field Lenses: Get Impossible Depth Of Field, by Robert E. Mayer (March 2002, page 58)
Tamron 28-300mm Lens: How Compact Can You Get? by George Schaub (November 2002, page 52)
Tamron’s AF 18-200mm F/3.5-6.3 XR Di II Lens, by Joe Farace (November 2005, page 88)
Tamron’s AF 18-250mm f/3.5-6.3 Di II LD Aspherical (IF) Macro, by Peter K. Burian (August 2007, page 74)
Tamron AF 28-200mm Super Zoom F/3.8-5.6 Aspherical XR (IF) Macro, by Peter K. Burian (December 2001, page 116)
Tamron’s AF 28-300mm F/3.5-6.3 XR Di VC LD Aspherical (IF) Macro, The First Tamron Lens With Vibration Compensation Stabilizer, by Peter K. Burian (April 2008, page 130)
Tamron Di Lenses—Just What Does Di (“Digitally Integrated”) Mean? by Peter K. Burian (November 2003, page 84)
Tamron’s SP AF17-35mm F/2.8-4 Di LD Aspherical [IF] Zoom, by Peter K. Burian (August 2004, page 72)
Tamron’s SP AF90mm F/2.8 Di Macro (1:1), by George Schaub (September 2004, page 52)
Test Report: Lens. A Trio Of Tamron Lenses, by Peter K. Burian (December 2006, page 132)
Test Report: Lens Canon’s EF-S 60mm f/2.8 Macro USM Lens, by Jack Neubart (April, 2006, page 80)
Test Report: Lens, Canon’s EF 85mm f/1.2L II USM, by Joe Farace (August, page 70)
Test Report: Lens, Olympus’ Zuiko Digital 35mm f/3.5 Macro And Macro Flash, by Jack Neubart (August, page 64)
Test Report: Lens, Sigma’s APO MACRO 150mm f/2.8 EX DG HSM, by Steve Bedell (December 2006, page 114)
Test Report: Lens. Sigma’s APO 50-150mm f/2.8 EX DC HSM, by Steve Bedell (June 2007, page 116)
Test Report: Lens, Tamron’s SP AF180mm F/3.5 Di LD (IF) 1:1 Macro, by Jason Schneider (August, page 78)
Test Report: Tokina’s AT-X 100mm f/2.8 PRO D Marco Lens, by Peter K. Burian (January 2006, page 82)
Test Report: Lenses, Zeiss Ikon Lenses, by Roger W. Hicks & Frances E. Schultz (August, page 84)
Test Report: Lenses, Zeiss “Nikon-Fit” ZF Lenses, by Roger W. Hicks (May 2007, page 124)
The Contax T3: Lens/Shutter Plus, by George Schaub (August 2001, page 104)
Three Carl Zeiss T* Lenses From Sony For The Alpha, And Soon-To-Come Sony D-SLRs, by Peter K. Burian (August 2007, page 112)
The Joys Of “Lens Hacking”: No Computer Necessary, by Bob Shell (November 2001, page 30)
There’s More To Lenses Than Focal Length: Six Thoughts On Buying Your Next Lens, by Roger W. Hicks (August 2004, page 66)
The Nikon AF-S DX Zoom 12-24mm f/4G ED-IF Lens, by Stan Trzoniec (July 2004, page 116)
The Original Lensbaby, by Joe Farace (April 2005, page 90)
The Pentax 654N: Expanding The Telephoto Lens Line-Up, by W.L. Fadner (January 2002, page 52)
The Sigma 300-800mm F/5.6 Zoom, by Stan Trzoniec (October 2003, page 68)
The Wide & The Weird: New Fisheye And PCS Lenses From Russia, by Jay Abend (August 2001, page 76)
Thoughts On Super Wide: Working With Sigma’s 12-24mm f/4.5-5.6 EX DG Aspherical Lens, by Omar Attum (February 2005, page 60)
Tilt/Shift Lenses: Tilting At Windmills, by Joseph A. Dickerson (August 2001, page 82)
Tunnel Vision: A Guide To Using Super Telephoto Autofocus Lenses, by Stan Trzoniec (August 2003, page 86)
Vario-Sonnar T 45-90mm f/4.5 Lens, by George Schaub (August 2003, page 62)
Voigtländer APO Lanthar 90mm f/3.5, by Roger W. Hicks (August 2001, page 90)
Wide-Open: Walking The Knife’s Edge Of Shallow Depth Of Field, by Jay Abend (August 2004, page 62)
You Can’t Use Old Lenses On Digital Cameras! Or Can You?, by Roger W. Hicks (August 2007, page 84)
Zeiss ZV Lenses For Hasselblad, Classic In The Modern Age, by Roger W. Hicks (April 2008, page 128)
Zooming Around: Eight Reasons Why I Shoot With Zoom Lenses, by Rick Sammon (August 2002, page 58)
Zuiko Digital 300mm f/2.8 ED And 11-22mm f/2.8-3.5 Lenses, by Peter K. Burian (December 2004, page 92)

Medium & Large Format Systems

6x9 View/Field Cameras: Little Cameras, Big Results, by Joseph A. Dickerson (July 2004, page 54)
Bronica RF645: A Compact And Convenient Medium Format Camera, by Bob Shell (April 2001, page 48)
Cameras: Medium And Large Format Update & A New (And Old) Rangefinder 35, by Roger W. Hicks (January 2005, page 88)
Cameras: Rangefinder 35mms, Medium & Large Format Cameras, by Roger W. Hicks (June 2006, page 38)
Considering Medium Format? Here’s The Real Lowdown On Why You’re Making The Right Choice, by Roger W. Hicks (January 2001, page 108)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
Entry-Level Field Camera Shootout Serious 4x5s For Under $1000: Mission Impossible? by Joseph A. Dickerson (January 2004, page 70)
Entry-Level Large Format, by Joseph A. Dickerson (November 2004, page 54)
Great Buys In Medium Format Cameras: You Can Snag Your Dream 2 1/4 Film Camera At A Fantastic Price, by Jason Schneider (January 2006, page 116)
Hasselblad’s H1 & Kodak’s Pro Back 645H, by Uwe Steinmueller (January 2004, page 54)
Large Format Cameras: A Rare Treat, And “Stitches,” Too, by Roger W. Hicks (January 2007, page 114)
Large Format Primer: Gearing Up & Getting To Work, by Joseph A. Dickerson (September 2001, page 114)
Mamiya 645E: The “Move Up To Medium Format” Camera, by Bob Shell (September 2001, page 38)
Medium And Large Format, Rangefinders, And Continuous Lighting, by Roger W. Hicks (June 2005, page 58)
Medium Format, by Ibarionex R. Perello (June 2008, page 26)
Medium Format, Light Meters, And Studio Equipment, by Bob Shell (May 2001, page 122)
Medium Format: More Than Just A Large Film, by Bob Shell (January 2002, page 42)
Medium Format: “The Reports Of Its Death…”, by Roger W. Hicks (January 2007, page 104)
Medium Format News, by Bob Shell (December 2002, page 64)
Medium Format Update: Breaking News And Highlights, by George Schaub (January 2002, page 48)
Medium Format Update: Does 120/220 Offer The Best Of Film...And Digital? by George Schaub (January 2004, page 100)
Medium Format Update: When Worlds Collide, by George Schaub (January 2003, page 52)
Might As Well Jump: Lori Stoll’s Large (Format) Challenge, by Barry Tanenbaum (April 2005, page 108)
Olympus’ E-300 EVOLT, by Joe Farace (December 2004, page74)
Rangefinder, Large Format, Tripods, Batteries And More, by Roger W. Hicks (May 2001, page 136)
Rangefinders, Large Format, Tripods And More, by Roger W. Hicks (June 2002, page 72)
Rangefinder, Large Format And Specialty Cameras, by Roger W. Hicks (December 2002, page 86)
Seagull 4A-105 And 4A-107 TLR Cameras, by Tom Fuller (January 2002, page 56)
Test Report: Medium Format Mamiya’s 645AFDII, by Steve Anchell (April, 2006, page 86)
The Latest Entries To Medium Format From Ukraine, by Bob Shell (October 2002, page 24)
The Mamiya 645 AF, by Bob Shell (January 2001, page 130)
The Mamiya 645AFD, by Bob Shell (January 2002, page 68)
The Pentax 654N: Expanding The Telephoto Lens Line-Up, by W.L. Fadner (January 2002, page 52)
Top Autofocus SLR Cameras: The Cream Of The Mid-Range Crop. by Peter K. Burian (June 2001, page 86)
Toyo-View 45CF, by George Schaub (November 2002, page 50)

Miscellaneous

5 Reasons Digital Rules For Group Portraits: Ansel Would Have Loved It! by Steve Bedell (March 2005, page 55)
2001 Roundup, by Maria Piscopo (December 2001, page 186)
Affordable Medium Format, by Bob Shell (November 2002, page 14)
A Look Inside My Gadget Bag, by Bob Shell (February 2002, page 26)
A Look Into Digital Photography’s Future: Will The Nameplates Say “X3 Inside”? by Bob Collins (April 2002, page 68)
A Natural Water World, by Efrain M. Padro (May 2008, page 12)
American Photo Masters Honored With Special Stamp Issue: Which 20 Would You Have Chosen? by Lorin R. Robinson (July 2002, page 74)
A Myth Is As Good As A Mile, by Joe Farace (September 2003, page 151)
An Old Idea Made New—Canon’s Ingenious DO Lens Technology, by Bob Shell (February 2001, page 50)
Are You Serious? by Jack Hollingsworth (December 2003, page 20)
A Stroll Down Memory Lane, by Joe Farace (April 2003, page 175)
A Photographer’s Dream: Mono Lake And The Eastern Sierra Nevada, by Joseph A. Dickerson (November 2002, page 112)
A Quick Tour Of World Photography, by Jack Hollingsworth (February 2002, page 30)
A Wedding Pro’s Confession: “I Still Use Medium Format Manual Focus Cameras...For My Work! (But I Might Change My Mind.) by Steve Bedell (January 2001, page 116)
Back East, by Jack Hollingsworth (October 2006, page 26)
Back To The Future. by Joe Farace (March 2003, page 186)
Backpacking With Photo Gear: Tips On What To Carry Into The Great Outdoors, by Timothy Edberg (May 2005, page 53)
Bad Trip: Fear And Loathing On The Travel Trail, by Barry Tanenbaum (May 2002, page 64)
Bags, Cases, And Underwater Housing, Too, by Frances E. Schultz (January 2007, page 152)
Beautiful Black And White, by Gary Bernstein (February 2001, page 14)
Best Of Show: Shutterbug’s Picks Of PMA 2006, (June 2006, page 154)
Best Of Show, by The Editors (June 2008, page 160)
Best Of Show, by The Editors (July 2007, page 152)
Bogen Files High On Wings Of Smithsonian: New Air And Space museum Is Now Shown In The Right Light—For All To See, by Jack Neubart (May 2004, page 70)
Building A Better Mousetrap: Is Digital Inevitable? by Barry Tanenbaum (November 2003, page 98)
Business Trends: Build A Better Website, by Maria Piscopo (June 2005, page 173)
Business Trends: Going Pro—Portrait Style, by Maria Piscopo (November 2005, page 22)
Business Trends: Marketing Portraits With Personal Style, by Maria Piscopo (April 2005, page 36)
Business Trends: Marketing Your Travel Photography, by Maria Piscopo (May 2005, page 152)
Business Trends: Mid-Year Marketing Plan Update, by Maria Piscopo (July 2006, page 24)
Business Trends: New Technology For Printing Promos, by Maria Piscopo (December 2006, page 28)
Business Trends: Plan Ahead Now For 2006, by Maria Piscopo (December 2005, page 168)
Business Trends—The Digital State Of Stock Photography, by Maria Piscopo (March 2005, page 148)
Business Trends: Working Digitally—The Business Side, by Maria Piscopo (September 2005, page 18)
Business Trends: Working With Fine Art Reps, by Maria Piscopo (February 2007, page 156)
Business Trends: Working With Your Partner—Profit Or Peril? by Maria Piscopo (August 2005, page 156)
Business Trends: Your Portfolio—The Client’s Perspective, by Maria Piscopo (July 2005, page 158)
Camera Clubs: The Good, The Bad & The Ugly, by Roger W. Hicks (April 2001, page 198)
Canon & The National Parks: Yellowstone Workshop Showcases Company’s Involvement, by George Schaub (December 2006, page 200)
Capturing Funk On Film: A Stroll Down L.A.’s Melrose Avenue, by Dave Howard (April 2001, page 132)
Classic Cameras: The Top 20 Cameras Of All-Time Countdown, by Jason Schneider (July 2008, page 146)
Close And Personal, by Peter K. Burian (October 2003, page 88)
Contemporary American Photography In Germany: 7th International Photo Days In Mannheim/Ludwigshafen, by Heiner Henninges (February 2006, page 104)
Contest: Legion Paper Photo Contest, by The Editors (May 2007, page 40)
Cover Shot: East Coast Blackout New York Magazine, by Drew Schwartz (November 2001, page 128)
Cover Shot: Tiger Woods/Golf Digest, by Drew Schwartz (July 2001, page 130)
Covering The Photo Beat, by Robert E. Mayer (December 2003, page 64)
Covering The Photo Beat, by Robert E. Mayer (February 2004, page 170)
Covering The Photo Beat, by Robert E. Mayer (March 2004, page 184)
Covering The Photo Beat, by Robert E. Mayer (July 2004, page 34)
Covering The Photo Beat, by Robert E. Mayer, (August 2004, page 30)
Covering The Photo Beat, by Robert E. Mayer (September 2004, page 28)
Covering The Photo Beat, by Robert E. Mayer (October 2004, page 26)
Covering The Photo Beat, by Robert E. Mayer (November 2004, page 28)
Covering The Photo Beat, by Robert E. Mayer (December 2004, page 42)
Covering The Photo Beat, by Frances E. Schultz (February 2006, page 112)
Covering The Photo Beat, by C.A. Boylan (January 2008, page 30)
Covering The Photo Beat, by C.A. Boylan (February 2008, page 56)
Covering The Photo Beat, by C.A. Boylan (July 2008, page 40)
Cuba: Frozen In Time, by Elliot Kornberg, M.D. (August 2001, page 130)
Destination: Fort Worth, Texas, by Rick Sammon (March 2004, page 20)
Devil Mountain: Capturing The Beauty Of This Scenic Land, by Brad Perks (July 2001, page 74)
Diamonds In The Rough: Pictures From War-Torn Afghanistan, by 2LT Michael S. Palmer (June 2007, page 68)
Digital Diary: Photographing Dance, by Andre Costantini (March 2003, page 66)
Digital Files Vs. Scanned Medium Format Film: We Put The Mediums To The Test, by Paul Mozell (September 2004, page 60)
Digital Help: Q&A For Digital Photography, by David B. Brooks (January 2006, page 188)
Digital Help: Q&A For Digital Photography, by David B. Brooks (February 2006, page 184)
Digital Innovations: Holiday Stocking Stuffers, by Joe Farace (December 2005, page 144)
Digital Innovations: New Year’s Resolutions, by Joe Farace (January 2007, page 44)
Digital Innovations: The Dog Ate My Homework…Again! by Joe Farace (November 2006, page 30)
Digital Innovations: The March Of Digital Time, by Joe Farace (July 2008, page 30)
Digital Innovations: The Vices Of Digital Imaging, by Joe Farace (March 2007, page 40)
Digital Innovations: Trying To Be Your Best, by Joe Farace (August, page 160)
Digital Stock: Is The Spec Image Going The Digital Route? by Rosalind Smith (March 2003, page 68)
Digital Transitions, by Maria Piscopo (February 2004, page 166)
Disappearing Act: Whatever Happened To Half Frame? by Roger W. HIcks (March 2001, page 146)
Discover The Channel Islands National Park, by Chuck Graham (October 2007, page 74)
Doin’ Cuba Digitally: New Technology In Old Cities, by Rick Sammon (May 2002, page 38)
Editor’s Picks: Our Top Photo Tools For 2002, by George Schaub (November 2002, page 68)
Essence: Too Much Of A Good Thing? by Barry Tanenbaum (January 2001, page 92)
Face Value: Jack Neal’s Portrait Partnerships, by Barry Tanenbaum (February 2004, page 93)
First Look, by Jack Hollingsworth (June 2003, page 14)
Five Sandwiches, And Candy For Dessert, by Gary Bernstein (May 2001, page 22)
F.J. Westcott Celebrates 75 Years: Pro Photographers’ Input Has Helped Build A Strong & Versatile Product Line-Up. by the Editors (September 2001, page 86)
Flashes Of Inspiration, by Joe Farace (July 2003, page 193)
Format Wars! Which One Is Right For You? by Dave Howard (March 2001, page 98)
Flight Plans, by Jack Hollingsworth (October 2004, page 10)
Focus Shift, by Jack Hollingsworth (February 2008, page 120)
Format Wars! DO Bigger Negs Make For Better Pictures? by Frances E. Schultz (March 2001, page 98)
Fort Worth Stockyards: A Taste Of The Old West, by Rick Sammon (March 2002, page 22)
Frances’ Fancy, by Frances E. Schultz (January 2005, page 158)
From Russia With Love...Part 3, by Monte Zucker (October 2003, page 14)
From San Francisco To San Simeon, by Rick Sammon (September 2003, page 16)
Future Report: A Look At What’s Ahead For Photography In 2005...And Beyond, by The Editors (January 2005, page 32)
Future Report: A Look At What’s Ahead For Photography In 2006...And Beyond, by The Editors (December 2005, page 60)
Globetrotter—Travel & Location: Colors Of The Kuna, by Rick Sammon (September 2005, page 14)
Globetrotter—Travel & Location: Goin’ Digital On Safari, by Rick Sammon (November 2005, page 14)
Going To Extremes, by Tom Sobey (March 2001, page 32)
Globetrotter—Travel & Location: Niagara Falls, by Rick Sammon (January 2006, page 146)
Gotta-Have Imaging Gadgets And Gizmos, by Joe Farace (March 2008, page 34)
Growing From Specialist To Generalist, by Maria Piscopo (February 2001, page 30)
Happy Anniversary, Charlie Brown, by Joe Farace (October 2007, page 134)
Happy New Year, by Joe Farace (January 2008, page 24)
Help! Traditional Photography Q&A, by Robert E. Mayer (January 2006, page 198)
Help! Traditional Photography Q&A, by Robert E. Mayer (February 2006, page 189)
Holiday Books: For The Digital Photographer, by Joe Farace (December 2002, page 100)
Holiday Books For The Digital Photographer, by Joe Farace (December 2003, page 66)
Holiday Books: For The Digital Photographer, by Joe Farace (December 2004, page 66)
Holiday Books: For The Digital Photographer, by Joe Farace (December 2005, page 38)
Holiday Books: For The Digital Photographer, by Joe Farace (December 2006, page 74)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December 2002, page 108)
Holiday Books For The Traditional Photographer, by C.A. Boylan (December 2003, page 69)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December 2004, page 68)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December 2005, page 48)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December 2006, page 71)
Ideas & Gifts For Your Photographic Friends And Family, by Peter K. Burian, Robert E. Mayer, Joe Farace, and Bob Shell (November 2001, page 98)
Infinite Backgrounds: Select, Cut & Paste—It’s All In The Digital Darkroom, by Steve Bedell (March 2003, page 72)
In Search Of Asia: Travels With A D1, by Larry Mulvehill (May 2002, page 44)
Instant Exposure Check: How And Why To Use Your Histogram, by Uwe Steinmueller (December 2004, page 62)
Is Digital Imaging Hazardous To Your Health? It Can Be, But Using A Computer Doesn’t Have To Be A Pain. by Joe Farace (March 2002, page 36)
Jasper, Banff, And Yoho: A Photographer’s Delight! by Joseph A. Dickerson (March 2001, page 112)
Just Like Starting Over, by Jack Hollingsworth (December 2001, page 22)
Latest And The Greatest In 2008, by The Editors (June 2008, page 18)
Just My Luck! by Monte Zucker (May 2001, page 18)
Lasting Memories: A Portrait Photographer’s Gift, by Steve Bedell (February 2008, page 34)
Little Bigs. by Jack Hollingsworth (June 2001, page 26)
Local Color. David Middleton’s Advice To Outdoor Photographers: Stay Home, by Barry Tanenbaum (July 2005, page 50)
Locations: Being There, by Mary Ann Benyo (February 2007, page 22)
Locations: California’s Central Coast, by Joseph A. Dickerson (July 2006, page 32)
Locations: Exploring Arches National Park, by Rick Sammon (March 2007, page 172)
Locations: Maroon Bells, by Mike Norton (November 2006, page 152)
Locations: New Zealand, by Daryl Hawk (May 2007, page 74)
Locations: Over The Rainbow, by Brad Perks (April 2008, page 92)
Locations: Post Cards From The Freezer, by Rick Sammon (August, page 96)
Locations: Post Cards From The Land Of The Thunder Dragon, by Rick Sammon (October 2006, page 126)
Locations: Rust And Swollen Film, by David W. Shaw (April 2007, page 63)
Locations: The Yosemite Firefall, by Brad Perks (December 2006, page 66)
Locations: Truckin’ On A Tundra Buggy, by Rick Sammon (March 2006, page 38)
Making Profits From Better Business Management, by Maria Piscopo (July 2002, page 148)
Making Sense Of Sensors: Interpolation Before And After The Fact, by Jason Schneider (January 2008, page 100)
Make Your Web Site Work For You, by Maria Piscopo (March 2003, page 162)
Mamiya Press, by Robert E. Mayer (February 2008, page 132)
Manufacturers And Distributors, (December 2002, page 178)
Manufacturers And Distributors, by The Staff (June 2003, page 180)
Master Class: Classic Photographs Are Made In The Camera, by Monte Zucker (September 2005, page 20)
Master Class: On The Beach, by Monte Zucker (September 2006, page 38)
Master Class: On The Road With Monte, by Monte Zucker (November 2006, page 38)
Master Class: On The Road with Monte, by Monte Zucker (December 2006, page 34)
Master Class: Previsualization And Post-Processing, by Monte Zucker (November 2005, page 18)
Master Class: Simplify And Clarify, by Monte Zucker (October 2005, page 20)
Master Class: What Does A Wedding Photographer Do On A European Vacation? by Monte Zucker (December 2005, page 18)
Monochrome Moments, by Jack Hollingsworth (April 2003, page 22)
Monte’s Digital Conversions, by Monte Zucker (March 2003, page 50)
Motorbikes, Trains, And Automobiles: Advice For (Photo) Road Warriors, by Roger W. Hicks (May 2005, page 46)
My Back Pages, by Jack Hollingsworth (December 2004, page 9)
My Photographic New Year’s Resolutions, by Bob Shell (February 2003, page 32)
Networking: It’s For Everybody! by Joe Farace (November 2003, page 118)
Not Too Big, Not Too Small: In Praise Of 5x7 Format, by Roger W. Hicks (January 2006, page 48)
One Final Thought: “Other Worldly” Hike, by Marcus W. Reinkensmeyer (March 2006, page 202)
One Final Thought: A Kind Of Metaphor, by Larry Dickerson (June 2006, page 194)
One Final Thought: A Town With Heart, by Clemens Roether (December 2006, page 218)
Opinions About Imaging, by Roger W. Hicks (February 2008, page 124)
Output Options: Easy Web Galleries, by Jon Canfield (March 2008, page 52)
Output Options: How To Protect Your Images, by Jon Canfield (May 2007, page 28)
Output Options: The DPI Myth, by Jon Canfield (March 2007, page 36)
Panoramic Cameras: Gear To Help You Get The WIDE View, by Roger W. Hicks (January 2006, page 42)
Passport: Addition By Subtraction, by Jack Hollingsworth (June 2007, page 46)
Passport: Another Country, by Jack Hollingsworth (August 2006, page 94)
Passport: Face Value, by Jack Hollingsworth (April 2007, page 26)
Passport: Take A Seat… by Jack Hollingsworth (October 2007, page 72)
Passport—Travel & Location: The Real Stuff, by Jack Hollignsworth (October 2005, page 14)
Passport—Travel & Location: F/8 And Be There, by Jack Hollingsworth (February 2006, page 16)
Passport: Blood, Sweat, And Tear Sheets, by Jack Hollingsworth (December 2006, page 150)
Passport: Green Day, by Jack Hollingsworth (April, 2006, page 34)
Passport: Personal Touch, by Jack Hollingsworth (February 2007, page 130)
Pass The Cheese, by Jack Hollingsworth (June 2002, page 22)
Personal Project: A Photographic Journey, by Jim Mitchell (May 2007, page 82)
Personal Project: Mirror/Mirror, by Scott Stulberg (June 2007, page 44)
Photo Art Masters Search Contest: Corel’s Paint Shop Pro Photo Art Suite Winners, by The Staff (October 2006, page 132)
Photo E-mail Marketing—Spam Or Business Builder? by Maria Piscopo (June 2002, page 184)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (April 2005, page 30)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (July 2005, page 38)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (August 2005, page 24)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (September 2005, page 28)
Photo Gear: Covering The Photo Beat, by Robert E. Mayer (October 2005, page 54)
Photo Gear: Covering The Photo Beat, by Frances E. Schultz and Robert E. Mayer (November 2005, page 136)
Photo Gear: Covering The Photo Beat. Binoculars, Memory Mates, And More, by Robert E. Mayer (May 2005, page 28)
Photo Gear: Covering The Photo Beat. Camera Raincoat, Print Tacking Iron, Online Photo Lessons, And More, by Robert E. Mayer (February 2005, page 26)
Photo Gear: Covering The Photo Beat. Small Product Lighting, Studio, Flash Bracket, Camo Blind, And More. by Robert E. Mayer (March 2005, page 26)
Photojournalism: David Rae Morris, by Rosalind Smith (March 2006, page 58)
Photo Mythology: It Ain’t Necessarily So, by Roger W. Hicks (March 2002, page 164)
Picture This! Monthly Photo Assi