Accessories, Films, & Lighting

Hasselblad’s H1 & Kodak’s Pro Back 645H, by Uwe Steinmueller (January, page 54)
Covering The Photo Beat, by Robert E. Mayer (January, page 122)
ISO 400 Black And White Films: The Best Keeps On Getting Better, by Roger W. Hicks (February, page 106)
Covering The Photo Beat, by Robert E. Mayer (February, page 170)
Interfit Flat Panel Electronic Flash, by Jack Neubart (March, page 62)
Covering The Photo Beat, by Robert E. Mayer (March, page 184)
Creating Cinematic Lighting The Easy Way, by Ben Clay/Web Photo School (April, page 22)
The JTL Versalight D—Digital Monolights, by Jay Abend (April, page 50)
Covering The Photo Beat, by Robert E. Mayer (April, page 82)
Carry-On Photo Backpacks: Protecting Your Gear In The Overhead Bin, by Jack Neubart (April, page 114)
Covering The Photo Beat, by Robert E. Mayer (May, page 10)
Fear Of Flying, by Joe Farace (May, page 16)
4GB CompactFlash Card For All Digicams, by George Schaub (May, page 84)
New Films, by Robert E. Mayer (June, page 64)
Lighting, by Jack Neubart (June, page 86)
Bags, Lighting, Tripods, Photo Gear And Accessories..And More, by Robert E. Mayer (June, page 112)
A Gallery Of Filters, by Darryl C. Nicholas (July, page 16)
Three Essential Film Filters Vs. Digital Filter Software, by Tony Sweet (July, page 51)
Kodak’s Portra 800 Film, by Steve Bedell (July, page 70)
Practos Exposure Meter, by Roger W. Hicks (July, page 168)
White Lightning’s X-Series Monolights, by Jay Abend (August, page 116)
Kodak’s 100 And 400 Ultra Color Professional Films, by Peter K. Burian (September, page 90)
Spot Meters, by Joseph A. Dickerson (October, page 57)
Making One Light Two, by Steve Bedell (October, page 60)
Off-Camera Lighting, by Jay Abend (October, page 62)
Balcar’s AQ Lighting System, by Jay Abend (October, page 82)
Calumet’s LiteLink Radio Remote Trigger System, by Jay Abend (October, page 94)
Adorama Monolights, by Joe Farace (October, page 114)
Bowens’ Pulsar Radio Trigger System, by Joe Farace (October, page 120)
35mm Tri-X Celebrates Its 50th, by Frances E. Schultz (November, page 48)
Portable Power on Location, by Jay Abend (November, page 86)
Silver And Oil, by Jack Jeffers (December, page 60)
Quantum’s Leap, by Joe Farace (December, page 80)

35mm Cameras

Pentax’s *ist 35mm Camera, by Peter K. Burian (January, page 44)
Covering The Photo Beat, by Robert E. Mayer (March, page 184)
New 35mm SLR And Rangefinder Cameras, by Peter K. Burian (June, page 28)
The Leica MP, by Roger W. Hicks (December, page 86)
Canon’s EOS ELAN 7NE, by Stan Trzoniec (December, page 112)

Darkroom

An Enhanced Multicontrast Printing Technique, by Bill Davis (February, page 184)
Using The Shadow/Highlight Tool, by Darryl C. Nicholas (May, page 22)
Toward A Kinder, Gentler Camera, by Frances E. Schultz (June, page 180)
A Gallery Of Filters, by Darryl C. Nicholas (July, page 16)
B&W Film Developing Made Easy: Do-It-Yourself Tips & Techniques, by Frances E. Schultz (September, page 58)
The Holga Enlarger, by Dave Howard (September, page 114)
Setting The Black Point, by Darryl C. Nicholas (September, page 184)
The Large Format Darkroom, by Frances E. Schultz (October, page 124)
Create A Background For Portrait Candids, by Darryl C. Nicholas (November, page 20)
Silver and Oil, by Jack Jeffers (December. page 60)
Working With Imperfection, by Frances E. Schultz (December, page 178)

How-To And Techniques

Take A Photo Safari To Texas, by Rick Sammon (January, page 18)
Photographing People Of Color, by Monte Zucker (January, page 28)
Using Photoshop To Correct For Color Casts, by Darryl C. Nicholas (January, page 30)
The View From The Sidelines: Shooting NFL Football With The Pros, by Jay Abend (January, page 67)
Passport—Travel & Location: Take Stock, by Jack Hollingsorth (February, page 8)
Red, Blue, And Green...by Monte Zucker (February, page 12)
Controlling “Impossible” Reflections, by Ben Clay/Web Photo School (February, page 18)
Urban Elegance: Personalize Your Images, by Richard Lotman Brown (February, page 100)
Digital Isn’t For Everyone, by Monte Zucker (March, page 12)
Portrait Backgrounds, by Darryl C. Nicholas (March, page 24)
A Digital Convert Tell’s All About...The Good, The Bad, And The Ugly Of Switching, by Clint Farlinger (March, page 113)
On Location At Carnival: Six Photographers Talk About Their Pic...And Along The Way Enter The Film/Digital Debate, by Jonathan Franklin (March, page 116)
Is This The Ultimate Image Composite? Scavengers Tell The Story, by Robert Inouye (March, page 120)
10 Rules For Top Digital Quality: Format, Exposure, Highlight Control, And More, by Steve Bedell (March, page 124)
Raw Image Converter Essentials: How To Choose The Best One For Your Work, by Uwe Steinmueller (March, page 130)
Marketing Your Style, by Maria Piscopo (April, page 16)
Creating Cinematic Lighting The Easy Way, by Ben Clay/Web Photo School (April, page 22)
The Art Of Photographic Recreation: How To Make An Image From The Mind’s Eye, by David B. Brooks (April, page 88)
Formal Bridal Portraiture: A Posing Guide For The “New” Elegance, by Monte Zucker (April, page 102)
How To Photograph Big Groups: Simple Guidelines For Great Results, by Steve Bedell (April, page 106)
Have Cameras...Will Travel! by Monte Zucker (May, page 18)
Using The Shadow/Highlight Tool, by Darryl C. Nicholas (May, page 22)
Earth’s Shadow: Wait For The Right Light, by Frank Weston (May, page 31)
Old Growth Forests Of The East: Abundant Photo Ops Await In Hard-To-Find Places, by Clint Farlinger (May, page 34)
Wildlife Model Shoots: Great Shots Under “Controlled Conditions,” by Don Mammoser (May, page 38)
Second Thoughts: Personalizing The Landscape, by Barry Tanenbaum (May, page 44)
Double Exposures: Double The Trouble, But Double The Fun! by Dave Wade (May, page 52)
A Digital Trip To Paris: On The Road With Cameras, Batteries, Computer, Cords, And More, by Susan McCartney (May, page 58)
Shooting In The City, by Rick Sammon (May, page 106)
The State Of Stock Photography, by Maria Piscopo (May, page 164)
Change Everything, by Jack Hollingsworth (June, page 9)
Have Camera...Will Travel! by Monte Zucker (June, page 16)
How To Improve Your Internet Marketing, by Maria Piscopo (June, page 192)
Shootin’ & Scootin’ In Bangkok, by Rick Sammon (July, page 10)
Getting Back To The Basics, by Monte Zucker (July, page 20)
Wild Horses, by Steve Anchell (July, page 28)
What Color Is Your Umbrella? by Joe Farace (July, page 160)
Marketing Trends Today, by Maria Piscopo (July, page 170)
The Business Side, by Jack Hollingsworth (August, page 10)
Marketing Fine Art Photography, by Maria Piscopo (August, page 16)
Dancing Around The Format, by Monte Zucker (August, page 20)
Vintage Lenses On Digital SLRs? How To Recycle Old Lenses With Adapters, by Gene Wilburn (August, page 46)
Wide-Open: Walking The Knife’s Edge Of Shallow Depth Of Field, by Jay Abend (August, page 62)
Photographing Beauties And Beasts In Florida, by Rick Sammon (September, page 10)
The Stuff Dreams Are Made Of, by Monte Zucker (September, page 14)
Raw File Format And Image Quality: What It’s Got And How To Get The Most From It, by David B. Brooks (September, page 66)
Building A Photographic Community, by Maria Piscopo (September, page 156)
The Spontaneous Eye, by Maria Piscopo (October. page 16)
Photographing During The Witching Hour, by Steve Anchell (October, page 20)
Sharing The Secrets Of The Craft, by Monte Zucker (October, page 36)
Point Of View, by Monte Zucker (November, page 16)
Getting Started As A Pro, by Maria Piscopo (November, page 176)
Shutterbug’s Alaskan Cruise, by Monte Zucker (December, page 14)
Building Your Digital Event Photography, by Maria Piscopo (December, page 26)
An Insider’s Look At Food Photography, by Dennis Davis (December, page 56)

Lenses

“Real” Rebels, Exclusive Lenses, And More, by Joe Farace (February, page 172)
Interchangeable Lenses, by Peter K. Burian (June, page 40)
The Nikon AF-S DX Zoom 12-24mm f/4G ED-IF Lens, by Stan Trzoniec (July, page 116)
Wide-Open: Walking The Knife’s Edge Of Shallow Depth Of Field, by Jay Abend (August, page 62)
Image Stabilizers And Anti-Shake Systems: Do They Do The Job, And Are They Worth The Premium Price? by Peter K. Burian (August, page 64)
There’s More To Lenses Than Focal Length: Six Thoughts On Buying Your Next Lens, by Roger W. Hicks (August, page 66)
Tamron’s SP AF17-35mm F/2.8-4 Di LD Aspherical [IF] Zoom, by Peter K. Burian (August, page 72)
Nikon’s AF-S VR Zoom-Nikkor 24-120mm f/3.5-5.6G ED-IF Lens, by Stan Trzoniec (August, page 88)
Tamron’s SP AF90mm F/2.8 Di Macro (1:1), by George Schaub (September, page 52)
Canon’s EF 70-300mm f/4.5-5.6 DO IS USM, by Peter K. Burian (November, page 112)
Sigma’s 80-400mm f/4.5-5.6 EX OS APO, by Peter K. Burian (November, page 122)
Zuiko Digital 300mm f/2.8 ED And 11-22mm f/2.8-3.5 Lenses, by Peter K. Burian (December, page 92)

Medium & Large Format Systems

Hasselblad’s H1 & Kodak’s Pro Back 645H, by Uwe Steinmueller (January, page 54)
Entry-Level Field Camera Shootout Serious 4x5s For Under $1000: Mission Impossible? by Joseph A. Dickerson (January, page 70)
Medium Format Update: Does 120/220 Offer The Best Of Film...And Digital? by George Schaub (January, page 100)
6x9 View/Field Cameras: Little Cameras, Big Results, by Joseph A. Dickerson (July, page 54)
Entry-Level Large Format, by Joseph A. Dickerson (November, page 54)
Olympus’ E-300 EVOLT, by Joe Farace (December, page74)

Miscellaneous

Working With A Photo Rep, by Maria Piscopo (January, page 164)
The Law Of Unintended Consequences Redux, by Joe Farace (January, page 196)
Face Value: Jack Neal’s Portrait Partnerships, by Barry Tanenbaum (February, page 93)
Digital Transitions, by Maria Piscopo (February, page 166)
Covering The Photo Beat, by Robert E. Mayer (February, page 170)
Destination: Fort Worth, Texas, by Rick Sammon (March, page 20)
Covering The Photo Beat, by Robert E. Mayer (March, page 184)
Reach Out And Photograph Someone...by Joe Farace (March, page 209)
Bogen Files High On Wings Of Smithsonian: New Air And Space museum Is Now Shown In The Right Light—For All To See, by Jack Neubart (May, page 70)
Covering The Photo Beat, by Robert E. Mayer (July, page 34)
Covering The Photo Beat, by Robert E. Mayer, (August, page 30)
Real Or Photoshop? by Joe Farace (August, page 189)
Covering The Photo Beat, by Robert E. Mayer (September, page 28)
Digital Files Vs. Scanned Medium Format Film: We Put The Mediums To The Test, by Paul Mozell (September, page 60)
Small Wonders, by Joe Farace (September, page 154)
Flight Plans, by Jack Hollingsworth (October, page 10)
Covering The Photo Beat, by Robert E. Mayer (October, page 26)
What’s New In Binoculars?, by Peter K. Burian (October, page 64)
Roadside USA Offers Wonderful Photo Opps, by Rick Sammon (November, page 12)
Covering The Photo Beat, by Robert E. Mayer (November, page 28)
The Classical Portrait Still Commands Respect, by Steve Bedell (November, page 51)
My Back Pages, by Jack Hollingsworth (December, page 9)
Covering The Photo Beat, by Robert E. Mayer (December, page 42)
Instant Exposure Check: How And Why To Use Your Histogram, by Uwe Steinmueller (December, page 62)
Holiday Books: For The Digital Photographer, by Joe Farace (December, page 66)
Holiday Books: For The Traditional Photographer, by C.A. Boylan (December, page 68)

Show Reports

Shutterbug’s Exclusive PMA 2004 Report, by George Schaub (June, page 24)
Digital SLRs, by Joe Farace (June, page 26)
New 35mm SLR And Rangefinder Cameras, by Peter K. Burian (June, page 28)
The Megapixel Race Heats Up... by Uwe Steinmueller (June, page 30)
Digital Backs, by Joe Farace (June, page 36)
Interchangeable Lenses, by Peter K. Burian (June, page 40)
Point-And-Shoot Digicams, by Jack Neubart (June, page 50)
New Films, by Robert E. Mayer (June, page 64)
Scanners, by Joe Farace (June, page 68)
Memory Cards, by Joe Farace (June, page 70)
Digital Printers And Papers, by Joe Farace (June, page 74)
Software, by Joe Farace (June, page 80)
Lighting, by Jack Neubart (June, page 86)
Digital Accessories, by Robert E. Mayer (June, page 102)
Bags, Lighting, Tripods, Photo Gear And Accessories..And More, by Robert E. Mayer (June, page 112)
Best Of Show, (June, page 122)
Manufacturers And Distributors, (June, page 204)

Digital Cameras

Cambo’s Ultima 35, by Jay Abend (January, page 34)
“Real” Rebels, Exclusive Lenses, And More, by Joe Farace (February, page 172)
The Olympus E-1, by George Schaub (March, page 90)
Kodak’s Vintage DCS 520 Digital SLR Is Now A Bargain...by Jay Abend (March, page 178)
Reach Out And Photograph Someone...by Joe Farace (March, page 209)
Sekonic’s Dualmaster L-558, by Paul Mozell (April, page 46)
Sigma’s SD10 Digital Camera, by Peter K. Burian (April, page 60)
Minolta’s DiMAGE A1, by Jack Neubart (April, page 74)
A Digital Trip To Paris: On The Road With Cameras, Batteries, Computer, Cords, And More, by Susan McCartney (May, page 58)
Digital SLRs, by Joe Farace (June, page 26)
The Megapixel Race Heats Up... by Uwe Steinmueller (June, page 30)
Point-And-Shoot Digicams, by Jack Neubart (June, page 50)
First Look: New Epson R-D1 Camera, by David B. Brooks (July, page 68)
The Nikon D2H, by Uwe Steinmueller (July, page 86)
Kodak’s Pro SLR/n, by Jay Abend (July, page 102)
Canon’s EOS-1D Mark II, by Joe Farace (August, page 108)
Casio’s EXILIM Pro, by George Schaub (September, page 46)
Fujifilm’s FinePix S20 Pro--Small Camera, Big Results, by Steve Bedell (October, page 86)
Be Careful What You Wish For, by Joe Farace (October, page 162)
Olympus’ Ferrari Digital Model 2004, by Joe Farace (November, page 42)
Nikon’s D70 D-SLR, by George Schaub (November, page 102)
Enquiring Minds Want To Know, by Joe Farace (November, page 180)
Stocking Stuffers, by Joe Farace (December, page 116)

Profiles And Portfolios

Natural World—Ryan White, by Jay McCabe (January, page 12)
Franklin B. Way: Perfection In Color, by Rosalind Smith (January, page 74)
Change Of Plans—Jaime Cancio, by Jay McCabe (February, page 22)
Clyde Butcher: A Photographer In The Heart Of The Everglades, by Rosalind Smith (February, page 96)
Light And Shadow—Tyler Lankford, by Jay McCabe (March, page 28)
Why People Pictures? by Jack Hollingsworth (April, page 10)
Discoveries—Gordon Stillman, by Jay McCabe (April, page 36)
The Mystique Remains: The World According To Daniel Morduchowicz, by Rosalind Smith (April, page 99)
Earth’s Shadow: Wait For The Right Light, by Frank Weston (May, page 31)
Old Growth Forests Of The East: Abundant Photo Ops Await In Hard-To-Find Places, by Clint Farlinger (May, page 34)
Wildlife Model Shoots: Great Shots Under “Controlled Conditions,” by Don Mammoser (May, page 38)
Second Thoughts: Personalizing The Landscape, by Barry Tanenbaum (May, page 44)
Blue Light—Patricia Auger, by Jay McCabe (May, page 120)
The Others—Ben Haynes, by Jay McCabe (June, page 14)
Grace Notes—Allison Gretsuk, by Jay McCabe (July, page 42)
John Isaac: Back To Nature And Home Again, by Rosalind Smith (July, page 58)
The Call Of The Wild: Daryl Hawk Goes It Alone, by Barry Tanenbaum (July, page 62)
Late Night—Cheryl Mayhew, by Jay McCabe (August, page 26)
Balancing Act: Rod Planck Works Both Sides Of The Creative Fence, by Barry Tanenbaum (August, page 54)
George DeWolfe: Where The Eye And The Spirit Meet, by Rosalind Smith (August, page 58)
Changes—Adam Paine, by Jay McCabe (September, page 18)
Winifred Meiser: Through Children’s Eyes, by Rosalind Smith (September, page 55)
Treatments—Katherine Cochrane, by Jay McCabe (October, page 54)
Karen Kasmauski, by Jay McCabe (November, page 9)
Homework—Jorel Cuomo, by Jay McCabe (November, page 26)
Hollywood Still Photography, by Patrick Ecclesine (November, page 56)
Earth From Above: Yann Arthus-Bertrand’s Global Vision, by I.J. Schecter (November, page 60)
Alexander Gardner, by Fred Rosen (November, page 184)
A Yearning For The Wilderness: The Photography Of Brad Washburn, by Rosalind Smith (December, page 53)

Test Reports

Cambo’s Ultima 35, by Jay Abend (January, page 34)
Namo’s WebEditor Version 5.5, by Chris Maher and Larry Berman (January, page 40)
Pentax’s *ist 35mm Camera, by Peter K. Burian (January, page 44)
Hasselblad’s H1 & Kodak’s Pro Back 645H, by Uwe Steinmueller (January, page 54)
Canon’s CanoScan LiDE 80 Flat-Bed Scanner, by David B. Brooks (January, page 62)
Jasc Software’s Paint Shop Pro 8, by Cris Daniels (January, page 78)
LaserSoft’s SilverFast DCPro, by David B. Brooks (January, page 88)
Canon’s i9100 Photo Printer, by David B. Brooks (February, page 42)
Transform Your Photos Into Art With Corel’s Painter 8, by Howard Millard (February, page 54)
Sigma’s 120-300mm f/2.8 APO HSM Zoom Lens, by Jay Abend (February, page 66)
Maco’s Cube 400c, by Roger W. Hicks (February ,page 70)
Kodak’s New Tri-X, by Frances E. Schultz (February, page 76)
Fujifilm’s FinePix F700 Digicam, by George Schaub (February, page 86)
Interfit Flat Panel Electronic Flash, by Jack Newbart (March, page 62)
Adobe Creative Suite/Photoshop CS (8.0), by David B. Brooks (March, page 70)
Eye-One Photo, by Cris Daniels (March, page 82)
The Olympus E-1, by George Schaub (March, page 90)
ACDSee PowerPack 6.0, by Joe Farace (March, page 106)
Sekonic’s Dualmaster L-558, by Paul Mozell (April, page 46)
The JTL Versalight D—Digital Monolights, by Jay Abend (April, page 50)
Sigma’s SD10 Digital Camera, by Peter K. Burian (April, page 60)
Minolta’s DiMAGE A1, by Jack Neubart (April, page 74)
Nikon’s Coolscan V ED, by Peter K. Burian (May, page 86)
QPcard’s QPcolorkit 1, by Jay Abend (May, page 100)
Kodak’s Portra 800 Film, by Steve Bedell (July, page 70)
Epson Perfection 4870 Pro, by David B. Brooks (July, page 78)
The Nikon D2H, by Uwe Steinmueller (July, page 86)
Kodak’s Pro SLR/n, by Jay Abend (July, page 102)
The Nikon AF-S DX Zoom 12-24mm f/4G ED-IF Lens, by Stan Trzoniec (July, page 116)
Tamron’s SP AF17-35mm F/2.8-4 Di LD Aspherical [IF] Zoom, by Peter K. Burian (August, page 72)
Nikon’s AF-S VR Zoom-Nikkor 24-120mm f/3.5-5.6G ED-IF Lens, by Stan Trzoniec (August, page 88)
Epson’s Stylus Photo R800, by David B. Brooks (August, page 100)
Canon’s EOS-1D Mark II, by Joe Farace (August, page 108)
White Lightning’s X-Series Monolights, by Jay Abend (August, page 116)
Monaco’s EZcolor/OPTIXXR, by Howard Millard (September, page 78)
Kodak’s 100 And 400 Ultra Color Professional Films, by Peter K. Burian (September, page 90)
Epson’s New Stylus Pro 4000, by David B. Brooks (September, page 100)
The Holga Enlarger, by Dave Howard (September, page 114)
Balcar’s AQ Lighting System, by Jay Abend (October, page 82)
Fujifilm’s FinePix S20 Pro--Small Camera, Big Results, by Steve Bedell (October, page 86)
Calumet’s LiteLink Radio Remote Trigger System, by Jay Abend (October, page 94)
Canon’s i9900 Photo Printer, by David B. Brooks (October, page 100)
Adorama Monolights, by Joe Farace (October, page 114)
Bowens’ Pulsar Radio Trigger System, by Joe Farace (October, page 120)
Are LCD Flat Panel Displays Ready For The Digital Darkroom?, by David B. Brooks (November, page 74)
Portable Power On Location, by Jay Abend (November, page 86)
ImagePrint RIP, by Jon Canfield (November, page 94)
Nikon’s D70 D-SLR, by George Schaub (November, page 102)
Canon’s EF 70-300mm f/4.5-5.6 DO IS USM, by Peter K. Burian (November, page 112)
Sigma’s 80-400mm f/4.5-5.6 EX OS APO, by Peter K. Burian (November, page 122)
Quantum’s Leap, by Joe Farace (December, page 80)
The Leica MP, by Roger W. Hicks (December, page 86)
Zuiko Digital 300mm f/2.8 ED And 11-22mm f/2.8-3.5 Lenses, by Peter K. Burian (December, page 92)
The Microtek ScanMaker i900, by David B. Brooks (December, page 102)
Canon’s EOS ELAN 7NE, by Stan Trzoniec (December, page 112)

Classic And Historic Cameras

Kowa Rollfilm SLRs, by Roger W. Hicks (January, page 166)
Retina IIa, by Roger W. Hicks (February, page 162)
Kodak’s Vintage DCS 520 Digital SLR Is Now A Bargain...by Jay Abend (March, page 178)
Zorkii 4K, by Roger W. Hicks (April, page 162)
The Mamiya Super 23, by Harry Price (May, page 26)
What’s Hot In The Tokyo Used Camera Biz? Classic Imports Command Top Dollar, by S. “Fritz” Takeda (September, page 62)
Polaroid 600 SE, by Roger W. Hicks (September, page 150)
Vintage 4x5 Field Cameras, by Rick Shimonkevitz (October, page 150)
The Linhof Kardan Color 45s, by Harry Price (November, page 172)
The Linhof Technika 70, by Rick Shimonkevitz (December, page 121)

Digital Accessories

The JTL Versalight D—Digital Monolights, by Jay Abend (April, page 50)
What’s In Your Utility Belt? by Joe Farace (April, page 180)
4GB CompactFlash Card For All Digicams, by George Schaub (May, page 84)
Digital Backs, by Joe Farace (June, page 36)
Memory Cards, by Joe Farace (June, page 70)
Digital Accessories, by Robert E. Mayer (June, page 102)
Wacom Intuos3 Professional Pen Tablets, by George Schaub (October, page 78)

Scanners, Printers, Inks & Papers

Canon’s CanoScan LiDE 80 Flat-Bed Scanner, by David B. Brooks (January, page 62)
Reach Out And Photograph Someone...by Joe Farace (March, page 209)
Nikon’s Coolscan V ED, by Peter K. Burian (May, page 86)
Scanners, by Joe Farace (June, page 68)
Digital Printers And Papers, by Joe Farace (June, page 74)
Epson Perfection 4870 Pro, by David B. Brooks (July, page 78)
Epson’s Stylus Photo R800, by David B. Brooks (August, page 100)
Epson’s New Stylus Pro 4000, by David B. Brooks (September, page 100)
Canon’s i9900 Photo Printer, by David B. Brooks (October, page 100)
The Microtek ScanMaker i900, by David B. Brooks (December, page 102)

Software

Namo’s WebEditor Version 5.5, by Chris Maher and Larry Berman (January, page 40)
Jasc Software’s Paint Shop Pro 8, by Cris Daniels (January, page 78)
LaserSoft’s SilverFast DCPro, by David B. Brooks (January, page 88)
Adobe Creative Suite/Photoshop CS (8.0), by David B. Brooks (March, page 70)
Eye-One Photo, by Cris Daniels (March, page 82)
ACDSee PowerPack 6.0, by Joe Farace (March, page 106)
QPcard’s QPcolorkit 1, by Jay Abend (May, page 100)
Software, by Joe Farace (June, page 80)
Three Essential Film Filters Vs. Digital Filter Software, by Tony Sweet (July, page 51)
Monaco’s EZcolor/OPTIXXR, by Howard Millard (September, page 78)
Adobe’s Photoshop Elements 3.0, by Joe Farace (November, page 18)
ImagePrint RIP, by Jon Canfield (November, page 94)